Showing posts with label Calligraphy. Show all posts
Showing posts with label Calligraphy. Show all posts

Thursday, March 13, 2014

The Artistic Arithmetic of Mr. Ellis

The four lines inscribed on the front cover of this handmade exercise book do well to characterize its role and purpose: 


Let every day produce some curious Lines
Which may advance thy Genius and thy pen
Let all thy Undertakings and designs
Tend to God's Glory and the good of men.

This exercise book once belonged to William Ellis, an artistic young student who was studying his arithmetic lessons. It was excavated in Exeter, England years ago and now sits in the Royal Albert Memorial Museum archives. Ellis began his book in 1729, and filled it with his calculations, measurements, flourishes and ornaments. He then hand painted the same three additional colors onto each page with great attention to detail. Many pages had colorful display headings with birds, flowers and medieval-looking creatures. His hand-lettering skills were capable, but "needs improvement" as any teacher might well suggest. Neatness was not his strongest suit.






Exercise books in Georgian England were commonly used by school children to practice lessons plans while perfecting their art and valued penmanship skills. These talents indicated you were a literate person of culture and good standing. All learning had great value and was considered virtuous. Creating beautifully illustrated lesson books with polished hand-lettering was intended to honor content, while building good character.







It's always interests me to see how the student of handmade and lettered books would often parody the layout of traditional books by creating large headings, and decorated initial caps to announce the title or text. They comprehended the principles of how we read. Although there appears to be no contents page, Ellis did add small page numbers to the upper right-hand corners of each page for ease of navigation. It's revealing to see how he tried to contain each topic to a single page which takes a certain degree of organizational skills, but his calculations would often spill onto the facing page or into the margins. His wonderful illustrations have a folk style charm, and the freshness of a skilled draftsman with a bent towards fantasy illustration. Especially true of the unicorn and the polka-dot sailing ship. In the heading for "Subtraction" seen below, he portrays the letter S as a dragon. 



   
Although there is no record of the age of William Ellis when he made this book, there is little doubt he was a young student. I hope he received high marks for his work and continued his artistic endeavors. I would love to have seen an entire alphabet of his initials with birds and flora. Are those real feet on the letter M? You can visit his entire book here which has slightly larger images.


Friday, April 5, 2013

Front & Center with Calligraffiti

A meeting between Nalden and Calligraffiti artist Niels Shoe Meulman, at his home and studio in Amsterdam in 2010 provides us with a front row seat to watch him at work. Although this was filmed several years ago now, I never grow tired of watching it. Lettering by snowplow next? Yes pleeeez!
::Produced by Circus Family & Nalden 

Monday, March 4, 2013

Penmanship Manuals of Late 19th C Italy


Italian penmanship manual from the studio of Giuseppe Favaloro, 1878.
::Via Il Vecchio


Fantasia, by Giuseppe Ferrini, 1902. This example and all of the other lettering manuals below are from the Giò Fuga Typefoundry blog, where there is a wealth of information on the subject of teaching penmanship in Italy.

Giovanni Mundici, 1914

Francesco La Manna, 1920. Interior page below.


Giovanni Tonso, 1899

Giuseppe Ferrini, 1902

Thursday, February 21, 2013

Day Three: Codex Book Fair

The 21st Editions table featuring the Prism Books series of three photography books: Jack Spencer (book in foreground), Yamamoto Masao on left, and Mitch Dobrowner, (center). 
Stopping by Vamp and Tramp booksellers to meet with Bill & Vicky Stewart is always a visual treat. They represent hundreds of international book artists and they both love to share the work of these artists and their stories. Two of my most favorite artists they represent are Romano Hanni of Basel, Switzerland and Sarah Bryant of Big Jump Press in the UK. Hanni produced the typo bilder buch (above) in 2012. It is quite simply and amazing design printed in four colors on paper towels. With approximately 190 press runs on 58 pages, in an edition of 65, it simply takes your breath away just to imagine it. In a statement on the Vamp and Tramp site, Hanni claims it took approximately 600 hours to produce.
As with most of Hanni's work, his books are visually striking, whimsical, and smart. The content frequently presents challenging topics. In his 2010 book below, Typografische Notizen II, deals with justice and global exploitation by large companies and the banking sectors. The text is in German and his books include a supplemental pictorial booklet translation in English. The captions on the page below translate to "with Ritalin" and "without Ritalin".
     Sarah Bryant's most recent book below entitled Fond, comes in a standard and a deluxe edition. It explores collecting and memory. Bryant writes "a fond is a group of archival documents organically accumulated by people or institutions." The collected objects "serve as an information retrieval system and an emotional bank." The deluxe edition inside a clamshell box, includes the book, ten prints and one object housed in a paper wrapper alongside the book. All 3 of these books are available from Vamp and Tramp.  


Laura Davidson of Boston was someone I previously didn't know, but am happy to have discovered. She works in small editions and one-of-a-kinds. The Ebony Pencils book is a unique work. The pencils are illustrated with silverpoint and watercolor on an accordion structure and housed in a walnut box. Below are other illustrations of some of Davidsons' tools.  


Pen Nibs is an edition of 18 copies housed in a clamshell box containing actual paper constructed pen nibs of different sizes. Each contains an accordion structure chart with linocut illustrations of various nib styles. 


Baseball Ephemera should please every Red Sox fan. It is a unique item and contains 22 ink and wash drawings of baseball tickets, schedules and a vial of dirt collected from the Fenway Park field after a no-hitter. On the cover of the clamshell box she had a drawing of a 1959 Fleer Ted Williams baseball card. So delightful.

One of several "Draw Me" matchbooks...which Laura did draw.

One of the nicest surprises I had at the Book Fair was discovering the appearance of the Whittington Press table there and meeting John Randle. He began the Press in 1971, and has continued to print over 200 books since that time, including the Matrix, one of the finest book arts periodicals ever published. I asked Mr. Randle about a book which I read they may be publishing on a brilliant Los Angeles artist and printer, Vance Gerry of the Weather Bird Press. He promised me that it was in the mix and showed me this broadside (above) produced as a prospectus. It features one of Vance's masterful pochoir illustrations. This was very happy news, as I am an enormous fan of his work. He also told me that staff artist Miriam Macgregor had kept a steady coorespondence with Vance Gerry before his death in 2005. With mutual admiration, they both marveled at one another's work evidently. Macgregor takes no back seat either, as she herself is also a master of pochoir and the woodcut. The two Whittington posters with her porchoir illustrations are some of my favorites in this annual series.  



A spread in an enormous 2011 Whittington Press book of illustrations by architect Andrew Anderson in the early 1960s. Most all the type was cut with an exacto knife, and there was page after page of it.


Another happy surprise to find Christopher Benson exhibiting his books from The Fisher Press. This impressive book features the stunning pen work of Raphael Boguslav (1929-2010.) 




Depression Dog, the 128th volume published by Walter Hamady of The Perishable Press, Ltd. This book was a collaboration between Hamady and four illustrators: Jim Lee, Henrik Drescher, Peter SĆ­s and David McLimans.




Whitman Sampler, The Perishable Press, 1999. Woodcut illustrations by Jim Lee. Winner of the AIGA 50 Books/50 Covers of 1999. 

Friend Chandler O'Leary of the Anagram Press in Tacoma, WA was a return Book Fair exhibitor. Every time I tried to get near her booth, it was three deep with onlookers. I caught her at the end of the fair and got her to show me her sketch book she painted on her road trip from Washington. Now Chandler is taking another week to drive home and continue her road trip series of plein air paintings. Very fine work she does!