Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts

Tuesday, June 03, 2014

Book Expo America 2014

Last year around this time I wrote about my first ever visit to Book Expo America (BEA), the huge, international trade fair that has for some time been held annually at the Javits Center in New York City. In addition to all the free books available and the opportunities for literary people-watching and gawking, making it a dream venue for bibliophiles of a particular kind, it also offers a glimpse onto the vast, global, money-laden world of publishing. Publishers, agents, and authors are present in droves, spieling, negotiating, selling, signing contracts, and, once books are published, smiling and signing some more. Also thronging the convention center are every other element in the publishing system, from distributors and book and website brand-makers and packagers to hardware and software companies, pen-makers, branded tchotchke sellers, and so on.

This year's BEA had generated public controversy because of the total absence (total--of course!) of writers who are not white on its consumer-targeted BookCon panels. This was only one of several controversies surrounding lack of ethnic and racial diversity, a problem that continues to plague the publishing world, ironically at a time when in the US and many of the major European countries, demographics are tending towards even greater ethnic and racial diversity. What is clear from this year's visit as was the case last year is that there remains a vast market among readers who are not white that is not being addressed, or which publishers seem to think can be dealt with in the old manner of selecting out a few native agents or engaging in a one-way exchange. But in the long run, this approach probably will go the way of the great auk, and should.

My favorite part of the event is walking down every single aisle and scanning each publisher's booth to see what's forthcoming and what they've published that I may have missed. My experience has been that the smallest publishers are almost always the friendliest, perhaps because of the personal scale of their business and perhaps because they have to be. With size, it seems, though not uniformly, diffidence and indifference increase in scale. The Ivy League university presses' booth reps don't even deign to make eye contact, at least with me, as if the names Harvard or Yale demand this, and they also do not give (m)any free books away, while other university presses' people (Duke, Illinois, etc.) speak, invite you to look at their new and forthcoming publications, and so forth. The countries outside the Western EU countries have quite pleasant booth people while the people at the various tables under España, for example, appear so engaged in their conversations that you could join them at their tables and they wouldn't even glance up. Also, all the Canadian publishers' reps are in general more polite than the US publishers, and these booths often have a wider array of books, including poetry. Lastly, almost every US press that had translations of foreign literature available in more than minimal quantities had someone present who was willing to chat about them.

At the biggest houses, it's a free-for-all, with people queuing up in sometimes astoundingly long lines to get their books signed and reps who bark out commands to get a ticket then join the phalanx. Many of them appear interested in chatting only with each other, famous authors, etc. I made a point of stopping by the University Presses of New England booth to see if the Hilda Hilst translation was there--it wasn't!--but I was told that this was because the publisher, Nightboat Books, was out of copies. Which, the UPNE rep told, me, was "a good thing." I haven't had a chance to check whether this was true or bunkum, but I was disappointed not to see it there. Overall I found far fewer books of interest this year than last, and nothing on the order of Craig Wilder's Ebony and Ivy, one of the most illuminating books I've read in a years. I also was yet struck by the gulf between the kinds of discussions that usually occur in academe, whether in MFA creative writing programs or literature departments, around publishing, and the reality of this world, which is far larger, more diverse and multifarious, and very much a key cog in the global capitalist system. I still had several full bags, so when I finished my 6.5 miles of walking (according my phone's pedometer app) and left the Javits Center, I dragged myself right to the main post office on 8th Avenue and mailed everything straight to campus.

I'll carefully go through this literary cache at some point soon. For now, some photos from the event:

Entering the convention,
David Mitchell's new book on
the giant poster up above 
Happening on the end of one of the discussions 
Baker Dan
Some of the branded goods

A quiet nook amidst a
used bookstores'
stacks 
Saudi Arabia's booth
Fascinating eBook reader covers 
Kuwait's booth 
Near Saudi Arabia's booth 
Monro, a lively company
creating and packaging
author and publisher websites and more 
Greer McAllister, of many authors
signing books for eager fans
Looking down one of the aisles 
Playwright and actor Tracy Letts 
Signing books 
Books on display 
An illustrator of a book on Walt Whitman
with a friend who looks like Walt Whitman 
The White Van
Italy's booth, a microregion, really 
At one of the megapublishers
Lego TM Chewbacca
Harvard University Press's booth
Soliciting selfies
A young man videotaping the proceedings 
The Nordlit area
Shindig, a special booth where people
could get online, chat, etc. 
Cameras rolling
One of the numerous long lines
Romania's booth
A non-human reader 
A sign for one of those lines 
James Ellroy 
Hachette's booth--they are fighting
the big battle against the behemoth,
Amazon 
Carl Hiaasen 
The display of self-published books 
Leigh Haber of O Magazine (at right),
talking about her experiences
Dick Cavett! 
One of the erotica book tables 
José Ángel N., an undocumented
American, whose memoir is being
published by the University of Illinois Press 
On my way out, Jodi Picoult's
immense poster looming overhead

Friday, May 31, 2013

BookExpo America 2013

Looking down at the main exhibition floor, BEA 2013
Looking at the main floor of the BEA
Every year, around this time, I have heard tales told of Book Expo America (BEA) the giant annual book trade fair held at the Jacob Javits Center, on the far edge of Midtown Manhattan, but I until this year I had never been able to attend. A four-day and costly event, the fair convenes most of the major and numerous mid-sized and small US publishers, many from overseas, agents, distributors, authors, artists, librarians, and book lovers, who were present in droves despite the mid-summer temperatures that turned the sidewalks into a griddle and the glass walls of the air-conditioned Javits Center into magnifying glasses. I believe there were academics present too, though far fewer operating solely in that role than you might find at the Associated Writing Programs or Modern Language Association conferences, neither of which has the commercial or global feel of BEA.
Congressman John Lewis signing a comic book, BEA 2013
Congressman John Lewis (D-GA) signing his comic book
Hero Congressman John Lewis handing a signed book to a fan, BEA 2013
Congressman Lewis
In fact, the BEA thrums with the sensation of real-world, real-time significance; the numbers of people huddled at tables hashing out whatever they're hashing out, the sizable section of digital and electronic consulting companies seeking to bring the trade into the 21st century, the half-closed publishing house curtains where big deals and planning were taking place, the numerous people pumping up potential books to the houses ("I'm sorry," one young woman at Taschen told another, "but we don't commonly give out editors' email addresses," in response to a query about a book idea she had), and so forth, made the sometimes grueling, often joyful experience of writing--dreaming, planning, writing, revising, revising again, revising again, etc.--feel both infinitesimally small and indescribably important. To put it another way, writers could, in the scheme of this hurdy-gurdy of excitement and high stakes almost appear forgotten, and yet also, without authors, would any of this be possible? (Of course there are some who might answer yes, but....) Moreover, all authors, of all types, were present here. Some who'd never been seen anywhere near academe, as well as others who are paragons of literature and creative writing classes, were present. There were many long lines for authors I'd never heard of, which means I need to get out and read more widely, but there also were on display books by authors I deeply admire who probably don't get read as much as they ought to. But someone is publishing, and someone is reading their work.

11th Ave. & Jacob Javits Ctr, NYC
The Javits Center, at left (Columbus Circle in the distance)
Mexico book area, BEA 2013
Mexican publishing and book section
No surprise in the numerous hierarchies on display, most visibly the size and elaborateness of booths and sections based on the size and financial might of the publishers, and the prioritization of commercial and genre fiction and nonfiction over literary fiction, poetry, drama and other literary forms (which was quite rare in some precincts), nor was the frostiness of some of the publishing types a surprise either. (Others, however, were quite pleasant, and the micro-climates of attitude meant that I could pass from spaces where publishing staff did not even look in my direction to lively conversations with editors and reps from presses like Duke or Yale or Biblioasis or New York Review.) And it additionally was not a surprise, though a bit disappointing, that nearly all the publishing representatives, like the authors whose booksignings I noted, except for a very few cases (one of which I'll mention below), were by white, at a time when the country is growing ever more diverse. But there were glimmers, and I must note that, perhaps heartening to VIDA, the organization that champions women writers and equality in the literary world, the majority of authors I saw greeting customers and signing books were women. (The actual numbers, however, may be different, but I am going off my rough count.) I had heard that people brought suitcases to cart off the free books and swag (bookbags, blow-up toys, maps, pens, corporate-branded bric-a-brac of all kinds, beer, etc.), yet I didn't believe it, then I saw person after person not only lugging around book-heavy bags and backpacks, but yes, wheeled suitcases, and I realized, that was certainly foresight (or learned experience at a prior BEA). I didn't need a suitcase, but I did bring back two full bookbags full of books, some of them so interesting I started paging through them on the subway and PATH, and a number of which I selected in part because I very well may be able to incorporate them in future classes.

Elizabeth Gilbert signing her book, BEA 2013
Elizabeth Gilbert, signing her new book
IMG_0007
Paula Deen, signing an ad for her next book
There were a few star types there (Tony Kushner, actor Jim Carrey, etc.), but the highlight for me was meeting and chatting a little with Congressman John Lewis (D-GA), one of America's true heroes, and a signal figure in the US Civil Rights movement of the 1950s and 1960s. He is the sort of person I always imagine will be so heavily thronged it would be impossible to get near him, but there was a small line and I was able to ask him to sign a comic book he had co-authored and then talk with him, letting him know not only that his name had come up in my recent class, but how much an inspiration he and his generation are for my students and me. I also thanked him for his bravery, courage and vision, in essence thanking his generation and those before him who had blazed the paths I and so many can walk down today, and together we noted that the 50th anniversary of the March on Washington was approaching, and that the 150th anniversary of the Emancipation Proclamation was only a few months before, an amazing confluence that also pointed toward future goals and gains. I probably could have left after meeting him, but I instead did walk the entire main hall, collect books, take a sip of champagne (it was free), and admit to myself that being in an environment filled with free books and readers was a pretty enjoyable place to be.

Tony Kushner signing books, BEA 2013
The amazing Tony Kushner, signing books
IMG_9982
Jim Carrey, signing a flyer (?)
Okey Ndibe signing his book at BEA 2013
Brown Univ. prof. Okey Ndibe, signing his book
George C. Fraser, BEA 2013
Author and success champion, George C. Frasier
Aisle 1900, BEA 2013
Aisle 1900, with presses on either side
Chinese Publications booth, BEA 2013
Chinese publishing booth
Kobo eReader booth, BEA 2013
Kobo eReader booth
Spain book section, BEA 2013
Spain's publishing area
Author Marek Krajewski at BEA 2013
Polish author Marek Krajewski, with
translator (in red) and fan
Artbooks area, BEA 2013
The art books section (one of several)
Author Landau and his lovely wife
Author Landau, and his lovely wife
IMG_9981
One of many long lines for a book signing
One of the reserved areas, BEA
Publishers' curtained off private areas
Free cupcakes from Disney, BEA
Free cupcakes, from Disney
Boxes of books waiting to be shipped, BEA 2013
Books and other items, waiting to be shipped home