Showing posts with label Wong Kar-Wai. Show all posts
Showing posts with label Wong Kar-Wai. Show all posts

Wednesday, January 04, 2012

Literary (and Photographic) Interlude, New York at Night Edition

BROOKLYN, N.Y.—

I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.

Again at eight o'clock, when the dark lanes of the Forties were five deep with throbbing taxicabs, bound for the theater district, I felt a sinking in my heart. Forms leaned together in the taxis as they waited, and voices sang, and there was laughter from unheard jokes, and lighted cigarettes outlined unintelligble gestures inside. Imagining that I, too, was hurrying toward gayety and sharing their intimate excitement, I wished them well.

—F. Scott Fitzgerald, The Great Gatsby (1925)

I had completely forgotten about this evocative description of New York at night until I heard it recently in the context of Gatz, the Elevator Repair Service's brilliant word-for-word stage dramatization of Fitzgerald's great American novel. In this one passage, Fitzgerald vividly describes the nocturnal New York of not only my own perceptions, but also of my dreams. (What that suggests about my dreams...well, I'll leave that to you all to consider.)

What Wong Kar-Wai did with images for Hong Kong in Chungking Express and (especially) Fallen Angels, Fitzgerald apparently accomplished about seven decades earlier with words for New York in The Great Gatsby. "Oh the night is my world..."

[Yes, I did just quote a line from that Laura Branigan song, "Self Control." What of it?]

Speaking of the night, here's a photo I snapped on Sunday of the night sky overlooking Union Square (taken while I was alone, naturally):

Monday, February 14, 2011

Shards of Hopeless Cinematic Romanticism on Valentine's Day

BROOKLYN, N.Y.—Another year, another Valentine's Day. And once again, though this year finds me without an official valentine to call my own, as ever, I turn to my great (abstract) love, the cinema—specifically, the sensuous romanticism of that great visual poet of longing and heartbreak, Wong Kar-Wai.

After all those images I posted at my blog last year of characters in Chungking Express and Fallen Angels just staring into space and dreaming/yearning, this year, my Wong-geared thoughts turn to a particularly intoxicating moment of actual action in his summary epic 2046 (2004). It comes late in the film, as Chow Mo-wan (Tony Leung) says good-bye to the mysterious "Black Spider" (Gong Li) who also has the name of Su Li-zhen, the woman he loved and lost in Wong's previous film In the Mood for Love (2001). This second Su Li-zhen, much like Chow, carries a haunted past that she never reveals to him, but which Chow intuits based as much on his own personal experiences as from her actual elusive behavior. And Chow, ever the lady-killer that he is throughout the shifting chronology and layering of fantasy and reality in 2046, decides that maybe it's best to leave the second Su Li-zhen, lest he keep thinking of the first Su whenever he sees her.

What a send-off Chow gives her! Upon Su's urging...


...he goes in...


...and instead of just holding her, as Su tells her to do, he boldly grabs her...


...and gives her the biggest, longest, most impassioned smooch ever shot on film:


The way Tony Leung just grabs Gong Li and goes for it, like that, kissing her like there really was no tomorrow? Man! The dude is my hero, just for that! (Not that Leung isn't hero-worthy for other reasons...)

And after Chow tells Su to get back in touch with him once she has finally escaped her past, we see Su's multifaceted reaction—first heartbroken, then more reflective:


The way Gong Li wipes that smeared lipstick off her lips, I rather wonder if Wong intended a subtle tribute to Jean-Paul Belmondo's famous lip-touching gesture in Jean-Luc Godard's Breathless (1960)...


...which, of course, Jean Seberg repeats at the very end, in a more ominous context:


Or am I merely overlaying one romantic cinematic vision on top of another? As a single cinephile with traces of hopeless romanticism in his soul, I have a tendency to do that...especially on Valentine's Day.

But seriously, folks: Has anyone seen anything so sexy since...hell, since Barbara Stanwyck tousled the heck out of a stunned-into-sexual-submission Henry Fonda's hair in Preston Sturges's The Lady Eve (1941)?


For all you lovebirds out there—attached, single or otherwise—enjoy your day of celebration!

Monday, April 12, 2010

California Dreamin' No More!

EAST BRUNSWICK, N.J.—It is now official: Next month, from Monday, May 10 to Monday, May 17, I will be taking my first (and hopefully not only) vacation trip of the year.

I'm going here...


Haha no, I'm not going to Romania. I'm going to California!

In all of my 24+ years of living on this earth, I have never, ever been to the Golden State. Well, I guess that technically isn't true: I've been to Los Angeles International Airport as a stopover between flights in traveling overseas, but I have never ventured outside of the airport. Now, from May 10 to May 17, I will.

There is no special purpose for this trip, really: This is strictly for tourist-y pleasure. I've always wanted to visit California—as a movie buff living on the other side of the country, how could you not? But only this year did I resolve to finally take the plunge.

I wasn't entirely sure if this trip was going to happen this year. Everyone and everything I consulted—from a high-school friend who used to live in California, to the used Lonely Planet California book I bought in January—was strongly suggesting that it'd be far better to rent a car instead of relying on public transportation to get me around, at least in the big cities. But I had not realized that most car-rental companies required a minimum age of 25 order to be able to use one of their vehicles. When I discovered this, I was initially figuring that it might be best to put this off for another year...until a hometown friend of mine, who will be turning 25 next month, expressed interest in tagging along.

$717 or so later—my friend and I reserved an airplane + hotel + car package online, so that price is not just for flying there, in case you were wondering—I'm making that 2010 resolution a reality!

Now, of course, comes the difficult part: What are we gonna do during our week there?

That's where all of you fine readers of this blog come in. Sure, I plan to consult that Lonely Planet book for suggestions and all...but, in addition, I'm opening up the comments section of this post and soliciting advice from anyone who has any to offer on what I should see and do in California. Best parks? Best restaurants? Best movie theaters? Best beaches? It's a huge state, and the possibilities are endless; help me narrow them down, please!

I'd even be open to suggestions as to what kind of music I should listen to in order to get me in the proper California mood...or even what movies to watch—of which, I'm sure, there are legion. (Maybe it's time to finally devote another three hours re-watching Thom Andersen's Los Angeles Plays Itself via that file I downloaded via BitTorrent a while back.)

If anyone wants to submit any pieces of advice about my upcoming California trip privately, feel free to email me at kenjfuj@gmail.com.

Finally: I tried to throw a curveball with the graphic above that introduced the revelation of my California trip. I haven't seen the late Cristian Nemescu's Romanian comedy California Dreamin' (2007), but I figured it'd be an unexpected choice compared to the way I was originally going to make the reveal—with this video:



Too obvious, right? But yes, I love Wong Kar-Wai. And Faye Wong. And Tony Leung. And Chungking Express. As if you all hadn't figured that out by now...

Sunday, March 07, 2010

Jia Zhang-ke and Zhao Tao In The House!

EAST BRUNSWICK, N.J.—I had initially planned to finally take in Jia Zhang-ke's Platform (2000) on the big screen at the Museum of Modern Art this afternoon before heading over to an Oscar party in Park Slope tonight. But then, I took a look at the size of the bags I would have to carry all around New York before going to this party—a backpack, a bag of clothes for work tomorrow (I'm planning to sleep over my host's pad) and most likely a bag of some kind of food (it's a potluck)—and decided it'd be much easier to just go straight from New Brunswick to Park Slope. Thankfully, MoMA is showing Platform again on Saturday, so I'll plan accordingly.

The big draw for going to see it this particular afternoon would have been to see Jia in person and hear him introduce the film. I'll be missing him, alas...but no big deal, because I already saw him: on Friday night, with his leading lady Zhao Tao, introducing The World (2004)! I even took a couple of snaps with my pocket-size Canon PowerShot SD400:

 
 
Pictured in both: Jia, middle, and Zhao Tao, right, still sporting that short hairstyle from 24 City

According to Jia, he was sporting those glasses as protection for his eyes, having strained it after long hours editing. Too bad...and yet, who knew that Jia could do a mean Wong Kar-Wai impression?

 

I have more to say about The World itself, but I'll save a more detailed consideration for another post. For now, I will say that my suspicions were confirmed: I found the film considerably more engaging on a big screen than I did watching it on my 42" LCD TV at home. It still may not quite challenge Still Life (2006) as my favorite of his features (sans Xiao Wu (1997), which I haven't yet seen), but it seems a lot richer, funnier, more beautiful and more affecting than it did the first time. Here's hoping for a similar revelation with Platform Saturday!

Sunday, February 14, 2010

A Wong Kar-Wai Image Essay for Valentine's Day

EAST BRUNSWICK, N.J.—As all you crazy lovebirds out there lavish affection toward each other on this Valentine's Day, this single man (one who is kinda/sorta looking for romantic company—ladies?) will do what he usually does February 14 every year: lavish his own affection on that cinematic poet of yearning (romantic or otherwise), Hong Kong filmmaker Wong Kar-Wai.

Wong's great modern-day cinematic duology, Chungking Express (1994) and Fallen Angels (1995)—the latter from which a still graces the banner of this here blog, for those who didn't already know—speaks to all manner of romantic connections, disappointments and rebirths. The characters' voiceover narrations articulate some of these, but the characters themselves don't, or cannot. Thus, the following image essay features characters from both these films in the throes of silent desire, many of them staring into space for intensely personal reasons we can only really guess at. You could almost call these images "spiritual," in their own purely secular way.

Chungking Express

I.
 
  
After romantic heartbreak, what's next?

  
How low can he go? But then...
 
  
A femme sans fin mystérieuse 

II. 

  
California dreamin'?

  
Waiting for a salvation from despair that only he can put into motion

  
A dream that becomes reality

Fallen Angels

   
Desiring an idealized conception of someone

  
Satisfying her lust for that conception

  
The human being underneath the conception, contemplating his next move

  
 Heartbreak: in this case, a shattering of expectations

Finding a spark of connection...

  
...but is it requited?

  
Finding some warmth at last...

 
 ...from a fellow lost soul

Happy Valentine's Day to all who celebrate.