Aaron Gwyn

“Sam had come over from the fireplace to stand beside us. My heart began bucking like a stallion and I looked at Cecelia, then up at Sam, the proud father beaming down at his boy, his face full of love. Everything went dim. For seven years, I’d hunted this man the length and breadth of our Republic, and now I stood up, putting a hand on the table top to steady myself, knocking over my stool in the process.

“Are you poorly?” Sam asked. He nodded at the far side of the room to a sunken bed—likely the very bed where he and Cecelia had conceived this baby boy—and said, “Lie down a minute.”

Well, that was the last feather. I turned and stumbled out the door.

Outside, the autumn sun was blinding. My mare grazed in a patch of grass, and I walked her down and mounted up. I felt old of a sudden, very old. Sam was in the doorway now and he called something to me. I wouldn’t look at him, wouldn’t show my pitiful face. I walked my horse back along the cow path and pushed up to a trot.

Directly, we commenced to burn the breeze, the leaves blurring by. I did not feel betrayed: let me say that right out. Rather, I felt that the hard hand of the Lord had swung down to swat me a final blow. And I deserved it. I’d done everything to beg Him for such a slap—all my lust and foolishness—and for some strange reason, I began to laugh.

Or, it was laughter that came out of me. It didn’t seem to be me who was doing it—certainly, there was nothing amusing. I felt like He had borrowed my mouth, just like He’d borrowed that of Balaam’s ass, that the Lord Himself was laughing, and I thought of my father all those years ago, riding Young Roger through the Kentucky forest to find me and Tom Yarbrough bached up together. The laughter died away, and I began weeping as my father had wept decades before, and now I understood. It hadn’t been out of shame as I’d supposed, but rather, my father had seen this very moment coming for me. He’d known if I pursued my heart’s desire, I’d find myself galloping through a wilderness in an unfamiliar land, an old man without home or family, learning at long last how all things end in judgment.”
― Aaron Gwyn, All God's Children