Showing posts with label philosophy. Show all posts
Showing posts with label philosophy. Show all posts

Monday, 25 August 2014

Edition whoring; fifth and seventh; and things unseen

So we've lived to see a fifth D&D and a seventh 40K. Who'd have thought it, back in 1974 or '87?

I've been reflecting. The more editions, the more I think the magic, and the truer quality, was in the first, in OD&D and Rogue Trader; and the more I think that after any new thing appears, if we love it, the way to honour what it represents is to carry on truly developing, to push the limits in corresponding ways, not just rework.


Thursday, 21 August 2014

The Return of the Jedi and/or the Rise of the Galaxy

I'd think that in a leg of western history that looks heavily shaped by and for the internationalist, disaffected and atheist 'nerd' with a moderately idealistic view of nature - I'm generalising and conflating a bit - the Ewoks would be more popular.

After all, they're an ungainly, galactic everyman, underdogs who come good, mastering a tyrannical aggressor with their own tech, even taking the first steps in a new paradigm.

And if not absolutely popular, at least relatively, compared with, say, the Jedi, presented as physiologically favoured, aristocratic alpha warriors not so much seeking progress by intelligence as led by an abstraction to restore a presumably established religious order.

Why this dissonance? Is it just the Jedi having more readily identifiable individuals, or traditional hero figures? Or is it the personally empowering mysticism of the Force, or the Jedi access to not just spiritual but worldly power? Or is it something more subtle..?

Friday, 8 August 2014

Fifth edition thoughts - the depriving background?

A quick comment on a piece of fifth edition D&D.

At first I was generally positive about the idea of the so-called 'background' - the personality traits, ideals, bonds and flaws. Now I'm not so sure. It seems more gimmicky as time goes by, more predetermining of narrative as if establishing the characters for the first chapter of a novel, a set narrative, rather than supporting an exploration of another world - and ourselves - wherever it leads; and a shortcut avoiding the need for fuller player engagement, or further restricting player freedom.

Why play to someone else's prewritten background if you can decide one for yourself or start vague, as light as in a DCC funnel, or with a single word or less, and let specifics emerge in play, based on choice and the elaboration of the world in the interaction between players and GM, and characters, factions and landscapes? I'm genuinely curious as to the justification. Surely not just to save more of that increasingly precious time..? If so, I've got a suggestion - do less. None of us have to do everything we're sold.

Monday, 4 August 2014

Dragons & Dungeons

I wonder how different the world would look today if 'D&D' actually stood for 'Dragons & Dungeons'?

Maybe no different. The typical module might be creature-focused rather than site-based. But the cascading consequences of even that fine change, in minds across the lands and down the years, could have done odd things.

Sunday, 3 August 2014

The Unbearable Lightness of Grimdark?

This particular thread is one of the more useful discussions on the aesthetic trends in 40K that I've seen in a while, going beyond level of detail, phwoar factor and producer ranking. It's at BoLS believe it or not, on a more or less ephemeral post.

One of the arguments corresponds to that idea that D&D is now its own set of reference points, which came up again with the nods to past fiction in fifth edition. A couple more:
 

Friday, 1 August 2014

Deep thought Friday

Haven't done one of these in a quite a while now.

The background reading includes two posts from today: Trey's review of Guardians of the Galaxy, and the idea certain aspects suggest Farscape, and a post at Realms of Chirak on 'citogenesis', essentially a lack of care in recording knowledge.

What's the connection? Read this article at the IEET site on the idea of intelligence limiting itself.

The question then. Is intelligence an evolutionary dead end and what role does culture play in this?
_

Tuesday, 5 November 2013

What scares the snakes and spiders?




Dogs aren't so fond of fireworks - quite a few might panic tonight in the UK. But some of them have been bred and trained to hunt with human masters, and accept their physics.

Beware of scrolling below this point unless you are an adult who is willing to be discomforted, possibly offended, and scared. There will be spoilers for Alien too.

Friday, 4 October 2013

Deep thought Friday

Resolving line of sight through areas like forest is a challenge in tabletop gaming. Trees? Or wood?

Heard of mycorrhizas? Turns out most plants are bonded at their root
with a fungus, symbiotically. The fungus sends minerals up from the earth; the leaves send sugars down. Can these be divided?

We thought a tree was a tree - now we know it's more. But we still say 'tree', as if it's one, alone. How much interconnection does language hide..?
_

Monday, 15 April 2013

Universal soldiers and a past and future polycosmos

Thanks to John Till and Chirine ba Kal I recently found Bronze Age Miniatures. They have some real gems in 32mm, but the models that stand out for me are the three here.

They're up as 'space adventurers', but beyond maybe the trousers and a possible pistol on one hand they could be in many times and places. Are they sci-fi, fantasy, modern?

For 40K they could cover hive gangers, mercenaries or renegades, or some unknown faction, and they'd probably fit Infinity too. They could be D&D adventurers old school or new. They'd also work for pseudo-historical gladiators and Earth-bound post-apocalyptic.

Lightly armed? Maybe that facewear could be a kind of mandiblaster or banshee mask.

It makes me wonder...

Why do so few producers make near-universal models? Or, rather, what happened to the wide-open worlds of the past, the '60s, '70s and '80s? Have our minds closed..?

Wednesday, 3 April 2013

On those missing xeno/form/s

I'm not talking so much about the Tau delay. If I had to guess, I'd guess that's GW paring down its initial commitment to a release. If sales are falling, they might feel reducing that risk will help.

I'm talking most about the new post at Future War Stories: Where The Frak Are All The Aliens? It goes wider than many in its thinking, and it's still a pertinent question, maybe more so than ever. I recommend reading it. And thinking. Plus if you need the answer to Fermi's Paradox for any spacefaring campaign, just roll 1d10 on William's list.

Also, re the post title, I feel 'xenos' is almost a derogatory term, but 'xenoform' is a little fairer. After all, to talk about other lifeforms is to colour them with our view of what life is.
_

Wednesday, 20 March 2013

Petty Gods and trivial concerns

With the fair range of readers this blog seems to enjoy, from various areas of gaming and beyond it, not every reader with a potential interest might know about the status of the Petty Gods project.

Short version: Greg Gorgonmilk is taking over and calling for submissions old and new.

Long version: Petty Gods was a project inspired by Blair here at Planet Algol and set moving by James Maliszewski here at Grognardia. The idea was to source descriptions of obscure gods with game stats suitable for old school fantastical roleplaying. In simple terms, a bit like The Unknown Gods meets Terry Pratchett's Small Gods. There's an example here. Entries were sent and art created, but it seems layout was never finished.

Grognardia is one of the oldest blogs associated with the OSR, a movement of gamers interested in early forms of roleplaying, and especially early Dungeons & Dragons. For a few years the blog was one of the major hubs, a source of information, reflections and arguably revisions on the early years of D&D and tactical roleplaying as a whole. A significant part of the structure of current thinking in the OSR, and therefore quite possibly also the next official edition of D&D, may well lead back to, or through, one or more of James' posts.

James has been quiet for some time, apparently for personal reasons, leading to debate on the exact status of his as yet unrealised Kickstarter megadungeon, Dwimmermount.

It also seems to have contributed to a fin-de-siècle sense the OSR is out of steam, but this analysis seems not to recognise the breadth and depth of the movement. To judge by the response to Greg's first post, compared to James' say, the concern looks off the mark. It's a transfer: not an end, more an End. Petty Gods seems to be a rallying point.

Once again then: Greg Gorgonmilk has stepped up and is now accepting submissions.

If you feel this old school aesthetic and have a petty god worthy of praise, or can draw one, you can play a part. Start a religion, get published and change history in one move.

Update: A stop on gods for now, but various items are still needed - see Greg's sidebar.

Update: Greg has just linked to what he's calling Original Petty Gods, the first edition.
_

Monday, 4 March 2013

Towards a 'new' encounter - reading, comprehension

Very interesting discussions on OD&D go down (like lead balloons?) at Untimately. I like the blog a lot. Today in the comments Gus L and Brendan suggested - if I'm reading right - that the encounter distance, surprise and reaction rolls can be just a little lacking.

For those who don't speak OD&Dese, encounter distance is the distance at which another party or situation is spotted, a surprise roll determines - surprise, surprise - whether each side is surprised and the reaction roll is a roll made to determine how a potential threat reacts, usually on 2d6 modified by charisma or an equivalent.*

Gus wonders if there's a way to generate more specific circumstances, like what exactly the goblins are doing other than "'goblin things'". I can improvise goblins okay, but I would be interested in a useful tool. I'm also the kind of guy who might help make it, even link to the project. But my worry is a new tool is more complication, especially when different settings and GMs have different takes on who or what a goblin actually is.

So I have a simple idea.

Friday, 22 February 2013

The lit darkness - John Blanche and primeval parents




Two rather stunning thoughts struck me yesterday. I'm almost certainly not the first to think either of them, but given they're both related to gaming, and to each other in some way too, I thought I'd discuss them here. They concern living links to the past and future.

Saturday, 16 February 2013

Pathetic enough yet?




The sun is shining on our world and it should for billions of years more, rainclouds or not.

If you saw the link in the appendix to the last post, you can probably guess that I think Dr Bargle's recent post makes an argument important to early gaming. Truth is, I think he may be right. On the essential point: that the pathetic has an often overlooked value.

A question. Why strive for, say, credible probabilities for weapon damage, or worry about associated mechanics, if the character or faction you play, and the party of adventurers or army as a whole, represents incredible probabilities or is by nature disassociated?

Who are these people anyway? How did they get that skill, or that weapon, how did they find themselves in that situation? How do they support themselves? Whether they steal gold or invade worlds, the question remains: if they buy food and drink at the last homely house or carry it out from the provisioner, or if their empire provides the rations and the laser rifles, where other than through these individuals do these things come from?

How many people must there be active in a near-subsistence society to produce enough surplus for adventurers to survive beyond the farm, how many to prepare it, transport it, help store it safely? How much tithe or tax must flow in from the subject worlds to fund a galactic conflict, and how many millions - or trillions - must work in the factories or on the ships to keep that infrastructure moving? From cradle to grave, there would exist social, economic and political structures - feudalism say - to keep the source of survival in motion, a system to ensure there's nowhere to go, no way out but escape. Escape.

But why does an escapee from the grind, or even the privilege, have any particular skill beyond that needed to escape? And how much good will that do them on the fringes or beyond? Some may make it. A few may thrive, as best they can. But what are the odds they all end up together, and so complementary in their range of impressive abilities?

Why not just throw the rules out the window and assume they make all the key rolls?

Sunday, 9 December 2012

Seeing Tolkien's Long Defeat

If the six books of The Lord of the Rings gave three films, and the one of The Hobbit will give three too, what next? If Jackson et al. follow Lucas/Disney to push for a third trilogy, there's no lack of sources.

Most obviously "The Scouring of the Shire" was left out last time. By this rule of increasing bloat, could this one chapter be stretched over three more? It's not hard to imagine a spin-off mini-series, just one with less emphasis on the 'mini'. How about those Adventures of Tom Bombadil? He was also left out.

But why? What justifies such major removals? Is it as simple as overlong running time? After all, Jackson's LotR was three long films and special editions. Pacing is a better argument, but Tolkien left them in. And rightly so I think. To my mind the Scouring and Tom Bombadil are more or less the heart of it all.

Bombadil especially. Have a read of this overview if you haven't seen the arguments.

If so, maybe that's why both were cut, as supposedly unfit for a 21st-century audience.

What could that mean? There's plenty at this post from earlier today, on zombies too.

Tolkien once wrote: "I do not expect 'history' to be anything but a 'long defeat'", and we have Galadriel verbalise the thinking in the fiction, or rather in the generally recognised fiction: "together through the ages of the world we have fought the long defeat." Really?

Why all the gloom? My reading of Bombadil suggests Tolkien did see, maybe even see, past. As he wrote of Bombadil: "he represents something that I feel important, though I would not be prepared to analyse the feeling precisely." As his Goldberry says: "He is."

Look at the feel for landscape Tolkien has, in fine distinctions. He sees the wood for the trees, and surely saw the cycles, the flow of atoms. It may be that if we spend too much time worldbuilding, a demiurge of sorts, we see a little further than the paradigm, even if we have to use the language of that paradigm to communicate this and to understand it.

If Spinoza was a bee, what is Tolkien? And what are we? Who's your Bombadil? We get to choose, and happily Jackson has given us space to do that so far, although if he has Stephen Colbert playing him (we don't know yet), it may go from one extreme to another.

So which Bombadil are you making, know it or not, as Tolkien's long defeat rumbles on?
_

Saturday, 8 December 2012

Dunroamins & Decline - GW, the OGL and its OSR

First, Itras By has finally been published in English. There's a fine review of the original at Harald's and the sample pdf is here. Thanks to Nørwegian Style for posting the news.

Second, in a discussion at BoLS on GW licensing its IP Vossl claimed "the OGL died a horrible fiery death 4 years ago". The OGL is the Open Game License. Part of my reply:

The OGL is alive and kicking. Pathfinder, which was built through the OGL, has at least for some time outperformed the official fourth edition and an Old School Renaissance is thriving because of it too, via what may well be hundreds of smaller publishers. The fact we know about fifth so early, not to mention the general direction it's headed in, may be in part down to the power the OGL has given the player base.

Vossl is clued up and a crisp thinker, so how many other people have never heard of the OGL, a licence that lets gamers create materials compatible with a much-loved system or IP and sell them. It's essentially D&D, but other companies, like GW, might catch on.

One of the beneficiaries and drivers of the development is this Old School Renaissance, or whatever we choose to call it, specifically the D&D OSR. But where are the pioneers vanishing to? How will we stumble across their worlds, or talk to and learn from them?

Tuesday, 4 December 2012

Do gamers need help?

My name's Porky and I play games. I may need help. But possibly not the kind you're thinking.

I'm going to trace out an argument with a set of quotes from recent posts. The first is from this post at Plastic Legions on GW's Hobbit range:

The mini manual in the starter set doesn't contain the stat profiles or point costs of the new models. The starter set scenario booklet contains the profiles but not the points. In short if you bought the starter set thinking you were getting the new rules. Think again laddie, its GW 2012!!!  you still have to buy the $85 USD big rule book if you want the full package, ...
... the best part is they dont tell you that until you open the starter box! So if it wasn't for "whistleblowers" letting us know  in advance you are buying the starter set thinking you're getting something you are not.
...
The only reason I'm still around is they have an untouchable IP I love, ... Believe me the old PT Barnum addage "There is a sucker born every minute" has never been so true for all of us, that participate in the Games Workshop hobby. They suck, they suck rotten, stinking zombie ass, they truly do, and yet we keep on buying-

The telling passage may seem to be "The only reason I'm still around ...", but for me it's the assumption that "the points" are necessary for "the full package". Hold that thought.

Friday, 26 October 2012

Conan, Frankenstein's monster, trenches and Chaos




Looking through blogs here and there today, and at subjects being discussed - Conan, Frankenstein, trenches, Chaos - I get to wondering: am I a barbarian, built of reclaimed bits of popular culture, hiding away from an outer inner darkness I won't face? Are you?

Here's some recommended reading: read the future. Start by reading between the lines and it's not so hard to do. There's a lot going on in between those lines. Read the future and if it's not escapism you're getting, it might be worth deciding - can the you of today live in that world? Because if we don't put in some work between those lines, ourselves, we might just end up so well adapted to that future we won't even know what happened.

Might just get a sense of something not quite li-  But still, play the games we played as kids, read and watch the same things, as if nothing happened. Nothing happened. As if.

Just breaking one or two fifth walls - or maybe a sixth?
_

Tuesday, 18 September 2012

Gödellian Rhapsody

There's a reasonable popular-scientific sketch here on a 'grand theory of everything'. It's easy to follow and even uses metaphor from gaming and mapping. More importantly, it takes into account the limits of human structure and the problem of defining 'everything'.

Personally, I'd argue it doesn't go far enough - too little looking sideways for a start - and falls down on what life or a deity might be, in more hylozoic senses for example. If these are the best minds we have, good as they are, it may be time for more of us to help out.

For most of that, plus The Glass Bead Game, music, Dawkins, themes in the sly-fi and his work in opposing the cull, you might be interested in the views of this astrophysicist.



If you're wondering about that title, it's a reference to Gödel's incompleteness theorems.
_

Monday, 10 September 2012

Ambient random

Here's a quote that jumped out recently, from a text I linked to at the panspermia post.

Cosmology in the oldest lands radiated from the priestly classes, where, charged with religious power, the priests and magi who were able to understand the patterns politicized space to a great extent, often deciding public policy using one or another astrological method.

It got my attention for a different reason than you might expect. Not for the changing role of space agencies or the secret space missions or the contenders, or the recent big SF on the silver screen, even if all of these seem to make space a source of power now too.

Using dice or maybe a deck to produce so-called random numbers is, when you think about it, a bit weird. Why such artificial, physically complex systems? And building on the interview with Loquacious, when there's so much deep intricacy out there, they're a real sledgehammer. And impractical: they help to limit tabletop games to the tabletop, even without miniatures or other components, and maybe mean ever more components.

And why play so many games indoors, or sitting down, or in a fixed location? Moderate physical activity is healthy, oxygen too, and sunlight. In rules-light games in which the dice or cards are the big hindrance, why not ditch them and look for another system?