Romance?

Yesterday I went outside, in the freezing cold (just as we thought that spring was coming, winter arrived with –5 Celsius/23 Fahrenheit), to shoot some birds. Not for dinner mind you. ‘Shooting’ as in taking photographs.

I find photographing birds very difficult. They are quick and notice me ages before I notice them. I will have to explain the difference between a camera and a gun to them one day. But I managed to take some reasonable shots. Mostly of lots of branches with some birds hidden behind them. And then I saw these two wood pigeons. Since I’m not an expert on wood pigeons, I haven’t a clue if these are two boys or a boy and a girl. Or perhaps even two girls.

But I felt they were a boy and a girl and that there was something romantic going on, up there in the tree. And they didn’t take any notice of me at all, only having eyes for each other.

Aww. Sweet.

Only, then I went inside (did I mention it was, and is, bitterly cccccold outside?), looked through the kitchen window and the before so peaceful pigeons were fluttering around, seemingly attacking each other. Oh I don’t know. Was he trying to… you know… and did she think: “not on the first date honey!”, or was it a lovers’ tiff? Or have I totally misinterpreted things and were they two guys, checking each other out and then trying to chase the other away?

Do any of you speak pigeon?

Photography course: ‘In the land of the blind…’, part 4

I’m the one-eyed Queen in the land of the blind that is called Photography.I’m sure there are many blind people in the Blogland of Photography too. (What can be worse than being a blind photographer?) People who own a fancy camera, but only use the automatic setting(s), because they don’t know about aperture and shutter speed. I used to be one of them. But not any more! I know a thing or two now and am willing to share my limited knowledge with you. We can all be one-eyed Kings and Queens together! World domination will be only a small step further.

The only thing is, I’m not quite sure about all the technical photography terms in English. But I’ll try to make sense anyway. And this course (ahum) is not meant for users of the digital point-and-shoot cameras, although they will probably get some useful information and tips out of this too, but for people who have a digital SLR camera.

If you decide to join us on our quest for world domination becoming a better photographer, please post your photos and notify me that you’ve done so (please include the link to that post). I’d be interested to see if what I’m trying to explain is clear enough. If you have any questions concerning the ‘lessons’ please ask them in the comments section of that ‘lesson’. I’ll answer them there too. You can of course also find lots of websites about photography, written by people who really know what they are talking about, but they will be less fun. Of course.

 

Part 4: Measuring light

(Lots of text, but please, don’t be downhearted. If you practice it on your camera, you’ll see that it isn’t difficult.)

In the previous parts of ‘In the land of the blind…’, I’ve explained about aperture and focus, manual focus and autofocus, and ISO. All important choices to make, when you want to take a photo. When you practice them every time you take a shot, you’ll be able to make snap-decisions about which setting you may have to adjust. I promise you.
But you have to keep using the creative setting, in which you have to make these choices yourself, otherwise you’ll soon be completely lost in the dark again.

And while we’re talking about ‘being lost in the dark’, you need enough light for a good photo. In photography terms it is called ‘exposure’. You can change the aperture (F-number), the ISO, and the shutter speed (I’ll come back to that in another part of ‘In the land of the blind…’), but you also have influence over the exposure by interfering with your camera’s light measuring system.

So, grab your camera and the instruction manual again and look for something called light metering mode (or something similar, because I’m not quite sure what your instruction manual calls it) and see what the differences are in the choices that are available.

What works for me is the Evaluative mode: the black dot with brackets above and under it. When you select that one, light metering is concentrated on the active AF point (if you’ve followed the other parts of this course, you’ll have chosen the middle point in your viewfinder as the active one) and the area around it. The metering system of your camera will do some clever calculations (way above my head) and comes up with a correct exposure.

Or I use the Spot mode (the single dot), which only measures light at the AF point.

Okay, so, your camera measures the light and calculates the correct exposure to get a well-lit photo. And in doing that, your camera assumes that you want everything to be in sort of greyish tones (I’m not explaining this in the correct, technical way, but it’s how I understand it best). If you want to take a photo of a black or very dark subject, your camera assumes that you don’t want it to be that dark and it will let more light into the camera to get your subject looking less dark, more grey. Result: overexposure. Your subject seems lighter on the photo than it is in real life.

Or, you want to take a photo of a white or very light subject, snow for instance, but your camera ‘thinks’: this is way too white! I will underexpose (let less light into the camera) so it will become more grey. Which is why snow often does look a bit dull and grey in your photos.

Now you know this, you’ll also know that as soon as you point your camera at your black cat, you’ll probably get an overexposed photo. If so, you can do a couple of things to get a better result. Apart from adjusting the aperture, shutter speed or ISO, you can do two things that I think are very useful to know about:

- exposure compensation: when you look through your viewfinder and press the shutter button half way down, you’ll see all kinds of information under the image. In my viewfinder I see, from left to right: shutter speed, aperture (the F-number), –2..1..▼..1..+2, ISO (nr), minimum (?) nr. of shots still available and a dot indicating if the camera is ready for you to press the shutter button.

Now, the -2..1..▼..1..+2 indicates the level of light. When the ▼ is in the middle, the light is optimal for a photo with that shutter speed, aperture and ISO. But you know that your camera will allow either too much (black subject) or not enough (white subject) light in for that photo. So you have to compensate, by adjusting the Exposure Compensation a couple of ‘stops’ in the right direction. Simply: adjust to the minus side (left) in case of a black subject (to manually underexpose) or adjust to the plus side (right) in case of a light subject.

If you know which wheel to turn to adjust this, you can do it while looking through your viewfinder and it will make life much easier.

Another solution is (I do this very often):

- AE lock (Auto Exposure Lock = AEL): you can measure light on another area, lock it in the camera, focus on your subject and take the shot. I use it often. On my camera the AE lock is under a button marked with * (the star). You will also see it in your viewfinder. In fact: if your camera is set on One-Shot AF (we haven’t talked about that setting yet) in combination with Evaluative light metering, the AEL will probably already work, even if you don’t push the ‘star’ button. But you will have to keep the shutter button pressed down halfway.

If you don’t keep the shutter button pressed down halfway, or if you’re using different settings, you’ll have to do the following. In fact, I will make it an assignment:

ASSIGNMENT 1:
Take a black (or very dark) object (most camera bags are black), put your camera in Av-mode, choose an F-number and take a photo of the dark object (be prepared for a slow shutter speed). Okay, so, you’ll see that that photo is much lighter than the object in reality is.

Below is a photo of a corner of our very dark wooden table (F5.6, ISO 100, shutter speed 10 seconds). Clearly overexposed and I couldn’t keep the camera still for such a long time, so not very sharp either.

Now don’t change the settings, point your camera on something lighter, preferably greyish (or grass in the sunshine works very well too, which seems weird, but is handy to know), press the shutter button halfway down, lock the exposure information in your camera with the * button (or whatever it is on your camera), release the shutter button, point your camera towards the dark object and take the same shot as you did before. You’ll see that it is remarkably darker now and your shutter speed will be faster too.

F5.6, ISO 100, shutter speed 2 seconds

Result! The table looks exactly like it does in real life. The colour is much better now.

Read more about this using AEL here. Very interesting article.

 

ASSIGNMENT 2:
As long as you are busy doing your homework (LOL): take a photo of a dark object (same as photo 1 in the assignment above). Now adjust the exposure compensation to the minus side and take the same shot. See the difference?

Good luck!

Sunday Selections: #55, The woodpecker edition #2

Sunday Selections, THE time and place to post those photos that have been aimlessly hanging around on your computer. The lovely Kim from Frogpondsrock hosts this meme. If you want to join in, just hop over to the rocking frog ponds and follow the almost non-existent rules.

So, here’s the second lot of the photos I took of the woodpecker family. Daddy Woodpecker was quite a busy boy, feeding his hungry child(ren) (I think there was only one baby, but I could be wrong). I know that Mommy Woodpecker was nearby, but she didn’t trust me enough to take her turn in feeding the little one.

I have so many shots of the woodpeckers (most of them not very good, but that is why they were still hanging around in a folder) that I’m going to spread them out over a couple of Sunday Selections. So I know you’ll be back here next Sunday. It’s a cunning plan! Next week I’ll post the rest of the shots and then I will have to go through my folders again for shots of different subjects, that haven’t been posted yet. Oh, there are lots and lots and lots of them.

Photography course: In the land of the blind…., part 3

I’m the one-eyed Queen in the land of the blind that is called Photography.I’m sure there are many blind people in the Blogland of Photography too. (What can be worse than being a blind photographer?) People who own a fancy camera, but only use the automatic setting(s), because they don’t know about aperture and shutter speed. I used to be one of them. But not any more! I know a thing or two now and am willing to share my limited knowledge with you. We can all be one-eyed Kings and Queens together! World domination will be only a small step further.

The only thing is, I’m not quite sure about all the technical photography terms in English. But I’ll try to make sense anyway. And this course (ahum) is not meant for users of the digital point-and-shoot cameras, although they will probably get some useful information and tips out of this too, but for people who have a digital SLR camera.

If you decide to join us on our quest for world domination becoming a better photographer, please post your photos and notify me that you’ve done so (please include the link to that post). I’d be interested to see if what I’m trying to explain is clear enough. If you have any questions concerning the ‘lessons’ please ask them in the comments section of that ‘lesson’. I’ll answer them there too. You can of course also find lots of websites about photography, written by people who really know what they are talking about, but they will be less fun of course.

 

Part 3: ISO

If you’ve read and followed the tips in lesson 1 and lesson 2 you’ll know about aperture and focus, autofocus and manual focus now. (Since the word ‘lesson’ kept making me giggle and feel slightly awkward, I’ll call it ‘part’ from now on. Makes me feel much better.)

So, aperture (the width of your lens opening) and focus (what is sharp in your photo and what is out of focus) is important to get a good photo. But light is also important. And ‘crispness’. What? Yes. You’ll probably want a crisp shot. Unless you want to be artistic and are going for a grainy effect, which can be beautiful too.

It all has to do with ISO. What used to be ASA when we still used film in our cameras, just after the invention of the wheel.
ISO determines how sensitive the image sensor in your camera is to light. The lower the ISO number, the less sensitive it is to light. The higher the ISO number, the more sensitive it is to light (the easier it picks up light).
In darker circumstances, you can choose a higher ISO number to keep the shutter speed… uhm… up to speed. (See the photos below.)

In well lit circumstances I will always try to use ISO 100. The grain will be fine and the photo looks crisp and clear. The higher the ISO number, the grainier (noisier) your photo will be. You probably won’t notice much difference in ‘noise’ between ISO 100 and ISO 200 or even ISO 400, unless you make a very large print of the photo. But it will make a difference in shutter speed.
Some people always use ISO 400 or even ISO 800. Go figure! It is up to you of course. I’ve done portrait shoots with ISO 1000 (!), which gives a sort of softness to a photo that can be nice for portraits. And I didn’t need to use a flash light. I’m still trying to get to grips with the external flashy thingy for my camera and the internal flashy thingy (you know, the flash light that often pops up when you have the camera on the automatic setting) doesn’t do it for me. Harsh light, short reach (yes, you pros, I know there are options and solutions, but perhaps in another part of this ‘course’ I will come to that). So, for me high ISO is often a good solution.

Grab your camera and the instruction manual and look up how you can adjust the ISO setting. Choose the Av (or A or perhaps even F, depending on the brand) setting on your camera, which allows you to choose the aperture you want and set the ISO to 100. Choose the lowest F number your camera allows you to choose (the widest lens opening) and take a photo. Now, only change your ISO to 800 and take the same photo. Then set your ISO to the highest number possible and take the same photo again. You will firstly notice a difference in shutter speed. Everything else is the same. The aperture, the light circumstances, the subject. Only the sensitivity to light of the image sensor changes. So it will need a longer shutter speed when the ISO number is lower and a much shorter shutter speed if you choose a higher ISO number.

Below are some shots I took to demonstrate the effect of different ISO settings. I took these late afternoon on a dark day. With all the lights in the room on, I still needed the table to put my camera on in order to keep it still enough for a photo with ISO 100, even with the aperture set on F5.6, which is the widest lens opening I could choose.

ISO 100, shutter speed 1.30 sec. (1 whole second and a bit!), F5.6

 

ISO 800, shutter speed 1/6 sec. (just a 6th of a second, so much difference in light sensitivity), F5.6

 

ISO 1600, shutter speed 1/12 sec. (double ISO = twice faster shutter speed?), F5.6

 

If you click on these photos to enlarge them you will probably also notice a difference in crispness of the shots. The ISO 100 shot will be crisper and the ISO 1600 will be much grainier. Or you will just have to believe me on my word.

(I had to switch the lens to manual focus for these shots, because the surface of the apple was too smooth.)

Enough light: ISO 100. Not enough light: higher ISO.
(There are also other things you can do to get enough light for a good shot, but we’ll forget about them for the time being. Perhaps we will talk about them in the next ‘part’.)

Practice different settings, take shots and see what the differences are. You can best see that if you upload the shots onto your computer.

Good luck!

NOTE: the post before this one, about the woodpecker family, is a good example of why you should know about higher ISO. You see, when taking those shots the sun was about to set so it was getting a bit darker. I forgot I could ‘up’ the ISO and just chose a low F-nr. to open the lens as wide as possible and keep the shutter speed fast. But that resulted in a small focus area, which is why there is too much blurriness around. Ah well. Won’t happen again. I hope.

Sunday Selections #54: The woodpecker edition #1

Sunday Selections, THE time and place to post those photos that have been aimlessly hanging around on your computer. The lovely Kim from Frogpondsrock hosts this meme. If you want to join in, just hop over to the rocking frog ponds and follow the almost non-existent rules.

Since most of you really liked the baby woodpecker photo that was in my Sunday Selections last week, I thought I’d share the rest of the photos I took of the woodpecker family, with the risk of giving you an overdose. A couple of them have already been posted somewhere, but I don’t keep track of which photos I post on my blogs, not particularly well-organized of me, I know, so I’m really sorry if two or three photos aren’t sad, not-yet-been-used, ones. I know Kim will forgive me. Hopefully.

I have so many shots of the woodpeckers (most of them not very good, but that is why they were still hanging around in a folder) that I’m going to spread them out over a couple of Sunday Selections. So I know you’ll be back here next Sunday. It’s a cunning plan!

 

Oops, wrong entrance

 

Photography course: Lesson 2 of ‘In the land of the blind…’

I’m the one-eyed Queen in the land of the blind that is called Photography.I’m sure there are many blind people in the Blogland of Photography too. (What can be worse than being a blind photographer?) People who own a fancy camera, but only use the automatic setting(s), because they don’t know about aperture and shutter speed. I used to be one of them. But not any more! I know a thing or two now and am willing to share my limited knowledge with you. We can all be one-eyed Kings and Queens together! World domination will be only a small step further.

The only thing is, I’m not quite sure about all the technical photography terms in English. But I’ll try to make sense anyway. And this course (ahum) is not meant for users of the digital point-and-shoot cameras, although they will probably get some useful information and tips out of this too, but for people who have a digital SLR camera.

If you decide to join us on our quest for world domination becoming a better photographer, please post your photos and notify me that you’ve done so (please include the link to that post). I’d be interested to see if what I’m trying to explain is clear enough. If you have any questions concerning the ‘lessons’ please ask them in the comments section of that ‘lesson’. I’ll answer them there too. You can of course also find lots of websites about photography, written by people who really know what they are talking about, but they will be less fun. Of course.

 

Lesson 2: autofocus and manual focus

So, I’ve asked you in lesson 1 to grab your camera and the instruction manual and to look up how you can set your camera so, that it will only focus on the centre point in your viewfinder.

Sometimes you will find however that your camera just can’t seem to get a grip on the subject you’re trying to focus on. However still you keep the camera, it just can’t seem to focus and it keeps changing and whirring and you’re beginning to get a bit desperate.

Never fear!

Perhaps you are just too close to your subject. If you are trying to take a shot of, for instance, a beautiful flower, as close-up as possible (Low F-number, Large lens opening, Less sharpness in the background), your lens probably can’t handle the short distance between camera and subject.
(All kinds of technical reasons for that, but I’m not going into that here. We’re keeping it simple and fun. Especially because I’m not good in technical reasoning.)

Or the surface of your subject is too even and your camera can’t find anything to hold on to and focus on. It happens. Your camera is only human, you know.

(Also, if you have chosen the lowest F-number possible, the area your camera focuses on is very small. You know, lots of blurriness around your subject. If either of you, your subject or you yourself, moves ever so slightly… floop, your subject is out of that focus area and the camera starts focussing again. You can try to ‘up’ the F-number to increase the focus area. But because you’re closing your lens opening then (that doesn’t seem to make sense, but it does), your shutter speed will get somewhat slower too. You may need a tripod. It seems that nothing is ever as simple as you’d like it to be.)

Okay, so, we are ignoring the above sub-section for now, and will be focussing on being too close to your subject or your subject is too even. One of the choices you can make in the settings of your camera is autofocus (AF) or manual focus (MF). It probably is a small switch on your lens. If you push that switch to manual focus (MF), you can twist one of the rings on the lens to focus. Don’t confuse that ring with the zoom-in/zoom-out ring on your lens though. If your subject seems to get closer or further away from you, you’re turning the wrong ring. Try another one.

(You do of course know that you keep the camera in your right hand and support the lens with the fingers of your left hand under it, thumb pointing away from you. That is the easiest way to keep the camera as steady as possible and you’ll be able to turn the rings.)

If you manually focus on your subject, you will be able to get a little bit closer to your subject than when using the autofocus.

MF will also work when trying to photograph something in water, like a reflection. Do try to focus manually if the autofocus doesn’t work, but always remember to set the button back to autofocus (AF). It will prevent the next photos you’ll be taking to be a blurry mess.

If AF (autofocus) doesn’t work, try the MF (manual focus) setting on your lens.

It sounds to simple, but you wouldn’t believe how many people don’t know about the AF/MF switch.

 

THE FUNNY THING IS…

I just recently discovered what the AF-ON button on the back of my camera is for. Never bothered to look that up before, haven’t even tested it out yet, but supposedly it is something you can’t do without. Shows how much I know. Not that much then.

I found an interesting article on the internet, here, that has lots more information about the ‘back-button AF’, and I copied the part below from there (hasten to add that the rest of this ‘In the land of the blind…’ photography course is completely written by me):

Easier to lock focus
If you are shooting something like a series of portraits of a person, and you want them composed off-centre, back-button AF makes it super-easy to take as many pictures as you want. Focus on your subject by pressing the rear button (more on which button later in this article). Once in-focus, take your thumb off the rear button. Re-compose the shot to move your subject off-centre. Shoot as many pictures as you like. With focus activation removed from the shutter button, you now can fire any time you like, and remove your index finger from the shutter button after a shot is taken. No matter what, the camera makes no effort to re-focus when you press the shutter button half-way down again.

I’m definitely going to try that!

Photography course: In the land of the blind…. Lesson 1

I’m the one-eyed Queen in the land of the blind that is called Photography. I’ve posted about being lonely at the top and therefore having to write a short and simple course for my loyal subjects (two friends) who own a fancy camera, but haven’t a clue what to do with all the different settings on it, so we can be one-eyed Queens together, here. I’m sure there are many blind people in the Blogland of Photography too. (What can be worse than being a blind photographer?) People who own a fancy camera, but only use the automatic setting(s), because they don’t know about aperture and shutter speed. I used to be one of them. But not any more! I know a thing or two now and am willing to share my limited knowledge with you. We can all be one-eyed Kings and Queens together! World domination will be only a small step further.

The only thing is, I’m not quite sure about all the technical photography terms in English. But I’ll try to make sense anyway. And this course (ahum) is not meant for users of the digital point-and-shoot cameras, although they will probably get some useful information and tips out of this too, but for people who have a digital SLR camera.

If you decide to join us on our quest for world domination becoming a better photographer, please post your photos and notify me that you’ve done so (please include the link to that post). I’d be interested to see if what I’m trying to explain is clear enough. If you have any questions concerning the ‘lessons’ please ask them in the comments section of that ‘lesson’. I’ll answer them there too. You can of course also find lots of websites about photography, written by people who really know what they are talking about, but they will be less fun. Of course. 

 

Lesson 1: Aperture and focus

What makes a good photo? Good light, nice subject, sharpness. They are all things that make a nice photo. But it won’t necessarily be an interesting photo. You, as the photographer, have the tools to make a photo nice AND interesting too. You have the power! Or you will have if you understand your camera.

One of the tools you have is aperture. Aperture is the wideness of the opening of your lens. Yes. Think about it. You have the power to make the lens opening wider or smaller. Did you know that? And the aperture has a big effect on your photo. I will tell you why and how, but first you have to check something on your camera. Grab your camera and the instruction manual.

Turn on your camera, put it on the P-mode, look through the viewfinder (remove the lens cap if you can’t see a thing) as if you are taking a photo, and then press the shutter button halfway down. You will see the point(s) that your camera focuses on light up (shortly). You want to set your camera so that it will only focus on the middle point. The point in the centre of your viewfinder. If that is the only one that lights up when you press the shutter halfway, we have lift off! Somewhere in the instruction manual of your camera it will explain how you can do this.

Now, your camera focuses only on the centre of the image and I will tell you about the width of the lens opening and what effect it has on the photo. Keep the instruction manual within reach. You may need it.

I use a Canon EOS 40D. Canon has an Av setting (Nikon has A I believe) for aperture. So, put your camera in ‘creative mode’, the mode that lets you choose other settings than the ‘automatic’ ones and choose the Av or A setting (or whatever it is on your camera). You can now adjust the width of your lens opening and your camera will choose a shutter speed that allows enough light into the camera to get a well lit photo. I can do this by turning one of the wheels on my camera. Check your manual how to adjust it on your camera.

The width of your lens opening is indicated by the F (or f) number. The LOWER the F number, the LARGER the lens opening. I know that it doesn’t make sense, but it is important that you remember it.

LOW F number = LARGE lens opening = LESS sharpness in the background

A low F number, large lens opening, means that there is less sharpness in the background (and even in the foreground). So the only thing that will be in focus is your subject. Also, because the lens opening is wide, more light will get into the camera and your shutter speed will be quite fast. If there is enough light around that is.

Try this: put two or three objects (for instance apples or cups) on a table, in a diagonal line. Now, make sure that you’ve adjusted your aperture to the lowest (or smallest) F number your lens will allow you to choose (different lenses allow for different F numbers), for instance F5.6, and focus on the first object in the line. Take a photo.

See that the first apple is in focus and the other two are a bit blurred? This shot is taken with F5.6.

Now focus on the second object and take a shot (this is why you want your camera to focus on the centre point and not on points around it).

See how your eye immediately is drawn to the second apple? You have the power to make people look where you want them to look. Even the third apple isn’t quite in focus. The newspaper in the background is blurred too.

Now choose the highest F number your camera allows you to choose and take another photo. Everything will be in focus. Front- and background. Your shutter speed will be noticeably longer (try to keep your camera still), because the lens opening will be much smaller, allowing less light into the camera. Your camera will keep the lens open for longer to allow enough light into the camera to get a decent photo. If your photo is too dark, try a lower F number and then even a lower F number. You’ll see the difference.

So, if you want to show one particular thing in your photo and the rest isn’t important, at least not for that photo, choose a low F number. It doesn’t always have to be the lowest one your camera allows. See what works for that subject matter.

Good luck.

I’m the Queen

But only in the land of the blind that is called ‘Photography’, where some friends of mine live and in which I’m the one-eyed woman. It is lonely at the top, so I’ve written a short and simple photography course, very aptly titled ‘In the land of the blind…’, for my loyal subjects, who each recently acquired a nifty digital SLR camera and hadn’t a clue what to do with it other than taking photos using the automatic setting. But that is not why someone buys a camera with lots and lots and then even more lots of possibilities.

Yesterday one of these friends came here to practice her photography skills together with the Queen herself. Ahum. We called it: Lesson One – Aperture, and while enjoying a cup of tea and some homemade cookies (made by hubs who is the King in the land of the blind that is called cookie-baking), I explained the difference in aperture settings and focus, with the emphasis on a small F number for close-ups and then we went into the garden to see if my explanation had made any sense at all. The weather was perfect. Very sunny (and very cold too, but it is winter) and dry.

I haven’t seen her photos yet, but these are some of the shots I took myself. And apparently I do know what I’m talking about. The only thing is… have I been able to explain it well enough to someone else? I can’t wait to see her shots.

F5.6, focus on the first apple.

 

F5.6, focus on the second apple.

See the difference?

 

We did the same exercise, using the fence around our field as a subject.

I know. You’re amazed.

 

My kingdom has many gates and fences. Here’s another one. Nice, non? Looks like the head of little guy with a pointy hat. A small gate-keeper perhaps?

On our photohunt in the garden, Mozes, one of my loyal subjects from my other country ‘Furrytailland’, followed us around, hoping to convince us that he would be a magnificent subject for a photo or two.

Doing the look-at-me-I’m-a-gorgeous-cat-stare at friend who ignored him, because she was taking photos of a tree. I couldn’t resist of course.

He then did the look-at-me-I-can-climb-a-tree-and-descend-elegantly-too-trick.

“Did you get that?”

“Good. I can climb a tree with two paws in my nose of course. Easy-peasy.”

“I’m pretty comfy here. Might stay here for a while.”

“Did you see how high up I was?”

“Wait! What’s that I see?!”

So I looked what he had spotted and it was a deer! And I had my camera with me. That only happened once before. I often see deer. I often have my camera with me. But only once before I’ve seen a deer and had my camera with me. Hopefully next time I will have my 70-300mm lens on my camera in stead of my 17-85mm. But hey, you can’t have everything. And besides. Where would you keep it all.