In a Pirate City by Edwin S. Hope

Volume I, No. 1, “For the week ending November 26, 1887”

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July 10, 1886, young Edwin S. Hope of Cardiff, Wales writes to Young Folks story paper:

“I noticed recently that you apologized for some supposed shortcomings of your illustrations. I trust that you will never alter this style of picture and return to the old woodcuts, whatsoever some of your critics may say. You will be sacrificing vigour to smoothness by such a relapse, and it will be no gain, but a loss. The present style gives us the originality of the artist. The roughest stroke of the pen is eloquent, and the art value of the whole closely approaches that of the etching on copper (which I take to be the highest form of art in black and white). Wood-engraving, with its introduction of so many lines not the work of the artist — smooth, soulless, mechanical lines — is mostly false art. The engraver should never push himself visibly between us and the artist. Zincography is the thing. I hope most sincerely that you will keep to it.”

‘Kidnapped,’ illustration by William Boucher, June 5, 1886

When young Hope expressed these thoughts on art and reproduction Robert Louis Stevenson’s ‘Kidnapped; or, the Lad with the Silver Button,’ with accomplished illustrations by William Boucher, was in serialization in Young Folks.

Young Folks, April 10, 1886

Edwin S. Hope was a frequent paid contributor of poetry and prose to the Literary Olympic and Tournament section of Young Folks story paper. S. Dacre Clarke and Alfred Harmsworth contributed as well. Harmsworth’s columns on ventriloquism, photography, and bicycles became a continuing feature. The Christmas Double Number contained forty portraits of the chief competitors. No doubt Hope was one of this number as he seems to have favorably impressed the editor of the Letter-Box.

Boys of the United Kingdom, cover of Complete Volume

On November 27, 1887, Volume I, Number 1, of  Boys of the United Kingdom appeared with the title serial ‘In a Pirate City; or, the White Slave of Tripoli’ by Edwin S. Hope. The proprietor was S. Dacre Clark aka ‘Guy Rayner.’ Hope was reported to be author of ‘The Antelope Mine,’ ‘Heart of Dark Mountain,’ &c. The story was a humdinger and the illustrations were redolent of adventure. It is known that Hope illustrated many of his own stories. Was this his? The artist shows the influence of Funny Folks chief artist William Boucher.

First page of ‘In a Pirate City’

* The Boys of the United Kingdom, ‘For the week ending November 26, 1887’ – April 21, 1888 (22 numbers).

“For the week ending December 3, 1887”

“For the week ending December 10, 1887”

“For the week ending December 24, 1887”

“For the week ending December 31, 1887”

“For the week ending February 18, 1888”

Left: Comic page by Charles Henry Ross, “For the week ending December 17, 1887”
Right: Xmas Number, “For the week ending December 24, 1887”

John Proctor (1836-1914)

by John Adcock

“I can run a hundred yards with any man of my own age, and give a good account of myself; and though I have been drawing, first on steel, then on wood, and now in pen-and-ink (having seen steel resign in favour of wood, and wood in favour of pen-and-ink), I am quite ready to welcome any new development in the art world.” - A Chat with John Proctor, the Temple Magazine Vol 3, 1898-1899.

John Proctor was born in Edinburgh 26 May 1836. John's father was Adam Proctor, a master plumber, and his mother Eliza Roger (Proctor). The couple had nine children, three died young. John Proctor’s surviving siblings were Mary Roger Proctor, James Hutchison Proctor, Elizabeth Proctor, Thomas Proctor and William Proctor. James Hutchison Proctor immigrated to Canada in the early 1880's, homesteaded at Two Creeks, Manitoba for a time, then practiced as a Surgeon Dentist in Virden.

John Proctor married Harriet Joanna McCallum in 1861 in Scotland and moved to London the same year where he listed his occupation as an “artist in wood” on the census. John Proctor’s children were John James Proctor, Adam Edwin Proctor, William Sawyer Proctor (named after John Proctor’s editor at “Funny Folks,” William Sawyer,) George Smith Proctor, Annette Violet Proctor, Crowell V. Proctor, Robert Carlisle Proctor, and Mayland Proctor. In addition John Proctor had an illegitimate daughter by one of his maid servants.

His son Adam Edwin Proctor (1864-1913) was a noted genre and landscape painter in the eighties and nineties and another son, John James Proctor, drew political cartoons around the time of the Boer War. John James’s style and subject were very similar to that of his father. He apparently contributed to sporting newspapers as well.

John Proctor began his career in London with the “Illustrated London News,” then became resident artist for the firm of Cassell, Petter and Galpin which became Cassell and Co. His illustrations appeared in George Stiff’s “London Journal” and “The Seven Days Journal” which was incorporated into the “London Reader” in 1862. Frank Jay wrote in “Peeps into the Past” that “Most of the illustrations in the earlier volumes were the work of John Proctor.” I found no illustrations signed ‘Proctor’ in the “London Reader” but the most prolific artist on the main serials was ‘T. H. Wilson,’ which I believe may have been a pen-name used by the artist.

More illustrations were done for Charles Stevens periodical “The Boys’ Book of Romance” in 1867. Proctor contributed a few full-page illustrations to George Emmett’s boys periodical “Sons of Britannia,” in 1870, signing them “P.O.P.”

From 1867 to 1868 he drew the two page centerfold cartoons in “Judy; or, the London Serio-comic Journal,” and they were continued by the equally talented William Boucher when Proctor moved on to the centre pages of “Moonshine,” where he remained nine years. Proctor’s most impressive work was done for James Henderson’s penny weekly “Young Folks,” illustrating the works of Roland Quiz (pen-name of Richard Quittenton,) and Walter Villiers (pen-name of penny dreadful author Walter Viles,) in the seventies. Those workd he signed “Puck.” He contributed color cover cartoons to Henderson’s “Funny Folks,” considered to be the first British “comic,” and also to “Fun,” “Cassell’s Saturday Journal,” “Illustrated Bits,” “Sketch,” and “Will O’ the Wisp.”

The artist was a member of the Savage Club, and was pictured in a painting by W. G. Bartlett along with Henry Irving, Toole, Pinero, G A Henty, Harry Furniss, Luke Fildes, and E.J. Gregory. The singer is Franklin Clive. John Proctor is pictured seated at the table to the left and reaching for the wine bottle. John Proctor died 10 August 1914 at Heathend, Little London, Albury, Surrey.

*Many thanks to Allan Proctor Gray, Canadian descendant of John Proctor’s brother James Hutchison Proctor, for sharing family information and scans. I have also found another descendant's website useful, and more photos can be found HERE.

Young Folks

I always enjoy the kid's pages in old newspapers. Young Folks appeared in the Lethbridge Herald in the fifties and had beautiful comic art by an anonymous artist. The artist on Canadian Trails is mentioned: Jacques Gagnier -- possibly these were all his work.