Paperback 1163: Savage Triangle / Louis-Charles Royer (Pyramid 134)

Paperback 1163: Pyramid 134 (PBO, 1954)

Title: Savage Triangle

Author: Louis-Charles Royer (tr. Lawrence G. Blochman)

Cover artist: Uncredited 

Condition: 7/10 

Value: $10

Best things about this cover: 

• The long-awaited follow-up to Cruel Square and Feral Circle!
• Pretty sure I know who the "bad girl" is in this scenario? I'm betting on the bespangled, dark-haired drunk with the breadstick fingers.
• Love when they make paperback covers out of discarded aftershave ads.
• Dude is looking straight down her dress. 
• Blonde: "Frank never stares down my dress like that!" [tears forearms savagely]
• [extreme B-52s voice] "Love Camp, / Baby, Love Camp!" 

Best things about this back cover: 

• Is this all she does? Stand around and watch her boyfriend make out with other ladies? She needs another hobby.
• Carmela! Stephan! ... Elsie!? Wow, you can really tell who the third wheel is here. Passion! Romance! ... Moooooo!
• I kinda like this little b&w watercolor sketch, actually. Better than just reproducing the cover art on the back.
• Ah yes, the passionate, dark Italian woman and the frigid, blonde virgin. "I fear womanhood, I desire womanhood, I'm a virgin who's going mad, what will they call me!?"
• "An act of murder brought them together." Classic meet-cute!

Page 123~

Neither woman dared question Kocheff, and he ate his soup in silence

Timeless story structure: Boy meets girl, boy meets other girl, boy eats soup.

~RP

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Paperback 1149: Mr. Parker Pyne, Detective / Agatha Christie (Dell 550)

Paperback 1149: Dell 550 (1st ptg, 1951)

Title: Mr. Parker Pyne, Detective

Author: Agatha Christie

Cover artist: Rafael de Soto

Condition: 7+/10

Value: $8

[Autumn Leaves, Ithaca, NY, summer '25]

Best things about this cover: 

• Hey, alright, balding middle-aged bespectacled guy gets to be semi-heroic. You don't see that every day.
• This lady is really bringing the hand action. Fear Hand™ reaching out toward us, while the other hand clutches her throat. Meanwhile, the guy's hands are also pretty busy, one of them holding and guiding the young woman, the other holding a handkerchief to his face (surely a more effective survival strategy than self-strangulation)
• I assumed they were fighting their way through poisoned gas, but maybe it's just a smoke from a fire. But if it was a fire, I assume we'd be getting more clearly FIRE iconography. Where are the flames? Since when do fires give off a kind of mauve miasma?
• Rafael de Soto was one of the artists who jumped from pulps to paperbacks, and you can really see the pulp expertise here. So good at conveying drama and action, so many nice little details—the wrinkles in his brow, for instance, or her bracelet, or his surprisingly stylish purple tie. If he's gonna die, he's gonna die in style! 

Best things about this back cover: 

• Mapback! God bless Dell for the Mapback period. Every back cover a cartological adventure!
• If ever there was an image of imperialism ... Great Britain is barely on this map, but the Houses of Parliament, seem to have invaded and absolutely crushed eastern Europe and Russia.
• The iconography is perfect. Paris has the Arc de Triomphe, Britain has Parliament, Turkey's got minarets, Egypt's got pyramids, and then there's Iraq, which is represented, of course, by its world famous bus.

Page 123~

    "Oh, yes! Edward's a perfect angel." She hesitated. "Not, perhaps, very much go to him. Just a little—well, I'd call it strait-laced. Lot of Puritan ancestry and all that. But he's a dear," she added hastily.

"Where oh where did my go go? Why is it so low? I'll never know"—Edward

~RP

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Paperback 1147: Lord Edgware Dies / Agatha Christie (Fontana Books 719)

Paperback 1147: Fontana 719 (5th ptg, 1962)

Title: Lord Edgware Dies

Author: Agatha Christie

Cover artist: Uncredited

Condition: 8/10

Value: $20

[Autumn Leaves, Ithaca, NY, August 2025]

Best things about this cover: 

• OK so I have a theory about how Lord Edgware dies
• I love this woman. I love her hat and her veil and her refusal to let anything (anything!) else be in the picture except her. I want to marry this woman, I'm sure it would be fine
• If I see British vintage paperbacks, or any non-US vintage paperbacks, and they're in any kind of condition, I buy them. This one was part of a massive Christie haul that I took out of Autumn Leaves a couple months back. So, yeah, prepare for a Christie onslaught!

Best things about this back cover: 

• "Was it really she who committed the murder?" Me, looking at front cover: "Yeah, pretty sure."
• Actually, if you ask "was it really she who committed the murder?" on the damned back cover, I'm gonna rule out precisely one person as the murderer. Thanks a lot.
• Shoulda called it Poirot Probes Industriously. Everybody dies, but how many probe industriously? Bloody few, I'd say.
• The layout here is inexcusably messy. Non-indented, non-separated paragraphs, all crammed down low on the page. And "effects a startling denouement"?! Were Brits just not fluent in pulp patter? You're selling murder mysteries here, not reviewing Chekhov, come on!

Page 123~

"I do not play games. You know that. Murder is not a game. It is serious. And anyway, Hastings, you should not use that phrase—playing the game. It is not said anymore. I have discovered that. It is dead. Young people laugh when they hear it. Mais oui, young beautiful girls will laugh at you if you say 'playing the game' and 'not cricket.'"

Wait, you mean 'not cricket' is out of style!? Since 1933!? No wonder young beautiful girls are always laughing at me!

~RP

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Paperback 1108: Double Sin / Agatha Christie (Dell 12144)

Paperback 1108: Dell 12144 (1st New Dell, 1980)

Title: Double Sin

Author: Agatha Christie

Cover artist: Uncredited

Condition: 6

Value: $6

Best things about this cover: 

• Hey kid, you got a little ... just ... on your mouth there ... no ... I'm a mirror ... my right, your left ...
• For some reason, Random Heap of Objects is a common Christie cover motif
• Who would arrange this stuff like this? What are the jewels even doing? How is that gun standing on end? Who would sculpt such a creepy wide-eyed kid? As you can see, all the blood is the least of my concerns
• Why is Hercule Poirot not also "incomparable" (or something like it)? Where's his hyperbolic adjective? I think he's earned it. 

Best things about this back cover: 

• This cover copy makes it sound like Marple and Poirot team up, or at least interact in some way, but I'm pretty sure this is a collection of short stories, none of which feature both detectives at the same time. Calling them an "unstoppable combination" is at least a little misleading.
• What year do UPC codes start appearing on paperback books? A truly evil year, that.
• This back cover is boring, the design uninspired. The corners of the text frame are vaguely deco-ish, which I guess is supposed to evoke the era in which the stories are set, but ... meh. I do kinda like the mirrored "A"s at the front and back of "AGATHA," but that may be the only design element here that I like.

Page 123~

An idle young man, she thought, but good-looking.

Finally—horny Miss Marple! It's what we've all been waiting for.

~RP

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Paperback 1101: Slipping Beauty / Jerome Weidman (Avon 322)

 Paperback 1101: Avon 322 (1st ptg, 1951)

Title: Slipping Beauty

Author: Jerome Weidman

Cover artist: [Ray Johnson]

Condition: 8/10 (cover kind of warps away from the pages at the corners a bit, but otherwise square and bright)

Value: $15

[The Book Den, Santa Barbara, CA]

Best things about this cover: 

• When you're in the theater with your children and suddenly realize you've misread the marquee... "Mommy, that lady's not sleeping ... mommy ... can I get a cigarette holder?"
• This is really first-rate girl art. I love this dame: sexy, bored, comfortable in her sexy boredness. He does a good job with her body & profile but he does an even better job with her whole Attitude. High-end hardboiled.
• I like the palette on this cover, too. Real cool. The icy blue is unusual, and complements the pinkish lingerie and flesh tones really well.

Best things about this back cover: 

• Loooooove a good author photo, and this one is good. Gotta be smoking, of course, but I love how this is less author photo and more cover adornment. He's *this* close to looking like a logo.
• LOL those *eternal* ellipses in the New York Times quotation. Like the reviewer is thinking of something diplomatic to say and is like "... uh ... meaty? ..."
• "Cataloguer of heels"—if I were Weidman, I'd put that on my business card *immediately*

Page 123~ (from "Everybody Wants to Be a Lady")

Well, my husband Mac, he's the nicest fellah you ever wanna meet and all that, but when it comes to things like this, God bless him, if you don't put the words in his mouth, he don't know what to say.

Ah, to live in a time when people said "fellah" and spelled it with an "h." Glory days. 

~RP

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Paperback 1080: Maharajah / Richard Cargoe (Popular Library 451)

Paperback 1080: Popular Library 451 (1st ptg, 1952)

Title: Maharajah

Author: Richard Cargoe

Cover artist: [Raymond Johnson]

Condition: 5/10 (intact, but with split spine)

Value: $6-10

[Another book from the recently acquired Larry D Collection]

Best things about this cover:

• At first it looks like he's scratching his chin as he's contemplating his next move, but then you look closer and realize he is nibbling. On a grape. And cupping a whole bunch of grapes in his other hand. And she's like "Yes, you like nibbling on my grapes ... there is much more fruit where that came from ... but I'm going to hold it over here out of view ... I know you are hungry for my fruit, but I will not simply give you the fruit; you are going to have to work for my fruit? I withhold the fruit until you are good and hungry. You are hungry, yes?" Fruit doing a Lot of work on this cover.  
• Dude's eyes are intense, predatory, vaguely insane. They are almost enough to distract you from the bright white shaving brush growing out of his forehead. Almost.
• I love these covers where intense desire is conveyed in a backward glance that totally defies the laws of physics (no way she can see him even peripherally from that angle) but still *feels* smolderingly real.

Best things about this back cover:

• Ah, Orientalism. How I don't really miss you. The "exotic" natives doing their carnal things in fancy garb, served up for westerners to gawk at. Like the fruit on the front cover, "exotic" is doing a lot of work here (as well as on the front cover!)
• I see how "INTRIGUE IN INDIA" might seem to have some inherent alliterative appeal, but it's really rather dull.
• Tbh I'm kinda invested in the storyline now. Team Tegra, for sure. That Halim guy seems like a jerk I would not like to have a beer with.

Page 123~

They are blackmailing us into a state of perpetual fear. I keep remembering how the tiger clawed off the monkey's limbs one by one. They may murder one person each day—every day they may murder a little closer to the throne. Have you thought of that?

Have I thought of what? I'm still thinking about the monkey. Is he OK? Did he get revenge? You can't just start a tiger/monkey story and then abandon it like that, man. You gotta see it through. Now bring me some fruit and start over.

~RP

P.S. the cover artist is Raymond Johnson. This exact painting was on the cover of Illustration #77, which contains a big article on Johnson:

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Paperback 1050: Bogus Lover / Hy Silver (Newsstand Library U136)

Paperback 1050: Newsstand Library U136 (PBO, 1960)

Title: Bogus Lover
Author: Hy (ho?) Silver
Cover artist: Robert Bonfils

Condition: 8/10
Estimated value: $15

Best things about this cover:

• I love her girl-about-town, devil-may care look. I'm not sure who's throwing bras and mannequin heads at her, but she doesn't seem fazed.
• That blue is exquisite.
• They've certainly, uh, made sure to emphasize her torso profile. The extensive boob shadow is kinda overkill. It's like, yeah, we see. They're lovely.
• The valentine on the mannequin's face is so freaky. What is even happening here!?

Best things about this back cover:

• Argh, too much text!
• I'm pretty sure that "crunched" is the wrong word for what casting couches do when you put your lustful weight on them, but admittedly this isn't really my bailiwick. Maybe someone got sloppy with corn chips?
• "Hey boss, how many 'm's in Peggy's "'Mmmmmmmm?'" "That depends. Is she lustful?" "Oh, yes, sir. Very." "Then ... Eight!" "But, sir, that's ... that's two more than we've ever done. Are you su—" "I'M TRYIN' TO SELL BOOKS HERE, MAN, JUST DO IT!" (/scene)
• Wait. Peggy? Then who's Wanda? We lost gentle Wanda somewhere between paragraphs two and three. Oh, the boss is not gonna be happy about this...

Page 123~

"I guess we're both stupid," he said as he started the engine.

Real talk.

~RP

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Paperback 1045: Abnormal Lover / Clark Connor (Merit Book 507)

Paperback 1045: Merit Book 507 (2nd ptg, 1961)

Title: Abnormal Lover
Author: Clark Connor
Cover artist: "Sloane" (uncredited)

Condition: 8/10
Estimated value: $20-25

[Newest addition to the Doug Peterson Collection]

Best things about this cover:

• Jesus H, what kind of corset injury did she suffer as a young woman!?
• I love how she's like, "Yeah, they're stretch marks, so what!? I don't see you looking away!"
• I'm all for that vest-only look, but the pants seem a little ... bunchy.
• O god, her hand! Was that part of the corset accident!? I'm just glad she overcame adversity and went on to live her truth.
• "Bru-" is killing me. KILLING ME. How are you this bad at layout!?
• I assume her left pinky is the "point of perversion" in question.

Best things about this back cover:

• Better in black and white
• And the winner for Worst Compound Adjective in a Back Cover Blurb goes to ...
• I love how proud the artist ("Sloane!") was of this painting. "Y'all aren't cropping out my signature, dammit. I WILL LIVE THRU THE AGES!"

Page 123~

"I can't, Raymond. I don't have time to see Art Meric. I have to leave on a trip. A very important trip, Raymond!"
A long silence.
"What's wrong, Raymond? Raymond! Raymond!"

"I"m not going to be IGNORED, Raymond..."

Also

🎶"Everywhere around the world / They come to see Art Meric-a"🎶

~RP

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Paperback 987: New York: Confidential / Jack Lait & Lee Mortimer (Dell 1534)

Paperback 987: Dell 1534 (2nd ptg, 1951)

Title: New York: Confidential
Author: Jack Lait & Lee Mortimer
Cover artist: Robert Stanley

Estimated value: $12-15
Condition: 8/10

Best things about this cover:

• Guys! Dolls! Together!
• Robert Stanley's people are always ridiculously rich and creamy.
• Seriously, the art is gorgeous. That dark aquamarine NYC night sky somehow works perfectly.

Best things about this back cover:

• Map! Back! Mapback!
• It's a pretty dang dull map, from a design point of view, but the "Key" on p. 240 is amazing. All those little numbers on the map represent "Hotels," "Night Clubs & Restaurants," "Theaters," and "Shopping":

Also, there are appendices of cool info like "Headwaiters' Names" (!?) and a "Glossary of Harlemisms":



Page 123~

Do not use cheap perfume when night-clubbing (or at any time).

~RP

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Paperback 981: Hangover House / Sax Rohmer (Graphic 78)

Paperback 981: Graphic 78 (1st ptg, 1954)

Title: Hangover House
Author: Sax Rohmer
Cover artist: Uncredited

Condition: 6/10
Estimated value: $12-18

Best things about this cover:

• Dang. That's one bad hangover.
• The ever-so-delicate, blood red FEAR HAND
• The line and shape and color of her gown and gloves, truly exquisite
• Her molded plastic hair, however, yeeps.
• Fantastic eyebrows. She looks a lot like ... that actress ... from "Downton Abbey" ... Dockery? Mockery? Clockery? Yes, Dockery. Michelle Dockery. Tuesday Weld meets Michelle Dockery.
• Happy Thanksgiving! Hope you don't spend tomorrow in, well, the Hangover House.

Best things about this back cover:

• Usually gay. Screw your categories.
• Storm Kennedy LOL. Storm Kennedy, Porn Detective.
• Jeez, explain the plot more, why don't you? Ugh.

Page 123~

"Titles? Yes. Mrs. Muller was playing a published song of mine, last night—after the band had gone: Summer Is Winter When You're Not Around."

I Feel Like They've Taken My Dog to the Pound...
I'm Haunted by Demons Who Don't Make a Sound...
I've Run Your Dad's Company Into the Ground...

etc.

~RP

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Paperback 962: The Case of the Smoking Chimney / Erle Stanley Gardner (Pocket Books 6014)

Paperback 962: Pocket Books 6014 (3rd ptg, 1960)

Title: The Case of the Smoking Chimney
Author: Erle Stanley Gardner
Cover artist: [Charles Binger]

Estimated value: $8-10
Condition: 9/10

Best things about this cover:

• She's got something of the saloon about her.
• Those gloves are off-the-chart hot.
• So weird how they've given the curtains that hourglass shape. Actually, the longer I stare at the whole curtain scenario, the more it starts looking like ... something else entirely.
• Text is as if written on surface of invisible floating sphere. Strange.
• Most gigantic artist signature in cover art history and Of Course it gets cut off.

Best things about this back cover:

• Ooh, I like this. It's a great, simple, quick way of visually representing the Big Red Text.
• Sideeye!
• "The story they told was clear and obvious." No need to give you details. Your brain is doing fine providing those on its own.

Page 123~

"Well, you see it's this way," Gramps explained. "I've always been interested in crime stuff."

I feel you, Gramps.

~RP

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Paperback 959: Fools Die on Friday / A.A. Fair (Erle Stanley Gardner)

Paperback 959: Dell R105 (1st thus, 1961)

Title: Fools Die on Friday
Author: A.A. Fair (Erle Stanley Gardner)
Cover artist: Bob McGinnis

Estimated value: $10-15
Condition: 9+/10

Best things about this cover:

• It appears that either I hit some perfectly preserved AA Fair / Erle Stanley Gardner motherlode at some point in my collecting journeys, or someone sent me box of same. These books are exceedingly common, but no less glorious, art-wise. And in this condition, mwah!
• I love McGinnis's work, though I don't always share his, uh, aesthetic. There's often an icy, angular quality to his women, and the hair, dear lord, the hair. There be dragons.
• The shoes, though. The shoes. Gotta be the shoes.
• All covers are improved by martini.

Best things about this back cover:

• Math!
• Crazy calligraphic math!
• This back cover does nothing to convey how charming the Lam/Cool mysteries are.

Page 123~

She pushed back her stenographic chair, walked over to a shelf, whipped out a map, and placed it on the counter.

OK, I don't know who she is, but I'm in love.

~RP

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Paperback 958: Top of the Heap / A. A. Fair (Erle Stanley Gardner) (Dell D309)

Paperback 958: Dell D309 (1st thus, 1959)

Title: Top of the Heap
Author: A.A. Fair (Erle Stanley Gardner)
Cover artist: Robert McGinnis

Estimated value: $8-10
Condition: 8/10

Best things about this cover:

• Well, *not* the hair. That's some full-on Cruella Deville nonsense.
• If you stare at her boobs (and why not?) it's like you're looking at a very fancy black cat waiting to pounce on the spinning ball.
• I've seen some opera gloves in my time, but those are the operaiest.

Best things about this back cover:

• Oh, there she is again.
• "Was" ... and the reason we dropped the "Was" was ...?
• Is this a poem. This feels like a poem. I mean ... it's not Roethke, but it's OK.

Page 123~

"How was the money secured for the development work?"

I swear to you that that is the most exciting line on this horribly boring page. It was that or "Something about the name appealed to the investing public." Or, "Permission was given to sell the stock at par value zzzzzzzz..." etc.

~RP

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Paperback 953: Spill the Jackpot / A.A. Fair (Dell R117)

Paperback 953: Dell R117 (1st thus, 1962)

Title: Spill the Jackpot
Author: A.A. Fair (Erle Stanley Gardner)
Cover artist: Harry Bennett

Estimated value: $10-15
Condition: 9.5/10

Best things about this cover:

• So. Great. It's like a rogue's gallery of hot and shady '60s people.
• Redhead's cigarette is freaking me out. Like some sixth finger that got horribly bent backwards.
• Just genius to use the margins of the cover this way. The encroachment of text, to the point of total visual dominance, is of course one of the most lamentable trends in paperback history. This cover responds to that trend not by shrinking the art (which often happened) but by incorporating the text into the art, making the margins the place of real action. It's superior cover design.

Best things about this back cover:

• Man, that "VEGAS" font is god-awful—totally out of sync, period-wise, with the cool-modern front cover.
• Oh wow, that's a rake. I had to look at that visual element very closely to figure that out. This back cover is the Bizarro version of the front cover, i.e. it's Terribly designed.
• "Jaded pleasure seekers"! I relate to these people. JPS4LIFE!

Page 123~

Somehow, looking at her, you felt she hadn't been to bed and that she wasn't accustomed to going to sleep before daylight.

Coincidentally, Vampire Weekend was playing on the radio when I typed this out.

~RP

P.S. I found this immaculate Detective Book Club offer card sleeping safely in the pages of this book.

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Paperback 926: The Doom Stone / Cornell Woolrich (Avon T-408)

Paperback 926: Avon T-408 (PBO, 1960) (serialized in Argosy in late '30s)

Title: The Doom Stone
Author: Cornell Woolrich
Cover artist: Uncredited

Estimated value: $15 (tight and complete but super-water-damaged)

Best things about this cover:

• Vampires shower too.
•  "I said MOOD RING, mom. What am I supposed to do with a DOOM STONE?" "I thought you and your little friends could summon the dead, dear."
• No pupils, no nipples, no problem!

Best things about this back cover:

• Skeletor Eastwood and his international gang of the undead want their goddman doom stone back.
• Aw jeez, why are the men always selling their souls and the women giving their bodies. Can't we, just once, reverse that?
• "Insult to Southern womanhood"!? How? I hope the Doom Stone insults some lady's cornbread.

Page 123~

The Chinese girl in the ricksha said, in an astonishingly genuine Cockney accent that must have rubbed off on her from long association with merchant-mariners and limey tars, "Don't tyke too long, byeby. We imes to get there before the plyce closes down, doncher knaow." 

I think I will add Dr. Doncher Knaow to my list of aliases.

~RP

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Paperback 907: Treasure of the Brasada / Les Savage, Jr. (Dell 673)

Paperback 907: Dell 673 (1st ptg, 1953)

Title: Treasure of the Brasada
Author: Les Savage, Jr.
Cover artist: Stanley Borack

Estimated value: $8-12

Best things about this cover:

• She's got the whole gun / amulet / boob trifecta going. Dude's like "Whoa... easy."
• Gun-crotch nexus. Who has the phallus now, buddy!
• I think she stopped a lynching. Or else she interrupted some very risky sex play.
• Hey, it's Les Savage's son, Even Less Savage!
• I got this paperback in a vintage clothing store in Minneapolis. 

Best things about this back cover:

• Look out! Arrows!
• "The faint rattle of mesquite berries" is how I will describe the sound of my next chest cold.
• This (long!) description is vague to the point of making me not care.
• "Try it. Come on, try it. I'm here. Try it." These are some pretty mediocre 70s dance song lyrics.

Page 123~

"Let's close the poke," he said.

Early Texans had very lively idiomatic sexual expressions.

~RP

P.S. I've been pretty lax with the updates recently because of a million things, but I'm gonna try diligently to get on a (minimum) M / F posting schedule.

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Paperback 892: Dark Laughter / Sherwood Anderson (Pocket Books 878)

Paperbacks 892: Pocket Books 878 (1st ptg, 1952)

Title: Dark Laughter
Author: Sherwood Anderson
Cover artist: Tom Dunn

Estimated value: $15-20

Best things about this cover:

• Her expression is somehow both lascivious and bored. It says "You … sure, you'll do."
• Maybe if you angle your boobs toward him just a little bit more, Lady Chatterley, he'll get the hint.
• The husband … is one of my favorite cover elements of all time. Without him, you've got a pretty typical paperback cover. With him, and his ham-sized pate and his spectacles and his "can't talk, reading" and his vibrant, shlubby boredom, this cover skyrockets to comedy. "What? Sure, fuck him, don't fuck him, whatever. I gotta check my stocks…"
• Reader Michael 5000 sent me this book. Since I hardly ever check my mail at school, I didn't discover this book until very recently. I had, very, very weirdly and coincidentally, checked out Sherwood Anderson's Winesburg, Ohio that same week. Anyway, Michael sent along a nifty postcard with its own spot-on commentary:

And the back cover:


Best things about this back cover:

• Who wrote that tagline, Douglas Sirk?
• Not "love as few men have ever loved," but "love as few men ever have time to love"—like that's the issue. "Damn my 6pm squash game! I could be LOVING right now, but nooooo…"
• "… when she saw Bruce Dudley  she knew physical desire for the first time." Uh … I challenge. That is simply not a plausible statement.

Page 123~

Being in Rose's apartment that night was, for all the people who had been there, a good deal like walking into a bedroom in which a woman lies naked. They had all felt that.

I really, really wish I … knew what the hell this meant.

~RP

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Paperback 887: Replenishing Jessica / Maxwell Bodenheim (Avon 191)

Paperback 887: Avon 191 (1st ptg, 1949)

Title: Replenishing Jessica
Author: Maxwell Bodenheim
Cover artist: [Phillips & Troeger / Troeger-Phillips]

Estimated value: $12-15

[Newest addition to the Doug Peterson Collection]

Best things about this cover:

• Let's see … how to replenish Jessica? Sure, I'd say FIVE MEN oughta do it.
• This appears to be the story of how the Flash got married, settled down, and got a steady job with an insurance company. "Is this what you wanted, baby?" he seems to ask.
• The most reliably informed reseller of vintage paperbacks on abebooks describes this book as a "SEX and HEROIN NOVEL," so … that's unexpected. And brings the total to two—two possible ways to replenish Jessica.
• The only reason I still attend crossword tournaments is so that Doug Peterson can slip me some vintage paperback contraband in a dingy little plastic bag. It's all quite (appropriately) sordid.

Best things about this back cover:

• Shakespeare looks dubious about the literary merits of the publishing enterprise to which he has affixed his mug.

Page 123~

"This new school does away with all of the old qualms and quandaries, and we can certainly accomplish more when we know that sex is, well, is only the violent servant that we've hired for purposes of recreation."

Actually, the violent servant you've hired is named Tony, and it'll be $300/hr.

~RP

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Paperback 854: Spring Riot / Jay Presson (Lion 42)

Paperback 854: Lion Books 42 (1st ptg, 1950)

Title: Spring Riot
Author: Jay Presson [Jay Presson Allen, screenwriter of some note; also, a woman] [h/t Bill Crider]
Cover artist: Alan Smithee (uncredited, actually)

Estimated value: $10-15


Best things about this cover:

• "I want MORE than your body, Susan … I want … I want your green sofa. I'll give you $20."
• His face reminds me of the Jaime Sommers ("The Bionic Woman") beauty/styling head my sister got once as a gift and then left on the bricks in front of the fire and then her face did a slow horror-movie cave-in. It's a good thing we can't see the right side of his face, because I am convinced it is doing terrible things.
• Art here is just terrible. Those hands! His are practically amphibious. Hyper-slim and not convincingly human.
• I love her 1000-yard stare. "No, Steve. I'm meant for bigger, for much bigger things than this book cover."

Best things about this back cover:

• Ah, the '50s, when rape = "passion." Good times.
• I keep seeing "Kipping Silk" and thinking "that sounds like fun … what is that?"
• "His mouth closed down on hers…" For the CPR fetishist in all of us!
• I love the idea of her palm "exploding" across his mouth. Exploding palms would be a cool superpower.
• Oh, she's "evil," so it's OK. You can enjoy the rape scene with no guilt. Just don't your friends how it ends (!?!).

Page 123~

And wonder of wonders, the next day she did go docilely with him to the dentist.

I don't even want to touch that sentence. I'm gonna leave it there in all its perfect, crystalline glory.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Paperback 851: The Puzzle Planet / Robert A.W. Lowndes // The Angry Espers / Lloyd Biggle, Jr. (Ace D-485)

Paperback 851: Ace Double D-485 (PBO/PBO, 1961)

Title: The Puzzle Planet / The Angry Espers
Authors: Robert A.W. Lowndes / Lloyd Biggle, Jr.
Cover artist: Ed Emshwiller / Ed Valigursky

Estimated value: $15-20


Best things about this cover:

• Brigitte Bardot senses that things are about take a very, very freaky turn.
• That's some Left Bank space helmetry she's got going there.
• In the future, cameras will weigh 80 pounds and Mr. Clean will have Really let himself go.
• No one could stop Steve Rockwell from making the "Barbarella" prequel of his dreams!

Best things about this other cover:

• "Float, harlequin! Float to hell!"
• Mind-Bowling: It Takes Balls
• In the future, everyone and everything will orbit Rutger Hauer.

Page 123~ (from The Angry Espers)

"May I speak with Doctor Alir?" Corban asked.
"Doctor Alir is not here."
"When is she expected back?"
"She will not be back," the doctor said. "She's been … transferred."

Spoiler alert: Doctor Alir is now a pin girl in Rutger Hauer's Human Bowl-a-Rama.

~RP

[Follow Rex Parker on Twitter and Tumblr]