Star Trek: Apocalypse Rising

Episode: "Apocalypse Rising"

Series: Star Trek: Deep Space Nine

Season 5, Episode 1

September 30, 1996

via Memory Alpha

Season 4 ended with a cliffhanger: Odo believes Gowron, Chancellor of the Klingon Empire, is a Changeling.  As Season 5 begins, Sisko leads O'Brien, Odo and Worf on an undercover mission - all disguised as Klingons - to expose Gowron in hopes of preventing war.  

"Apocalypse Rising" is fun for many reasons.  The basic political intrigue story is excellent with plenty of insight into Klingon warrior culture provided.  Michael Dorn was delighted to watch his colleagues suffer through the Klingon makeup process (though Rene Auberjonois claimed he preferred it to the Odo makeup).  Perhaps most importantly for the long term, the story introduces Martok, yet another stellar recurring character who will bring plenty of value to the operation over the next three seasons.

Evidently, the Paramount people didn't like the Klingon War storyline and encouraged the DS9 creatives to get back to the Dominion War they preferred.  "Apocalypse Rising" provides the transition from one to the other.

There's a wonderful exchange between Kira and Bashir in which she blames him for her surrogate pregnancy with the O'Brien's baby.  It's an in-joke, you see.  Nana Visitor was, in fact, pregnant with Alexander Seddig's child.

Acting Notes

via Wikipedia

John German (J.G.) Hertzler (Martok) was born in Savannah, Georgia, March 18, 1950.  He was an Air Force brat and therefore moved a lot as a child: Missouri, Texas, Morocco and mostly the Washington, DC area.  He went to Bucknell as an undergrad where he played football and discovered theater.  Later he got a Master's at the University of Maryland in set design.  He worked for the Nixon Administration for a time in the National Environmental Policy Act.

Hertzler has extensive stage credentials in DC, San Francisco and New York.  Early films include The Redeemer: Son of Satan and And Justice for All.  Television guest appearances include Quantum Leap, Six Feet Under and Roswell.  He was a regular on the early '90s Zorro series.  

Hertzler will likely always be best remembered as Martok, who, in one guise or another, accounts for 26 of his Trek appearances.  In total, he made appearances as twelve different characters over four different series.  He has also written two Star Trek novels: The Left Hand of Destiny, Books One and Two.  

The environmental cause has proven to be a lifelong passion.  Largely on the strength of a pro-environment platform, Hertzler won election to the town council in Ulysses, New York.  In 2016, he endorsed Bernie Sanders for President.  In 2018, Hertzler ran for Congress but ultimately withdrew before the election.

Star Trek: The Swarm

Episode: "The Swarm"

Series: Star Trek: Voyager

Season 3, Episode 4

Original Air Date: September 25, 1996

via Memory Alpha

The Doctor is losing his memory.  Most alarming, he's forgetting his medical programming but he's also forgetting his more personal experiences on Voyager.  Fortunately, there's a diagnostic program for the EMH on the holodeck, including a holographic Lewis Zimmerman, the man who created the Doctor in his own image.  Meanwhile, Captain Janeway and her crew must find their way through the territory of beings who don't take kindly to the intrusion.

"The Swarm" is pretty solid, the second Voyager writing credit for Michael Sussman who penned the excellent "Meld" for Season 2.  Obviously, it's a meaningful vehicle for the Doctor.  We learn he's developed a love for opera, performing La Boheme on the holodeck.  We get to know his creator better.  We are reminded of his considerable growth since the beginning of the series.  It is also a great story for Kes, the ultimate hero of the tale.  She cares for her holographic friend deeply and she's a strong advocate for his rights and well-being throughout.  The episode was written as an Alzheimer's allegory and Kes was excellent in the caretaker role.

I'm likely to get a bit wistful regarding Kes throughout Season 3...

The ethical dilemma of whether or not to travel though another society's air space is meaningful.  As Tuvok points out, doing so is a violation of Starfleet directives.  Neither for the first time nor the last, Janeway plays the "we're a long way from Starfleet right now" card, prioritizing the long-term well-being of her ship and crew.  The dilemma presents a genuinely interesting long-term question regarding Voyager's entire premise.  Does the crew's situation exempt them from Starfleet regulations?  A purist would say no.  But goodness knows, Star Trek would be a lot less fun if the captain(s) never bent or broke the rules, right?  That's kinda the point of it all.  Weigh all of the strong arguments, then make the call.  The Starfleet brass always seem to forgive them in the end.

A note for Mulgrew: a few times in the episode, we see a slanted smile.  It happens enough that one imagines it was a conscious choice.  Unfortunately, whatever the intent, it lands as patronizing and even aloof, particularly in a tense situation.  Hopefully, the directors/producers told her it wasn't working.  I'll keep an eye out for it in future episodes. 

Acting Notes

via Scrubs Wiki

Carole Davis played the role of Giusseppina Pentangelli, a fictitious 22nd century soprano, Mimì to the Doctor's Rodolfo in the holographic opera.  Davis doesn't get much screen time - a shame because she's a lot of fun, really playing the "diva" energy to the hilt.  I can't find any indication one way or the other as to whether they used her actual singing voice in the episode.  (They did use Picardo's.) Davis is a singer, even had a dance hit with "Serious Money" in the '80s.  However, I don't know if she has classical training.  It would seem a shame not to cast the real deal for such a small part but we've all seen stranger.

Davis was born in London, February 17, 1958.  After a successful modeling career, she hit the big screen in 1982 with Piranha II: The Spawning.  She also made appearances in The Flamingo Kid and Mannequin.  Other television credits include The A-Team, Sex and the City and Angel.  

Davis was pals with Prince and even has co-writing credit on one of his songs: "Slow Love."  She's an accomplished writer as well, boasting articles for The Jewish Journal, American Dog Magazine and Newsvine.

Star Trek: The Chute

Episode: "The Chute"

Series: Star Trek: Voyager

Season 3, Episode 3

Original Air Date: September 18, 1996

via Memory Alpha

Kim and Paris are wrongly convicted of a terrorist attack, sentenced to prison plus a neural implant that slowly drives them insane.  There are no guards.  The inmates are completely at one another's mercy.  Meanwhile, Janeway and friends hunt down the true culprits, then hatch a plan to free their crew mates.

Star Trek's fascination with criminal justice continues.  "The Chute" is a compelling jail break story.  Both Harry and Neelix (good thing someone remembered his ship was still in the cargo hold) get satisfying heroic moments.  The story's not especially memorable but overall, I'd say I prefer it to last week's.  

One point worth addressing: many slash fiction writers have been drawn to the Harry-Tom relationship as one with homoerotic undertones, pointing to "The Chute" as evidence.  First, let me be clear: I would have no problem with such a relationship developing.  Indeed, I would welcome it.  I certainly appreciate the longing for representation, however subtle, by those in the queer community.  That said, I am troubled when any affectionate, nurturing or protective relationship, no matter the sex or gender of the parties involved, is automatically perceived as sexual.  I see danger in such an attitude.  We should all be able to experience and appreciate a broader spectrum of intimacy than society generally acknowledges or allows.  Fiction - especially 1990s American televised fiction - is too limited in this area.  And it's often the consumer, rather than the creator, who is limited in their view.

Acting Notes

via WikiSein

Don McManus played the role of Zio, a temporary ally for our friends in the prison.  McManus was born November 8, 1959 in San Diego.  He graduated from Yale.  His films include The Shawshank Redemption, National Treasure and Air Force One.  Television appearances include Northern Exposure, Seinfeld and Frasier.  

Star Trek: Flashback

Episode: "Flashback"

Series: Star Trek: Voyager

Season 3, Episode 2

Original Air Date: September 11, 1996

via Memory Alpha

Tuvok has a mental breakdown on the bridge accompanied by flashbacks to letting go of a girl before she fell from a precipice, an incident he doesn't remember.  Janeway mind-melds with him in order to help probe the past.  We go back to his days on the USS Excelsior where he served under none other than Captain Hikaru Sulu.

"Flashback" pushes hard on the nostalgia button.  We get both Sulu and Janice Rand in Undiscovered Country-era uniforms.  We get Kang.  It was all in honor of Star Trek's 30th anniversary and the homage was effective.

But that's really it.  What else is there here?  "Flashback" gets a lot of love on best-of lists but I don't see it.  The memory anomaly is all explained away with technobabble.  It was just a gimmick, a device to get to Sulu with no real value of its own.  The acting's good.  The background development for Tuvok is good.  It's fun without being meaningful.  I want meaningful.

Acting Notes

via Memory Alpha

Jeremy Roberts played the role of Lt. Cmdr. Dmitri Valtane, the same character he played in Undiscovered Country.  "Flashback" was his third and final Trek appearance.  He was born Jeremy Thompson in Birmingham, Alabama, September 18, 1954.  Other television appearances include CSI: Miami, Xena: Princess Warrior and Buffy the Vampire Slayer.  Other films include Sister Act and Blackout.

Star Trek: Basics, Part II

Episode: "Basics, Part II"

Series: Star Trek: Voyager

Season 3, Episode 1

Original Air Date: September 4, 1996

via Memory Alpha

The story begun with Season 2's finale continues.  While most of the Voyager crew is in survival mode on their new home planet, the Doctor, unexpectedly escaped detainee Lon Suder and Tom Paris team up to regain the ship from Kazon control.  

Initially, there was talk of extending the story of the crew's new life away from the ship over several episodes.  I'm glad the idea was scrapped.  While complications are to be expected - and necessary to fulfill the needs of episodic television - the overall trajectory of our heroes' journey should always be incremental progress back to the Alpha Quadrant.  

This is a strong start to the season.  The survival story is satisfying, especially as our friends find a way to gain the trust of the native inhabitants.  Even though the exile only lasts one episode, the first glimpse of Voyager coming back to rescue them is genuinely moving.

The episode also marks the end for several storylines, namely Suder's, Seska and the Kazon.  I think moving on from the last two was essential.  As noted above, the overall trajectory should be homeward and sticking to the same region of space for too long is a hindrance.  Suder's demise, however, seems a shame.  I suppose if you can't see where to move forward on a certain narrative path, it makes sense to move on.  But character death - most of the time, anyway - means you can never revisit the idea at all.  

Losing some ideas means making room for others.  Let's hope they're good ones.

Acting Notes

via Memory Alpha

Scott Haven played the part of a Kazon engineer.  The episode is one of five Trek appearances, including the film First Contact.  Haven was born January 8, 1964.  Haven had recurring roles on both Beverly Hills, 90210 and JAG.  Films include The Babe, Watch It and Lansky.

Star Trek: Broken Link

Episode: "Broken Link"

Series: Star Trek: Deep Space Nine

Season 4, Episode 26

Original Air Date: June 17, 1996

via Memory Alpha

Garak episode!

Odo collapses in Garak's shop, his solid form destabilizing.  When rest in the infirmary doesn't help, Odo asserts that only the Founders will be able to cure him.  Everyone realizes he's right so a plan is made to deliver him to their home world.  Among several complications: they don't know where it is.  Meanwhile, the Federation is tumbling towards inevitable war with the Klingons.  The episode ends with one helluva cliffhanger.

We have much to discuss...

Let's start with the A-plot Odo story.  What an interesting twist on the Pinocchio tale it is.  For harming a fellow changeling, Odo is sentenced to losing his shape-changing abilities.  He is turned human, not as reward but as punishment.  Make no mistake, this is an important philosophical turning point for the Star Trek franchise.  Consider all of the material devoted to wishing Spock, Data, Worf, B'Elanna Torres and many others were more human.  When it happens to Odo, it's portrayed as a disaster.  No joke, this is a monumental shift.

It also marks the beginning of the end for Deep Space Nine, the series.  In the final act, Odo confesses to Captain Sisko how lost and abandoned he feels having lost his connection to The Great Link.  A seed is planted.  We know that, even with his enforced transformation, he will return one day, permanently.  And when he does, our connection with Odo's story will be over.  A point of finality is established for one of our principals.  Fortunately, there's still some time.

The Gowron eyes...

Gowron gets a lot of screen time in "Broken Link," all of it in close up.  My goodness, do the eyes ever get a chance to shine.  First, let's give all due credit to the makeup department for enhancing Robert O'Reilly's physical gift.  Michael Westmore was the lead man for Star Trek in this era and it's well worth noting he was nominated for an Emmy every year between 1984 and 2005, winning 9 times.  Truly, he's a giant of the industry and a member of the Westmore family which has been working in film makeup for four generations and counting.  The Gowron eyes alone are a towering achievement.

And boy, does O'Reilly sell them!  Seriously, when does the man ever blink?  Aha, he may be a changeling!  Maybe that's how he does it...

Garak...

Wow, "Broken Link" is a great Garak episode, and that's saying something!  He gets to play matchmaker between Odo and Chalan Aroya, owner of the Celestial Cafe, a new Bajoran restaurant on the promenade.  He gets into fisticuffs with Worf - "you fight well, for a tailor."  Best of all, he gets to keep Odo company during the journey to the Gamma Quadrant:  

Question: why didn't they let Odo rest in his liquid state?

Thoughts on Season Four

General Impressions

Season 4 marks a new high for the series and for all of Star Trek.  Neither the original series nor NextGen ever had a season as strong from beginning to end and it's not even close.  How good is DS9 Season 4?  This outstanding finale doesn't even crack my top 5 episodes for the season.  The season's worst is still pretty damn good.  The best is a masterpiece.

Favorite Episode: "The Visitor"

This is not an easy call.  Both "The Visitor" and "Rejoined" rank very high on my all-time Star Trek list.  "The Visitor" was the Hugo nominee.  It is close to perfect - all the more amazing for the fact that alternate history is just the sort of narrative choice that typically drives me crazy.  The dialogue sings.  But once again, the acting seals the deal.  Tony Todd's adult Jake Sisko is one of the greatest guest performances you'll ever find on television.  He and Avery Books join forces for a revolutionary scene, portraying a tenderness between Black men you simply don't see in American media.  Genuinely unforgettable.

"The Visitor" lost the Hugo to "The Coming of Shadows," a Babylon 5 episode.  I guess I need to watch it sometime.

Least Favorite Episode: "Shattered Mirror"

This choice says it all.  I will readily concede that "Shattered Mirror" is a good episode.  The Garak-Worf scenes in particular are delicious.  I'm reasonably certain I've never used that particular adjective to describe a NextGen scene - certainly not one in an episode I otherwise didn't like.  This is simply a personal preference.  I don't like the way DS9 uses the Mirror Universe.  But that's just me.

Favorite Recurring Character: Garak

It's unlikely anyone will ever beat Garak for this spot.  Even if it had been close beforehand, he distanced himself from the rest of the field in the season finale.  But folks, the rest of the field keeps getting stronger.  Dynamite recurring characters introduced in Season 4 include Kasidy Yates, Damar, Joseph Sisko and Ziyal.

Favorite Blast from the Past: Worf

While the quality of the product was only getting better, the ratings for all Star Trek series were in consistent decline from the end of NextGen onward.  The producers made a bold move for Deep Space Nine's fourth season, adding Worf - one of the previous series's strongest and most popular characters - to the principal cast.  As noted here, TNG ended with plenty of room left to explore Worf's story.

It was an outstanding choice for all involved.

Favorite Guest Actor, One-Shot: Tony Todd as adult Jake Sisko

via Memory Alpha

I'll readily admit Todd makes for a bit of an awkward choice in the category as I have named it.  "The Visitor" is certainly not his only Trek appearance, nor even his only appearance in the season.  In fact, he will probably always be better remembered as Worf's brother Kurn.  But it is his only appearance as adult Jake Sisko.  See above - it's a grand slam.

As an honorable mention, Susanna Thompson deserves some confetti for her performance in "Rejoined" but honestly, the lion's share of the credit should go to Terry Farrell (Dax) for making that story work.

Onward

Thank goodness there are still three seasons left to go.  

Star Trek: Body Parts

Episode: "Body Parts"

Series: Star Trek: Deep Space Nine

Season 4, Episode 25

Original Air Date: June 10, 1996

via Memory Alpha

Garak episode!

Quark has learned he is dying of a rare and untreatable disease.  True to form, he turns disaster into financial opportunity by selling off his eventual remains to the highest bidder.  Fortunately, he soon gets news that the doctor was in error and he's not actually dying.  Unfortunately, our old friend Brunt (Jeffrey Combs) was the winning bidder and he intends to hold Quark to the agreement: either have himself killed or break the deal, thus incurring the full wrath of the all-powerful Ferengi Commerce Authority (FCA). 

Nearly thirty years later, "Body Parts" is better-remembered for its B-plot.  Keiko is injured in a runabout collision with an asteroid.  With her pregnancy at-risk, Dr. Bashir transports the fetus from Keiko to Kira who will now serve as the surrogate.

It's been a "problem" throughout the history of episodic television: what do you do when an actress becomes pregnant?  The most famous television pregnancy was Lucy Ricardo's in I Love Lucy.  Initially even the word pregnant was avoided.  Fortunately, it was easy enough to write the pregnancy into the story because, conveniently, the on-screen parents were also genuinely married off-screen.  But what do you do when the female character is unmarried?  Obviously, in our puritanical, patriarchal society, we can't have that.  Vice-President Dan Quayle's criticism of the fictional character Murphy Brown and the show's response are still considered key moments in the history of American cultural politics.

So what to do for Nana Visitor (Kira)?  What had Trek done before?  Gates McFadden was pregnant through part of the NextGen run and the bump was always cleverly hidden behind a desk or another set piece.  For Kira, they made a very different choice, one that opened up narrative possibilities regarding surrogacy.  Was it the right choice?  The actress was happy with it.  Without a doubt, that's the most important consideration. 

Let's give the A-plot its due.  Both Quark's and Rom's divergence from Firengi cultural expectations is an important, foundational arc of Deep Space Nine.  It's every bit as important as Odo's relationship with the Founders, Dax's rebellions against Trill norms and Worf's exile from the Klingon Empire  In fact, is not this broader question the very heart of the DS9 story: In a pluralist society, what is your relationship with your "home culture?"  What do you embrace?  What do you reject?  What are the consequences of either choice?  Each principal character - and many of the secondary ones - arrive at different answers over the course of the series and the choices shape their journeys. 

As ever, the Garak part of the story is a treat.  Quark hires our favorite tailor/spy to kill him.  The scene in which they plot Quark's own perfect murder is delightful. 

One more thought before we leave this episode, this one from the Purple Penguin: Deep Space Nine - even more than other Star Trek series - consistently promotes the idea of strength in community living.  In this, the show is a rare challenge to the monomyth of individualism which dominates American culture.  In "Body Parts," we see this most obviously in the way the entire station steps up to help Quark reopen the bar after Brunt shuts it down.  And it's in the pregnancy transfer story, too.  Of course, Kira will help the O'Briens in their time of need.  Because that's what you do in a caring, nurturing community.

The Creators

via Memory Alpha

When showrunner Michael Piller left DS9 after Season 2 for Voyager, there was an opening with the slightly older series.  The job went to Ira Steven Behr, to that point a co-executive producer for the show.

Behr was born in New York City, October 23, 1953.  After graduating from Lehman College, he moved to LA to pursue a screenwriting career.  Prior to Trek, he worked on several TV series including Bret Maverick, Fame and The Bronx Zoo.  Behr was originally hired as a producer for NextGen but left after one season, feeling stifled.  Piller persuaded him to come back for DS9. 

Pertinent to this week's episode, one of Behr's most important contributions from the beginning was the development of the Ferengi.  As previously discussed, the Ferengi were originally intended as the primary adversaries for Picard's Enterprise but that didn't work out.  In fact, most TNG Ferengi episodes are hopelessly weak.  Quark was really the first likable Ferengi in the franchise.  Among other things, Behr introduced the idea of the Rules of Acquisition, the guiding principles of Ferengi commerce. 

Behr's post-Trek work includes stints with Crash, Alphas and Outlanders.  He was also an important driving force behind What We Left Behind, a documentary about the making of DS9 built around interviews of cast and crew.  He is married to Laura Behr who has four choreography credits on Star Trek series. 

Star Trek: The Quickening

Episode: "The Quickening"

Series: Star Trek: Deep Space Nine

Season 4, Episode 24

Original Air Date: May 20, 1996

via Memory Alpha

During a bio-survey mission in the Gamma Quadrant, Dax, Bashir and Kira respond to a distress signal.  They discover a world in the Teplan system that has been ravaged by a plague, a blight the Jem'Hadar had infected the population with when they resisted Dominion rule.  There is no cure for the painful disease.  The only medical care is merciful euthanasia.  Obviously, our good doctor is appalled and sets about finding a cure.

Season 4 has supplied several meaningful Julian stories.  Prior to "The Quickening," we've had both "Hippocratic Oath" and "Our Man Bashir."  This week's installment challenges his arrogance.  It's a good Dax development story, too - appropriate given the importance of the relationship to both characters.  A defining exchange:

Julian: Trevean was right. There is no cure. The Dominion made sure of that. But I was so arrogant, I thought I could find one in a week!

Jadzia: Maybe it was arrogant to think that. But it's even more arrogant to think there isn't a cure just because you couldn't find it.

My child, with whom I watch all of these episodes, offered a meaningful reflection: "it illustrates really well how much more of life Jadzia has lived and how much more of death she's died and experienced than Julian."

In the mid-'90s, the AIDS epidemic was very much on people's minds, especially in the entertainment industry, long a relatively safe space for gay men, a demographic disproportionately affected.  "The Quickening" started out as an AIDS allegory but veered off in other directions.  29 years later, while it is medically treatable, there is still no cure for AIDS, or even a vaccine like the one Dr. Bashir found in the end.  

Acting Notes

via Wikipedia

Michael Sarrazin played the role of Trevean, who administered the herbs which induced death for his fellow Teplans suffering from the blight.  He was born Jacques Michel André Sarrazin in Quebec City, May 22, 1940.  He grew up in Montreal.  His professional acting career began at age 17.  

Sarrazin's biggest role was Robert in Sydney Pollack's They Shoot Horses, Don't They?  Films include For Pete's Sake, The Reincarnation of Peter Proud and The Gumball Rally.  He hosted Saturday Night Live in 1978.

Sarrazin passed away in 2011 from mesothelioma.

Star Trek: Basics, Part I

Episode: "Basics, Part I"

Series: Star Trek: Voyager

Season 2, Episode 26

Original Air Date: May 20, 1996

via Wikipedia

Voyager receives a hail from Seska - a former crewmate, who turned out to be a spy, and also Chakotay's former lover.  She is with the Kazon now, having shacked up with Maje Culluh.  Seska has given birth to Chakotay's child (long story) and claims both she and the child are now in danger.  Our friends set off to help, knowing full well they may be walking into a trap.  Sure enough, Culluh's band ultimately take control of the ship, marooning the entire crew (with a few important exceptions) on Hanov IV, a primitive planet.

A couple of meaningful ongoing narratives intersect in "Basics," a season-bridging two-parter.  In addition to the Seska fiasco (an in-story mess - I have no problem with it from a production perspective), Lon Suder is back.  Last time we saw Suder, he had permanently been confined to quarters after murdering Crewman Frank Darwin.  The beneficiary of Tuvok's guidance, Suder is a new man.  Now well along the path to reform, Suder wants to find a way to contribute to the ship and its mission, within the terms of his confinement.  He has an idea for developing the airponics vegetable garden.  

Unfortunately, Suder's presentation of his plan to Captain Janeway doesn't go well.  However, he may yet have a chance to help out.  During the Kazon attack, a hole is blown in Suder's quarters and he is technically freed.  He evades discovery during the Kazon search of the vessel.

At episode's end, three characters are unaccounted for by the Kazon: Paris, who had left the ship on a shuttle mission, Suder and The Doctor, who had deactivated himself for exactly twelve hours to avoid capture.  

Overall, it's a solid cliffhanger heading into the summer break.

Recurring characters don't hold the same prominence in Voyager that they do in DS9 so it's interesting that such an important episode depends so heavily on two of them.  It is also, as we shall soon see, nearly the end of the line for both.

Thoughts on Season Two

General Impressions

It is a tale of two seasons.  The first half-plus is truly terrible.  When fans speak of the clunky awkwardness of Voyager, they offer episodes like "Twisted" and "Threshold" as evidence.  Plus, there is the nearly unwatchable Neelix-as-jealous-boyfriend thread.  After a strong first season, the early stumbles of the second are deeply discouraging, especially with Deep Space Nine knocking it out of the park practically every week. 

But an interesting thing happened after "Threshold," the 15th episode.  Season 2's final eleven are strong, beginning with "Meld," Suder's debut.  "Dreadnaught," "Lifesigns," "Innocence" and "Tuvix" are all gems.  Just as importantly, there are no true clunkers in the home stretch.  Principal characters find depth.  Compelling ethical dilemmas abound.  Maybe Voyager has finally found sure footing.

Maybe.

Favorite Episode: "Lifesigns"

At this point, I would say Tuvok and the Doctor are battling for the lead as best-developed character of the series.  "Lifesigns" gives the EMH a slight edge.  The Doctor's entire arc is a quest for broader agency, yet falling in love catches him off-guard.  He didn't even realize it was possible.

I'm gonna let you all behind the curtain for a minute.  That's what falling in love is really like.  If you're lucky, you grow up with a fairy-tale inkling of what "true love" is.  You may have meaningful real-world models and you certainly have plenty of pop culture material to feed into your ideal.  You may have early experiences that are gratifying and likely others that are disappointing.  You may indeed have cared a great deal for one or two of your early partners and they for you.  

It's all prequel.

When the real thing hits you for the first time, it's a freight train.  Whatever concepts you had before suddenly seem quaint and silly.  The whole world is new.  Your life before and your life after are two completely different tales.  It is not a universal experience.  Not everyone knows that kind of love in their lifetime.  How do I know?  Because the world would be a very different place if they did.

That is the love I see portrayed in "Lifesigns" and that is why I believe it.

Least Favorite Episode: "Twisted"

With two series running simultaneously, the Star Trek machine was under a lot of pressure.  Producing 26 episodes a year would have been demanding enough.  Generating 50+ definitely over-extended the operation.  As such, it shouldn't be shocking that a few undeniable heaps of garbage were peppered among the genuinely brilliant installments.

"Twisted" was one of four episodes left over from the first season's production run.  The writing is awful. The story was too short so they padded already weak material with further crap.  The space-time anomaly well was already running dry.  And my god, can we please find a merciful exit for Neelix, already?

They should have left this one in the can.

Favorite Recurring Character: Danara

via Memory Alpha

While "Lifesigns" is a showcase for the Doctor, it works because of Danara, his phage-suffering Vidiian love interest.  Neither character understands what is happening to them and, to my point above, that's exactly what makes it believable.  The Doctor's holographic emotional range is limited so Danara is the more interesting of the partners to watch.  We can still see the love in her eyes when she returns in "Resolutions."

All credit to actress Susan Diol.

Favorite Blast from the Past: Will Riker

In "Death Wish," Q summons our old pal Will Riker to Voyager for Quinn's asylum hearing.  Unfortunately for the long term, he's sent back to the Alpha Quadrant quickly afterwards with no memory of the incident.  The glimpse of Voyager's circumstances `could have been meaningful in our friends' prospects for getting home.

But the brief cameo is good fun.

Favorite Guest Actor, One-Shot: Tom Wright as Tuvix

via Memory Alpha

Boy, is it a tough call on this one.  This is no small honor for Wright as he's beaten out Broadway megastar Joel Grey.  Grey was wonderful but Wright had the tougher job.  Two characters merged into one: that's not a typical ask of an actor.  Then Tuvix had to plead for his right to exist - sadly not unusual at all in reality or fiction.  Wright's performance is a triumph.

Onward

Season 3 is an important one for Voyager as it is the last with the original principal cast.  We'll be saying goodbye to someone soon.  There was much hand-wringing among the producers over the fact the series wasn't thriving as many had hoped.  The season ends with a big Hail Mary throw, one that ultimately rescues not only Voyager but arguably the entire franchise.  

But we're not quite there yet.  Stay tuned.

Star Trek: To the Death

Episode: "To the Death"

Series: Star Trek: Deep Space Nine

Season 4, Episode 23

Original Air Date: May 13, 1996

via Memory Alpha

A renegade band of Jem'Hadar attack the station in order to steal supplies.  They leave heavy casualties and a destroyed upper pylon in their wake.  Sisko leads the Defiant in pursuit.  The crew encounter a separate, damaged Jem'Hadar ship and rescue the survivors, consisting of six soldiers and Weyoun, their Vorta commander, played by the ubiquitous Jeffrey Combs.  The combined crew must work together to find the rogue warriors and destroy the Iconian gateway (see TNG's "Contagion") they are using for quick interstellar transportation.  Tension and mistrust run high.  

The overall narrative plan for the Jem'Hadar ran counter to well-established Trek norms.  The long-standing attitude: if you get to know an antagonist culture - the Klingons, the Romulans, even the Cardassians - better, you'll learn to like them.  The idea of a story like "To the Death" was the opposite: if you get to know the Jem'Hadar better, you'll find them even more terrifying.  The lab-bred killers are ruthless towards foe and comrade alike, with no apparent path towards reform or redemption.  The Jem'Hadar are just plain bad.

With this episode, I was struck by the similarities between Trek's Jem'Hadar and Star Wars's Clone Troopers.  Both are genetically engineered as a slave army for superior beings whom they revere essentially as gods.  It's worth noting the Trek idea came first, though there must have at least been an inkling for George Lucas early on as there's a reference to The Clone Wars in the original 1977 film.  I'm always curious about the influences the two franchises have had on each other over the years.  Direct, obvious links are rare.  Perhaps this is one.

At least until Order 66, the Clone Troopers are a lot friendlier.

Acting Notes

via Wikipedia

Clarence Williams III played the role of Omet'iklan, the "First" among the Jem'Hadar soldiers who join our friends.  Williams was born in New York City, August 21, 1939.  Before pursuing an acting career, he served for two years in the Army as a paratrooper.  Before appearing on screen, he had a successful stage career in New York, including a Tony nomination for Slow Dance on the Killing Ground.

The big break came in 1968 when Williams was cast as one of the three leads in The Mod Squad, a show daring for its topical content, its interracial cast and its embrace of late '60s counterculture.  Films included Purple Rain, I'm Gonna Git You Sucka and Half-Baked.  

Williams died of colon cancer in 2021.

Star Trek: Resolutions

Episode: "Resolutions"

Series: Star Trek: Voyager

Season 2, Episode 25

Original Air Date: May 13, 1996

via Memory Alpha

Janeway and Chakotay have been infected with a terrible disease when insects bite them during an away mission.  The Doctor fails to find a cure.  On the bright side, as long as the two stay on the planet, the effects of the disease are kept in check.  On the down side, that means they must be abandoned as Voyager carries on without them.  

From this point, two separate but equally interesting narratives play out.  On the planet, the castaways build a new life.  Well, Chakotay, at least, is determined to do everything possible to make the situation comfortable but Janeway is equally determined to find a cure for the disease so they can leave.  Inevitably, they also need to sort out the realities of their quickly evolving relationship under new circumstances.

Meanwhile, back on the ship, Tuvok is left in charge.  Making a deal with the dreaded Vidiians for a possible cure seems a logical move, at least to most of the crew.  Tuvok, however, loyally follows Janeway's parting orders to stay away from the Vidiians and continue the journey homeward.  Tensions mount.  Kim openly challenges the acting captain on the bridge.  Later, he appeals to him in his quarters.  Tuvok doesn't budge.  Finally, Kes convinces Tuvok that while he may be unwilling to let emotions cloud his own judgment, he still has a responsibility to the emotional well-being of his crew. 

Go, Kes!

Long term, the episode is probably best remembered for the will-they-won't-they question posed regarding Janeway and Chakotay.  It was 1996, deep in the age of Ross and Rachel.  Will-they-won't-they was seemingly all anyone wanted out of television.  NextGen deftly avoided it for the most part but there's plenty of it in both DS9 and Voyager.  With "Resolutions," the writers left it to the viewers to decide what happened between the two while stranded on the planet.  I think Kate Mulgrew was right to fight against the over-sexualization of her character and this story respects that.

Plus, the brief return of Danara, the doctor's former sweetheart, is a welcome treat.  She clearly still loves him.  He's predictably officious.

Acting Notes

via Criminal Minds Wiki

Bahni Turpin played the role of Ensign Swinn.  "Resolutions" was the second of two appearances in the part.  Turpin was born June 4, 1962 in Pontiac, Michigan.  Films include Daughters of the Dust, Rain Without Thunder and Malcolm X.  Other television guest appearances include Seinfeld, ER and Criminal Minds.

A lot of actors do audiobook narrations as a side gig.  Bahni Turpin, on the other hand, is one of the best in the business and she has the accolades to prove it.  Her industry awards include 9 Aubie Awards, 14 Earphone Awards, 2 Odyssey Awards and induction into Audible's Narrator Hall of Fame.  Her narrations include The Help by Kathryn Stockett, The Hate U Give by Angie Thomas and Children of Blood and Bone by Tomi Adeyemi.  

On the Coffee Table: Rawand Issa

Title: Inside the Giant Fish

Writer and Artist: Rawand Issa

In this graphic memoir, creator Rawand Issa describes her childhood in El Jiyeh, a seaside town in Lebanon.  She and her family were effectively shut off from her fondest, earliest memories when private resorts cut off access to what was once a public beach.

There's no shortage of stories about how much Lebanon has changed in recent decades.  Civil wars and military occupations by both Syria and Israel have devastated a once beautiful country.  Issa's tale is unusual for the fact that it mostly ignores the violence, focusing instead on how privatization and politics combined to separate the town's local population from an ocean that defined its culture for generations.

The book is neither long nor densely worded.  I read it in a single sitting - maybe half an hour.  The artwork is rather boxy, though boldly colored.  Inside the Giant Fish (Jonah's whale is the metaphor here) makes a simple point quite elegantly.  Solid work.

Star Trek: For the Cause

Episode: "For the Cause"

Series: Star Trek: Deep Space Nine

Season 4, Episode 22

Original Air Date: May 6, 1996

via Memory Alpha

Garak episode!

Suspicion falls on Kasidy Yates.  Odo and Commander Eddington believe she may be smuggling on behalf of the Maquis.  Personal and professional loyalties pull Benjamin in opposite directions.  Meanwhile, Garak and Ziyal become friends, and it's a bit awkward in the early going.

This is a big character development episode and mostly for secondary cast.  I'll keep saying this until the series finale:  one of the major strengths of Deep Space Nine is the depth and quality of its bench.  As repeated ad nauseam, Garak is the gem and he gets excellent material here.  More importantly, "For the Cause" represents a transitional moment for both Yates and Eddington and in both cases, the impact on the broader story is significant.  Trust is broken on multiple fronts.  Reality is not what it seemed.  Emotional recovery will not be easy.

The Garak/Ziyal relationship will be an interesting one to follow moving forward.  It's a new actress this time, the second of three to perform as Ziyal.  Tracy Middendorf makes her only Trek appearance.

Acting Notes

via Krull Wiki

Kenneth Marshall (Eddington) was born in New York City, June 27, 1950.  He went to the University of Michigan for undergrad, then Julliard for grad school where he crossed paths with both Robin Williams and Kelsey Grammer.  He worked as a professional stage actor in New York for 14 years, including a run as Tony in a West Side Story revival.  Films include Tilt, Krull and Feds.

On the Coffee Table: Moomin

Title: Moomin Adventures 1

Writers and Artists: Tove Jansson and Lars Jansson

The Moomins were invented by Tove Jansson, a Finnish writer and artist who found success in a number of media.  She first introduced the Moomins and their world in a 1945 novel, The Moomins and the Great Flood, initially in Swedish, her own first language.  She started the comic strip in 1947.  The charming hippo-like trolls have since found their way into television, film, theatre, video games and even theme parks, including one in Japan.  Moomin Adventures 1 collects seven of the comic strip serials.  While Tove produced all of the stories for many years, eventually her brother Lars took over the comics.

Moomintroll (often referred to simply as "Moomin") and his family live a simple life in Moominvalley.  Every once in a while on a whim, they'll set off on an adventure.  This book includes trips to the Riviera and a desert island.  Sometimes, the adventures find them such as when gold prospectors or artists come to the valley.  The atmosphere is light but there is plenty of playful satire along the way - occasional nuggets of wisdom, too.  

Tove Jansson's story is one of many real-life bios featured in Be Gay, Do Comics.  Jansson was with her partner Tuulikki Pietilä for the last 45 years of her life.  Unfortunately, they were not able to be open about their relationship for decades.  Eventually, they became important symbolic figures in Finland as one of the first same-sex couples to attend prominent public events together.

Star Trek: Tuvix

Episode: "Tuvix"

Series: Star Trek: Voyager

Season 2, Episode 24

Original Air Date: May 6, 1996

via Memory Alpha

Tuvok and Neelix are merged into a single being through a transporter malfunction.  What follows is one of the most interesting moral quandaries in all of Star Trek.  That's saying something.  "Tuvix" may be the most polarizing episode in the franchise.  It's the make-or-break story determining how many fans, including my own child, feel about Captain Janeway as a character.

The merged being is his own man.  Tuvix is the best of both, the worst of both.  He shares the memories of each but the experiences from the point of merger are all his own.  He deserves to live.  There's really no question of that, is there?  His existence also means the end of the independent lives of two others.  There's no denying that either.  Thus the dilemma.

Spock: Logic clearly dictates that the needs of many outweigh the needs of the few.

Kirk: Or the one.

If there's one exchange that defines - and haunts - Trek, it's that one from the climactic scene of The Wrath of Khan.  By this argument, the needs of two outweigh the needs of one.  Tuvok's and Neelix's separate rights to exist trump Tuvix's.  

But real life is more complicated than that, isn't it?  Those we might cast as "the few" suffer needlessly all the time.  The benefits to "the many" from such suffering are often nebulous to non-existent.  There's a term for it: the tyranny of the majority.  It's not theoretical.  It's largely how the world works.

Tuvix's pleas for his own survival are both chilling and heartbreaking.  Plenty of viewers hate Janeway for the choice she makes.  Would any of those critics have chosen differently in her place?  I think it's too easy to say yes.  Either way, she's choosing death.  Either path means pain and regret.

It certainly makes for good television.  However one feels about the choice made - and a deep, emotional reaction is absolutely understandable - the question itself is exactly the sort of dilemma that has made Star Trek so compelling to watch for nearly 60 years.  If the answers were always obvious, who would care?

Acting Notes

via Criminal Minds Wiki

Tom Wright (Tuvix) was born in Englewood, New Jersey, November 29, 1952.  This episode is his first of two Trek appearances.  Films include The Brother from Another Planet, Barbershop and Barbershop 2: Back in Business.  In television, he had principal roles on Extreme, Martial Law and Granite Flats.  His other high-profile guest role was the recurring character Mr. Morgan, a Yankees front office colleague of George's on Seinfeld.

Star Trek: The Muse

Episode: "The Muse"

Series: Star Trek: Deep Space Nine

Season 4, Episode 21

Original Air Date: April 29, 1996

via Memory Alpha

Onaya, a beautiful and mysterious woman, arrives at the station.  She and Jake are drawn to one another instantly.  Evidently, Onaya has a thing for creative men.  She inspires them in their work, then draws on their energy like a vampire.  Meanwhile, Lwaxana Troi turns up, too, and she's pregnant.  She enlists Odo to help her escape from her current husband.  Our dear compassionate constable even goes so far as to marry his friend in order to help her out of her predicament.

This is a much-maligned episode by critics and internal creative staff alike.  I don't hate it.  Admittedly, the Onaya story is weak - though everyone praises Meg Foster for her performance in the titular role.  On the other hand, I like the Lwaxana/Odo tale.  As I have written before (here), Lwaxana is more likable with a bit of vulnerability - most people are, fictional or otherwise.  It also helps to have one in-story character who genuinely appreciates her.  We all know - Lwaxana included - that Odo's affection for her does not extend beyond platonic.  That said, his speech in her praise at the wedding is both earnest and touching.  She made his world a larger, less lonely place.  Truly, what more can any of us ask of a friend?

And even the Onaya story has its merits.  As I have for this entire run, I watched the episode with our child.  In the midst of a tender scene between Ben and Jake, they declared Ben Sisko "the best fictional dad."

"Better than Atticus Finch?" I asked.  

"Yes, in my opinion."

I'm not quite ready to make that claim myself yet but I acknowledge the strong claim.  As I've written in previous posts (such as this one), the affection between the Sisko men is unusual for men of color on American television.  I'll take it a step beyond that.  A man lovingly and reflexively kissing his adult son on the forehead is something you just don't see on screen, no matter the race of the characters involved.  In the 2020s, Ted Lasso has gotten a lot of credit for promoting healthy, non-toxic masculinity (see this article).  DS9 was setting its own fine example 30 years earlier.

In one scene, Jake is reading a Horatio Hornblower novel.  Once again, Star Trek piques my curiosity about nautical literature.

Oyana can't help but remind me of Alma Mahler.  Here's a musical tribute by the inimitable Tom Lehrer who just passed away this summer:

Acting Notes

via The Vampire Diaries Wiki

Meg Foster was born in Reading, Pennsylvania, May 10, 1948.  She trained at the Neighborhood Playhouse School of Theatre in New York.  

Her big break came when she won the role of Christine Cagney in the TV series Cagney & Lacey.  Unfortunately for Foster, the part was re-cast for the second season.  Evidently, it was a crushing blow for the actress and her career prospects.  She was still able to find guest appearances, including turns on The Cosby Show, Quantum Leap and ER.  She had a recurring role as Hera in both Hercules: The Legendary Journeys and Xena: Princess Warrior.  Earlier in her career, she played Hester Prynne in a miniseries adaptation of The Scarlett Letter.  Films include Ticket to Heaven, The Osterman Weekend and They Live.

The light blue eyes one sees in "The Muse" are, in fact, natural.  Mademoiselle magazine once called Meg Foster's "the eyes of 1979."  Many producers made her wear colored contacts.  Fortunately, they were perfect for Star Trek.  

State of the Blog 2025

Blogging Year 17, here we go!  

I don't have any big changes planned for the coming blogging year.  The schedule will be the same...

Tuesdays: Family Adventures

Fridays: Star Trek

Occasional book posts

For Star Trek, it's onward with both Deep Space Nine and Voyager.  I should be well into Season 5 for the former and Season 3 for the latter by this time next year.  We have a movie coming up before long, too.

Family adventures will likely continue with the same themes: travel, food, film and games, more or less in that order of priority.  No big travel plans for this year but Spain/Morocco was far from a certainty twelve months ago so who knows?  I can virtually guarantee trips to Massachusetts, DC and Pennsylvania.  Beyond that, we'll see.

I am eternally grateful to those of you who stop by to read and engage.  As always, if any of you enjoys reading The Squid half as much as I enjoy writing it, we're all doing fine.