Showing posts with label Circulation magazine. Show all posts
Showing posts with label Circulation magazine. Show all posts

Friday, March 17, 2017

This Is About Garge Herriman

     
    
By TAD

HERRIMAN. That’s the monicker you see signed to the Krazy Kat drawings. His first name is George, but the boys call him Garge, because that’s the way he pronounces it himself.
     Now I’m not going to sit here and chuck the swell about that guy, I’m going to tell the truth.
     Garge came from somewhere out west, we think it’s Los Angeles. He came here on a side door Pullman. Of course he wouldn’t want me to say so if he was here but it’s a fact just the same. He hangs around with a lot of painters, poets and authors these days, but when I first saw him he still had grease from the box cars on his pants.
     He looked like a cross between Omar the tent maker and Nervy Nat when he eased into the art room of the N.Y. Journal 20 years ago. We didn’t know what he was so I named him The Greek and he still goes by that name.
     Garge is short and wide like the door of a safe and as Johnny Dunn the announcer used to say of his wrestler, “He is strong. He can bend IRUN BARS WITH HIS NAKED HANDS.”
     Garge also had a peculiar way of drawling. He is never in a rush as he drawls his words. He calls garden GORDON, he calls harness HORNESS, he calls cigars CIGORS and so on.
     He ALWAYS wears a hat. Like Chaplin and his cane Garge is never without his skimmer. Hershfield says that he sleeps in it.
     Garge has three hobbies. They are Arizona Indians, chili con carne and boxing gloves. He once knocked a guy cold on the elevated station at 42nd street, N.Y. City, and has been living on that rep ever since.
     No one has ever found out what this knocked out gent did to Garge but it must have been something AWFUL because he has never once lost his temper with us and he has been through some tough afternoons and evenings. No matter what happens Garge is always the same. You can steal his pens but he only smiles. You can knock California but he merely smiles. You can cut up rubber in his tobacco pouch and he’ll smoke it just to let you laugh. He is like the old rye the guy told of. Not a harsh word in a whole barrel of it. There never was a smoother tempered gent. I’ll bet right now that if you asked Garge what the brick that hits Krazy Kat was made of he’d say VELVET. Then he’d add “You don’t think I’d want that poor lil cat to be hurt, do you?” Garge is a great reader and a great movie fan. His favorite author is CHORLES DICKENS and his favorite movie guy is CHORLIE CHAPLIN.
     He will sit by the hour and talk of them. That is, he used to before the soda stores took the places once held by the Pilsner peddlers.
     He brags about his favorites, Garge does, but never about himself.
     The violet imitated Garge when it assumed that attitude of shyness.
     He thinks he’s the rottenest artist that ever got behind a pen and no matter how many boosting letters he gets about his stuff he’s of the same opinion still. Of course WE KNOW BETTER.
     Half the guys that never get a boosting letter admit that they’re good. Garge doesn’t and never will. He is always last. He laughs, though. Yes, he gets his giggles. When he laughs you’d think he had just taken a sniff of snuff. It isn’t a laugh, it’s a sort of internal explosion.

From: Circulation, No. 11, Vol. 2, March 1923, page 12


Wednesday, February 18, 2015

Circulation magazine – 14 covers from early 1921 to early 1927

   
[1] Circulation #29, April 1927, King Features Syndicate’s worldwide newspaper services — cover by Dan Smith.

Of the 1920s Circulation magazine little more remains than rumours. Published almost a century ago by King Features Syndicate, Inc. in New York, its 1921 subtitle was ‘A Magazine for Newspaper-Makers.’ Its contents hovered between gimmicky and entertaining. Its tone was highflying. But its press run was a modest 5,000 issues per number — sent via direct mail ‘to every newspaper executive in the country, and to hundreds of advertising agencies and national advertisers’ — and its numbers were published at irregular intervals with gaps of several months at a time. For some years Circulation was edited by Sidney Loeb. The four sides of its front and back covers were printed in colour, the interior pages in plain black and white; the printing was of ordinary quality but the journalists and comic authors and artists clearly enjoyed contributing to it. The magazine was reportedly the idea of journalist Moses Koenigsberg (b.1879), the man at the helm of several Hearst companies: Newspaper Feature Service, Universal Service, and finally King Features Syndicate since 1915.

[2] Universal Service — M. Koenigsberg, President.
The greatest mystery at present is why the KFS company in the year of its centenary celebrations still hasn’t been able to retrieve any files on Circulation magazine — not even back issues.

[3] Circulation #4, September 1921, ‘Circulation Chat’ editorial page, illustrated by Joe McGurk.
The rumours about it are as yet hard to prove. Collector and historian Bill Blackbeard mentioned it in 1986 as ‘…the old Hearst trade magazine Circulation…’ But no specification of the total number of issues had and has been found yet. Blackbeard’s research in the mid-1960s, when he’d found only one issue of it, led him to the New York Public Library, which seemed once to have owned ‘a full bound run’ of Circulation. As it turned out these bound issues had mysteriously disappeared from the library’s shelves already.

[4] Circulation #3, July 1921, “Wuxtry!” — cover art by Nell Brinkley.
In January 2001 in Angoulême, France, comics historian Robert Lee Beerbohm surprised and excited me and other interested researchers with xerox copies of ten Circulation issues, of 44 or more pages per issue. Not one of us had ever seen it. (We were all invited by Thierry Groensteen for his international symposium ‘Comics in Europe,’ my lecture about the Dutch shenanigans at the time was titled The Comic Strip: the Incredible Shrinking Medium.)

[5] Circulation #9, September 1922, “Forty-five Minutes Ahead!” — promoting the fastest newspaper news by telegraph, supplied by Universal Service, Inc.
Up to now just 15 numbers have resurfaced of Circulation magazine (11 full issues, plus from 3 issues only the covers, and from 1 issue only the interior). Issues are downright rare. My present estimate is that at least 29 issues were published. The earliest I saw is from 1921, the latest from 1927. Of one — number 4 of September 1921, with the McGurk “Wings of Circulation” cover — I have not been able to find an original full-colour version.

[6] Circulation #4, September 1921, “Wings of Circulation— cover art by Joe McGurk.
[7] A 1925 photo of comic author-artist George McManus in front of a Persian rug made after his Circulation cover art.
[8] The resulting Persian rug — made after the cover of Circulation #6, February 1922.
[9] Circulation #18, February 1925, the Persian rug article.
[10] Circulation #9, September 1922, “Please page Barney Google!” — cover by Billy DeBeck.
[11] Circulation #11, March 1923, Barney Google on his horse Spark Plug — cover by Billy DeBeck.
[12] “Barney Google Fox Trot” — 1923 sheet music front cover by Billy DeBeck.
[13] Circulation #12, April 1923, ‘The Picture Folk’ — a poem about the soul of the Sunday Funnies.
[14] Circulation #12, April 1923, Bringing Up Father — cover by George McManus.
[15] Circulation #13, July 1923, “Hey Boob!” Boob McNutt prepares for the 4th of July— cover by Rube Goldberg.
[16] Nemo, the classic comics library #24, February 1987, cover for a special issue on Rube Goldberg.
[17] Circulation #18, February 1925, St Valentine’s Day — cover by James H. Hammon.
[18] Circulation #19, April 1925, Bringing Up Father — cover by George McManus.
[19] Circulation #4, September 1921, comic author-artist Elzie Segar ‘…getting ideas at home where all is quiet…’ — strip cartoon by E.C. Segar.
[20] Circulation #20, Augustus 1925, five bathing beauties present “Front Page Marine News” to Neptune, the god of water and of the sea — cover by Alexander Popini.
[21] Circulation #22, December 1925, Polly and Her Pals, wooden christmas tree and puppets — cover by Cliff Sterrett.
[22] Circulation #25, July 1926, Abie the Agent and friends blown away from the author’s table, with a self-portrait of their maker — cover by Harry Hershfield.
[23] Circulation #26, September 1926, “The Magic Carpet of the Comics” — cover by Louis Biedermann.
[24] Circulation #26, uncropped xerox copy of the front cover.
[25] Circulation #18, February 1925, “A Scribe’s Lament” by William F. Kirk — illustrated by James H. Hammon.

You have now seen fourteen surviving Circulation covers, most over ninety years old, finally shown together here — some in damaged state, some xeroxed, some too closely cropped, but, one excepted, all in their original colours.

Any lead, or any more background information to solve this Circulation mystery is welcome.

Huib van Opstal

[ to be continued ]



This is part 2 of a series — see Part 1 HERE.


THANKS TO
[all issues] Robert Beerbohm & BLB Comics       
[10] [14] courtesy of Brian Walker 
[20] courtesy of  Carsten Laqua & Galerie Laqua 
[4] courtesy of Craig Yoe & I.T.C.H.     
[17] courtesy of Rob Stolzer  
Mark Johnson
Cyril Koopmeiners
Ianus Keller


Wednesday, December 31, 2014

Circulation magazine – a Chat with King Features Syndicate, Inc.

     
[1] Sidney Loeb, the Editor of CIRCULATION magazine, is introduced to Little Jimmy's Lil’ Ole Bear! 

"The circulation of CIRCULATION MAGAZINE - subtitled: 'A Magazine for Newspaper-Makers' - is just 5,000 copies an issue. Because it is sent to every newspaper executive in the country, and to hundreds of advertising agencies and national advertisers, it is registered as third class mail. If you miss your copy write to us, and we'll mail one to your home." - Circulation Chat editorial, in #4, Sep 1921.

[2] King Features sold journalistic productions of all kinds, and notably comic strips in black-and-white and full-colour.
[3] Circulation #4, Sep 1921, cover by Joe McGurk. "Can you fancy Kayo Tortoni, the beautiful newsie of the skies, delivering your paper every morning?"
[4] Circulation #25, July 1926, "Bughouse Fables" by Paul Fung.
"King Features Syndicate, Inc. - the greatest family of circulation boosting comics on earth!"

[5] Circulation #3, July 1921, "Why Are Comic Pictures Necessary in Sunday Newspapers?" by Arthur Brisbane. 
[6] Arthur Brisbane.
[7] Circulation #18, Feb 1925, Happy Hooligan is hired to laugh, strip by F. Opper.
[8] Circulation #12, Apr 1923, Jimmy Swinnerton at work in Canyon Country.
[9]
"The COMIC-ARTISTS Show That They can DRAW!" Circulation #26, Sep 1926.

[10] Circulation #24, May 1926, Li'l Ole Bear M.D. - for which Jimmy Swinnerton pictures his editor who signed the article as "Noted Author and Critic" Beol Yendis.
[11] Circulation #25, July 1926, "The Newspaper Art Gallery" by Sals Bostwick.
[12] Circulation #3, July 1921, "To Laugh or Not to Laugh" by Alexander Black.
"King Features Syndicate, Inc. - the greatest family of circulation boosting comics on earth!" Circulation Chat editorial
         
[13] Circulation #18, Feb 1925 Harold H. Knerr - author of the strip "The Katzenjammer Kids" - was interviewed by Walter E. Sagmaster for Smart Set magazine.
[14] Circulation #3, July 1921, cover by Nell Brinkley.
[15] Circulation #3, July 1921, "Down on the Farm", a new strip by F. Opper. 
[16] Circulation #25, July 1926, R.F. Outcault writes about his friend Fred Opper, who's already making fun for half a century!
[17] "Mr. Opper has done his share as a grouch destroyer."
[18] Circulation #9, Sep 1922, "Mr. Frederick Burr Opper", by Penelope Clarke.
[19] Circulation #26, Sep 1926, announcement for Ad. Carter's strip "Just Kids".
[20] Circulation #19, Apr 1925, Happy Hooligan marvels at the Editors and Publishers Banquet, strip by F. Opper.
[21] Circulation #4, Sep 1921, "The Relativity of Art and Comic Art" is what Billy DeBeck and R.B., Jr. discuss.
   
"It is well known that George Herriman puts so much 'serious' art into 'Krazy Kat' that great painters and critics fight frantically for his originals." - Circulation #26, Sep 1926.
[22] Circulation #4, Sep 1921, "The Relativity of Art and Comic Art".  Barney: "Come on, Boss - I feel like a hoss in a garage!"
[23] PICTURE RHYME - Cover of The Saturday Evening Post, 13 Jan 1962, showing "The Connoisseur" by illustrator Norman Rockwell (b.1894).
[24] Circulation #11, Mar 1923, "Why Newsies Get Rich" by comic strip maker Fay King who pictured herself.


For most readers of YESTERDAY'S PAPERS this is just a first glimpse of CIRCULATION magazine, a promotional paper published at irregular intervals from 1921 to 1927 by King Features Syndicate, Inc. in New York City, NY. My present estimate is that at least 29 issues were published. The earliest I saw is from 1921, the latest from 1927. 

BUT UP TO NOW JUST 15 NUMBERS HAVE RESURFACED (11 full issues, plus from 3 issues only the covers, and from 1 issue only the interior).

Huib van Opstal


[ to be continued ]