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Dennis & Christine Reeve, Walnut Farmers

December 3, 2025
by the gentle author

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The Romans introduced walnut trees into this country and they have been cultivated here ever since, but you would have to go a long way these days to find anyone farming walnuts. Contributing Photographer Sarah Ainslie & I travelled to the tiny village of West Row in East Anglia – where walnuts have been grown as long as anyone can remember – to meet Dennis & Christine Reeve, the last walnut farmers in their neck of the woods.

Dennis’ grandfather Frank planted the trees a century ago which were passed into the care of his father Cecil, who supplemented the grove of around thirty, that today are managed by Dennis and his wife Christine – who originates from the next village and married into the walnut dynasty. Dennis has only planted one walnut tree himself, to commemorate the hundredth birthday of his mother Maggie Reeve who subsequently lived to one hundred and five, offering a shining example of the benefits to longevity which may be obtained by eating copious amounts of walnuts.

I was curious to understand the job of a walnut farmer beyond planting the trees and Dennis was candid in his admission that it was a two-months-a-year occupation. “You just wait until they fall off the trees and then go out and pick ’em up,” he confessed to me with a chuckle of alacrity that concealed three generations of experience in cultivating walnuts.

Perhaps no-one alive possesses greater eloquence upon the subject of walnuts than Dennis Reeve? He loves walnuts – as a delicacy, as a source of income and as a phenomenon – and he can tell you which of his thirty trees a walnut came from by its taste alone. He is in thrall to the mystery of this enigmatic species that originates far from these shores. Even after all these years, Dennis cannot explain why some trees give double walnuts when others give none, or why particular trees night be loaded one season and not the next. “There’s one tree that’s smaller than the rest yet always produces a lot of nuts while there’s nothing on the trees around it,” he confessed, his brow furrowed with incomprehension.

Yet these insoluble enigmas make the walnut compelling to Dennis. The possibility of ‘a sharp frost at the wrong time of the year’ is the enemy of the walnut but Dennis has an answer to this. “They say ‘keep your grass long in the orchard and the frost won’t affect them,'” he admitted to me, raising a sly finger to his nose in confidence.

“Walnuts are the last tree to come into leaf in the orchard, in Maytime, and you start to harvest them at the end of the September right through to November. I used to climb into the tree with a bamboo pole about twenty foot long and I thrashed them because walnuts are sold by weight and the longer you leave them the more they dry out. We call it ‘brushing.’ Nowadays, I am a bit long in the tooth to get up into the trees, so I have to wait until the walnuts drop and I walk round every day from the end of September picking them up. They get dirty when they fall on the ground so I put them in my old tin bath and clean them up with water and a broom, and then I put them on a run to dry.”

You would be mistaken if you assumed the life of a walnut farmer was one of rural obscurity, celebrity has intruded into Dennis & Christine’s existence with requests to supply their produce to the great and the good. “One year in the seventies, my father had a call in the summer from a salesman in London saying they needed about eight pounds of walnuts urgently,” Dennis revealed to me, arching his brows to illustrate the seriousness of the request as a matter of national importance.

“‘I don’t care how you get them here, but we’ve got to have them,’ they said. They were for Buckingham Palace, but the walnuts on the tree were still green with the green husk around them. We told them, ‘They’re not ready yet and there’s nothing we can do about it.’ They said, ‘We don’t care, we’ve got to have them.’ Now we kept pigs at the time and there was a muck dump where we put all the waste, so we put the walnuts in the muck dump for them to heat, just like in a cooker. After about two days the husks started to crack, and that’s how we ripened the nuts for the Queen, in our muck dump!'”

Christine recounted a comparable story about how their walnuts went to Westminster. “There was a dinner in the Houses of Parliament to celebrate British produce and our walnuts were served,” she explained to me with a thin smile, “and they sent us the printed menu which listed the provenance of all the ingredients, including ‘walnuts from Norfolk,’ which was a bit of a let down – because we are in Suffolk here.” Yet I did not feel Christine was unduly troubled by this careless error. Both stories served to confirm the delight that she and Dennis share – of living at the centre of their own world secluded from the urban madness, in a house they built on land bought by Dennis’ grandfather and surrounded by their beloved walnut trees.

Too few are aware of the special qualities of English walnuts, especially the distinctive flavour of wet walnuts early in the season when they possess an appealing sharpness that complements cheese well. “Sometimes people want them earlier before they are ripe if they are going to pickle them,” Dennis told me, “if you can stick a match right through from one side to the other, that is the ideal time to pickle walnuts.” Over the years, those who know about walnuts have sought out Dennis & Christine for their produce. “We have a regular customer in Kent who found our nuts in Harrods,” Christine informed me proudly, “she rang us and now we send her our wet walnuts every year. She peels them and eats them with a glass of sherry and that’s the highlight of her Christmas.”

The walnut grove

Dennis & Christine Reeve

Dennis with the tin bath and brush that he uses for washing his walnuts

Dennis with his scoop for walnuts

Dennis outside his father’s cottage

Dennis Reeve, third generation walnut farmer

Photographs copyright © Sarah Ainslie

At The Savoy Chapel

December 2, 2025
by the gentle author

 

I am delighted to publish this extract of a post from A London Inheritance, written by a graduate of my blog writing course. Follow A LONDON INHERITANCE, A Private History of a Public City

We are now taking bookings for the next course, HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ on February 7th & 8th 2026. Come to Spitalfields and spend a winter weekend with me in an eighteenth century weaver’s house in Fournier St, enjoy delicious lunches, eat cakes baked to historic recipes by Townhouse and learn how to write your own blog. Click here for details

This course is suitable for writers of all levels of experience – from complete beginners to those who already have a blog and want to advance.

If you are graduate of my course and you would like me to feature your blog, please drop me a line.

 

Savoy Chapel in 1808

 

From the Strand, head down Savoy St then into Savoy Hill and you will find a remarkable little chapel, which is today amongst much taller buildings but once was surrounded by a very different estate. This is the King’s Chapel of the Savoy.

There are many remarkable things about this chapel, one is how much larger the interior is when compared to the view from outside, another is the unexpected colour and decoration to be found within.

It is the only survivor of a much larger institution and carries the name of the medieval landowner. In the thirteenth century this riverside property was owned by Simon de Montfort, the 6th Earl of Leicester, who created an estate to the west of Somerset House and built a palace there. He supported and then fought against the king, and for a time he ran an early form of Parliament. De Montfort died at the Battle of Evesham on the 4th of August, 1265, when he led a small army of rebellious barons against Edward, the son of King Henry III. His land eventually became part of the Duchy of Lancaster, which is still in existence today and continues to be a landowner with assets held in trust for the monarch.

The name ‘Savoy’ refers to Peter of Savoy. Interestingly, he owned the estate for only a relatively short period of time in the thirteenth century, yet the use of his name has continued for many centuries and today can be found not just in the name of the chapel, but in many of the surrounding streets, the hotel and the theatre. The chapel was built in the early sixteenth century when Henry VII founded the Hospital of Henry late King of England of the Savoy.

The Savoy Palace had been attacked during the Peasants’ Revolt in 1381 when the rebellion, angered by the actions of then owner, John of Gaunt, destroyed all the contents of the palace and set fire to the building, and it remained semi-derelict until the founding of the hospital by Henry VII.

According to Henry Chamberlain in A New and Complete History and Survey of London and Westminster (1770), the hospital was ‘controlled by a Master and four brethren, who were to be in priests orders, and officiate in their turns, and they were to stand alternatively at the gate of the Savoy, and if they saw any person who was an object of charity, they were obliged to take him in and feed him. If he proved to be a traveller he was entertained for one night, and a letter of recommendation, with so much money given to him as would defray his expenses to the next hospital.’

The chapel was part of an elaborate hospital complex with the main dormitory being described as larger than Westminster Hall. Although the hospital was dissolved in the Reformation, many of the buildings survived until to the early nineteenth century when there was pressure to redevelop the area and major construction projects such as Waterloo Bridge required land for the approach road to the bridge which was built over the eastern edge of the Savoy estate.

Throughout all this time, the chapel of the Savoy has survived. Inside, the core of the walls is Tudor, from the time of the chapel’s original construction, but everything else was destroyed in a fire as this newspaper report of 15th of July 1864 describes.

‘On Thursday afternoon, one of the most ancient structures in London, the Savoy Chapel, was destroyed by fire. When first it was seen it would appear that only the organ was burning; but in a few minutes the whole interior woodwork, open seats, pulpit, &c were in flames. The fire presently burst out of the stained glass window at the northern end, and caught the veranda of the house in front of it, 109 Strand, a tailor’s shop. The upper part of the house, occupied by the Press newspaper, was also on fire for a short time, but the flames were got under control by the timely arrival of the steam engine.

This fire was the last of several and a 1911 report states ‘Owing to three fires between 1842 and 1864, very little of the old interior is left’. Almost everything you see today is restoration following the form of the original.

As a consequence of ownership by the Duchy of Lancaster, it exists as a private royal chapel for the monarch not as a parish church. Until recently this was the Queen’s Chapel of the Savoy but, with the coronation of Charles III, it became the King’s Chapel.

This is a fascinating place to visit, just a short detour from the Strand to see a unique chapel that bears the name of the owner of a long lost estate from the thirteenth century and was part of a hospital founded by Henry VII.

There is a cleaner working on the pews with their bucket in the aisle. In a bit of historical symmetry, the print above from 1808 shows a much plainer interior, but with two cleaners working on the flag stones which then paved the floor.

Stained glass window dedicated to the memory of Richard D’Oyly Carte who was behind the construction of the Savoy Theatre (using the profits from his Gilbert & Sullivan productions) and the Savoy Hotel (using profits from the Mikado).
Photographs copyright © A London Inheritance

In Old Stepney

December 1, 2025
by the gentle author

We are delighted to join the annual book sale at Tower Hamlets Archives this Saturday 6th December. The archive will be selling duplicate copies from their collection and we will have a stall with the full range of Spitalfields Life Books. 10am-2pm, Tower Hamlets Archive, 277 Bancroft Rd, Stepney, E1 4DQ

 

Albert Gardens

In spite of the bombing, the slum clearances and redevelopments, the East End is still with us. In Stepney, there is an entire quarter of early nineteenth century terraces and squares that have survived the changes of the twentieth century. They are magnificent examples of the human quality of streetscape cherished by East Enders and also plangent reminders of what has been lost.

The Peacock, Aylward St

Corner of Antil Terrace and Senrab St

Corner of Antil Terrace and Dunelm St

Corner of Dunelm St

 

Senrab St

Who will rescue The Royal Duke, 474 Commercial Rd, designed by W.E. Williams, 1879

Shepherd Boy in Albert Gardens, dated 1903, “Fonderies d’art du Val D’Orne, Paris”

In Albert Gardens

South East corner of Albert Gardens

North West corner of Albert Gardens

South East corner of Arbour Sq

In Arbour Sq Gardens

South West corner of Arbour Sq

North West corner of Arbour Sq

Terrace in East Arbour St

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Gillian Tindall In the East End

November 30, 2025
by the gentle author

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Remembering writer and historian Gillian Tindall who died on 1st October, I am publishing her account of her first visits to Stepney in 1963, accompanied by photographs of that era by her husband Richard Lansdown

Old Montague St

 

The number of people who actually remember the Blitz that struck the East End between 1940 and 1944 is fast diminishing, yet everyone has heard of it. Today, it is generally assumed that the acres and acres of undistinguished post-war flats that are now the dominant architecture of much of the East End are the result of post-Blitz rebuilding. In fact, the truth is rather different.

It was twenty years after the worst of the Blitz that I first got to know Whitechapel and Stepney, Tower Hamlets’ ancient heartlands. It was 1963, the summer after the coldest winter for a century and so long ago that I can almost see – separate from my present self – the girl that I was then. She wears a checked cotton dress she made herself on a sewing machine and her plait of hair is pinned up. She is walking rapidly round the area with a pack of index cards from the Stepney Old People’s Welfare Association in a small basket. In her flat sandals, she is exploring the East End for the first time.

In those days, a pungent scent of hops from Charringtons’ Anchor Brewery enveloped a  stretch of the Mile End Rd, and sometimes a  dray cart pulled by huge shire horses rolled sonorously past and turned in at the great gates. The jingling harness and the rhythmic clopping of heavy, whiskered hooves, were an assertion of a long tradition that in only a few years would become extinct, but the girl who was me did not know that. Nor could she guess that the small shops in Whitechapel with Jewish names over the doors, selling kosher meat or Fancy Trimmings or jellied eels, were in their final years too. You do not know much when you are young.

I was employed by the Welfare Association, on a casual basis, to find out how many of several thousand old ladies on their books, and a smaller number of old gentlemen, were still at their recorded addresses, and how well – or not –  they were managing. Their children, I learnt from conversations with them, had usually moved to London’s northern suburbs, or to Dagenham or Basildon – or had been ‘relocated’ more recently under The Greater London Plan. The old people’s cards mostly showed birth-dates in the 1880s, some even in the 1870s.  Some had been widowed ever since the War of 1914-18, and one or two were even old enough to have lost sons in that war. Often, when I was invited into their houses, the mantlepieces in their front rooms were dressed with the bobbled chenille runners of the Victorian age, with symmetric ornaments at each end – a décor almost extinct today but commemorated in the two china dogs that are the symbol of Spitalfields Life Books.

Some of them would try to detain me with sagas of ancient achievements or griefs, to which I listened with a guilty awareness that I had many more names to visit in the next two hours. Today, how much I would like to have these garrulous old people back, even for one afternoon! They spoke of happy times past, of ‘nice shops’ and good markets and celebrations for forgotten victories and jubilees, of synagogues and Baptist Sunday schools, a world of neighbourliness which they perceived as dispersed and lost. To prolong the chat they would offer me very strong tea, to which very sweet, tinned milk was automatically added. Then I would be taken to see the place in the cracked wall of the kitchen or the upstairs bedroom where “you can see the daylight through it, darlin’, can’t you?”, and the privy in the backyard with the perennially leaking roof – “It isn’t very nice, you see, ‘specially when it rains. My husband, he could have fixed that, but now I’m on me owney-oh…”

I would assure them that the Old People’s Welfare would try to do something about these things. It took me a while to discover the extent to which the forces of bureaucracy were preventing such simple, ad hoc improvements from being carried out. Not long before, Stepney Council had  specifically refused a landlord permission to make good minor damage to three houses in White Horse Rd, near Stepney Green. ‘The carrying out of  substantial works of repair to this old and obsolete type of property would seriously prejudice the Council planning proposals for the redevelopment for residential purposes of this part of Stepney and Poplar Reconstruction Area.’

These post-war plans were not dreamed up by individual Councils. The Greater London Plan was imposed by the London County Council (the fore-runner of the Greater London Council), but the local authorities had adopted its assumptions with blinkered enthusiasm. As early as 1946, warning local voices had been raised, especially about the way the envisaged Brave New Stepney of high-rise blocks set in ‘green spaces’ did not seem to allow any place for the small businesses that had long been the life-blood of the East End. The truth was that Labour thinking in those years had an aversion to small businesses. And so carried away were the Council by the prospect of reducing the borough’s population substantially by moving half of them out of London (a key element of the Plan) that the views of the inhabitants themselves counted for little. An early, enthusiastic description of the Plan in a popular illustrated magazine shocks the reader of today by its Stalinist disregard for the population’s own preferences:

‘A New East End for London… will create a new and better London, of town planning on scientific lines… [It] will make a clean sweep of two-thirds of Stepney and one-third of the neighbouring borough of Poplar… More than 1,960 acres will be transformed… 3 ½ miles long and 1 1/2  miles wide.’

I noticed that among all the old people I visited, whether in snug little houses that only need the roof mended and a bathroom added to the back or in multi-occupied, once-elegant terraces or in serviceable Victorian tenements, the refrain was “Oh, it’s all coming down round here, dear.” I could tell that though they were acquiescent about the change, believing it to be in some way inevitable, they felt hurt at a profound, inarticulate level by what was being done. It became clear to me that something terrible was happening, a social assault that went far beyond any rational response to the Blitz.

It was true that to the east of  St Dunstan’s church, in the ancient heart of Stepney, the war had left a scene of devastation. The bombs arrived here in battalions, aiming at the gasholders and the docks, although the church itself was hardly touched. But why, over twenty years later, was the place still a wilderness reminiscent of Ypres just after World War I? On what must once have been a street corner, the remains of a shoe-shop stood, apparently untouched since it was set alight by an  incendiary bomb in 1940. Burnt shoes still littered the dank interior of the shop, among other rain-sodden rubbish.

On the west side of the church, running towards Jubilee St, there was still whole grid of streets standing, solid, liveable homes, many of which seemed hardly touched by bomb-blast – indeed the London County Council’s own contemporary maps of bomb-damage show that to have been the case. But not long after I first walked those streets they had almost all been boarded up. Other streets were already being supplanted by long fences of corrugated iron, with just the occasional public house left isolated on a corner without anyone to go to it. Here, I was told, was where a ‘green space’ was arbitrarily planned. Yet it could have been sited to the east of the church without destroying a whole neighbourhood, reducing to worthlessness in the eyes of the dispossessed inhabitants what had been the fabric of their existence.  All coming down – people’s memories, the meaning of their lives.

The Welfare Association’s annual report for that year had lots to report on gifts, fuel grants, outings, chiropody and meals-on-wheels but – perhaps diplomatically – on the subject of ‘relocation’ it had little to say.

Walking back up Stepney Green, an ancient curving route with trees and grass down the centre of it, a few runs of substantial old houses were still standing. I dreaded that, next time I came past, the iron screens would have taken over here too. In fact, this did not happen. Stepney Green itself was saved in the nick of time and rehabilitated.  Unknown to me in that summer of 1963, a rebellious Conservation movement was beginning to grind into action. Post-war doctrines about the State knowing what was best for its citizens were at last being questioned, on the political Left as well as the Right. The ‘slum-clearing’ obsession, fixated on the need to destroy the architecture of the past in order to eradicate the poverty of that past, as if the streets themselves were somehow the source of urban ills, was at last perceived to be false. On the contrary, when whole districts were laid waste, crime and vandalism increased.  By the seventies articles in illustrated magazines were not about a future of radiant towers but had titles such as ‘An Indictment of Bad Planning’.  As the distinguished commentator Ian Nairn put it, the East End had not been destroyed so much by the War but had been ‘broken on the planners’ wheel’.

Today, it lives again in another form. The synagogues and Baptist chapels have been replaced by mosques, the Kosher butchers by Halal butchers. Whitechapel market is full of sarees and bright scarves. The Welfare Association is no longer in the same headquarters under the same name, but survives as Tower Hamlets Friends & Neighbours. We can at least be grateful for what has been saved – or re-born.

Old Montague St

Fruit Stall in Bow

Jubilee St

Jubilee St

Jubilee St

Jubilee St

Off Mile End Rd

Buxton St

Artillery Lane

Cheshire St

Bombsite at Club Row

Club Row Animal Market

Photographs copyright © Richard Lansdown

 

Marion Elliot’s New Papercuts

November 29, 2025
by the gentle author

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Favourite illustrator Marion Elliot has spread her wings and taken flight with this superlative series of large papercut collages for the Shop Floor Project

 

The Gingerbread & Cake Makers

‘Christmas preparations are underway as two bakers prepare a magnificent Twelfth Cake complete with elaborate paste decorations. At the end of the table, a gentleman makes a batch of gingerbread biscuits by pressing the dough into wooden moulds. Gingerbread was a commonly sold in the street and at fairs, and gingerbread figures of kings, queens, religious figures and symbols became very popular during the sixteenth century. The elaborately carved wooden moulds are themselves things of beauty and offer wonderful insights into the fashions and preoccupations of our social history.’

 

 

Twelfth Night Cakes

‘I have long been an admirer of the work of the food historian, chef and confectioner Ivan Patrick Day.  He recreates historic food and table settings, making visual and edible feasts that delight and astonish. I was particularly taken with his Twelfth Cake made to celebrate the feast of Epiphany on the 6th January and embellished with moulded paste kings and queens, crowns, decorative swags and fleur de lys, all on a tinted cochineal icing base. For this collage, I imagined a Georgian confectioner’s Christmas window display with a centrepiece of a Twelfth Cake surrounded by quivering jellies cast from ceramic moulds.’

 

 

At the Milliner’s

‘I love haberdashers’ shops and enjoy browsing through the incredible stock of places like VV Rouleaux just off Marylebone High St. Inspired by this, I created a milliner’s shop of my own, the sort that might once have been found in any market town, with a stock of ribbons and trims to embellish hats. Here, a Victorian lady exclaims in delight as she carefully balances an ornate, feather-trimmed hat upon her head. The milliner stands ready with extra feathers to complete the arrangement, whilst a wistful shop girl waits to cut lengths of velvet ribbon for their excitable customer with her huge dressmaker’s shears.’

 

 

At the Florist’s

‘This collage was inspired by my love of ironmongers’ and the vast array of things that they sell, including gardening tools. I was also very taken with a lovely photograph from around 1900 showing an East Ender standing proudly beside his potted hyacinths and tulips to be entered into a floral competition. I wanted to show the variety of tools and equipment available to gardeners at the turn of the nineteenth century, including spades, forks, hoes, shears, flower stands, hanging baskets, and sieves. These were almost invariably things of beauty, elegant and solid and built to last.’

 

 

The Quilt Makers

‘I wanted to convey the peace and quiet of a winter’s evening in a Welsh farmhouse kitchen where a woman pieces a quilt whilst her mother drinks tea and sorts through coloured fabric scraps. The scene was inspired by a visit a few years ago to the St Fagan’s Museum near Cardiff which opened in 1948. It was created to reflect the lives, culture and architecture of the Welsh people and is an open-air site, where historic Welsh buildings were transported and re-erected. I particularly liked the row of terraced houses, each one decorated to reflect a different era and full of wonderful furniture, pottery and framed pictures.’

 

 

The Basket Weavers

‘I admire the craftsmanship and skill that goes into willow and straw weaving and the traditional way that willow was harvested in wetlands like the Norfolk Broads. Straw weaving has many connections to folklore, country traditions and customs such as corn-dolly making. One of the best-known twentieth century century straw weavers was Fred Mizen, who lived around the village of Great Bardfield in Essex. His skill led to a commission to create a giant straw Lion & Unicorn for the Festival of Britain in 1951, each figure over six feet tall, which were displayed in the Lion & Unicorn Pavilion and Selfridges shop window, before they were devoured by mice.’

 

 

The Farrier

‘At one time, blacksmiths made horseshoes and shoed horses at the forge, but eventually farriering became a separate trade. I was interested in showing all the different tools that would have been used for the tasks a blacksmith carried out, including making horseshoes, producing household tools, repairing farm machinery and even pulling teeth! The Industrial Revolution became a double-edged sword for blacksmiths because, while they produced tools and machine parts to support its rapid development, the rise of mechanisation ultimately reduced demand for their skills.’

 

 

Making a Shell House

‘Shell grottoes originated in Ancient Greece, evolving into temples and garden features, before being popularised by Renaissance architects and becoming hugely popular throughout Europe in the 1600s. The trend was enthusiastically adopted by the designers of grand houses and outdoor, often subterranean rooms, lined with shells, became hugely desirable. Shells were also used in many aspects of folk art, from shell-encrusted frames and sailors’ valentines to shell-lady figurines and elaborate maritime dioramas featuring ships and mermaids. My collage is a mix of all these things, a grotto in the form of a house, that is also a love token or valentine, and a diorama.’

 

 

In the Sail Loft

‘My parents lived in St Ives for many years and I was a frequent visitor. The beaches are backed by old sail lofts and you could still visit these vast spaces and imagine the huge expanses of canvas hanging from the ceiling as they were made into sails. I researched the tools that sailmakers used to fashion the sails, which were traditionally hand stitched, and included them in this picture, laid out on a bench. Sailmaking is now a critically endangered heritage craft, so I enjoyed making this collage as a celebration of the immense skill needed to make sails and rope by hand. The main sail being hand finished in the foreground bears the initials PZ, the identification code for Penzance.’

 

 

The Butcher’s

‘This collage is inspired by Victorian butcher shop dioramas. These were miniature shop fronts encased in a wooden frame and featuring tiny replica cuts of meat, strings of sausages and animal carcasses, all neatly arranged in the windows. They often contained a plump butcher and his assistant in aprons, in front of striped cutting blocks. It is thought that these were not toys, but displays placed in butchers’ shop windows to show what was on offer. In my version, a butcher watches his wife twisting a string of sausages as he garnishes a plate of chops.’

 

 

The Wool Dyers

‘In Hebridean tweed making, raw wool was dyed before spinning, a practice known as dyeing in the wool. This gave a deeper colour than dyeing the spun yarn. Islanders, mostly women, gathered natural materials such as lichen and plants to produce dyes. To dye the wool, a large metal pot was placed on the beach with a fire beneath and the wool was layered into the pot with natural plant matter, and boiled for hours until it reached the desired hue. Then the wool was carded and spun into yarn, ready for weaving. Once woven, the tweed was taken off the loom and pounded by hand to shrink and thicken it.  This was known as waulking the tweed and was done by groups of women to the accompaniment of traditional waulking songs.’

 

 

The Tweed Weavers

‘I once visited the Outer Hebrides and was lucky enough to buy some lengths of Harris Tweed straight off the loom, from a weaver who worked from his home. The colours echoed the landscape and it was incredibly soft to the touch. Here I have imagined a weaver weaving tweed on an enormous floor loom, worked by foot pedals or treadles to lift the heddles up and down as the shuttle glides through. Her assistant measures up a customer for a jacket in front of bales of cloth in a variety of patterns and colours. Harris Tweed is incredibly hard-wearing, both thorn proof and water-resistant and will last a lifetime if cared for properly, so this may be the customer’s only visit!’

 

 

The Dolls’ House

‘I have a great affection for dolls’ houses. I like the feeling of getting a glimpse into a miniature world that has its own life, even when you are not there – a totally self-contained environment full of excitement and drama. One of my favourite childhood books, The Dolls’ House by Rumer Godden, concerns a wooden doll named Tottie and her family who are badly treated by the beautiful but cruel doll, Marchpane, when they move from a shoe box into a beautiful dolls house…a very heart-rending tale! I read this story many times as a child and it reinforced my belief in the reality of toy houses and their inhabitants’

 

 

The Visitors

‘I wanted this collage to show a great house preparing for a celebration as the dolls await their visitors, who arrive on foot and by (wooden) racing car. The rooms bustle with activity as a maid serves a reviving cup of tea to the hostess, who has just had forty winks in her boudoir. One sister soaks in the bath whilst another combs out her wet hair. In the stairwell, the chandelier is being polished and, downstairs, the maid does a last minute sweep up in the hallway. In the kitchen, the cook balances precariously on a chair as she ices an enormous cake and Father tries out a few parlour songs on the piano. The action unfolds under the watchful gaze of a wooden soldier, who has caught the eye of the driver.’

Images copyright © Marion Elliot

 

Original papercuts and prints available from the Shop Floor Project

 

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Dee Tocqueville, Lollipop Lady

November 28, 2025
by the gentle author

CLICK HERE TO BOOK

 

Cordelia Tocqueville

Contributing Photographer Sarah Ainslie & I made the  trip over to Leytonstone to pay homage to Cordelia – known as ‘Dee’ – Tocqueville, the undisputed queen of East End Lollipop Ladies, who has been out on the street pursuing her selfless task every day, come rain or shine, for  as long as anyone can remember. “I took the job at first when my daughter was small, because she was at the school and I could be at home with her in the holidays,” Dee admitted to me, as she scanned the road conscientiously for approaching cars,“Though after the first winter in the rain and cold, I thought, ‘I’m not sticking this!’ but here I am more than forty years later.”

Even at five hundred yards’ distance, we spotted Dee Tocqueville glowing fluorescent at the tricky bend in Francis Rd where it meets Newport Rd outside the school. A lethal configuration that could prove a recipe for carnage and disaster, you might think –  if it were not for the benign presence of Dee, wielding her lollipop with imperial authority and ensuring that road safety always prevails. “After all these years, I’m part and parcel of the street furniture,” she confessed to me coyly, before stepping forward purposefully onto the crossing, fixing her eyes upon the windscreen of an approaching car and extending her left hand in a significant gesture honed over decades. Sure enough, at the sight of her imperial sceptre and dazzling fluorescent robes the driver acquiesced to Dee’s command.

We had arrived at three, just before school came out and, over the next half hour, we witnessed a surge of traffic that coincided with the raggle-taggle procession of pupils and their mothers straggling over the crossing, all guaranteed safe passage by Dee. In the midst of this, greetings were exchanged between everyone that crossed and Dee. And once each posse had made it safely to the opposite kerb, Dee retreated with a regal wave to the drivers who had been waiting. Just occasionally, Dee altered the tone of her voice, instructing over-excited children at the opposite kerb to “Wait there please!” while she made sure the way was clear. Once, a car pulled away over the crossing when the children had passed but before they had reached the other side of the road, incurring Dee’s ire. “They’re impatient, aren’t they?” she commented to me, gently shaking her head in sage disappointment at human failing.

Complementing her innate moral authority, Dee is the most self-effacing person you could hope to meet.“It gives you a reason to get up in the morning, and you meet lots of people and make lots of friends,” she informed me simply, when I asked her what she got out of being a Lollipop Lady. Dee was born and grew up fifty yards away in Francis Rd and attended Newport Rd School as a pupil herself, crossing the road every day, until she crossed it for good when she married a man who lived a hundred yards down Newport Rd. Thus it has been a life passed in the vicinity and, when Dee stands upon the crossing, she presides at the centre of her personal universe.“After all these years I’ve been seeing children across the road, I have seen generations pass before me – children and their children and grandchildren. The grandparents remember me and they come back and say, ‘You still here?'” she confided to me fondly.

At three-thirty precisely, the tumult ceased and the road emptied of cars and pedestrians once everyone had gone home for tea. Completing her day’s work Dee stowed the lollipop in its secret home overnight and we accompanied her down Newport Rd to an immaculately-appointed villa where hollyhocks bloomed in the front garden. “I have rheumatism in my right hand where the rain runs down the pole and it’s unfortunate where I have to stand because the sun is in my eyes,” she revealed with stoic indifference, taking off her dark glasses once we had reached the comfort of her private den and she had put her feet up, before adding, “A lot of Boroughs are doing away with Lollipop Ladies, it’s a bad thing.” In the peace of her own home, Dee sighed to herself.

The shelves were lined with books, evidence of Dee’s passion for reading and a table was covered with paraphernalia for making greetings cards, Dee’s hobby. “People don’t recognise me without my uniform,” she declared with a twinkle in her eye, introducing a disclosure,“every Thursday, I go up to Leyton to a cafe with armchairs, and I sit there and read my book for an hour with a cup of coffee – that’s my treat.” Such is the modest secret life of the Lollipop Lady.

“When my husband died, I thought of giving it up,” Dee informed me candidly, “but instead I decided to give up my evening cleaning job for the Council, when I reached seventy, and keep this going. I enjoy doing it because I love to see the children. One year, there was an advert on the television in which a child gave a Lollipop Lady a box of Cadbury’s Roses and I got fifteen boxes that Christmas!”

 

“After all these years, I’m part and parcel of the street furniture”

Dee puts her feet up in the den at home in Newport Rd

Dee with her brother David in 1959 outside the house in Francis Rd where they grew up

Photographs copyright © Sarah Ainslie

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A Walk Through Walter Thornbury’s London

November 27, 2025
by the gentle author

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At this moment of the year, when the temperature drops and the dusk closes in, I get a longing to go walking through Walter Thornbury’s London

Golden Buildings off the Strand

There is the London we know and the London we remember, and then there is the London that is lost to us but recalled by old photographs. Yet beyond all this lies another London which is long forgotten, composed of buildings and streets destroyed before the era of photography. Walter Thornbury’s ‘Old & New London – how it was and how it is‘ of 1873 offers a glimpse into this shadowy realm with engravings of the city which lies almost beyond recognition. It is a London that was forgotten generations ago and these images are like memories conjuring from a dream, strange apparitions that can barely be squared with the reality of the current metropolis we inhabit today.

“Writing the history of a vast city like London is like writing a history of the ocean – the area is so vast, its inhabitants are so multifarious, the treasures that lie in its depths so countless. … The houses of old London are encrusted as thick with anecdotes, legends and traditions as an old ship is with barnacles. Strange stories of strange men grow like moss in every crevice of the bricks … Old London is passing away even as we dip our pen in the ink…” – Walter Thornbury

The Four Swans Inn, Bishopsgate – shortly before demolition

Garraway’s Coffee House – shortly before demolition after 216 years in business

Roman wall at Tower Hill

Dyer’s Hall, College St, rebuilt 1857

Old house in Leadenhall St with Synagogue entrance

Yard of the Bull & Mouth, Aldergsgate 1820

The Old Fountain, Minories

Demolition of King’s Cross in 1845

Clerkenwell in 1820 before the railway came through

Middlesex House of Detention, Clerkenwell

In the Jerusalem Tavern above St John’s Gate, Clerkenwell

Cock Lane, Smithfield

Hand & Shears, Clothfair

Smithfield before the construction of the covered market

Last remnant of the the Fleet Prison demolished in 1846

The Fleet Ditch seen from the Red Lion

Back of the Red Lion seen from the Fleet Ditch

Field Lane 1840

Leather Lane

Exotic pet shop on the Ratcliffe Highway with creatures imported through the London Docks

Sir Paul Pindar’s Lodge, Spitalfields

Room in Sir Paul Pindar’s House, Bishopsgate – demolished for the building of Liverpool St Station

Kirkby Castle, Bethnal Green

Tudor gatehouse in Stepney

Boar’s Head Yard, Borough High St

Jacob’s Island, Southwark

Floating Dock, Deptford

Painted Hall, Greenwich

Waterloo Bridge Rd

Balloon Ascent at Vauxhall Gardens, 1840

House in Westminster, believed to have been inhabited by Oliver Cromwell

Old shops in Holborn

Mammalia at the British Museum

Rookery, St Giles 1850

Manor House of Toten Hall, Tottenham Court Rd 1813

Marylebone Gardens, 1780

Turkish Baths, Jermyn St

Old house in Wych St

Butcher’s Row, Strand 1810

The Fox Under The Hill, Strand

Ivy Bridge Lane, Strand

Turner’s House,  Maiden Lane

Covent Garden

Whistling Oyster, Covent Garden

Tothill St, Westminster

Old house on Tothill St

The Manor House at Dalston

Old Rectory, Stoke Newington 1856

Sights of Stoke Newington – 1. Rogers House 1877 2. Fleetwood House, 1750 3. St Mary’s Rectory 4. St Mary’s New Church 5, New River at Stoke Newington 6. Queen Elizabeth’s Walk, 1800 7. Old gateway

Images courtesy Bishopsgate Institute

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