Audioalter
This is a free web tool that allows you to remove the vocals from a song to create a karaoke version of it. How good the results will be depends on how the track is recorded. If any instruments are centered, they will also get removed. The vocals are removed by using the OOPS (Out Of Phase Stereo) effect. The OOPS effect relies on that most songs have the the vocals perfectly centered while the instruments are panned slightly to the left and right channel. The two channels are then subtracted from each other, and since the vocals are as present on the left channel as the right channel, they will cancel each other out and dissapear. This tool is specifically made to be used with voice recordings and will reduce unwanted sounds from the recordings while trying to maintain a good audio quality.
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iZotope Plasma
iZotope's Plasma is an innovative audio plugin that enhances your sound with adaptive tube saturation. Unlike traditional saturators that apply a static effect, Plasma's Flux saturation technology analyzes your audio and applies dynamic processing, adding precise warmth, depth, and character to your mixes and masters. It offers 24 target profiles tailored for various audio elements, from drums and vocals to full masters, allowing you to guide the saturation effect effectively. With intuitive attack and release settings, an overdrive fader for added intensity, and frequency handles to boost specific frequency ranges, Plasma provides comprehensive control over your sound. Channel modes enable enhancement of the center of your mix or widening of the stereo field, as well as shaping the attack and tail of your sound for more precise control. The plugin includes 49 custom-built presets, offering quick starting points for different vibes, whether bright, deep, balanced, or warm.
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Mozart AI
Mozart AI is the world’s first AI‑powered Digital Audio Workstation (DAW) that embeds an intelligent co‑producer directly into your music creation workflow, responding to text and voice prompts to generate, refine, and arrange professional‑quality compositions in seconds. It supports conversational commands for melody, harmony, drums, bass, and mixing tasks, leveraging “TAB Mode” for context‑aware suggestions and loop generation to craft precise eight‑bar patterns or full arrangements instantly. Semantic sample search scans your own library by mood or description, while one‑prompt mixing applies compression, EQ, side‑chain, and limiting automatically. Built‑in AI vocals and lyric tools convert MIDI into studio‑grade vocals, and style referencing lets you mirror the vibe of favorite tracks. Through an expanded context window, Mozart AI indexes entire sessions, mapping relationships across tracks and retaining project‑wide understanding.
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Klanghelm DC1A
DC1A is the little brother of the compression monster DC8C. I've taken a few of my favorite settings from DC8C and tried to make it work in a two control context. Sound wise it's comparable to the PUNCH mode in DC8C but offers a few additional features, such as negative ratio and stereo unlink. I've always wanted to do a compressor with just an input and output knob, a compressor that just works, gentle, faithful, from almost invisible, smooth leveling to heavy pumping with a nice crunchy saturation and punchy enough to treat drums with. DC1A looks like a one trick pony. But don't get fooled by the lack of additional controls. You may be surprised on how many different material this little thing works. DC1A has a few tricks up its sleeve: negative (over) compression, parallel (New York style) compression, option to compress left and right channel independently (via the DUAL MONO switch), peak and RMS compression (RELAXED switch on) and DEEP activates a high pass filter.
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