Ben-Hur (1959 movie)

Ben-Hur
Ben-Hur
	Original theatrical poster by Reynold Brown
Directed by	William Wyler
Screenplay by	Karl Tunberg
Based on	Ben-Hur: A Tale of the Christ; by General Lew Wallace
Produced by	Sam Zimbalist
Starring	Charlton Heston; Jack Hawkins; Haya Harareet; Stephen Boyd; Hugh Griffith; Martha Scott; Cathy O'Donnell; Sam Jaffe;
Narrated by	Finlay Currie
Cinematography	Robert L. Surtees
Edited by	John D. Dunning; Ralph E. Winters;
Music by	Miklós Rózsa
Production; company	Metro-Goldwyn-Mayer
Distributed by	Loew's, Inc.
Release date	November 18, 1959;
Running time	212 minutes
Country	United States
Language	English
Budget	$15.2 million
Box office	$146.9 million (initial release)

Ben-Hur is an epic movie of the sword and sandal genre released in 1959. It was directed by William Wyler. It stars Charlton Heston as Ben-Hur and Stephen Boyd as Messala. It is set in Ancient Rome and Ancient Judea. It tells of two men - one a Jewish prince and the other a Roman tribune - whose friendship turns to bitter hatred. The climax of the movie is a 9-minute chariot race and the crucifixion of Jesus. The movie won 11 Academy Awards, including Best Picture. The movie is based on the 1880 novel, Ben-Hur: A Tale of the Christ by Lew Wallace. Two silent movies on the same subject were made in 1907 and 1925, and another sound movie on the same subject was made in 2016.

Cast

Charlton Heston as Judah Ben-Hur
Jack Hawkins as Quintus Arrius
Haya Harareet as Esther
Stephen Boyd as Messala
Hugh Griffith as Sheik Ilderim
Finlay Currie as Balthasar and the narrator
Frank Thring as Pontius Pilate
José Greci as the Virgin Mary

Story

The story is about Judah Ben-Hur, a Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Judah's childhood friend Messala returns home as an ambitious commanding officer of the Roman legions. The two men realize that they have changed and hold very different views. During a military parade, a tile falls from the roof of Judah's house. It barely misses the Roman governor. Although Messala knows that they are not guilty, he condemns the Ben-Hur family. Without trial, Judah is sent to the Roman galleys for life; his mother and sister are imprisoned and all the family property is confiscated.

Through good fortune, Judah survives and returns to Jerusalem, where he seeks revenge against his one-time friend and redemption for his family. Running in parallel with Ben-Hur's narrative is the unfolding story of Jesus,^[4] who comes from the same region and is a similar age. The two reflect themes of betrayal, conviction and redemption. With the Crucifixion, Ben-Hur recognizes that the Christ stands for a different goal than revenge, and he becomes Christian, turning to supporting the new religion with money which he has inherited, inspired by love and the talk of keys to a greater kingdom than any on earth.

References

↑ "Ben-Hur". The American Film Institute Catalog of Motion Pictures. American Film Institute. Retrieved July 6, 2013. Production Company: Metro-Goldwyn-Mayer Corp. (Loew's Inc.); Distribution Company: Loew's Inc.
↑ "Ben Hur". British Board of Film Classification. Archived from the original on July 21, 2015. Retrieved July 18, 2015.
↑ Sheldon Hall, Epics, Spectacles, and Blockbusters: A Hollywood History Wayne State University Press, 2010 p. 162
↑ Powell, Allan (1999) Jesus as a Figure in History: How Modern Historians View the Man from Galilee. Westminster/John Knox Press p25 ISBN 0-664-25703-8

Notes

↑ Although Tunberg received sole credit for the screenplay, Maxwell Anderson, S. N. Behrman, Gore Vidal and Christopher Fry worked on the script in the course of development. See the Writing section for more details.

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[2] "Ben-Hur". The American Film Institute Catalog of Motion Pictures. American Film Institute. Retrieved July 6, 2013. Production Company: Metro-Goldwyn-Mayer Corp. (Loew's Inc.); Distribution Company: Loew's Inc.

[3] "Ben Hur". British Board of Film Classification. Archived from the original on July 21, 2015. Retrieved July 18, 2015.

[sheldon-4] Sheldon Hall, Epics, Spectacles, and Blockbusters: A Hollywood History Wayne State University Press, 2010 p. 162

[5] Powell, Allan (1999) Jesus as a Figure in History: How Modern Historians View the Man from Galilee. Westminster/John Knox Press p25 ISBN 0-664-25703-8

[1] Although Tunberg received sole credit for the screenplay, Maxwell Anderson, S. N. Behrman, Gore Vidal and Christopher Fry worked on the script in the course of development. See the Writing section for more details.

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