Showing posts with label Sex Pistols. Show all posts
Showing posts with label Sex Pistols. Show all posts

Tuesday, January 18, 2011

Sex Pistols: Sub-marine Mission & Show # 335


In 1977, The Sex Pistols were recording what was to become their only official full length album and ultimate statement, Nevermind The Bollocks, Here’s The Sex Pistols. One song in particular on this album was "Submission". The song was written after Sex Pistols manager Malcolm McLaren told the band to write a song called "Submissive". Instead Rotten suggested a song about a sub-marine mission which generated the song "Submission", with the first line being "I'm on a submarine mission for you baby". The whole band is credited on this track (Cook, Jones, Matlock, Rotten) it was written rather early in the bands career. Drummer Paul Cook stated in the linear notes to the 2002 Sex Pistols Box Set: "Submission' had a classic riff that's been done millions of times before. We slowed it down. It was similar to that Doors riff in ‘Hello I Love You’, The Who’s ‘Can’t Explain’, and the early Kinks. We made it more subversive."

"Submission" was recorded numerous times in the bands career, but there are three definite versions that fans have come to identify with. The first being the album version found on Nevermind The Bollocks which was recorded at Wessex Studios in 1977, the second being found on the infamous Spunk bootleg album featuring original Pistols bassist Glen Matlock on bass, the third version is referred to as "Submission (Version # 1). This version is a more experimental version that was in fact mixed by Rotten himself and it features Sid Vicious on bass. While he was the Pistols bass player after Glen Matlock was kicked out of the band, guitarist Steve Jones recorded almost all the bass tracks for the album. Sid is credited as playing bass on the song "Bodies", while Glen Matlock, plays bass on "Anarchy in the UK". "Submission" was originally found as a B-side on the 1992 single release of "Pretty Vacant", but can now be found on the Sex Pistols Boxed Set. The album version also appeared as a B-side on the US release of the single "Pretty Vacant" in 1977. Another interesting note on the song "Submission" is that initial copies of Nevermind the Bollocks did not feature this song. About 50,000 copies were printed without the "Submission" track, but included a free one sided 7" single with the album containing the song and a poster upon the bands insistence. All future pressing of the album would have twelve tracks, featuring "Submission".

This week's play list:

1. Undertones - More Songs About Chocolate and Girls
2. Jerry Nolan - Take A Chance With Me
3. Quinn Marston - Can You Hear Me See Me Now?
4. Twilight Hotel - Ham Radio Blues
5. Lonesome Lefty - River Blues
6. Meat Puppets - Plateau
7. Broken Records - Modern Worksong
8. Jonathan Richman - These Bodies That Came to Cavort
9. Johnny Cash - Luther's Boogie
10. The Weirdies - DIY Lobotomy
11. The Ex-Boyfriends - Still Kicking the Slow Birds
12. Cut Throat Brivita - Pink Pills
13. The Mongrels - Play My Guitar
14. 14th Wray - Let It Out
15. Johnny Kannis - King of Surf
16. Guided By Voices -Teenage FBI
17. Radio Birdman - I-94
18. Soundgarden - Never Named
19. The Doors - Land Ho!
20. Nick Lowe - I Love My Label
21. Bob Dylan - Tombstone Blues (Alternate Take)
22. Bob Dylan - It Takes A Lot To Laugh, It Takes A Train To Cry (Alternate Take)
23. Sex Pistols - Pretty Vacant (1976 Denmark Street Demo)
24. Sex Pistols - Submission (Version #1)
25. Deja Voodoo - Call Link Wray

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for January 18. Or subscribe to Revolution Rock as a Podcast.

Tuesday, April 27, 2010

Sex Pistols, Revolvers and Harlem....Show # 297

This week marked the 267th episode of Revolution Rock on the CJAM airwaves. In celebration of my 300th episode which is two weeks away, I will be playing the music of The Velvet Underground. Feel free to leave any requests via the comment button on this post. In the meantime, enjoy some youtube videos:








The Play List:

1. The Specials - Too Much Too Young
2. The Slackers - Mr.Tragedy
3. Spacecraft 7 - Jed's Trilogy Part 1
4. The Disappeared - Karen Silkwood
5. DID - Ask U2
6. The Horrors - Little Victories
7. Tyranna - Johnny
8. Rock and Roll Bitches - Broad Daylight
9. Sturgeons - Punk Rock Virgins
10. Magic Hall of Mirrors - Coke MTN
11. The Make Up - They Live By Night
12. Secrets - Teenage Rampage
13. Speaking Tongues - Looking in your Window
14. Revolvers - Rock y Roll
15. Television - Torn Curtain
16. Harlem - Pissed
17. 5.6.7.8's - Cat Fight Run
18. The Zeros - Beat Your Heart Out
19. Buzzcocks - Everybody's Happy Nowadays
20. Richard Hell & The Voidoids - Liars Beware
21. The Stooges - TV Eye
22. Blur - Fools Day
23. Sex Pistols - EMI
24. Nirvana - Stay Away

To download this weeks program, visit CJAM's schedule page for Revolution Rock and download the file for April 27. Or subscribe to Revolution Rock as a Podcast.

Tuesday, July 21, 2009

Album Art Clash!....Show # 258

This week my program featured a selection of some of my favourite album artwork. This included single artwork and album artwork. There was also a co-host this week, Adam from Fear of Music (on Tuesdays from 1-2:30 PM). I was also featured as a co-host on his radio program where he also did a show on artwork. You can check out his list on his Fear of Music blog. Below is a description of the choices made as well as some that did not make it onto my show this week due to time restraints.

Album Artwork Selections:

The Dead 60s - The Dead 60s (2005)


This album was released in the UK in 2005 and several months later in the US. The track listing differs from the UK and US versions and so did the artwork. The actual artwork is a pop art styled version of an actual building in Liverpool, where the band comes from. The Concord House is the office building on the cover and it is located near the Liverpool Lime Street railway station. The UK version of the album features a red background while the US version has a yellow one.






XTC - Go 2 (1978)


Designed by a group of British album artwork designers known as Hipgnosis, Go 2 features a different kind of artwork. In fact there is an essay on the front of the albums cover instead of any picture or artwork. Originally released in 1978, this album featured a different track listing in the UK than in the US. The albums title (Go 2) was named in part due to a Japanese strategy game called Go. The two was put after the word go because it was the bands second album.






U2 - 11 O’clock Tick Tock (Single 1980)

11 O’clock Tick Tock was U2's third single. It was released just before the release of their first full length album Boy. Produced Martin Hannett (known for his work with Joy Division), this single featured the bands early post punk influenced sound. The actual artwork features a close up picture of a clock (pointing to 11) with a blue/purple coloured background. Along the side of the single cover the words "U2 11 O’clock Tick Tock" are featured in blocks. Three versions of the song exist, all of which are different takes of the song. There is the original single mix, a slightly longer mix for a Martin Hannett tribute album and a version of the Pride single.



Devo - Be Stiff EP (1977)


The artwork for this six track EP was created by Barney Bubbles (a graphic designer) and Brian Griffin (a photographer). The cover featured a man holding up a letter "E" with his hands over the top of his head. The EP was produced by Devo themselves and features some different versions of songs that would be found on the bands first album. "Jocko Homo", "Mongoloid", "(I Can't Get Me No) Satisfaction", and "(I Saw My Baby Gettin') Sloppy". There are also two songs "Be Stiff" and "Social Fools" not featured on any of the bands original albums. All of these tracks can now be found on various compilations, anthologies and reissues of the bands albums.




The Cure - Boys Don't Cry (1980)


This album was actually a US version of the bands first album Three Imaginary Boys. It also features a different track listing than the original UK album. The albums cover features palm trees, a sun and burned/frayed looking bottom. The cover always reminds me of Egypt, maybe it's because of the song "Fire in Cairo", but either way it is an interesting album cover. This album is also an early representation of the band, who would later be known as Gothic. At this point in the bands career they were making Punk/New Wave sounding tracks.






Franz Ferdinand - You Could Have It So Much Better (2005)


The album artwork for Franz Ferdinand's second album is similar to artwork by Russian avant-garde photographer Alexander Rodchenko. It was inspired by his portrait of Lilya Birk. The album itself reflected a more punk inspired Franz Ferdinand than their first album.








The Diodes - Action-Reaction (1980)


The third album by Canadian punk band The Diodes showed off a more Power Pop and Hard Rock style. The albums cover is a variety of space looking ray guns, one is missing. It is another interesting cover from a Canadian band that is underrated. The album will be re-issued on CD in September. Currently it is available on itunes.







The Nils - Green Fields in Daylight (1997)


This album is in fact a compilation album from the Canadian punk and pop band The Nils. The Montreal band lasted from 1978 until 1994. The band started at a young age by Alex Soria and his brother Carlos. The compilation features more than 20 tracks collecting early demos, recordings, songs from the bands EP's and full length album. The artwork on the albums cover is a spilled over can of contact cement. Shades of green dress the albums cover.






The Professionals - I Didn't See It Coming (1981)


Formed by Steve Jones and Paul Cook (of Sex Pistols), The Professionals released I Didn't See It Coming in 1981. The album was actually a re-recorded version of the bands first album which was never released (it was eventually released in 1990 and in 1997). The cover is pretty simple, a guy getting punched in the face. An effective and eye catching album cover.








The Damned - Don't Cry Wolf (Single 1977)


Don't Cry Wolf was a single taken from the bands second album Music For Pleasure. This album would be The Damned's last with guitarist Brian James, it was also produced by Nick Mason (of Pink Floyd). The B-side to Don't Cry Wolf is the song "One Way Love". The B-side (which is also on Music For Pleasure) has some almost country like guitar licks on it. The song is an excellent example of the guitar work of Brian James. The single artwork features what looks like scalpels in a star shaped pattern surrounding the bands name and the songs title.






The D4 - 6Twenty (2001)


The 2001 album from New Zealand Garage Rockers, The D4 was named after a guitar amplifier. The cover features the band members silhouetted in black and red, while guitarist Dion Palmer aims his guitar in a gun-like fashion. The album itself is great representation of high energy Rock and Roll. The album had six singles released, none of which charted in the US. Some singles from the album did make it on to the UK singles charts.







Queens of the Stone Age - Era Vulgaris (2007)


The artwork for Era Vulgaris features two light bulb characters, one which is a green light bulb that has an eye patch (known as "Patchy") and Bulby a yellow bulb smoking a cigarette. The light bulb cartoons were created by Liam Lynch and the overall art direction was done by Jason Nato & Doug Cunnigham of Morning Breath Inc. Josh Homme has stated in an interview that light bulb represents an idea that you think is really great, but in reality it is not. Era Vulgaris was the fifth album by Queens of the Stone Age.






Sloan - Navy Blues (1998)


Sloan's follow up to 1996's One Chord To Another was Navy Blues. The album featured songs such as "She Says What She Means" and "Money City Maniacs". Navy Blues combined elements of the bands 60s Pop/Beatles style with 70s Hard Rock. The albums artwork features a picture of each band member separated by lines that are similar to work done by Saul Bass (American graphic designer and film maker). For an animated, filmic extension of the album cover check out the video for "Money City Maniacs".






Neil Young - On The Beach (1974)


This was an album that has interesting things to pick out on the cover. There is part of what looks like a Cadillac buried in the sand, a patio table and chairs, a person out in the distance and a hanger hanging under the umbrella (there are more things too if you look closely). This album was originally released in 1974 and for a long time it was out of print on vinyl and it not available on CD. In 2003 it was finally released on CD.







Joe Strummer & The Mescaleros - Streetcore (2003)


The artwork to the third album by Joe Strummer & The Mescaleros is credited to Art Dog and Joe Strummer. The album which was released posthumously showed the Mescaleros returning to a more Rock/Clash like form. Streetcore featured songs such as "Coma Girl", "Get Down Moses", "Long Shadow" and "All In A Day", all of which display differing musical styles while still staying true to the edge of Rock and Roll. The cover displays a coil that looks like it is dripping, five black stars placed in two different locations on a bright orange background.





The Strokes - Room On Fire (2003)


The Strokes second album was panned by critics when it was originally released. The albums cover features what looks like a black jack card table (or some sort of card table that would be used in a casino), two hands of opposing colours firing at each other and the bands album title. The album musically was influenced by New Wave music such as Talking Heads, The Cars and the bands previous Garage Rock influences.







The Kinks - Kink Kontroversy (1965)


Originally released in 1965, Kink Kontroversy mixed early Kinks Garage Rock style with Blues. The albums cover features five squares. The main square features a close up Dave Davies playing guitar. Atop of it there are four squares each of which has a different Kinks band member inside. The albums title is a play on the bands onstage antics, and fighting which led to them being banned in the US.








The Hives - Walk Idiot Walk (Single 2004)


The single to the Hives song "Walk Idiot Walk" featured two B-sides "Genepool Convulsions" and "Keel Hauling Class of '89". The single is a song that comes from The Hives 2004 album Tyrannosaurus Hives. The single also contains the music video made for the song. The video features the band in a white room with a scrabble board that changes letters in the background. The cover is a shot of the band members holding their instruments on a white background, which is a similar style to the music video for the single.



Sex Pistols - Nevermind The Bollocks (1977)


The one and only album by Sex Pistols featured cut out ransom styled lettering. In the UK the letters were outlined in pink, while the background is yellow. For the US release the colours differ. The letters are outlined in green with a light pink background. The cover was designed by Jamie Reed and has since been copied by numerous punk bands. Without an album like this, who knows what rock music would sound like today?






Buzzcocks - Promises (Single 1978)


All of Buzzcocks early singles have interesting artwork designs. Promises is one of my favourites, it is designed in a pop art style and features a green square outlined by a purple circle on a black background. The song was recorded just after the release of the bands second album Love Bites and was originally titled Children. The song was also added to the Singles Going Steady compilation in 1979.







Wire - Chairs Missing (1978)


This album cover is simple, there are no chairs on the front cover and there is a table with purple flowers on top of it. There are also brownish grey curtains in the background. The covers concept was created by Graham Lewis and Colin Newman (of Wire), while the cover photo was taken by Annette Green and the overall art direction was created by Brian Palmer. The albums title is derived from a British slang for a person that is a little bit disturbed. For example, that man has some chairs missing from his front room. The album featured more pop oriented compositions than the bands previous effort Pink Flag.



The Clash - London Calling (1979)


The artwork is to 1979's London Calling is now seen as an iconic image. The cover is reminiscent of Elvis Presley's first album and they both employ a similar font style. Elvis's album features Elvis raising his guitar up while London Calling features Clash bassist Paul Simonon smashing his bass down to the floor. The photograph on the cover was taken during a Clash concert in New York by Pennie Smith. The graphic design was done by Ray Lowry. I enjoy almost all of The Clash's album covers and single artwork, some other interesting ones to check out are Radio Clash, Bank Robber, Magnificent Seven and of course their other album covers.




Other interesting artwork:

Elvis Costello & The Attractions - This Year's Model (1978)


The artwork to this album cover was designed by Barney Bubbles. The concept is simple, Elvis Costello standing in front of a camera with his right hand sticking out, the background is a golden brown colour. The US version of this album did not have the songs "(I Don't Want To Go To) Chelsea" and "Night Rally", instead of those tracks the song "Radio, Radio" was added. A slightly different album cover was also used for the US version.







Talking Heads - Take Me To The River (US Single 1978)



Talking Heads were another band that had interesting album covers. The US version for the song Take Me To The River is one of my favourites. The song was actually a cover of a song that was originally by Al Green. The cover of the US single was of a gospel tabernacle and lttle wavy lines at the bottom for the water. The UK version was a variation of the cover for the album More Songs About Buildings and Food, which is also interesting. Other great covers by Talking Heads include the Fear of Music album cover, and covers for the singles Crosseyed and Painless, Road To Nowhere, Life During Wartime and Psycho Killer.




Rolling Stones - Let It Bleed (1969)


Let It Bleed was a follow up to 1968's Beggar's Banquet. There are so many things that can be picked out on the cover. The cover displays a picture of a record player and spindle, on top of the spindle there is a variety of things stacked up. There is a stack of records, a reel to reel tape, a tire, a pizza and a cake. On top of the cake there are little figures of each band member.








The Beatles - A Hard Day's Night (1964)



You cannot discuss artwork by rock bands without bringing up The Beatles. While they have many covers which are seen as innovative, There are two in particular that have always been interesting to me. First, The UK version of A Hard Day's Night which was the soundtrack to the film of the same name. The US version featured a different track listing. The UK cover features photos of every Beatle member in different poses. The US version featured four large photos of each Beatle, from the nose up. This was also the very first full length album by The Beatles that had all original compositions on it.




The Beatles - The White Album (1968)

My second choice for Beatles artwok is one of my favourite albums ever, The White Album. The artwork is also quite simple and inventive. Designed by Richard Hamilton the cover was white, with the bands named lightly showing on the cover. While the album was originally going to be called A Doll's House, the band decided on just calling it "The Beatles", but because of the artwork it is usually referred to as The White Album. Since it's release numerous bands have had self titled albums with a plain colour for its cover.




The Play List:

1. Dead 60s - Riot Radio
2. XTC - Meccanic Dancing (Oh We Go)
3. U2 - 11 O'Clock Tick Tock
4. Devo - Be Stiff
5. The Cure - 10:15 Saturday Night
6. Franz Ferdinand - You Could Have It So Much Better
7. The Diodes - Polaroid
8. The Nils - Freedom
9. The Professionals - Madhouse
10. The Damned - Don't Cry Wolf
11. The D4 - Come On!
12. Queens of The Stone Age - Make It Wit Chu
13. Sloan - Stand By Me, Yeah
14. Neil Young - Walk On
15. Joe Strummer & The Mescaleros - Coma Girl
16. The Strokes - I Can't Win
17. The Kinks - The World Keeps Going Round
18. The Hives - Genepool Convulsions
19. Sex Pistols - Pretty Vacant
20. Buzzcocks - Promises
21. Wire - Outdoor Miner (Single Version)
22. The Clash - Rudie Can't Fail

To download this week's show visit the CJAM archives and select the files 10:00 AM and 11:00 AM on July, 21st 2009.

Wednesday, January 23, 2008

Show # 180 - The Live Show

This week my show consisted entirely of live recordings from some of my favourite bands. This included official live albums, and rare unreleased recordings. Some of the material I played was:



The Bootleg Series Volume 4: Bob Dylan Live 1966: The Royal Albert Hall Concert

After years of being bootlegged, Bob Dylan officially released this live concert as part of his Bootleg Series in 1998. This is the concert where Dylan went electric, causing many of his fans to believe him a sellout. Other interesting facts about this double CD set is that Bob Dylan is backed by a group of Canadian musicians then known as The Hawks. Serving as his backing band, The Hawks would later change their name to The Band.



















Sex Pistols - Live in Chelmsford Prison (2002 Sanctuary)

This is a live concert featuring the Sex Pistols live at a prison in 1976. On this CD there are all the Pistols classics such as "Problems", "Anarchy in the UK", "God Save the Queen", and a variety of covers "No Fun (The Stooges)", and "Substitute (The Who)". This bootleg recording sounds better than a large majority of the bands live recordings. Recorded by the bands sound man Dave Goodman, the album showcases an early version of the band featuring Glen Matlock on bass. The actual overall performance of the band has been described as the group not at their best, but it is a good sounding live recordings by the legendary Sex Pistols. Earlier releases of this show, have sound man Dave Goodman adding overdubs to the show, sometimes even singing over top of Rotten making the release worthless. If you want to get this bootleg make sure it is the 2002 Sanctuary version.


Talking Heads - The Name of this Band is Talking Heads

Originally released in 1982, This was a double live album cataloguing the bands career from 1979 to 1981. The title of the album originated from the incorrect pronunciation of the band as The Talking Heads (it's just Talking Heads). The first disc contains live recordings from the period of 1977-1979 and the second disc contains live recordings from the period of 1980-1981. When released on CD in 2004, not only was the album remastered, but also expanded with 15 bonus tracks. The album also contains the song "A Clean Break" which was previously unreleased, and is an excellent track. This is a live album that is just as good if not better than the bands other live album Stop Making Sense.

In other news, on January 11th, Mick Jones and members of Carbon/Silicon played live on stage with none other than Topper Headon (former drummer of the Clash). It was the first time in 25 years the two played together and here are two videos of it:

Train in Vain
Should I Stay or Should I Go

Finally, an article was written for the University of Windsor's newspaper The Lance on my radio show Revolution Rock. If you would like to read it, you can check it out here.

The Play List:

1. The Clash - Jimmy Jazz (Live From Here To Eternity II)
2. The Damned - New Rose (Live Paris Theatre 1977)
3. Sex Pistols - Substitute (Live Chelmsford Prison 1976)
4. Teenage Head - Little Sister (Live 1978)
5. Teenage Head - Ain't Got No Sense (Live 1978)
6. Young Canadians - Poison of Thought (Live No Escape)
7. Saints - Untitled (Live London 1977)
8. Saints - Nights in Venice (Live in London 1977)
9. Gang of Four - Return the Gift (Live Ann Arbour, Michigan 1981)
10. The Jam - And Your Bird Can Sing (BBC Session)
11. Bob Dylan - Tell Me, Momma (Live Royal Albert Hall 1966)
12. Sloan - The Lines You Amend (4 Nights at the Palais Royale)
13. Sloan - Iggy & Angus (4 Nights at the Palais Royale)
14. Generation X - King Rocker (Live Sheffeild 1978)
15. Neil Young - Sedan Delivery (Rust Never Sleeps 1979)
16. Pearl Jam - Fuckin' Up (Live Toronto 2006)
17. Modernettes - Rebel Kind (Live on the Vancouver Show 1983)
18. Smugglers - What Do You Want Me to Do (Live Growing Up Smugglers 1998)
19. The Clash - Hate & War (Live Something Else 1979)
20. Buzzcocks - Fiction Romance (Entertaining Friends 1979)
21. Talking Heads - Don't Worry About the Government (The Name of this Band is Talking Heads)
22. Dead 60s - Liar (Live i-tunes Music Festival 2007)
23. The Hives - List of Demands (XFM Session 2007)
24. Ramones - Let's Dance (Live at the Roxy 1976)

Wednesday, October 25, 2006

Anarchy from the UK and Show #117



This week I'll be talking a bit about Sex Pistols. Well this band started everything really, because of Sex Pistols Joe Strummer broke up his band the 101'ers to form The Clash, Howard Devoto and Pete Shelley formed Buzzcocks, and tons of other bands ignited upon the punk rock fuse that was lit by Sex Pistols.

Sex Pistols were just a band in the right place at the right time. Formed in 1975, they were brought together by radical clothes designer Malcolm McLaren, to promote clothes and fashions from his shop. The band consisted of Steve Jones (Guitar), Paul Cook (Drums),Glen Matlock (Bass), and Johnny Rotten on vocals. The band played loud fast rock & roll songs, and that is all the group was a loud rock band with extreme attitude, courtesy of Mr. Johnny Rotten. Johnny Rotten brought emotion to the band, the band talked of the times in England and the Government. They brought up real and political themes in a format that was known as punk rock.

The media and many people were terrified of the band and Johnny Rotten, they were thought of as some to be evil. Their first single "Anarchy in The UK" caused the band to be dropped from their record label, EMI. A song about being dropped from their label was written and is featured on their only album Nevermind The Bollocks...Here's The Sex Pistols, it is called "EMI". Original bassist Glen Matlock, was fired just after this and just before their next single "God Save The Queen". The song would be banned by The BBC because of all the trouble it caused, it actually reached number one on the billboard charts, but the name of the song and the band appeared as a blank space atop of the charts. After the sacking of bassist Glen Matlock, Johnny Rotten's friend Sid Vicious was brought into the band. Sid could not play an instrument, and he was not featured on their record (the bass parts were played by guitarist Steve Jones). The band would self destruct during their first US tour, in January 1978. Johnny Rotten (real name John Lydon) would go on to form the post punk group Public Image Limited, Steve Jones would form the Professionals, and the other members were involved in other projects as well.

The song I played by the band tonight "Bodies" is a song which brings up issues of abortion. Johnny Rotten does not say whether he is for or against the subject, but it is based on a real life experience of someone he knew. For more information about Sex Pistols, you can read John Lydon's Autobiography, or get the classic albums DVD on Nevermind the Bollocks. In the early 90's a similar musical impact would occur with another band that was influenced by Sex Pistols, that would be Nirvana, but that is another story.

The Play List:

1. The Count Five - double-decker bus
2. MC5 - teenage lust
3. Generation X - Cathy come home
4. Teenage Head - curtain jumper
5. Modernettes - confidential
6. Ramones - questioningly
7. Ramones - she's the one
8. Sex Pistols - bodies
9. Buzzcocks - are everything
10. Buzzcocks - why she's a girl from the chainstore
11. The Diodes - madhouse
12. The Clash - junkie slip
13. The Clash - Kingston advice
14. The Saints - all times through paradise
15. The Police - synchronicity I
16. Talking Heads - I get wild/wild gravity
17. Elvis Costello & The Attractions - senior service
18. Wire - a question of degree
19. Iggy Pop - sixteen
20. Sloan - she says what she means
21. Sloan - iggy & angus
22. The D4 - Rebekah
23. The D4 - running on empty
24. Albert Hammond Jr. - back to the 101
25. The Rapture - pieces of the people that we love