Showing posts with label Office Supplies. Show all posts
Showing posts with label Office Supplies. Show all posts

Monday, May 5, 2014

Pencil Points





Late 19th C marketing materials for Koh-i-noor pencils. Source: Leadholder Drafting Museum

Inventor, architect and builder, Josef Hardtmuth first charted the path for Koh-i-noor pencils in 1790 when he founded an earthenware factory in Vienna. This manufacturing eventually gave way to pencil making and the factory relocated to České Budějovice, in what is now the Czech Republic. Koh-i-noornamed for the largest yellow diamond in the world at that time, truly was considered to be a diamond-in-the-rough pencil. In 1888 Franz Hardtmuth, grandson of Josef, invented the first "Koh-i-noor Hardtmuth" graphite pencil in 17 gradations, which became an overnight success. It soon became the standard in which all other pencils were made and graded. This grading of pencils allowed for a controlled consistency of hardness or softness in the lead which is still in use today. Though no universal standard of pencil grades has ever been officially adopted, most pencils are generally designated with an H, B or F numeric system. It is generally believed that H stood for "hard" leads and B for "black", softer leads, however Koh-i-noor company lore claims that H stood for "Hardtmuth", B for "Budějovice" and F for "Franz Hardtmuth".  



According to Dennis Smith of the Leadholder Drafting Pencil MuseumKoh-i-noor was also the first quality pencil to be painted with an opaque yellow finish, a practice later repeated by other top pencil manufacturers. This page from an 1890 art supply catalog from the Leadholder site features the L&C Hardtmuth leads and Koh-i-noor British Graphite Drawing Pencils. Below is a box of these same yellow drawing pencils (featured here previously) which received a prestigious gold medal at a world exhibition in Paris in 1878. It's worth remembering what a remarkable tool the drawing pencil was for artists at this time. Because of the compressed graphite leads, they could hold a sharp point allowing for greater detail, they lasted longer than a graphite stylus and were much cleaner to handle.   




This Koh-i-noor pencil box is the oldest in my collection, and opens to reveal an inner sleeve advertising a tracing cloth. The front of the box is discolored from the sun, but is otherwise in relatively good shape considering its age. Pencil boxes of all sorts hold a fascination for me not only because of their packaging design, but because I love pencils as tools. Just like various pen nibs, pencils vary greatly from different grade qualities to manufacturers. 




I'm uncertain exactly when the Mephisto Copying pencil was first introduced by Koh-i-noor, but it was most likely released for the British and American markets in the latter part of the 19th century. This Mephisto box with No.73B medium pencils happens to be from Czechoslovakia so it would be dated sometime after 1918 when they received statehood. Nevermind the pencils for a moment, as the packaging design and printing of this box are stunning. First the shaded 3D block letters of "Mephisto" fade from a subtle pink at either end to white in the middle. The shadow provides a mystery and depth against the solid background, and the slab-serif lettering hints at their no-nonsense sophistication. Regrettably, I have no idea who might have originally designed this box, but it came in many other colors including the yellow box below and an alternative pink Mephisto pencil with the beautiful calligraphic lettering. At closer glance, all three boxes appear to be entirely hand-lettered—a practice not uncommon in Czechoslovakia at the turn of the 20th century—partly as lettering skills were considered a source of great pride with designers and there were relatively few Roman fonts available to Czechoslovak printers at the time.



Source of last Mephisto box: Pencil Pages

Copying pencils such as these are a different breed from graphite drawing pencils. They were first introduced in 1870 and primarily designed for duplicating documents. The generic term "copying pencil" referred to any pencil which had a pigment, or aniline dye added to produce a more indelible marking than ordinary graphite pencils. The dye in the pencil lead was water soluble and would therefore transfer an impression onto another sheet of dampened paper. With the introduction of copying pencils in 1870, the sale of volumes of lettering copy books from stationers soon followed. The lettering book with pages of thin, blank tissue paper was used to copy outgoing correspondence and business documents as reverse ghost impressions. The hand-scribed original document would simply be sandwiched inside the lettering book onto a dampened page and placed under pressure in a copy press (often referred to as a "book press") until the print was successfully transferred. The semi-transparent paper then permitted the reversed image to be viewed from the other side.

An open letter copying book. Source: Pencil Pages 

Prior to the introduction of the ball-point pen, copying pencils gained considerable favor as the tool which could not be easily erased. They were more convenient than a pen which needed to be continually dipped in an ink well, and could serve to create a permanent marking. During WWI they were widely used in the field for "completing the vast amount of paperwork associated with the war effort" according to University of Notre Dame Libraries conservator Liz Dube.


A wooden store display for the Mephisto copying pencils, designed to protect the pencils from humidity or heat—a copying pencil's undoing.


Blacksun refill leads from Koh-i-noor subsidiary, Bohemia Works. Source: Leadholder 

Source: eBay

Blacksun and Black Star brand drawing pencils were both made for the Koh-i-noor export subsidiary company, Bohemia Works after 1957—further examples of stellar Czechoslovakian packaging design. The Scala copying pencils below are currently on eBay

Over the years the Koh-i-noor Hardtmuth company has had divided ownership, yet has continued to produce brand named pencils from various operations in Europe, the US and Asia. In 1992 the company was again privatized with headquarters remaining in the Czech Republic. Various subsidiaries and production facilities were later established throughout Eastern Europe and China. Nearly 225 years after Josef Hardtmuth's original graphite pencil invention, the company continues to produce some of the finest drawing tools for artists.

Close-up image of Koh-i-noor lettering on a mechanical pencil. Source: Pencil Talk

Tuesday, April 1, 2014

Pranks and Pratfalls



With April Fools Day today, I have to parade my old fake pencil and spilled ink pratfall once again. I never tire of it. The "Pirate Pencil" is from The Lovely and Strange Etsy shop, where you can find an eclectic collection of dime store novelties from the 1950s. "Lucky Tat-oos", Re-lighting Candles, and my favorite, the Hindu Magic Book are all there! I've already dropped some coins on all of these. Half the fun is the old toy, but the packaging artwork, lettering/type and printing, with the liberal interpretation of registration alignment is the best. My fake joke rubber pencil I once owned as a child is long lost, but the "Pirate Pencil" covers for it nicely. To accompany it, I dragged my "trick ink" bottle down from the Letterology attic again. It always makes me smile ; )

    

Wednesday, April 24, 2013

Pocket Protectors


The Pocketector from the Plastic Service Co. of Los Angeles. Only 15 cents.
Pocket protectors used to be a badge of honor primarily for white-collar American male office workers. They were designed to neatly tuck into a breast shirt pocket to protect it from ink stains, and store pens, pencils, and small tools. There are mixed opinions about who exactly invented the first pocket protector, but Boing Boing science writer Steven Leckart reports that the first pocket protector patent was issued in 1903 to Himan C. Dexter. Other pocket aficionados recognize engineer Hurley Smith who developed the "pocket shield" in 1943. He was awarded a patent for his invention in 1947. 



No sooner was the pocket protector developed when enterprising young promoters raced to emblazon company logos on the flap extending outside the pocket. This collection below is but a small glimpse to be seen at Dr. John Pojman's gallery of pocket protectors. At this time, he has over 1200 in his collection. It is where all pocket protectors eventually go to retire.  











Friday, June 22, 2012

Retro Desktop Printing

Being somewhat of a space-challenged designer, I recently found the perfect press for desktop printing. It actually was an eBay score, but the owner had little information about the history of this little so-called iron handpress. The footprint of my little press with sleek gold pin-striping, is only 4 x 6 inches and it tips the scale at less than 2 lbs, making it quite portable. Seeing that the press bed is only 1.5 x 2.5 inches wide, it will be the perfect press for printing postage stamps. It has four screw holes on the feet so I can safely apply pressure for those long postage stamp press runs. It needs a new self-inking pad, but otherwise looks like it is all in good working order. And no messy rollers to clean or toner to refill! 


Poking around on the internets today I found this red and green 1940s Fulton salesman's toy printing press below which appears to be identical to my own in all but the color. At one time, it had been listed for sale on Amazon. Next I found a link on the Briar Press community site where someone asked for help in identifying a press identical to mine above. Paul Aken of The Platen Press Museum had this to say:
      The 'Fulton' was originally made by the Baumgarten Co. of Baltimore, MD in several styles as the 'Baltimore Printing Press'. Fulton bought their patterns in 1934. My 'Fulton' No. 80' is green like the one on Amazon, but apparently one of the styles of the 'Baltimore' was black.
     
These presses each have a slot on the "platen" or the top level, which held a piece of wood with a metal insert. Rubber type was placed in this wooden mount or "chase", then pressed on the ink pad in the top level. The paper sat in the base below where it waited to receive the impression.  
 

This funny little toy press above which resembles a miniature Zamboni, was listed for sale recently as a Pressed Steel Buddy 'L' Toy Printing Press, circa 1937. It sold here recently for $60. It operates on the same principle as all of the other presses shown here, which is merely by applying pressure.
      The Crown Press featured below is the real gem in this group of early desktop printers. Spotted on Martin Howard's site of typewriters and other neato office supplies, this press was patented on February 14th, 1888. To see more adorable miniature and toy presses, stop by The Platen Press Museum and view the slideshow there. Sweet!


Thursday, August 11, 2011

Copy Cats

Thomas Edison's Mimeograph machine was licensed by A.B. Dick who invented the Mimeograph stencil in 1884. With Edison's support the two of them began advertising in 1888 and sold the machines for $12 to $30 depending upon the size.


By 1880, sales of Edison's copying system were in decline because of competing systems, such as the Cyclostyle. 

An 1895 ad for a rudimentary copying system which used pressure and moisture to duplicate a copy.

An adorable little lithographic press which sold in England in the 1850s, preceded Edison's Mimeograph. 

This system above used a master and a gelatin substance which absorbed ink when the original was placed onto a transfer tablet. This was called the Hektograph which was introduced in 1876. All of the images above are from the Early Office Museum which has a mountain of material on the history of printing and office equipment of the last 2 centuries. Well worth a visit and a read!  
At Strayer's Business College in Washington DC, 1928. I can almost smell the nasty spirit duplicator vapors. From a glass negative from the Harris & Ewing Collection via the Shorpy photo archive. Shorpy images are always clickable.