I must create a system, or be enslaved by another man's. I will not reason and compare: my business is to create.

- William Blake

Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Wednesday, February 25, 2026

A Knight of the Seven Kingdoms (TV series, 2026)

 A Knight of the Seven Kingdoms is the best current TV series in the fantasy genre, as far as I can tell, and one of the best I've ever seen.

If you like anything Game of Thrones related, you're very likely to love this one.

It has the right amount of humor, idealism, grittiness, and violence.

Unfortunately, it's not one for younger viewers without some caveats. About half the episodes contain one or two crude (and completely unnecessary) scenes, and there is plenty of realistic blood and violence throughout. So while I'd otherwise recommend it even for 12 year old boys, parents should be aware of both before letting teenagers watch.

About the violence, I have to say this is some of the best medieval combat I've seen in recent memory. In many movies, armored combat is full of quick maiming and even decapitations. Here, an armored knight can survive several sword and dagger blows for quite a long time before falling or dying. Well, there is one quick decapitation that feels somewhat out of place, and some people might bleed a bit more than would be believable and keep fighting, but overall the melee is very impressive.

Why is this so good? I'd guess it has many shades of gray, like most of GRRM's work - and good or bad people are not necessarily fighting on opposing sides - but at the same time the main characters are likeable and moral (although far from perfect, one having limite size and other limited smarts) so you're always cheering for them. It is fun in a way House of the Dragon doesn't always manage.

The realistic combat always plays a part. The most skilled fighters often win, using power, brutality, and skill, which is a breath of fresh air after watching so many fantasy battles of petite warriors doing useless backflips. People are self-serving but rarely amoral or straight up evil, with a few exceptions.

In short, a great balance between chivalry and realism. And that balance turns out to be more than just a stylistic choice - it goes to the heart of what the show is actually about.

Why is Dunk a knight, or a good knight? Because of his weapons and armor? Because he was knighted? Because of his size and courage in battle, yet to be fully tested? Or because he follows the code of chivalry?

Watch it, and form your own opinion.

(BTW, the book is very good too!)

Saturday, October 29, 2022

House of the Dragon (season one review)

At this point, you have probably decided for yourself if you're going to watch it or not. I did and I thought it was great. I guess I could end here if that is all you want to know. It is on par, or maybe even better, than decent fantasy series like Witcher and Sandman, and well above Wheel of Time (I'll not say much about Rings of Power because I'm having a hard time powering through the first episodes).

However after my negative review of Fire & Blood, I thought I might add some positive notes. The series covers the second half of the blood, apparently.


Let's make this clear: this is nothing like season one of a Game of Thrones. The story is significantly less interesting. However, the worse aspects of the book are toned down: no lascivious dwarves and few gratuitous sex and violence scenes. Few scenes about taxes and building roads. No multiple narrators.

The pacing is a bit weird. The stakes are too high, too soon: a tournament ends up with multiple gruesome deaths, and later on two nobles fight on another in front of the heiress for little reason, and one ends up dead. It is like being virgin in an orgy (which also happens in the series too). It is too much in-fighting for a peaceful kingdom. The impact of violence and war later on is lessened because of that.

I've said about the book that "there are not many interesting characters to root for (or to hate; everyone is kinda dumb and evil)". Now, in the series, the characters are still weak, spoiled, scheming, violent, or have some other severe flaw. There is no Ned Stark on Jon Snow, and no one is witty and charismatic as Tyrion.

There is one notable exception: Paddy Considine is AMAZING as king Viserys. A weak king with no exceptional courage, wits, strength Benjamin... or health, but iron bound to his duty to keep the peace at all costs. You resent him for his lack of decisiveness and bad decisions, but you end up admiring his commitment. The best actor in the season by far. 

(Lots of cool versions of Elric of Melniboné [and maybe a Corum, hehe] vying for power... makes me wonder why no Elric series... oh well, I digress).

On the other hand, I admire the series for having no clear "good side". The show certainly seems to take a side (even "changing" some events from the book in favor of the "heroes"), but the "villains" are often misguided or have at the very least decent excuses for their actions ("we need a coup or they'll kill all your children", "that is what the king would want", etc.). And the "heroes" grow from their pettiness but never cease to be flawed. There is no easy answers here... which makes the show that more interesting. This time, it really feels like anyone could win.

The worldbuiling is good as always. GRRM knows this stuff. Which is why I like his other books, and will probably keep reading despite a few hiccups. The rest cast is good, the production is great, etc. The battles are decent, and there are plenty of dragons, but this season is a warm up for future strife - I feel there is a lot more violence and dragon-fighting coming. And these could be some of the coolest dragons ever seen on screen.

The show has a few flaws - confusing time jumps with unexplained events, some "tell don't show", a couple of very dark scenes, a few rushed events, etc., but overall it is really worth watching. 

Ideas for your D&D games? You bet!

It is impressive that they managed to created such a great show after the debacle of the last seasons of GoT (and even managed to create some decent connections with the original series). 

This might be the greatest fantasy series of 2022.

Unfortunately, it will take a couple of years for next season (apparently, there will be a total of four). Well, at least the ending is already written - and we might watch it on TV before getting Winds of Winter!

Monday, May 02, 2022

April 2022 Highlights - The Diamond Throne, The Last Duel, Raised by wolves

Here are some of my April 2022 Highlights. The first one is quite negative - you've been warned!


The Diamond Throne (1989 book)

This book is remarkably lame. I have no idea why I bought it in the first place; I probably heard the name of the author in something related to D&D, or some fantasy best-seller list. I've been underwhelmed by the fantasy novels I've been reading lately, but this one is specially dull: not a single cool monster, story, or idea I could identify. The characters are not especially interesting either. I should have given up halfway through but I'm guess I'm too stubborn for my own good.

The book begins with some version of the Nibelungenlied (*ahem*) and then goes on to tell a story of a brave "Pandion" knight (i.e., paladin) name Sparhawk (*ahem*) that has to find a cure for his Queen's malady... And then he goes from place to place talking to people for the next clue in a quest that goes nowhere.

The heroes use various ridiculous disguises and ruses throughout the book and foil every plan by the villains. The dialogue is puerile, as the jokes and situations - even when the heroes are confronting the antagonists face to face, they behave like brats. I thought I was reading some YA novel until one of the bad guys suggests beheading and sexual violence. 

But nothing actually happens. No important characters die or get hurt, no big twists or surprises, nothing. No shades of gray either - the heroes are noble and brave (at most, they are likeable thieves and adulterers), the villains are greedy and power-hungry, and that's it.

This is well below The Witcher. If you want something light-hearted, but funnier, try Kings of the Wyld (assuming you've already read the classics - if you didn't, go read Tolkien, Lieber, Dunsany, Moorcock, etc.).

I am not likely to read other books by the author and I'm certainly not reading the rest of the series. I've read the summaries - everything goes exactly as expected.

The Last Duel (2021 film)

This one was decent. It is basically the French-medieval version of In a Grove with some knight-fighting thrown in for good measure. The acting, cinematography, dialogue, etc., are all very good. It gets a bit repetitive and tedious - the story is not nuanced enough to be told three times - but it is really remarkable in showing the medieval point of view of the characters, instead of trying to shoehorn them in modern archetypes and sensibilities. I.e., the characters spend the movie trying to defend their (perceived) rights, as they see fit, in their context.

Also, if you care about this stuff, there is some good sword fighting and mass combat. Sometimes they use their swords as bats and other silly stuff, but overall the battles are bloody and realistic. I enjoyed it.

Raised by Wolves (2020 TV series)

I've only watched the first six episodes of the first season, them a summary of the rest (until the end of the second season, which got even better reviews than the first). The series is good but I've ran out of patience and time (I'm sorry if I sound grumpy today!).

Coincidentally, it is produced by Ridley Scott, the director of the Last Duel - who also directs the first couple of episodes here. Although it is mostly written by someone else (Aaron Guzikowski), it looks very much like a mix of Ridley Scott movies - especially the Alien franchise (including Prometheus), but also Blade Runner and Kingdom of Heaven.

Once again, the acting and the visuals are superb. The story is interesting - a couple of atheistic androids trying to raise humans in an inhospitable planet, until they got found by space-zealots, and so on. It is science fiction so deep into Clarke's Law that it becomes entirely fantastical, and often surreal. It is very violent and it kills dozens of characters per season (and there are not that many characters to begin with, but they introduce new ones as they go).

I'm guessing you'll like this one if you liked Prometheus, and MAYBE if you like the other movies I've mentioned. A bit slow and at times I doubt it is going anywhere but worth checking out if this piques your interest.

Thursday, September 21, 2017

Murderhobos, Lord Soprano and the Gangs of Constantinople

From Wikipedia:

The ancient Roman and Byzantine empires had well-developed associations, known as demes, which supported the different factions (or teams) under which competitors in certain sporting events took part; this was particularly true of chariot racing. There were initially four major factional teams of chariot racing, differentiated by the colour of the uniform in which they competed; the colours were also worn by their supporters. These were the Blues, the Greens, the Reds, and the Whites, although by the Byzantine era the only teams with any influence were the Blues and Greens. Emperor Justinian I was a supporter of the Blues.
The team associations had become a focus for various social and political issues for which the general Byzantine population lacked other forms of outlet. They combined aspects of street gangs and political parties, taking positions on current issues, notably theological problems or claimants to the throne. They frequently tried to affect the policy of the emperors by shouting political demands between races. The imperial forces and guards in the city could not keep order without the cooperation of the circus factions which were in turn backed by the aristocratic families of the city; these included some families who believed they had a more rightful claim to the throne than Justinian.

Read the whole thing. It has awesome moments such as the empress saying "those who have worn the crown should never survive its loss" and an eunuch with a bag of gold trying to convince hooligans to turn on each other instead of crowning a new emperor.

The first thing I thought after reading this was making a RPG or board game about the gangs of Constantinople. But after a few moments I realized there is nothing really novel about it; most RPGs I've played were already about gangsters.

And I mostly play standard D&D stuff.

When I wrote about what makes a good setting I listed shades of grey, multiple interesting factions and a stable (but malleable) social order, among other things. Add "violence" to the mix since this is one of the "pillars" of most RPGs.

I mentioned Game of Thrones as a good example. Since there are no new books, I will say I still watch the show. I haven't found other good fantasy shows before or since, but there are plenty of other series I enjoyed. The Sopranos. The Wire. Boardwalk Empire. The Shield. Sons of Anarchy. Orange is the new black. Do you see a pattern here?

I also watched Vikings for a while. I eventually got bored, but I watched enough to realize the Vikings are exactly like the Sons of Anarchy (a 1%er biker gang) with better plot armor.

Source.
Think about it: they are both gangs of bigoted (or downright racist), arrogant armed thugs that have to fight other gangs and external threats to survive, get rich, pursue happiness etc. They are often very loyal to one another and respect their own peculiar codes, but despise higher laws and authorities. Most of their problems are solved with violence, deception, bribery, etc. But they also have to ally themselves with other gangs, even "enemy" gangs, because if they fight against everyone else at once they will be massacred (by other gangs or by the higher authority/external threat).

It doesn't matter if they are illiterate, violent or lazy; they are the heroes, because there are worse people out there, and at least they are brave and protect their own.

In short, they are the player characters.

Well, not necessarily. Maybe your PCs are more like Eddard Stark - but Ned still allied with a gangster pimp to try and make things right! And all those Lannisters, Boltons, etc., are obviously mafiosi. Their so-called "honor" in not different that following a code such as the Omertà. Or "don't ever take sides with anyone against the Family".

Which is why stuff like this feels so fitting:

Ricean Vlad - Source.
Cracked has one article (careful, the site is hideous) comparing medieval knights with street  gangs, which seems accurate enough.

Anyway, this is not quite the "eureka!" moment, because it is really obvious. But once you realize why Sons of Anarchy is called "Hamlet on Wheels", and that The Warriors is an adaptation of Xenophon's Anabasis, you have an useful trove of inspirations for your adventures.

The Crystal Shard, for example, didn't add much to my games, but Gangs of New York and The Borgias did. The Wire is a bigger influence for me than The Dragonlance trilogy. Gomorrah (the movie, not the book, about the Neapolitan mafia) might give you a decent insight on how the "big players" of the setting look at novice adventurers.

I know this is not for everyone. You can have great adventures without those things. For example, you might have a dungeon-crawl with puzzles and monsters, even intelligent one, but not factions. You can focus on exploration instead of politics. You can focus on the external threat  instead of a higher authority or the interactions between different game. Maybe your antagonists are just evil, and the PCs ally with the good guys to defeat them - including the king, who is honest and loved by all.

But for me, personally, adventures with violent or scheming factions competing against one another - and, specially, the PCs - are some of the best I've ever had.