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Mohini: The Enchantress
Elusive as a fragment of a beloved dream, she slipped in and out of the consciousness of the fortunate ones who had been either arbitrarily chosen or were part of the intricate cosmic design. These willingly allowed themselves to be bedevilled, consumed by a passion that would not be denied, existing only to serve her will, content to be moulded to suit the purposes of the most enchanting creature in all of creation – Mohini.
Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy – turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes...
Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.
Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy – turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes...
Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.
240 pages, Paperback
First published August 1, 2020
About the author
Anuja Chandramouli
16 books401 followersAnuja Chandramouli is a bestselling Indian author and New Age Indian Classicist. Her highly acclaimed debut novel, Arjuna: Saga of a Pandava Warrior-Prince, was named by Amazon India as one of the top 5 books in the Indian Writing category for the year 2013. Kamadeva: The God of Desire and Shakti: The Divine Feminine are her other bestsellers. Currently all three books are being translated into Hindi, Marathi, Gujarathi and Bengali, a real achievement for one so young. Her epic fantasies called Yama’s Lieutenant and its sequel has received an overwhelming response.
Her books on Kartikeya, Padmavati and Prithviraj Chauhan have been very successful. Her latest book is Ganga: The Constant Goddess.
An accomplished orator, she regularly conducts workshops on Creative Writing, Story Telling and Mythology in schools, colleges and various other platforms. Her motivational speeches have also been well received. According to Chandramouli, her work with youngsters in the rural belt helping them improve their Spoken English and Writing skills has been wonderfully satisfying and enriching.
This happily married, mother of two little girls, lives in Sivakasi, Tamil Nadu. She is a student of classical dance and Yoga.
Email: anujamouli@gmail.com
FB page: https://www.facebook.com/authoranujac...
Her books on Kartikeya, Padmavati and Prithviraj Chauhan have been very successful. Her latest book is Ganga: The Constant Goddess.
An accomplished orator, she regularly conducts workshops on Creative Writing, Story Telling and Mythology in schools, colleges and various other platforms. Her motivational speeches have also been well received. According to Chandramouli, her work with youngsters in the rural belt helping them improve their Spoken English and Writing skills has been wonderfully satisfying and enriching.
This happily married, mother of two little girls, lives in Sivakasi, Tamil Nadu. She is a student of classical dance and Yoga.
Email: anujamouli@gmail.com
FB page: https://www.facebook.com/authoranujac...
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Displaying 1 - 29 of 91 reviews
February 7, 2024
Since I love reading Indian mythological fiction, Mohini was a fascinating book to read. Anuja’s retelling (of largely the mainstream versions) of the story of Mohini is excellent.
While this book is about Mohini, who is a form of Lord Vishnu, the book provides the larger context. This includes the story of Kavya, the wife of Maharishi Bhrigu whose life leads to Lord Vishnu being cursed to take his avatars. Mohini takes on her form in a difficult period and what she seeks to achieve is specific – in the battle for ‘Amrit’ nectar between the Devas and Asuras, she has to weigh in and ensure the victory of the good. Mythology portrays Mohini as the enchantress, who also captivates Lord Shiva. Lord Sastha is their son and is also venerated (also as Lord Ayyappan) especially in South India.
I always find the strong female characters and divine unions in mythology to be thought provoking. The surprises in mythology are not literal – they point us to think in new ways we have never done before, seeking to prompt us to check our assumptions & prejudices. This is especially true for the later part of the book when the life of Sastha is covered.
The writing tends to be dense in parts though and some parts need slow reading. However, it is a wonderful story and the retelling ties in various aspects of the best-known versions very well. The later sections are especially good, and the book finishes strongly.
Thanks to the author & publisher for a free copy of the book to provide a review.
While this book is about Mohini, who is a form of Lord Vishnu, the book provides the larger context. This includes the story of Kavya, the wife of Maharishi Bhrigu whose life leads to Lord Vishnu being cursed to take his avatars. Mohini takes on her form in a difficult period and what she seeks to achieve is specific – in the battle for ‘Amrit’ nectar between the Devas and Asuras, she has to weigh in and ensure the victory of the good. Mythology portrays Mohini as the enchantress, who also captivates Lord Shiva. Lord Sastha is their son and is also venerated (also as Lord Ayyappan) especially in South India.
I always find the strong female characters and divine unions in mythology to be thought provoking. The surprises in mythology are not literal – they point us to think in new ways we have never done before, seeking to prompt us to check our assumptions & prejudices. This is especially true for the later part of the book when the life of Sastha is covered.
The writing tends to be dense in parts though and some parts need slow reading. However, it is a wonderful story and the retelling ties in various aspects of the best-known versions very well. The later sections are especially good, and the book finishes strongly.
Thanks to the author & publisher for a free copy of the book to provide a review.
February 27, 2021
This is what we need to read now.
The unheard voices of women.
The misrepresentation of women in mythologies.
The mistreatment of women in stories.
Most importantly, the unheard voices of the women we need to know of.
Mohini.
The name.
What first comes in your mind when you hear this name?
A beautiful, petite, fair, young, seductive woman who is shy and flirting.
(Ah, that's where I want to hit everyone including myself with this book. Thwack!)
But it's not our fault in imagining the same because we have been conditioned since we were kids to see Mohini in this particular image.
As far as I am concerned, I saw Mohini's role in the TV series adaptation as only to distract or seduce the sages during their meditation/their duty performances.
And that's that. Nothing more or nothing less. And we are all conditioned to believe what we see and not to ask or research anything more particularly when it is a female character in male - dominated mythological retellings and adaptations.
I am so glad to have read this book which dwells on the events described in Hindu mythology from the perspective of the character Mohini.
Starting from the reason why she was created by Vishnu in the first place, what was expected of her and how men and women saw her, it all screams back to me how a patriarchal society see women as.
"Her story was never widely disseminated. The details are missing and there is much contradiction and confusion. There is no agreement about her name even. But that is hardly surprising, since men have never been overly fond of women who put them in their place."
This is just not the story of Mohini but other women who were treated like dirt and not talked about even though their roles made a huge impact in the politics and enfoldment of the war between the Asuras and the Hindu gods.
I would have never known Kavyamata or Bhumi Devi or Diti; their roles and their importance;
the Asuras and their motives (opposite to what I am made to believe or think of as I did before); the flaws and the mistakes of the gods and the learned.
There's so much more that we do not know of when it comes to the politics and the reasons behind the different myriad characters of Hindu mythology. What we see or hear is just not enough I would say.
This book is such an eye-opener for me. I took a lot longer to read this book as the writing mentioned lots of important characters which I couldn't deny or the intricate plots involved in different game changing events that happened between the Asuras and the Hindu gods. And moreover, reading the same from the perspective from a female character is new to me.
And oh damn, I now wish we women have the guts to speak up like the strongfemale characters in the book! I need more of this sass 💯 like every waking moment.
As always, the author has written a great, amazing well-researched book based on Hindu mythology.
I have read two of her books before but this one is stronger, sharper and more outspoken.
It just jabs at you.
Wow. That's a fantastic retelling! I need more.
This book if read once will tell you so many things you never thought of, never seen of or never heard of. Yes, TV adaptations and storytelling are not enough.
Thank you, dear author, for such an insightful, informative, unique retelling.
The unheard voices of women.
The misrepresentation of women in mythologies.
The mistreatment of women in stories.
Most importantly, the unheard voices of the women we need to know of.
Mohini.
The name.
What first comes in your mind when you hear this name?
A beautiful, petite, fair, young, seductive woman who is shy and flirting.
(Ah, that's where I want to hit everyone including myself with this book. Thwack!)
But it's not our fault in imagining the same because we have been conditioned since we were kids to see Mohini in this particular image.
As far as I am concerned, I saw Mohini's role in the TV series adaptation as only to distract or seduce the sages during their meditation/their duty performances.
And that's that. Nothing more or nothing less. And we are all conditioned to believe what we see and not to ask or research anything more particularly when it is a female character in male - dominated mythological retellings and adaptations.
I am so glad to have read this book which dwells on the events described in Hindu mythology from the perspective of the character Mohini.
Starting from the reason why she was created by Vishnu in the first place, what was expected of her and how men and women saw her, it all screams back to me how a patriarchal society see women as.
"Her story was never widely disseminated. The details are missing and there is much contradiction and confusion. There is no agreement about her name even. But that is hardly surprising, since men have never been overly fond of women who put them in their place."
This is just not the story of Mohini but other women who were treated like dirt and not talked about even though their roles made a huge impact in the politics and enfoldment of the war between the Asuras and the Hindu gods.
I would have never known Kavyamata or Bhumi Devi or Diti; their roles and their importance;
the Asuras and their motives (opposite to what I am made to believe or think of as I did before); the flaws and the mistakes of the gods and the learned.
There's so much more that we do not know of when it comes to the politics and the reasons behind the different myriad characters of Hindu mythology. What we see or hear is just not enough I would say.
This book is such an eye-opener for me. I took a lot longer to read this book as the writing mentioned lots of important characters which I couldn't deny or the intricate plots involved in different game changing events that happened between the Asuras and the Hindu gods. And moreover, reading the same from the perspective from a female character is new to me.
And oh damn, I now wish we women have the guts to speak up like the strongfemale characters in the book! I need more of this sass 💯 like every waking moment.
As always, the author has written a great, amazing well-researched book based on Hindu mythology.
I have read two of her books before but this one is stronger, sharper and more outspoken.
It just jabs at you.
Wow. That's a fantastic retelling! I need more.
This book if read once will tell you so many things you never thought of, never seen of or never heard of. Yes, TV adaptations and storytelling are not enough.
Thank you, dear author, for such an insightful, informative, unique retelling.
September 7, 2020
I would like to thank the author for providing me with a complimentary copy in exchange for an honest review.
Wow! What a book!
I have always been fascinated by Indian mythology – adore the stories and love to be bowled over by the meaning and wisdom inherent in them. Unfortunately, I have very limited knowledge of our ancient mythology and hardly know enough to comprehend the symbolism.
Anyway, now let us get to the review. First let us understand who is Mohini, the eponymous protagonist of this book, and why does she go about enchanting people. According to Hindu beliefs, the supreme creator has three manifestations: Bramha, the Creator; Vishnu, the Protector; and Shiva – the Destroyer. Mohini is the only feminine avatar of Lord Visnhu, the Protector. Some claim that Vishnu himself did not take the form of a woman; Mohini was just an illusion created by him. Mohini is not considered among the ten major avatars of Vishnu. In the words of the author, -- “Mohini was an avatar of Vishnu, his female dimension who stepped forward when all the masculine energy in the three worlds wouldn’t suffice at hand.” I know it is a bit difficult to comprehend.
Mohini was the epitome of beauty and Gods, Asuras and mortals all fell for her charms. The story is seen through the eyes of Mohini and details the events involving divine beings, Asuras as well mortals. Their shenanigans, magnanimity, pettiness, greed, lust, courage – everything comes alive in the pages. The reader would get a glimpse of many famous “events” in Indian mythology and the part Mohini would play there.
I got to know about many interesting mythological characters – the mighty young warrior Aravan who was made a scapegoat in the supposedly grand scheme of things; the righteous woman Anusuya who stood up to the mighty Gods; Shastha – the warrior God, who was banished by his petty-minded mortal adoptive mom for their being an “abomination” but would become a “beacon of hope for all who are considered oddities by a spiteful society”
The story of Mohini and her veneration actually shows how open-minded the ancient Indians were. I had heard about this before and the author has clarified that our ancestors did recognize a third gender and had categorized them into various groups based upon their nature and inclinations. I remember watching a video about how some ancient cultures for e.g. the First Nation people of North America also recognized more than two genders. The “civilized” imperialists from Europe destroyed all these ancient belief systems wherever they went, but that story is for another day.
The explanation of the concept of Ardhanarishwara – union of Shiva (male) and Shakti (female) into a single body was also great. I had heard about it earlier and assumed that it symbolized that male and female complete each other. But, the author’s clarification about the concept and elaboration about the “hermaphroditic” children born of this union added another dimension to this concept.
If you had never heard of the story of Mohini before, you might be surprised to know that Mohini even had a romantic tryst with Shiva and mothered a child – Shastha, the child born of two divine fathers. It was pre-ordained that only the child born of the union of Shiva and Vishnu would be able to prevail upon the wife of the Buffalo-Demon. This was a very interesting episode.
Another merit of this book – the author has lend voice to the trials and tribulations of women throughout the ages. The book has quite a few strong female characters who had defied conventions.
The writing is elegant as usual and would surely enhance the vocabulary of most of the readers. I have read quite a few books by the author across genres – fantasy adventure, mythology and historical fiction. Each book has added new words to my vocabulary and this one was no exception. In addition, it has given me an intellectual stimulation to explore and understand more about our ancient culture. There are multiple versions of the same stories and a multitude of interpretations around ancient Indian mythology.
I do understand that the book is not meant for everyone. If the subject matter appeals to you, then I would urge you to give this book a try.
Stay safe, my friends!
Wow! What a book!
I have always been fascinated by Indian mythology – adore the stories and love to be bowled over by the meaning and wisdom inherent in them. Unfortunately, I have very limited knowledge of our ancient mythology and hardly know enough to comprehend the symbolism.
Anyway, now let us get to the review. First let us understand who is Mohini, the eponymous protagonist of this book, and why does she go about enchanting people. According to Hindu beliefs, the supreme creator has three manifestations: Bramha, the Creator; Vishnu, the Protector; and Shiva – the Destroyer. Mohini is the only feminine avatar of Lord Visnhu, the Protector. Some claim that Vishnu himself did not take the form of a woman; Mohini was just an illusion created by him. Mohini is not considered among the ten major avatars of Vishnu. In the words of the author, -- “Mohini was an avatar of Vishnu, his female dimension who stepped forward when all the masculine energy in the three worlds wouldn’t suffice at hand.” I know it is a bit difficult to comprehend.
Mohini was the epitome of beauty and Gods, Asuras and mortals all fell for her charms. The story is seen through the eyes of Mohini and details the events involving divine beings, Asuras as well mortals. Their shenanigans, magnanimity, pettiness, greed, lust, courage – everything comes alive in the pages. The reader would get a glimpse of many famous “events” in Indian mythology and the part Mohini would play there.
I got to know about many interesting mythological characters – the mighty young warrior Aravan who was made a scapegoat in the supposedly grand scheme of things; the righteous woman Anusuya who stood up to the mighty Gods; Shastha – the warrior God, who was banished by his petty-minded mortal adoptive mom for their being an “abomination” but would become a “beacon of hope for all who are considered oddities by a spiteful society”
The story of Mohini and her veneration actually shows how open-minded the ancient Indians were. I had heard about this before and the author has clarified that our ancestors did recognize a third gender and had categorized them into various groups based upon their nature and inclinations. I remember watching a video about how some ancient cultures for e.g. the First Nation people of North America also recognized more than two genders. The “civilized” imperialists from Europe destroyed all these ancient belief systems wherever they went, but that story is for another day.
The explanation of the concept of Ardhanarishwara – union of Shiva (male) and Shakti (female) into a single body was also great. I had heard about it earlier and assumed that it symbolized that male and female complete each other. But, the author’s clarification about the concept and elaboration about the “hermaphroditic” children born of this union added another dimension to this concept.
If you had never heard of the story of Mohini before, you might be surprised to know that Mohini even had a romantic tryst with Shiva and mothered a child – Shastha, the child born of two divine fathers. It was pre-ordained that only the child born of the union of Shiva and Vishnu would be able to prevail upon the wife of the Buffalo-Demon. This was a very interesting episode.
Another merit of this book – the author has lend voice to the trials and tribulations of women throughout the ages. The book has quite a few strong female characters who had defied conventions.
The writing is elegant as usual and would surely enhance the vocabulary of most of the readers. I have read quite a few books by the author across genres – fantasy adventure, mythology and historical fiction. Each book has added new words to my vocabulary and this one was no exception. In addition, it has given me an intellectual stimulation to explore and understand more about our ancient culture. There are multiple versions of the same stories and a multitude of interpretations around ancient Indian mythology.
I do understand that the book is not meant for everyone. If the subject matter appeals to you, then I would urge you to give this book a try.
Stay safe, my friends!
August 3, 2020
For someone who has read Indian mythology since childhood...this book was refreshing
I was a little skeptical about how the author would narrate a tale which is so famous
But the author did not disappoint😊
Not only was the storytelling beautiful and engaging...it was thought-provoking as well
The writing was lyrical
While I don't usually enjoy purple prose...it was done so well in this book that I was not bored at all
Another thing which I enjoyed was that this book was character-focused
This is not your regular storytelling where someone is just narrating the story...
No this is much more than that
The story is told from Mohini's POV..who is a complex character herself
Mohini is a Hindu Goddess who is the female Avatar of Vishnu
But despite being a complex character she is neutral and definitely not a hypocrite
Not only did the story explore human nature...it also delved deep into the decisions the characters made & their consequences
I was pleasantly surprised by the different take on Indian mythology
Where rather than focusing on the story ...it was focused on the characters
Overall it was a great experience
I am happy that I could see Mohini's story from a different POV
I would like to thank the author for providing an e arc in exchange for an honest review
I was a little skeptical about how the author would narrate a tale which is so famous
But the author did not disappoint😊
Not only was the storytelling beautiful and engaging...it was thought-provoking as well
The writing was lyrical
While I don't usually enjoy purple prose...it was done so well in this book that I was not bored at all
Another thing which I enjoyed was that this book was character-focused
This is not your regular storytelling where someone is just narrating the story...
No this is much more than that
The story is told from Mohini's POV..who is a complex character herself
Mohini is a Hindu Goddess who is the female Avatar of Vishnu
But despite being a complex character she is neutral and definitely not a hypocrite
Not only did the story explore human nature...it also delved deep into the decisions the characters made & their consequences
I was pleasantly surprised by the different take on Indian mythology
Where rather than focusing on the story ...it was focused on the characters
Overall it was a great experience
I am happy that I could see Mohini's story from a different POV
I would like to thank the author for providing an e arc in exchange for an honest review
August 27, 2020
I must have been 11 or 12 when I started disliking mythological adaptations. Be it God or mortals, I always got the feel that women got the short end of the stick. As a budding feminist, I had a hard time looking past this fact. But this book was a surprisingly great read.
The way Anuja tells Mohini's story is fascinating. Mohini, who's always been considered a femme fatale, is so much more than just a temptress. Her will and wit need the kind of recognition her beauty does. Not just the battle for Amrit - nector that grants immorality - but this book includes Mohini's perspective of various events in Hindu Mythology.
The writing was a little too lyrical for my taste, but once I got the hang of it, reading this turned out to be an enthralling experience. I especially enjoyed the second half of the book featuring Sastha's story.
*Some bits needed careful reading. My usual skip and skim policy didn't work, hence this took time *
Kudos to Anuja Chandramouli for this powerful, insightful retelling of Mohini's story. Extra points for the representation of an LGBT character in a mainstream mythological tale. 4.5 stars.
Many thanks to the author and publisher for sending me a copy of this wonderful retelling.
The way Anuja tells Mohini's story is fascinating. Mohini, who's always been considered a femme fatale, is so much more than just a temptress. Her will and wit need the kind of recognition her beauty does. Not just the battle for Amrit - nector that grants immorality - but this book includes Mohini's perspective of various events in Hindu Mythology.
The writing was a little too lyrical for my taste, but once I got the hang of it, reading this turned out to be an enthralling experience. I especially enjoyed the second half of the book featuring Sastha's story.
*Some bits needed careful reading. My usual skip and skim policy didn't work, hence this took time *
Kudos to Anuja Chandramouli for this powerful, insightful retelling of Mohini's story. Extra points for the representation of an LGBT character in a mainstream mythological tale. 4.5 stars.
Many thanks to the author and publisher for sending me a copy of this wonderful retelling.
November 20, 2022
"What was it with the males of the species and their ridiculous preoccupation with beauty? The females were only marginally better, devoting their limited existence solely to primping, preening and perpetually preoccupying themselves with enhancing their looks, almost as if they needed beauty to be the crowning achievement of their sordid lives, soiled as it was by this commitment to superficiality."
Without exaggerating, I can't call myself an ignoramus when it comes to the modern retelling of Hindu mythology, but this book is truly unlike any I have read till now. In Indian classical(and folk) mythology, as well as on the retellings from The Puranas and South Indian Shakta texts (like Tripurarahasya) Mohini is revered to have beguiled and tricked Demons to save Humanity and Divinity alike.
Before proceeding further, let's clarify one thing, it's not a book everyone will love as unconditionally as I. Like in other reviews I read the likes of "Mohini herself is absent from the story" or "The context is missing many times in the flow of narrative"...I can't see how, for Mohini's narrative begins like:
"...if you are looking for a simple old story with a beginning, middle and end, you are going to be disappointed. That is not entirely true, because no matter what I do, even if I get distracted and diverge from the straight and narrow path of traditional storytelling to meander off the beaten track, taking frustrating detours into the realms of the obscure, fanciful or philosophical, in the end you will be just as enchanted as anyone else."
The legend which the book surrounds, is something we all know so there's no point in repeating it entirely. One of the best aspect of the story is, if you can stop raving about the extraordinarily lavish storytelling,( I can't, really) is the unadulterated irony. Unlike most contemporary retellings, it doesn't just shows someone as good because people think they're good. Mohini's words disparage not just the acts of the Asuras, but also the human beings and Devas alike, sometimes even more.
"The losing side in any war usually feel themselves to be the victims of unfair prosecution, while the victors assure themselves that their enemies were evil creatures who deserved to die in gruesome ways. In reality, there isn't much to distinguish one from the other and it is always those who fight in the name of virtue and justice who commit the gravest crimes of vice and injustice."
Also the author has done a great job to rectify the disfigured and distorted representation of the role of women in the then society. Not to mention the brilliant portrayal of Shastha, which can be thought of sticking out like a sore thumb to a society that is (even now) offensively prejudiced against the LGBTQ community. Also some eye-opening words like:
"...men who tried to protect a woman's so-called virtue were nearly as bad and twice as irksome as those who sought to assail it."
All in all, I can only grumble that the book seemed much shorter than it was. Bit obvious, really, not that it is even a slightest problem. There's so much to take in, which makes it much, much better than most mythogical tales, also in terms of uniqueness.
Thanks to the author for providing me with a free copy of the book in exchange for this honest review. More than a review, actually, at first I was overwhelmed when I came to know what the book is about, later on by her truly dazzling storytelling ability.
"I was drawn to their story and not only because it impacted my own. Stories make you feel as though you know the characters. As if they are an actual part in your lives."
Without exaggerating, I can't call myself an ignoramus when it comes to the modern retelling of Hindu mythology, but this book is truly unlike any I have read till now. In Indian classical(and folk) mythology, as well as on the retellings from The Puranas and South Indian Shakta texts (like Tripurarahasya) Mohini is revered to have beguiled and tricked Demons to save Humanity and Divinity alike.
Before proceeding further, let's clarify one thing, it's not a book everyone will love as unconditionally as I. Like in other reviews I read the likes of "Mohini herself is absent from the story" or "The context is missing many times in the flow of narrative"...I can't see how, for Mohini's narrative begins like:
"...if you are looking for a simple old story with a beginning, middle and end, you are going to be disappointed. That is not entirely true, because no matter what I do, even if I get distracted and diverge from the straight and narrow path of traditional storytelling to meander off the beaten track, taking frustrating detours into the realms of the obscure, fanciful or philosophical, in the end you will be just as enchanted as anyone else."
The legend which the book surrounds, is something we all know so there's no point in repeating it entirely. One of the best aspect of the story is, if you can stop raving about the extraordinarily lavish storytelling,( I can't, really) is the unadulterated irony. Unlike most contemporary retellings, it doesn't just shows someone as good because people think they're good. Mohini's words disparage not just the acts of the Asuras, but also the human beings and Devas alike, sometimes even more.
"The losing side in any war usually feel themselves to be the victims of unfair prosecution, while the victors assure themselves that their enemies were evil creatures who deserved to die in gruesome ways. In reality, there isn't much to distinguish one from the other and it is always those who fight in the name of virtue and justice who commit the gravest crimes of vice and injustice."
Also the author has done a great job to rectify the disfigured and distorted representation of the role of women in the then society. Not to mention the brilliant portrayal of Shastha, which can be thought of sticking out like a sore thumb to a society that is (even now) offensively prejudiced against the LGBTQ community. Also some eye-opening words like:
"...men who tried to protect a woman's so-called virtue were nearly as bad and twice as irksome as those who sought to assail it."
All in all, I can only grumble that the book seemed much shorter than it was. Bit obvious, really, not that it is even a slightest problem. There's so much to take in, which makes it much, much better than most mythogical tales, also in terms of uniqueness.
Thanks to the author for providing me with a free copy of the book in exchange for this honest review. More than a review, actually, at first I was overwhelmed when I came to know what the book is about, later on by her truly dazzling storytelling ability.
"I was drawn to their story and not only because it impacted my own. Stories make you feel as though you know the characters. As if they are an actual part in your lives."
September 27, 2020
Anuja Chandramouli is one of my favorite Indian authors in the mythology genre. She is also in my list of favorite 5 Indian female authors. Her books belong to a completely different league. You need to develop patience and taste to enjoy her books. I never take her books in haste, and that's the reason I usually come back somewhat late with a review of her books. Her last book I read was "Muhammad Bin Tughlaq" that book has shown a neutral face of a king who was known as a tyrant.
Around 2 months back, I saw Anuja's post about her latest mythological book that also has an LGBT touch, and then came cover release. I was completely enamored by the cover design. I wanted to read the book, and my luck was in my favor. I was provided the book in exchange for an honest review.
I knew a limited portion of Mohini Avatara's story. I was aware of Samudramanthan and about the lord Ayyapa being the son of Shiva & Mohini. But this book opened other stories in front of me that I was not aware of. It takes us through the curse of Rishi Brighu due to which Lord Vishnu had to take incarnation in female form. It also covers other stories connected with the Mohini avatar. Though being the incarnation of a male god, the book shows Mohini's independent female emotions.
Anuja's choice of words makes you fall in love with literature. If you want to challenge your vocabulary, I strongly recommend you Anuja's books.
As usual, storytelling is fluid, almost poetic. But that has affected pace in some places, where the pace became medium to slow. Maybe many of you knew all stories covered in the book, but Anuja's style of narration is the real beauty. One more thing you need to keep in mind when you select this book, you need to develop taste for Anuja's style.
Overall I will give 4 out 5 to the book.
Around 2 months back, I saw Anuja's post about her latest mythological book that also has an LGBT touch, and then came cover release. I was completely enamored by the cover design. I wanted to read the book, and my luck was in my favor. I was provided the book in exchange for an honest review.
I knew a limited portion of Mohini Avatara's story. I was aware of Samudramanthan and about the lord Ayyapa being the son of Shiva & Mohini. But this book opened other stories in front of me that I was not aware of. It takes us through the curse of Rishi Brighu due to which Lord Vishnu had to take incarnation in female form. It also covers other stories connected with the Mohini avatar. Though being the incarnation of a male god, the book shows Mohini's independent female emotions.
Anuja's choice of words makes you fall in love with literature. If you want to challenge your vocabulary, I strongly recommend you Anuja's books.
As usual, storytelling is fluid, almost poetic. But that has affected pace in some places, where the pace became medium to slow. Maybe many of you knew all stories covered in the book, but Anuja's style of narration is the real beauty. One more thing you need to keep in mind when you select this book, you need to develop taste for Anuja's style.
Overall I will give 4 out 5 to the book.
July 31, 2020
3.25 stars
I would recommend this book to everyone who is interested in Indian mythology. This book is written from Mohini's perspective about all the Indian gods and goddesses. I admire the voice the author portrayed for Mohini and other females! I liked how the perspective that gods could be disastrous and not just brightly coloured divine beings. The writing was very decorated which some people might or might not like. Since I knew most of the Hindi words, mixing them with high English vocabulary was okay, but that depends upon everyone's own take on writing, I found that was a lil bit too much of jargon but then the purpose was to introduce the jargon to the readers I think. The book was all over quite informative when it comes to Indian mythology. A big thank you to the author for providing me a free complimentary copy in exchange for an honest review.
I would recommend this book to everyone who is interested in Indian mythology. This book is written from Mohini's perspective about all the Indian gods and goddesses. I admire the voice the author portrayed for Mohini and other females! I liked how the perspective that gods could be disastrous and not just brightly coloured divine beings. The writing was very decorated which some people might or might not like. Since I knew most of the Hindi words, mixing them with high English vocabulary was okay, but that depends upon everyone's own take on writing, I found that was a lil bit too much of jargon but then the purpose was to introduce the jargon to the readers I think. The book was all over quite informative when it comes to Indian mythology. A big thank you to the author for providing me a free complimentary copy in exchange for an honest review.
October 10, 2020
I recieved a ARC copy of this book via the author in return for for an honest review. Though it took me a long time to finish this, I immensly enjoyed it although its not without it's flaw. This book protays hindu mythology in a beautiful way. It also describes about the misinterpretation of a goddess and her traits. At first, it was hard for me to get into the book but hearing this beautiful story through the perspective of a goddess can be alluring. I loved the author's writing style alot. I reccomend it for all mythology lovers.
August 18, 2020
• r e v i e w •
.
Anuja has mastered the art of retelling mythology through different angles. I say this because I've read three books by her and have enjoyed all of them immensely. One of the fascinating aspects of her books are her careful selection of characters. Lesser known characters like Ganga or Mohini are presented to the readers in a new light. While most of us know about the important mythology characters like Rama, Sita or even Karna, she mindfully chooses those who played a significant part but were buried under layers of ignorance. Mohini was probably one of the most enchanting woman who had the world dancing to her tune but not many know about her origin or even the purpose behind her existence. Anuja tells us why.
.
Mohini was more or less the inherent nature of Vishnu and she was created to mesmerize everyone during a battle and to win it without shedding a drop of blood. Many sages sang her praises and were engulfed with passion as they kept chanting her name. When she was around, people lost sense of time and were willing to leave behind their worldly possessions because they felt that a world without Mohini wasn't worth living in. Although she was blamed by others for their own mistakes, Mohini still carried herself with utmost dignity and authority. She belonged to no one but had the power to lure in others by being utterly beguiling. She was known for her beauty but she also possessed a sharp wit and logical reasoning. The lesser known sides of Gods are written boldly, making their flaws visible to the world. Many characters whom we had heard of but knew nothing about like Bhumi Devi, Tara, Diti and Aditi are brought into focus in this splendid book.
.
Apart from Mohini, Anuja also speaks of other women who have been subjected to patriarchy. In this modern retelling of mythology, Anuja has outdone herself by choosing an LGBT character to take the centre stage in her book. Her need to portray strong female characters is such a refreshing thing to read and I find myself in awe of her with every book of hers that I finish. She enthralled me with her narration of lust, love and desire. The language flows languidly but it did take a while for me to completely involve in the story. Mohini was a resplendent piece of work, one that was as magical as the character herself. Anuja's books have always been eye-openers and this one was no different. I recommend this to both men and women to learn about how women have been wronged ever since the time of Gods. And how strong women find a way to do the right things irrespective of being supressed time and again.
.
Rating : 4.4/5.
.
Anuja has mastered the art of retelling mythology through different angles. I say this because I've read three books by her and have enjoyed all of them immensely. One of the fascinating aspects of her books are her careful selection of characters. Lesser known characters like Ganga or Mohini are presented to the readers in a new light. While most of us know about the important mythology characters like Rama, Sita or even Karna, she mindfully chooses those who played a significant part but were buried under layers of ignorance. Mohini was probably one of the most enchanting woman who had the world dancing to her tune but not many know about her origin or even the purpose behind her existence. Anuja tells us why.
.
Mohini was more or less the inherent nature of Vishnu and she was created to mesmerize everyone during a battle and to win it without shedding a drop of blood. Many sages sang her praises and were engulfed with passion as they kept chanting her name. When she was around, people lost sense of time and were willing to leave behind their worldly possessions because they felt that a world without Mohini wasn't worth living in. Although she was blamed by others for their own mistakes, Mohini still carried herself with utmost dignity and authority. She belonged to no one but had the power to lure in others by being utterly beguiling. She was known for her beauty but she also possessed a sharp wit and logical reasoning. The lesser known sides of Gods are written boldly, making their flaws visible to the world. Many characters whom we had heard of but knew nothing about like Bhumi Devi, Tara, Diti and Aditi are brought into focus in this splendid book.
.
Apart from Mohini, Anuja also speaks of other women who have been subjected to patriarchy. In this modern retelling of mythology, Anuja has outdone herself by choosing an LGBT character to take the centre stage in her book. Her need to portray strong female characters is such a refreshing thing to read and I find myself in awe of her with every book of hers that I finish. She enthralled me with her narration of lust, love and desire. The language flows languidly but it did take a while for me to completely involve in the story. Mohini was a resplendent piece of work, one that was as magical as the character herself. Anuja's books have always been eye-openers and this one was no different. I recommend this to both men and women to learn about how women have been wronged ever since the time of Gods. And how strong women find a way to do the right things irrespective of being supressed time and again.
.
Rating : 4.4/5.
August 21, 2020
27th book of 2020 (151 Books read overall)
Quote from the Book I Liked - 'Mostly it was a whole host of insipid little things that offered transient pleasures and were sought and indulged in repeatedly to the point where they distracted the mind from all else and consumed it in its entirety.' (Page no. i)
Rating - 4.5 Stars
*Important take from the book* - There are many versions of every story, and every version have the right to exist.
Plot Summary - Elusive as a fragment of a beloved dream, she slipped in and out of the consciousness of the fortunate ones who had been either arbitrarily chosen or were part of the intricate cosmic design. These willingly allowed themselves to be bedevilled, consumed by a passion that would not be denied, existing only to serve her will, content to be moulded to suit the purposes of the most enchanting creature in all of creation – Mohini.
Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him, and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy-turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes...
Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.
My Review - Ahh... what a book it turned out to be, and how do I start? This is the book that the current times want and need to hear out loud. This is not just the story of Mohini or any other mythological tale of fiction to go on with. The way, with the help and complete use of Authors freedom to write, author, Anuja Chandramouli, presents this masterpiece of a book which conveys the current scenario of the world with the stories from the very past. This is not just a story of Mohini the Enchantress, it is a collection of several stories of the problems, non-equality, brutality and injustice that women are currently facing, demonstrated with the voices of females from the mythology. Maybe it was the rise of monastic order or maybe it was the same from start but the voice this book tries to evoke and find the lost speeches of the female characters from the past is commendable. They may be Wife, daughter, lover, consort, concubine or even mother, the female voice even from the mythological tales are often or should I say rarely heard of and are shunned into ashes or erased from the memory to show male dominance. The latest I read something similar was in 'Palace of Illusions' by Chitra Banerjee Divakaruni, where the voice of Panchali was heard, the story told was from her perspective which is rarely seen in direct narration.
The same way a lot of similar voices from mythology tales which were forgotten but are even same today and time didn't change them much, can be heard through this book. Abusive Marriage, choosing lover over the brutal husband, tricking loyal women's into debauchery can be heard in these pages. Mohini is a storyteller, she talks to us, the reader, and tells us stories from beyond time. Some long forgotten, some manipulated and some rumours, but she mentions it clearly that 'All versions of the story have the right to exist' and I do agree with it, but the right version or should I say the one which makes a reader a better human being and brings good to the society must prevail over them all. Much to the common misconception of stories around Mohini herself, she tells us her stories from her point of view.
The stories behind her creation, her job, her journey throughout time, and all of them are a treat for the reader. I suppose Mohini ain't just a single character from the past, incarnating, doing her work and simply vanishing, Mohini is all around us and is ever-present here to see everything and her love for stories will always make her omnipresent. A Highly recommended book for everyone, from Mythology lovers to open-minded, to even close-minded. Though the book might hurt some reader's ego but after all those egos must be burst for the flower of love to bloom.
Conclusion - A Book to be read by every single individual, attracted towards mythology and want to hear a perspective from the long forgotten female characters of it.
Full Review on Blog.
Link to Blog - The Tales of Fugitive Biker
Quote from the Book I Liked - 'Mostly it was a whole host of insipid little things that offered transient pleasures and were sought and indulged in repeatedly to the point where they distracted the mind from all else and consumed it in its entirety.' (Page no. i)
Rating - 4.5 Stars
*Important take from the book* - There are many versions of every story, and every version have the right to exist.
Plot Summary - Elusive as a fragment of a beloved dream, she slipped in and out of the consciousness of the fortunate ones who had been either arbitrarily chosen or were part of the intricate cosmic design. These willingly allowed themselves to be bedevilled, consumed by a passion that would not be denied, existing only to serve her will, content to be moulded to suit the purposes of the most enchanting creature in all of creation – Mohini.
Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him, and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy-turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes...
Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.
My Review - Ahh... what a book it turned out to be, and how do I start? This is the book that the current times want and need to hear out loud. This is not just the story of Mohini or any other mythological tale of fiction to go on with. The way, with the help and complete use of Authors freedom to write, author, Anuja Chandramouli, presents this masterpiece of a book which conveys the current scenario of the world with the stories from the very past. This is not just a story of Mohini the Enchantress, it is a collection of several stories of the problems, non-equality, brutality and injustice that women are currently facing, demonstrated with the voices of females from the mythology. Maybe it was the rise of monastic order or maybe it was the same from start but the voice this book tries to evoke and find the lost speeches of the female characters from the past is commendable. They may be Wife, daughter, lover, consort, concubine or even mother, the female voice even from the mythological tales are often or should I say rarely heard of and are shunned into ashes or erased from the memory to show male dominance. The latest I read something similar was in 'Palace of Illusions' by Chitra Banerjee Divakaruni, where the voice of Panchali was heard, the story told was from her perspective which is rarely seen in direct narration.
The same way a lot of similar voices from mythology tales which were forgotten but are even same today and time didn't change them much, can be heard through this book. Abusive Marriage, choosing lover over the brutal husband, tricking loyal women's into debauchery can be heard in these pages. Mohini is a storyteller, she talks to us, the reader, and tells us stories from beyond time. Some long forgotten, some manipulated and some rumours, but she mentions it clearly that 'All versions of the story have the right to exist' and I do agree with it, but the right version or should I say the one which makes a reader a better human being and brings good to the society must prevail over them all. Much to the common misconception of stories around Mohini herself, she tells us her stories from her point of view.
The stories behind her creation, her job, her journey throughout time, and all of them are a treat for the reader. I suppose Mohini ain't just a single character from the past, incarnating, doing her work and simply vanishing, Mohini is all around us and is ever-present here to see everything and her love for stories will always make her omnipresent. A Highly recommended book for everyone, from Mythology lovers to open-minded, to even close-minded. Though the book might hurt some reader's ego but after all those egos must be burst for the flower of love to bloom.
Conclusion - A Book to be read by every single individual, attracted towards mythology and want to hear a perspective from the long forgotten female characters of it.
Full Review on Blog.
Link to Blog - The Tales of Fugitive Biker
August 24, 2020
Ever since I read (and enjoyed) Chitra Banerjee Divakaruni's 'The Palace Of Illusions', a retelling of the Mahabharata from Draupadi's point of view, some 8 years ago, I have been interested in revisiting mythology (Indian, Greek, Norse) from a female perspective. I read many mythological stories as a teen, but after reading books like Palace of Illusions, 'Circe', 'Shakti' and 'The Forest of Enchantments' as an adult, I realised how popular versions of our mythology, written by men, majorly ignores the female experience. Women in these stories are either 'things' of beauty who suffer silently, or promiscuous nymphs who break old sages' meditation and bring their (a man's) doom. Male gods or hermits do no wrong because even their toxic qualities like inflated ego, anger, greed, perversion etc. are whitewashed.
I had read the story of the 'churning' of an ocean by Asuras and Devas to procure 'amrit' (nectar of immortality), as a child. I still remember this story because the book I was reading from had a cartoon image of the two parties using a snake to 'churn' an ocean & I had found that extremely fascinating. It also had a picture of Mohini, a 'beautiful' female avtar of Vishnu, carrying the pot of 'amrit'. That story didn't give me too much information about Mohini so I assumed she was just another avatar of Vishnu who was not as important as Krishna or Ram. Thanks to 'Mohini: The Enchantress', I could finally read HER story and learn about who she was beyond being a "beautiful seductress".
Anuja Chandramouli is an excellent writer, and I have always enjoyed reading her mythological re-tellings. 'Mohini' is no exception. From the very first chapter where Mohini wonders why women are valued only based on their beauty, the book repeatedly critiques the toxic masculinity that is (sadly) abundantly present in hindu mythology. The book is an extremely refreshing, engaging and well-written take on a familiar story.
I had read the story of the 'churning' of an ocean by Asuras and Devas to procure 'amrit' (nectar of immortality), as a child. I still remember this story because the book I was reading from had a cartoon image of the two parties using a snake to 'churn' an ocean & I had found that extremely fascinating. It also had a picture of Mohini, a 'beautiful' female avtar of Vishnu, carrying the pot of 'amrit'. That story didn't give me too much information about Mohini so I assumed she was just another avatar of Vishnu who was not as important as Krishna or Ram. Thanks to 'Mohini: The Enchantress', I could finally read HER story and learn about who she was beyond being a "beautiful seductress".
Anuja Chandramouli is an excellent writer, and I have always enjoyed reading her mythological re-tellings. 'Mohini' is no exception. From the very first chapter where Mohini wonders why women are valued only based on their beauty, the book repeatedly critiques the toxic masculinity that is (sadly) abundantly present in hindu mythology. The book is an extremely refreshing, engaging and well-written take on a familiar story.
August 3, 2020
I am so happy that I picked this book up. This book gives us an insight and throws light on the life of Mohini and is basically a kind of a feminist retreat. I will surely ask you to take note of the concepts of patriarchy that were held up in the book and the hypocrisy that the adaptations in the TV shows or movies or even oral storytelling has had on the character of Mohini, which is very much evident.
I won't tell you anything about the plot because if I do is going to be a big fat spoiler but all I can say is this book captures the essence of how and why she was made by Vishnu in the first place and how there is much more to her character than seducing sages. Added to Mohini there are other characters who are subsidiary but have a profound effect on the reader and we come to know about so many other female characters who have just been forgotten or don't hold much importance in the mythology because obviously due to patriarchy I don't need to elaborate on that.
Their impact is not even talked about because I think personally it will hurt the image of men and how we think about the Gods and demigods who are Male.
A simple example was I don't even know who are Aditi and Diti properly but after I read the book and did some research on my own I came to know about their importance that we have just ignored and have been forgotten by the winds of time. Now I want to talk about something which is just amazing and that is the cover it is absolutely beautiful and I highly recommend if you are looking for something aesthetically pleasing on your bookshelf.
Honestly it took me a while to go through the book even if the number of pages is just a little more than 200 because the information that was being thrown at me was intense and I needed some time to digest everything that was going on.
The narration was sometimes monotonous so that was a big issue for me but overall it did not matter much because the content is very engaging.
Some light was also thrown on Indra and Vishnu which I was not aware of especially about the nectar of immortality which is a very famous episode in the Hindu mythology.
I especially loved the episode where she was talking about Mahishi and Leela and how how her husband spent his entire life trying to improve the circumstances of his people but when he was crushed by the oppressors they blamed him for the losses sustained and then they said he was born to a demon and she buffalo and Leela was a woman of insatiable sexual appetite in her former life which was why she was accursed in this one. After that we come to know how her husband was impotent and her neighbour had a roving eye on her and one thing leading to another the people ruled that she should be stoned to death. After reading that episode I had goosebumps on my skin. Overall it was an enlightening experience.
I won't tell you anything about the plot because if I do is going to be a big fat spoiler but all I can say is this book captures the essence of how and why she was made by Vishnu in the first place and how there is much more to her character than seducing sages. Added to Mohini there are other characters who are subsidiary but have a profound effect on the reader and we come to know about so many other female characters who have just been forgotten or don't hold much importance in the mythology because obviously due to patriarchy I don't need to elaborate on that.
Their impact is not even talked about because I think personally it will hurt the image of men and how we think about the Gods and demigods who are Male.
A simple example was I don't even know who are Aditi and Diti properly but after I read the book and did some research on my own I came to know about their importance that we have just ignored and have been forgotten by the winds of time. Now I want to talk about something which is just amazing and that is the cover it is absolutely beautiful and I highly recommend if you are looking for something aesthetically pleasing on your bookshelf.
Honestly it took me a while to go through the book even if the number of pages is just a little more than 200 because the information that was being thrown at me was intense and I needed some time to digest everything that was going on.
The narration was sometimes monotonous so that was a big issue for me but overall it did not matter much because the content is very engaging.
Some light was also thrown on Indra and Vishnu which I was not aware of especially about the nectar of immortality which is a very famous episode in the Hindu mythology.
I especially loved the episode where she was talking about Mahishi and Leela and how how her husband spent his entire life trying to improve the circumstances of his people but when he was crushed by the oppressors they blamed him for the losses sustained and then they said he was born to a demon and she buffalo and Leela was a woman of insatiable sexual appetite in her former life which was why she was accursed in this one. After that we come to know how her husband was impotent and her neighbour had a roving eye on her and one thing leading to another the people ruled that she should be stoned to death. After reading that episode I had goosebumps on my skin. Overall it was an enlightening experience.
This entire review has been hidden because of spoilers.
August 7, 2020
Many thanks to the author and the publisher for providing me a complimentary copy in exchange for an honest review!
What a fantastic retelling from Anuja Chandramouli! This time it is about Mohini,a nearly forgotten character from Indian mythology. The name Mohini itself means an enchantress. We all know the story of Mohini basically as a female avatar of Vishnu and how Vishnu took the form of Mohini and hoodwinked the Asuras during the quest for the nectar of immortality,Amrita.
I was very excited to read this book as it is about a lesser known character and I was also skeptical since most of us are familiar with Mohini only as the seductress who entices rishis and other celestial beings with her ethereal beauty nad from the nectar episode. I wondered how the author was going to bring life to this character and illuminate other aspects of her life. I was not disappointed at all.
This book focuses on the various events in Hindu mythology told from Mohini's perspective. The story is set against the quest for the nectar of immortality and we also get to know several other lesser known tales.The story telling is very engaging and lyrical which takes quite a bit of time to read to imbibe the complete essence. It was also thought provoking and many important issues are brought forth and discussed in this book.
The story explores human nature and actions and also the consequences one's actions can have and how they change the lives of the people tied to it.It took me a while to read as the story telling was very intricate but I loved it.
A very character focused and well written book!
What a fantastic retelling from Anuja Chandramouli! This time it is about Mohini,a nearly forgotten character from Indian mythology. The name Mohini itself means an enchantress. We all know the story of Mohini basically as a female avatar of Vishnu and how Vishnu took the form of Mohini and hoodwinked the Asuras during the quest for the nectar of immortality,Amrita.
I was very excited to read this book as it is about a lesser known character and I was also skeptical since most of us are familiar with Mohini only as the seductress who entices rishis and other celestial beings with her ethereal beauty nad from the nectar episode. I wondered how the author was going to bring life to this character and illuminate other aspects of her life. I was not disappointed at all.
This book focuses on the various events in Hindu mythology told from Mohini's perspective. The story is set against the quest for the nectar of immortality and we also get to know several other lesser known tales.The story telling is very engaging and lyrical which takes quite a bit of time to read to imbibe the complete essence. It was also thought provoking and many important issues are brought forth and discussed in this book.
The story explores human nature and actions and also the consequences one's actions can have and how they change the lives of the people tied to it.It took me a while to read as the story telling was very intricate but I loved it.
A very character focused and well written book!
August 15, 2020
The quest for beauty began with the Gods and the Goddesses and there has never been an end to it. Beauty and lust have been transcended gracefully over generations and handed down by ancestors as a trait or perception for goodness.
Mohini, a female incarnation of Vishnu, the sole purpose of her creation was to entice the Asuras into handing over the Amrita (ocean milk) to the Devas for immortality. Sages are believed to breathe her name and chant it like a prayer, she is the bearer of irresistible beauty, they remain entranced in the intensity of her grace, their love for her so deep, they had no wish to return to the worldly demands, a world without Mohini's maya is not a world worth returning to. She even wandered through the hallways of Mahadeva's heart and thereby Shashta was born in this romantic tryst, a flicker of sunshine for the rarities in the hostile society considering only two genders.
A newbie in mythology, I can say this book fairly introduced me to the characters through a narrative retelling of the stories from Mohini's POV. Weighing down the author's writing and storytelling skill, I cannot choose which is more better. The book is a slow burn at the start but in time, you will be gripped to this engaging story. The author doesn't shy away from writing about patriarchal society, women's tyranny, and third gender perspective in mythology. The author spins an amusing yarn around the stories and when the knots loosen, she presents Mohini, underlined with everyone's story like it's hers.
If you're familiar with mythology and it's jargon and if you're looking for stories with a single point character's perspective. Anuja Chandramouli doesn't disappoint you with this book, Mohini, The Enchantress.
Mohini, a female incarnation of Vishnu, the sole purpose of her creation was to entice the Asuras into handing over the Amrita (ocean milk) to the Devas for immortality. Sages are believed to breathe her name and chant it like a prayer, she is the bearer of irresistible beauty, they remain entranced in the intensity of her grace, their love for her so deep, they had no wish to return to the worldly demands, a world without Mohini's maya is not a world worth returning to. She even wandered through the hallways of Mahadeva's heart and thereby Shashta was born in this romantic tryst, a flicker of sunshine for the rarities in the hostile society considering only two genders.
A newbie in mythology, I can say this book fairly introduced me to the characters through a narrative retelling of the stories from Mohini's POV. Weighing down the author's writing and storytelling skill, I cannot choose which is more better. The book is a slow burn at the start but in time, you will be gripped to this engaging story. The author doesn't shy away from writing about patriarchal society, women's tyranny, and third gender perspective in mythology. The author spins an amusing yarn around the stories and when the knots loosen, she presents Mohini, underlined with everyone's story like it's hers.
If you're familiar with mythology and it's jargon and if you're looking for stories with a single point character's perspective. Anuja Chandramouli doesn't disappoint you with this book, Mohini, The Enchantress.
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August 25, 2020My thanks to the author Anuja Chandramouli and Rupa Publishing Co Ltd for a review copy of this book.
Anuja is a writer of both mythological and historical fiction; this work falls in the former category. Mohini, the goddess of enchantment is the female avatar of the god Vishnu, often seen as an enchantress, one who beguiles and captivates, and perhaps has little role beyond that. While one comes across her in mythological episodes and tales, especially the samudra manthan or churning of the ocean of milk by the devas and asuras seeking amrita or the elixir of immortality, it is others’ perceptions of her that we see in these tellings; this book, however, tells her story, not only bringing her into the centre but telling it in her ‘voice’. Apart from her nature or the perception of it told in a discussion between Vishnu and his consort, we see all other events, whether the relationship between the devas and asuras, leading up to the samudra manthan; the consequences and Mohini’s role in restoring balance; the story of Aravan, Arjuna’s son; her relationship with Shiva and the birth of her son, besides also stories to which Mohini is a witness, from her eyes.
In her voice, we hear not only the ‘dominant’ versions of these tales but both sides, Mohini often highlighting the injustices that these versions might attempt to hide or downplay, and in which the sufferer is almost always, a woman (but not always, for Aravan, Arjuna’s son—never acknowledged or appreciated, is at the receiving end of it too; as are the asuras often painted as evil by popular lore, yet ones who have stood for right as well at times, while Indra the ‘king’ of heaven perpetuates wrong after wrong, and injustice after injustice, and is rarely held to account). In fact, this is a major theme explored in the book—that of sexism, patriarchy, and the biases and discrimination women have to face, even where they have done no wrong—like Kavyamata, the wife of Bhrigu who stands up for what she feels is right, giving succour and shelter to the asuras (who have faced their own share of injustices), and must not only face being tainted by Indra’s words but also lose her life; Tara who is tied to the vile and brutal Brihaspati, and faces all form of violence and maltreatment, but who is seen as the criminal for simply walking out and finding herself some happiness. Mohini herself is not spared this either for while she might well be ‘used’ by the gods when needed (to restore balance when death has been banished, or even be a bride for a condemned man) but whose character is given whatever quality that suits them at the moment—a beautiful woman, one of dreams at one moment, an evil fiend at another. Few voices seem to speak for right, even among the devas.
Mohini is seen as cold and unfeeling, but when she tells these stories, one can see that this is far from the case for she feels the pain and injustice of these women. She also speaks for Bhumi Devi, mother Earth, who is used, misused, and even abused by humans and the devas and asuras alike, suffering so much damage and being given precious little chance or time to recover—this is a theme that comes up in some of the author’s other books too, and one that needs to be raised again and again, for we never seem to stop damaging our planet, except when situations like the current one arise. But not to divert, Bhumi Devi’s plight too is felt by Mohini. But it is not only the unhappy tales that make her feel, the bittersweet ones do too: in her words
Sometimes in the presence of sublime love, even the eternal dreamer finds the courage to leave behind the simulated reality of the dream for reality itself, the bitter pill that was coated with such sweetness that one couldn’t help but wish for a tiny taste.
The book also speaks for those who do not fall within ‘accepted’ human definitions and categories and as a result face mistreatment and discrimination, once again with few voices and people standing up for them. In the exploration of these themes, one wonders why it is that the world of these celestial beings is simply a reflection of our own with pain, hurt, prejudice and hate, and only a few voices who speak or stand up for right. What then is their role in our lives, one wonders?
But these more serious themes come through in the various stories or episodes Mohini narrates, which also have brief moments of happiness for their characters, and times with a dream-like quality to them, when reality vanishes or is blurred away for just a little bit, as they love or live out their desires—Mohini is the enchantress after all. Of the stories, I rather enjoyed the telling of the samudra manthan episode itself, for what I knew of it, it seems, was just a bare sketch—the tale is a long one, with the devas and asuras (actually half-brothers) working together in a rare instance, and the ocean of milk bringing forth not just the amrita, but also many other gifts and treasures which once again bring their hidden natures and desires to light.
I think the author did a great job overall giving voice to and telling the story of a character whose perspective we never really get to see (and rarely even consider, for that matter), and through it bring out issues in mythology, which are not too different from what we face even today.
Anuja is a writer of both mythological and historical fiction; this work falls in the former category. Mohini, the goddess of enchantment is the female avatar of the god Vishnu, often seen as an enchantress, one who beguiles and captivates, and perhaps has little role beyond that. While one comes across her in mythological episodes and tales, especially the samudra manthan or churning of the ocean of milk by the devas and asuras seeking amrita or the elixir of immortality, it is others’ perceptions of her that we see in these tellings; this book, however, tells her story, not only bringing her into the centre but telling it in her ‘voice’. Apart from her nature or the perception of it told in a discussion between Vishnu and his consort, we see all other events, whether the relationship between the devas and asuras, leading up to the samudra manthan; the consequences and Mohini’s role in restoring balance; the story of Aravan, Arjuna’s son; her relationship with Shiva and the birth of her son, besides also stories to which Mohini is a witness, from her eyes.
In her voice, we hear not only the ‘dominant’ versions of these tales but both sides, Mohini often highlighting the injustices that these versions might attempt to hide or downplay, and in which the sufferer is almost always, a woman (but not always, for Aravan, Arjuna’s son—never acknowledged or appreciated, is at the receiving end of it too; as are the asuras often painted as evil by popular lore, yet ones who have stood for right as well at times, while Indra the ‘king’ of heaven perpetuates wrong after wrong, and injustice after injustice, and is rarely held to account). In fact, this is a major theme explored in the book—that of sexism, patriarchy, and the biases and discrimination women have to face, even where they have done no wrong—like Kavyamata, the wife of Bhrigu who stands up for what she feels is right, giving succour and shelter to the asuras (who have faced their own share of injustices), and must not only face being tainted by Indra’s words but also lose her life; Tara who is tied to the vile and brutal Brihaspati, and faces all form of violence and maltreatment, but who is seen as the criminal for simply walking out and finding herself some happiness. Mohini herself is not spared this either for while she might well be ‘used’ by the gods when needed (to restore balance when death has been banished, or even be a bride for a condemned man) but whose character is given whatever quality that suits them at the moment—a beautiful woman, one of dreams at one moment, an evil fiend at another. Few voices seem to speak for right, even among the devas.
Mohini is seen as cold and unfeeling, but when she tells these stories, one can see that this is far from the case for she feels the pain and injustice of these women. She also speaks for Bhumi Devi, mother Earth, who is used, misused, and even abused by humans and the devas and asuras alike, suffering so much damage and being given precious little chance or time to recover—this is a theme that comes up in some of the author’s other books too, and one that needs to be raised again and again, for we never seem to stop damaging our planet, except when situations like the current one arise. But not to divert, Bhumi Devi’s plight too is felt by Mohini. But it is not only the unhappy tales that make her feel, the bittersweet ones do too: in her words
Sometimes in the presence of sublime love, even the eternal dreamer finds the courage to leave behind the simulated reality of the dream for reality itself, the bitter pill that was coated with such sweetness that one couldn’t help but wish for a tiny taste.
The book also speaks for those who do not fall within ‘accepted’ human definitions and categories and as a result face mistreatment and discrimination, once again with few voices and people standing up for them. In the exploration of these themes, one wonders why it is that the world of these celestial beings is simply a reflection of our own with pain, hurt, prejudice and hate, and only a few voices who speak or stand up for right. What then is their role in our lives, one wonders?
But these more serious themes come through in the various stories or episodes Mohini narrates, which also have brief moments of happiness for their characters, and times with a dream-like quality to them, when reality vanishes or is blurred away for just a little bit, as they love or live out their desires—Mohini is the enchantress after all. Of the stories, I rather enjoyed the telling of the samudra manthan episode itself, for what I knew of it, it seems, was just a bare sketch—the tale is a long one, with the devas and asuras (actually half-brothers) working together in a rare instance, and the ocean of milk bringing forth not just the amrita, but also many other gifts and treasures which once again bring their hidden natures and desires to light.
I think the author did a great job overall giving voice to and telling the story of a character whose perspective we never really get to see (and rarely even consider, for that matter), and through it bring out issues in mythology, which are not too different from what we face even today.
August 19, 2020
“Mohini: The Enchantress” is imagination and magnificence materialized on paper. Anuja Chandramouli has delivered yet another masterpiece that will make you imbibe mythology, and encompass it within yourself as something very ancient yet recent, mysterious and shimmery, and yet so well understood.
I kept on imagining her writing style as this vast galaxy of moons and stars—with the spatial dusts of violets and magentas giving an exemplary show. The stars are the mythical fables which Mohini finds herself in, and Anuja places them on the universal canvas as if to make a constellation that gleams with new found expression. She then arranges them to craft a panorama of stories and experiences, of realties and falsities—until her whole creation has become nothing short of a vast and mellifluous galaxy. This galaxy makes you gawk in wonder, and think illustriously. It also makes you think you are a part of all this beauty—maybe a tiny speck of dust in the limitless infinite space but still there, existing. Mythology to me, is that feeling of longing and retrospection, and it makes me wonder that maybe even I was a part of the gods and demons that were fighting, of the dreams getting realized and promises getting broken and love getting unfurled. Maybe what I am today, is derived from what presumably happened then.
Mohini has always been seen as this epitome of deceit and enchanting beauty and as Anuja says, “she was perfection made possible”. But can an entity really be depicted by a set of adjectives and labels? Anuja makes me realize that the only way to know an entity better is through stories—large and small, mundane or essential, real or fantasy. But then again, what is real and what is fantasy? Anuja hasn’t shattered the boundaries between what is real and what could be real, she has expertly dissolved the demarcation between reality and fiction. She has swirled various colours and tinges without any cease, to give you a book that makes you question the contrast between truth and the untruth.
Mohini is the manifestation of the feminine energy of Vishnu, but is she just that? Is she only the luring enchantress that had tactically kept the asuras deprived of the nectar of immortality and kept them thirsty to drink in the vivid splendour of just her existence? Anuja makes sure the essence of Mohini isn’t attached to such a singleton story. She puts forward the other stories revolving around Mohini, where she might be sometimes hated for her allure, and sometimes be loved for her sense of unconditional affection. The stories, however intact or lost, is weaved into a garland that is the book—a garland threaded with the most fragrant of flowers in the form of experiences and perceptions, some of which might have wilted away. A garland that is bound by an underlying string of justice and folly, of chastity and betrayal…of many pluralities. A garland which wishes to be worn by someone who is willing to take it all—maybe both the poison and the amrita that came forth, without judgement or without benediction. We perhaps were aware of the beads, the legends and the myths…we could also have known about where the flowers were blooming and to what extents. But we couldn’t have stitched a garland as Anuja did.
Be it Mohini or Vishnu, Shiva or Indra, the devas or the asuras—never have they been cloaked with so much understanding and stigmas. We do not see the gods as we are forced to believe. We are not bound to see the asuras as what we’ve till now known them by. We are not supposed to read this book with our pre-conceived plethora of previous takeaways, we should read this book like jumping into the wild sea—not knowing how deep it is, not knowing what lurks beneath.
Anuja says: “If Vishnu was the tranquil storyline, Shiva embodied the untameable wildness and violence of the bottomless sea”. And if such is the philosophy of them individually, when Mohini and Shiva come together to combine the fragrance of Shiva and Vishnu (Hara and Hari), how less luminous could the result be? How less expressive could their progeny: The Harihara putra be? Be it Nara and Narayan, or maybe Indra and Vishnu, and Indra and Mahabali, or Sukra and Brihaspati, or Tara and Chandra, and of course Shiva and Mohini—this book certifies the co-existence of disparities, the harmony of differences. It rhythmizes magic and illusion, puts to play the fabric of time, and does not demarcate between the past, present and future. It makes us believe and have faith, and perhaps internalize mythology with its full-fledged worth.
I kept on imagining her writing style as this vast galaxy of moons and stars—with the spatial dusts of violets and magentas giving an exemplary show. The stars are the mythical fables which Mohini finds herself in, and Anuja places them on the universal canvas as if to make a constellation that gleams with new found expression. She then arranges them to craft a panorama of stories and experiences, of realties and falsities—until her whole creation has become nothing short of a vast and mellifluous galaxy. This galaxy makes you gawk in wonder, and think illustriously. It also makes you think you are a part of all this beauty—maybe a tiny speck of dust in the limitless infinite space but still there, existing. Mythology to me, is that feeling of longing and retrospection, and it makes me wonder that maybe even I was a part of the gods and demons that were fighting, of the dreams getting realized and promises getting broken and love getting unfurled. Maybe what I am today, is derived from what presumably happened then.
Mohini has always been seen as this epitome of deceit and enchanting beauty and as Anuja says, “she was perfection made possible”. But can an entity really be depicted by a set of adjectives and labels? Anuja makes me realize that the only way to know an entity better is through stories—large and small, mundane or essential, real or fantasy. But then again, what is real and what is fantasy? Anuja hasn’t shattered the boundaries between what is real and what could be real, she has expertly dissolved the demarcation between reality and fiction. She has swirled various colours and tinges without any cease, to give you a book that makes you question the contrast between truth and the untruth.
Mohini is the manifestation of the feminine energy of Vishnu, but is she just that? Is she only the luring enchantress that had tactically kept the asuras deprived of the nectar of immortality and kept them thirsty to drink in the vivid splendour of just her existence? Anuja makes sure the essence of Mohini isn’t attached to such a singleton story. She puts forward the other stories revolving around Mohini, where she might be sometimes hated for her allure, and sometimes be loved for her sense of unconditional affection. The stories, however intact or lost, is weaved into a garland that is the book—a garland threaded with the most fragrant of flowers in the form of experiences and perceptions, some of which might have wilted away. A garland that is bound by an underlying string of justice and folly, of chastity and betrayal…of many pluralities. A garland which wishes to be worn by someone who is willing to take it all—maybe both the poison and the amrita that came forth, without judgement or without benediction. We perhaps were aware of the beads, the legends and the myths…we could also have known about where the flowers were blooming and to what extents. But we couldn’t have stitched a garland as Anuja did.
Be it Mohini or Vishnu, Shiva or Indra, the devas or the asuras—never have they been cloaked with so much understanding and stigmas. We do not see the gods as we are forced to believe. We are not bound to see the asuras as what we’ve till now known them by. We are not supposed to read this book with our pre-conceived plethora of previous takeaways, we should read this book like jumping into the wild sea—not knowing how deep it is, not knowing what lurks beneath.
Anuja says: “If Vishnu was the tranquil storyline, Shiva embodied the untameable wildness and violence of the bottomless sea”. And if such is the philosophy of them individually, when Mohini and Shiva come together to combine the fragrance of Shiva and Vishnu (Hara and Hari), how less luminous could the result be? How less expressive could their progeny: The Harihara putra be? Be it Nara and Narayan, or maybe Indra and Vishnu, and Indra and Mahabali, or Sukra and Brihaspati, or Tara and Chandra, and of course Shiva and Mohini—this book certifies the co-existence of disparities, the harmony of differences. It rhythmizes magic and illusion, puts to play the fabric of time, and does not demarcate between the past, present and future. It makes us believe and have faith, and perhaps internalize mythology with its full-fledged worth.
October 6, 2020
Lord Vishnu is the operator of universe. He maintains the balance between the forces of good and evil. One of the tools is incarnation. He took birth in animal forms and later one in male forms. The main avatars known as Dashvatar (10 incarnations) include Matsya, Varaha, Rama, Krishna etc.
Where does Mohini fit in? She is said to be only female incarnation of lord Vishnu and is not included in the Dashavtar. She has a small and specific role to play during churning of the sea (Samudra Manthan).
However in this novel Anuja gave her a bigger role. Mohini name comes from Hindi word “Moh” meaning infatuation or illusion. Mohini is someone who seduces with her beauty, viles, magic and enchantment. She is incapable of love according to Shkati, which is not a bad thing per se but a sad thing nevertheless.
This story is not linear. Mohini says
“I am Mohini. And this is my story. But if you are looking for a simple old story with a beginning, middle and end, you are going to be disappointed.”
I read almost all the novels by Anuja Chadramouli and I always felt it. The stories have beautiful and lyrical prose, lofty vocabulary but the structure was nonlinear. That distracted me. This book admits it in the beginning itself.
I liked it for the beautiful prose and thoughts. There are many but I will reproduce some of the portions which I liked much.
“The fabled age of heroes and heroines, warriors and the wise will end. Only the puniest of mortals will remain trapped in the maudlin existence worth only the morbid, mundane and monotonous, which will prompt them into increasing acts of desperation to alleviate the sameness and sickness of it all.”
This has come to pass. We can see the whole world is going crazy due to zombie like reverie created by mobile phones and social media. Everything is false and nothing is sacred.
“The female of the species keep harping about equal rights, and yet when they are treated just like the same, they can’t handle it.”
Is it a veiled attack on modern day feminism? Your guess is as good as mine.
“Unlike stories, dreams have neither a beginning nor an ending. I continued to traipse from story to next.”
The book is worth reading and gives a glimpse of eternal conflict between good and evil. Vishnu is all about balance. Both of these are necessary perhaps and when the scale tips on one side he steps in. Mohini was one such tool. 4/5 stars.
P.S. On lighter note I made my son read Anuja’s book for her English composition studies. You may also try.
Where does Mohini fit in? She is said to be only female incarnation of lord Vishnu and is not included in the Dashavtar. She has a small and specific role to play during churning of the sea (Samudra Manthan).
However in this novel Anuja gave her a bigger role. Mohini name comes from Hindi word “Moh” meaning infatuation or illusion. Mohini is someone who seduces with her beauty, viles, magic and enchantment. She is incapable of love according to Shkati, which is not a bad thing per se but a sad thing nevertheless.
This story is not linear. Mohini says
“I am Mohini. And this is my story. But if you are looking for a simple old story with a beginning, middle and end, you are going to be disappointed.”
I read almost all the novels by Anuja Chadramouli and I always felt it. The stories have beautiful and lyrical prose, lofty vocabulary but the structure was nonlinear. That distracted me. This book admits it in the beginning itself.
I liked it for the beautiful prose and thoughts. There are many but I will reproduce some of the portions which I liked much.
“The fabled age of heroes and heroines, warriors and the wise will end. Only the puniest of mortals will remain trapped in the maudlin existence worth only the morbid, mundane and monotonous, which will prompt them into increasing acts of desperation to alleviate the sameness and sickness of it all.”
This has come to pass. We can see the whole world is going crazy due to zombie like reverie created by mobile phones and social media. Everything is false and nothing is sacred.
“The female of the species keep harping about equal rights, and yet when they are treated just like the same, they can’t handle it.”
Is it a veiled attack on modern day feminism? Your guess is as good as mine.
“Unlike stories, dreams have neither a beginning nor an ending. I continued to traipse from story to next.”
The book is worth reading and gives a glimpse of eternal conflict between good and evil. Vishnu is all about balance. Both of these are necessary perhaps and when the scale tips on one side he steps in. Mohini was one such tool. 4/5 stars.
P.S. On lighter note I made my son read Anuja’s book for her English composition studies. You may also try.
August 23, 2020
Author Anuja Chandramouli has established herself as an expert in retelling Indian mythology from the female perspective, and Mohini: The Enchantress is another example of her prowess. This time, the author has chosen an enigmatic, unconventional character in Mohini – the feminine element of Vishnu. Praised by many for her beauty, and cursed by an equal number for the same reason, Mohini appears at various points in Hindu mythology in pivotal roles, which the author has tried to present as a coherent narrative in this book.
After her self-introduction, Mohini relates the story of the biggest conflict in Hindu mythology – the one between the Devas and the Asuras – that encompasses literally all the stories ever told. The Asuras’ preceptor Sukra loses his mother in the conflict and vows to find a cure to death. His success in the effort helps the Asuras for sometime before both the Devas and Asuras want to look for a permanent way to defeat death. Uncharacteristically, both the half-brothers engage together, and succeed, in the project of churning the Ocean of Milk to bring out the Amrita – the nectar of immortality. Living forever is in conflict with the nature, and Mohini steps in to restore balance. Among other escapades, Mohini tells about her becoming the wife of the warrior Aravan on the last night of his life, and her union with Shiva that results in the birth of Shastha, or Aiyappa.
The author has freely interpreted the Puranic stories to present them from a feminist point of view, bashing all the males - a recurring theme in several of her books - with very few exceptions. As with her other works, she rejects the conventional classification of Devas as good and the Asuras as bad in this book also. True to form, her prose is lyrical and the descriptions are captivatingly vivid. She takes myriad detours from the actual story to indulge in a good measure of philosophy and social commentary that makes the reading difficult at times. But, she has given fair warning to the readers through her protagonist’s words in the first chapter that ‘this is not a simple old story with a beginning, middle and end; it diverges from the path of traditional storytelling to meander of the beaten track, taking frustrating detours into the realms of the obscure, fanciful or philosophical’. In the end, however, the author has succeeded in painting a well-rounded picture of Mohini’s role in the Hindu mythology.
I liked Mohini: the Enchantress, and feel that readers who are openminded about unconventional interpretations of mythology, and sensuality in respect of the gods, will enjoy reading it. At the same time, it is my duty to warn that the author’s extravagant diction may be quite daunting for lesser readers like me! My rating for this book is 3.5 out of 5 stars.
After her self-introduction, Mohini relates the story of the biggest conflict in Hindu mythology – the one between the Devas and the Asuras – that encompasses literally all the stories ever told. The Asuras’ preceptor Sukra loses his mother in the conflict and vows to find a cure to death. His success in the effort helps the Asuras for sometime before both the Devas and Asuras want to look for a permanent way to defeat death. Uncharacteristically, both the half-brothers engage together, and succeed, in the project of churning the Ocean of Milk to bring out the Amrita – the nectar of immortality. Living forever is in conflict with the nature, and Mohini steps in to restore balance. Among other escapades, Mohini tells about her becoming the wife of the warrior Aravan on the last night of his life, and her union with Shiva that results in the birth of Shastha, or Aiyappa.
The author has freely interpreted the Puranic stories to present them from a feminist point of view, bashing all the males - a recurring theme in several of her books - with very few exceptions. As with her other works, she rejects the conventional classification of Devas as good and the Asuras as bad in this book also. True to form, her prose is lyrical and the descriptions are captivatingly vivid. She takes myriad detours from the actual story to indulge in a good measure of philosophy and social commentary that makes the reading difficult at times. But, she has given fair warning to the readers through her protagonist’s words in the first chapter that ‘this is not a simple old story with a beginning, middle and end; it diverges from the path of traditional storytelling to meander of the beaten track, taking frustrating detours into the realms of the obscure, fanciful or philosophical’. In the end, however, the author has succeeded in painting a well-rounded picture of Mohini’s role in the Hindu mythology.
I liked Mohini: the Enchantress, and feel that readers who are openminded about unconventional interpretations of mythology, and sensuality in respect of the gods, will enjoy reading it. At the same time, it is my duty to warn that the author’s extravagant diction may be quite daunting for lesser readers like me! My rating for this book is 3.5 out of 5 stars.
August 5, 2020
Whenever I get the opportunity to read a book penned by Anuja Chandramouli I never let go of it. She is not only a bestselling author but has added a unique touch to retelling tales from Indian mythology. I have been her fan ever since I read her debut novel ‘Arjuna: Saga of a Pandava Warrior-Prince’.
The most striking facet of her books is the mainstreaming of lesser known characters – whether it is Kamadeva or Yama’s Lieutenant, Ganga or now Mohini. Anuja always gives a voice to the marginalised. And after the feminist touch in Shakti, and Ganga, Anuja brings us a forgotten LGBT character from the mythology – Mohini.
We are all aware of the legend of ‘Samudra Manthan’ and how ‘Amrit’ emerged from the sea. The Devas and Asuras were on the verge of another war over it, when Vishnu took the form of an enchantress and hoodwinked the Asuras. Set against this celestial quest for immortality, Anuja Chandramouli brings to life the tale of Mohini.
Mohini – the name itself means enchantress. We all imagine her as a seductive woman, blessed with extraordinary charm. She is a part of Vishnu, and yet she is independent in her meanderings. She enjoys her autonomy. With her beauty, she can easily enchant the mightiest of kings. She is desired by all, yet she is elusive.
With her lyrical prose, Anuja takes us on a journey of love, lust, desire. She explores the binaries of gender, bringing to light hitherto lesser known tales, which had got lost in the sands of time. Through her magical imagery, we get a fresh glimpse at stories, which we were all so acquainted with. One can always enrich their vocabulary while reading Anuja’s works.
Overall, ‘Mohini – The Enchantress’ is a fitting addition to the rich series of Indian mythological fiction that Anuja Chandramouli has created. It is worthwhile to revisit our rich culture, sans the dogmatic approach, and enjoy soaking in the tales of strong, independent characters, who refuse to be reduced to mere bystanders in the grand scheme of events.
The most striking facet of her books is the mainstreaming of lesser known characters – whether it is Kamadeva or Yama’s Lieutenant, Ganga or now Mohini. Anuja always gives a voice to the marginalised. And after the feminist touch in Shakti, and Ganga, Anuja brings us a forgotten LGBT character from the mythology – Mohini.
We are all aware of the legend of ‘Samudra Manthan’ and how ‘Amrit’ emerged from the sea. The Devas and Asuras were on the verge of another war over it, when Vishnu took the form of an enchantress and hoodwinked the Asuras. Set against this celestial quest for immortality, Anuja Chandramouli brings to life the tale of Mohini.
Mohini – the name itself means enchantress. We all imagine her as a seductive woman, blessed with extraordinary charm. She is a part of Vishnu, and yet she is independent in her meanderings. She enjoys her autonomy. With her beauty, she can easily enchant the mightiest of kings. She is desired by all, yet she is elusive.
With her lyrical prose, Anuja takes us on a journey of love, lust, desire. She explores the binaries of gender, bringing to light hitherto lesser known tales, which had got lost in the sands of time. Through her magical imagery, we get a fresh glimpse at stories, which we were all so acquainted with. One can always enrich their vocabulary while reading Anuja’s works.
Overall, ‘Mohini – The Enchantress’ is a fitting addition to the rich series of Indian mythological fiction that Anuja Chandramouli has created. It is worthwhile to revisit our rich culture, sans the dogmatic approach, and enjoy soaking in the tales of strong, independent characters, who refuse to be reduced to mere bystanders in the grand scheme of events.
September 10, 2020
*** Note: I received this book from the author, in exchange for an honest review. Many thanks to author and publisher. ***
Mohini was insightful and informative Indian mythology that revolved around stories Mohini liked and how they were related to her. It was about myths and stories that changed with perspective; non-equality, brutality, injustice; dysfunctional celestial family- their flaws, mistakes and its consequences, and lessons they learn; representation of human nature and third gender; love and friendship.
My most favourite stories were of Kavyamata and Tara. Kavya was powerful and knowledgeable wife of sage who was only one to see through Devas’ dirty politics and to support Asuras. Her powers were so strong it could defeat Devas in war. It was sad to see how Vishnu intervened and how it caused the end of great woman in Indian mythology but at the same time explained why Vishnu had to take seven births on earth in human form which was new to me. Tara’s story was bittersweet. I enjoyed reading how she escaped her rapist, wife beating husband and found love and happiness with Chandra even though it didn’t last long. I also admired Anasuya and the way she faced the Trimurti.
What I loved most was strong female characters. It’s rare to see strong females in man dominating mythology who never limited themselves to rules society and men created, never cowered or bowed to iniquitous demands. Representation of third gender in Indian mythology and the story behind it was beautiful.
Overall, I enjoyed this feministic take on Indian Mythology with excellent writing and interesting characters and their refreshing, engaging stories. I highly recommend this book.
Read full review on my book blog by following this link - https://booksteacupnreviews.com/2020/...
Mohini was insightful and informative Indian mythology that revolved around stories Mohini liked and how they were related to her. It was about myths and stories that changed with perspective; non-equality, brutality, injustice; dysfunctional celestial family- their flaws, mistakes and its consequences, and lessons they learn; representation of human nature and third gender; love and friendship.
My most favourite stories were of Kavyamata and Tara. Kavya was powerful and knowledgeable wife of sage who was only one to see through Devas’ dirty politics and to support Asuras. Her powers were so strong it could defeat Devas in war. It was sad to see how Vishnu intervened and how it caused the end of great woman in Indian mythology but at the same time explained why Vishnu had to take seven births on earth in human form which was new to me. Tara’s story was bittersweet. I enjoyed reading how she escaped her rapist, wife beating husband and found love and happiness with Chandra even though it didn’t last long. I also admired Anasuya and the way she faced the Trimurti.
What I loved most was strong female characters. It’s rare to see strong females in man dominating mythology who never limited themselves to rules society and men created, never cowered or bowed to iniquitous demands. Representation of third gender in Indian mythology and the story behind it was beautiful.
Overall, I enjoyed this feministic take on Indian Mythology with excellent writing and interesting characters and their refreshing, engaging stories. I highly recommend this book.
Read full review on my book blog by following this link - https://booksteacupnreviews.com/2020/...
August 17, 2020
Thank you Anuja for sending me the e-copy of the book for an honest review
This is the first time I've ever seen such a feministic take on Hindu mythology. Ever. And I freaking loved it. I am a Hindu and I know my mythology well. I was proud to know most of the mythology out there but still, Anuja trumps me with her knowledge of the myths.
I just loved the new take on so many famous myths, like Mohini, Anusuya. All the women in this book are such badass, even Tara. Especially Tara, as she just wanted to love and be loved. I really loved the tale of Kavyamata, who even frightened the Trinity Gods. I was surprised to hear the author's version of the story of Shasta or Ayyappa, as we call in South India. I loved the narration of Mohini. She was every bit the seductress, stubborn, prideful, powerful, and brilliant.
It's good to see many books on Indian mythology. There are soo many great stories and powerful Gods and Goddesses, even better than Greek mythology I think. I never knew Anuja came from my hometown, Chennai. I may be biased, but she did a fantastic job of making it more feministic.
The only criticism I would say is that, at times, the book dragged. A lot. That's why I nicked one star. Otherwise, it's an awesome book. Do give a try!
This is the first time I've ever seen such a feministic take on Hindu mythology. Ever. And I freaking loved it. I am a Hindu and I know my mythology well. I was proud to know most of the mythology out there but still, Anuja trumps me with her knowledge of the myths.
I just loved the new take on so many famous myths, like Mohini, Anusuya. All the women in this book are such badass, even Tara. Especially Tara, as she just wanted to love and be loved. I really loved the tale of Kavyamata, who even frightened the Trinity Gods. I was surprised to hear the author's version of the story of Shasta or Ayyappa, as we call in South India. I loved the narration of Mohini. She was every bit the seductress, stubborn, prideful, powerful, and brilliant.
It's good to see many books on Indian mythology. There are soo many great stories and powerful Gods and Goddesses, even better than Greek mythology I think. I never knew Anuja came from my hometown, Chennai. I may be biased, but she did a fantastic job of making it more feministic.
The only criticism I would say is that, at times, the book dragged. A lot. That's why I nicked one star. Otherwise, it's an awesome book. Do give a try!
August 22, 2020
“she was perfection made possible”. A bewitching tale of enchanting beauty, the embodiment of the feminal energy of Vishnu who is desired by all in existence.
Beautifully described by the author with her charismatic narration, powerful penmanship and references which have done justice in portraying every side of her.
"Her story was never widely disseminated. The details are missing and there is much contradiction and confusion. There is no agreement about her name even. But that is hardly surprising, since men have never been overly fond of women who put them in their place."
Mostly while reading mythology- fiction we are forced to believe what is told about the gods and Devas and the way it’s told. However, particularly in this book, there are no sides assigned to any of the gods be it Shiva or Indra, Mohini or Vishnu they are portrayed righteously with their skills as well as flaws.
Beautifully described by the author with her charismatic narration, powerful penmanship and references which have done justice in portraying every side of her.
"Her story was never widely disseminated. The details are missing and there is much contradiction and confusion. There is no agreement about her name even. But that is hardly surprising, since men have never been overly fond of women who put them in their place."
Mostly while reading mythology- fiction we are forced to believe what is told about the gods and Devas and the way it’s told. However, particularly in this book, there are no sides assigned to any of the gods be it Shiva or Indra, Mohini or Vishnu they are portrayed righteously with their skills as well as flaws.
October 21, 2020
This book once again made me fall in love with her writing more.
Her books have surprises stored for the readers.
I am loving, how the story is turning out to be. An amazing book
Her books have surprises stored for the readers.
I am loving, how the story is turning out to be. An amazing book
September 14, 2020
Jumping at the opportunity to have a great experience of reading this book seemed like the exact change of my taste on mythology that I needed for so long.
I was pleasantly surprised to find out certain new things that I had learned from this book. The intensity of the narrators' feelings, and the beauty of author's telling of it, both had a long lasting impact on me. The women from ancient Hindu mythology are back here. And so is the unique take on a woman's needs and wants that refocuses on the lives of complex characters like Indra, Vishnu, Bhrigu and Sukracharya.
I would not give you spoiler but the way author continues to power on in Mohini, the feminine incarnation of the Lord Vishnu, defines an insightful leap forward.
⏩What I didn't like ⏪
In true sense, I have nothing to complain for, but I wish it could have been more swift! And it could have been less complicated! But it's worth your time.
⏩ Writing style⏪
Author's writing style is extraordinary yet economical. I mean it's so very different from others. Hence, it might be heavy on readers sometimes. In my case, after 35 pages I got thoroughly involved in this book! Narration is gripping and informative along with the storyline.
⏩Recommendation⏪
If you love Indian mythology then this book should be up for consideration. But it's advisable to be a patient reader to absorb all its essence.
I was pleasantly surprised to find out certain new things that I had learned from this book. The intensity of the narrators' feelings, and the beauty of author's telling of it, both had a long lasting impact on me. The women from ancient Hindu mythology are back here. And so is the unique take on a woman's needs and wants that refocuses on the lives of complex characters like Indra, Vishnu, Bhrigu and Sukracharya.
I would not give you spoiler but the way author continues to power on in Mohini, the feminine incarnation of the Lord Vishnu, defines an insightful leap forward.
⏩What I didn't like ⏪
In true sense, I have nothing to complain for, but I wish it could have been more swift! And it could have been less complicated! But it's worth your time.
⏩ Writing style⏪
Author's writing style is extraordinary yet economical. I mean it's so very different from others. Hence, it might be heavy on readers sometimes. In my case, after 35 pages I got thoroughly involved in this book! Narration is gripping and informative along with the storyline.
⏩Recommendation⏪
If you love Indian mythology then this book should be up for consideration. But it's advisable to be a patient reader to absorb all its essence.
August 9, 2020
Never the one to pass up a free book or a chance to burn through gallons of stingily amassed ascetic merit in consumption of a highly passionate tale, I find myself once again at the cusp of unknown in ‘Mohini: The Enchantress’ by Anuja Chandramouli.
I consider myself well-read when it comes to Indian mythology but reading this book had shown me once again what I don’t know. From my reading of years before, I knew about the devas and asuras churning the ocean of milk in their search for amrit, I also knew about this avatar of Vishnu. But I didn’t know about what led to that epochal encounter, Indra’s greed or Mahabali’s desperation. I didn’t know about Brigu or Kavya or Shukra or Shastha or the tale of Chandra and Tara. Anuja is a terrific author and in her hands, mythology does come alive, we are transported to a different world of inscrutable gods and thundering sages.
From the very onset, I realized that this one is a passion project. It is one thing to retell a story as is, with its fair share of sexism & casteism brushed under the carpet or trying to pull a fast one over the eyes by using innocuous-sounding words for sordid deeds. But Anuja is not the one to stand for it. Throughout this book, she sheds light on characters who have been wronged, women who have been abused or raped by powerful men and yet held on a different scale of judgement than men are. She re-paints the black and white, good vs evil mythological palimpsest with a spectrum of colors and shades so that you may perceive the characters on a fairer, more equitable scale. She holds a mirror to the popular version of the tale and shows the reflection on how she would like it to be. And then she leaves it to the audience on whichever version they would want to believe. And that’s the beauty of our shared culture, there are so many interpretations and renditions, so many stories with different versions. I believe Anuja’s retelling is a worthy addition to that.
My only lament is that the writing is obscure and meandering in places. A lot more tell than show, and the titular character is hardly present in the book though we have her as the narrator. And sometimes I don’t know whether it is Mohini’s voice or Anuja’s voice when she says things like, “if you are looking for a simple story with a beginning, middle and end, you are going to be disappointed”, that she gets “distracted and there are frequent diversions” - such explicit setting of reader’s expectations is not required. Even before a tale is being narrated, the narrator/author would mention whose side she is on. And I was baffled by the frequent waxing lyrical – it pauses the pace of the story, and it takes time for the reader to get back to it.
Overall, it’s quite a decent and fast-paced read.
I consider myself well-read when it comes to Indian mythology but reading this book had shown me once again what I don’t know. From my reading of years before, I knew about the devas and asuras churning the ocean of milk in their search for amrit, I also knew about this avatar of Vishnu. But I didn’t know about what led to that epochal encounter, Indra’s greed or Mahabali’s desperation. I didn’t know about Brigu or Kavya or Shukra or Shastha or the tale of Chandra and Tara. Anuja is a terrific author and in her hands, mythology does come alive, we are transported to a different world of inscrutable gods and thundering sages.
From the very onset, I realized that this one is a passion project. It is one thing to retell a story as is, with its fair share of sexism & casteism brushed under the carpet or trying to pull a fast one over the eyes by using innocuous-sounding words for sordid deeds. But Anuja is not the one to stand for it. Throughout this book, she sheds light on characters who have been wronged, women who have been abused or raped by powerful men and yet held on a different scale of judgement than men are. She re-paints the black and white, good vs evil mythological palimpsest with a spectrum of colors and shades so that you may perceive the characters on a fairer, more equitable scale. She holds a mirror to the popular version of the tale and shows the reflection on how she would like it to be. And then she leaves it to the audience on whichever version they would want to believe. And that’s the beauty of our shared culture, there are so many interpretations and renditions, so many stories with different versions. I believe Anuja’s retelling is a worthy addition to that.
My only lament is that the writing is obscure and meandering in places. A lot more tell than show, and the titular character is hardly present in the book though we have her as the narrator. And sometimes I don’t know whether it is Mohini’s voice or Anuja’s voice when she says things like, “if you are looking for a simple story with a beginning, middle and end, you are going to be disappointed”, that she gets “distracted and there are frequent diversions” - such explicit setting of reader’s expectations is not required. Even before a tale is being narrated, the narrator/author would mention whose side she is on. And I was baffled by the frequent waxing lyrical – it pauses the pace of the story, and it takes time for the reader to get back to it.
Overall, it’s quite a decent and fast-paced read.
March 22, 2021
3. 5 stars
Mohini is the only female avatar of Vishnu, created by Vishnu and Shakti.
Before starting this book, I was aware of some stories and characters from Indian Hindu mythology but Mohini wasn’t a character I was familiar with.
The book starts on a very interesting not and it instantly captivates me. It shows the very real jealousy and competition some women have between them through mythological context. The women around Mohini ached to be like her. Free to do what they wanted. To experience what they desired. Free from every expectation and shackle that society put on them. The author also talks about how the patriarchal society puts so much value in a women’s beauty that she herself doesn’t explore other aspects of her being. This turns out to be recurring theme throughout the novel.
The book has a lot of mythological stories. It discusses the war between the asuras and devas and goes into detail about Indra.
I didn’t expect the book to address such a variety of topics. It talks about objectifying women and worshipping beauty, about divine beings and the value humans put on them. It shows the way humans turn to creating god-like figures who would help them in their troubles to avoid solving their problems themselves.
The narrative and writing style of this book will not be loved by everyone. While I did enjoy and admire it, it felt overly complex and made me lose my attention many times. It also became hard to keep up with which character’s story was being narrated because it all started sounding the same.
The book doesn’t have a plot, per say. Mohini narrates stories of certain events and characters from her perspective and of course, her story as well.
Mohini’s story discusses how the world talks about women who express desire, are provocative, and how female sexuality is treated.
I loved reading about the topics the author discussed in relation to mythological characters. However, if the narrative style had been simpler and more gripping, I would have enjoyed the book more.
The author beautifully connects the world of mythology—of the divine, to the harsh realities, conditions, and flaws of the real world. She discusses sexism, misogyny, patriarchy, and female sexuality, among other themes in a brilliant way through mythological characters.
Check out more of my book reviews, recommendations, and other content on my blog Travelling Through Words and bookstagram!
Mohini is the only female avatar of Vishnu, created by Vishnu and Shakti.
Before starting this book, I was aware of some stories and characters from Indian Hindu mythology but Mohini wasn’t a character I was familiar with.
The book starts on a very interesting not and it instantly captivates me. It shows the very real jealousy and competition some women have between them through mythological context. The women around Mohini ached to be like her. Free to do what they wanted. To experience what they desired. Free from every expectation and shackle that society put on them. The author also talks about how the patriarchal society puts so much value in a women’s beauty that she herself doesn’t explore other aspects of her being. This turns out to be recurring theme throughout the novel.
The book has a lot of mythological stories. It discusses the war between the asuras and devas and goes into detail about Indra.
I didn’t expect the book to address such a variety of topics. It talks about objectifying women and worshipping beauty, about divine beings and the value humans put on them. It shows the way humans turn to creating god-like figures who would help them in their troubles to avoid solving their problems themselves.
The narrative and writing style of this book will not be loved by everyone. While I did enjoy and admire it, it felt overly complex and made me lose my attention many times. It also became hard to keep up with which character’s story was being narrated because it all started sounding the same.
The book doesn’t have a plot, per say. Mohini narrates stories of certain events and characters from her perspective and of course, her story as well.
Mohini’s story discusses how the world talks about women who express desire, are provocative, and how female sexuality is treated.
I loved reading about the topics the author discussed in relation to mythological characters. However, if the narrative style had been simpler and more gripping, I would have enjoyed the book more.
The author beautifully connects the world of mythology—of the divine, to the harsh realities, conditions, and flaws of the real world. She discusses sexism, misogyny, patriarchy, and female sexuality, among other themes in a brilliant way through mythological characters.
Check out more of my book reviews, recommendations, and other content on my blog Travelling Through Words and bookstagram!
August 15, 2020
What if the tale is not something that you have read or heard all the time from each source? How about an in-depth look to what it could have been, rather than just having a quick look into what came 0ut from Samudra manthan and how Mohini's act saved Devas all along? or was it?
Anuja Chandramouli's latest, Mohini: The Enchantress travels to this era beautifully with her prowess over mytho-fiction as always. As she says at one place 'Unlike stories, dreams have neither the beginning nor an ending'; same way the tale of Mohini neither starts with churning of the ocean nor it ends afterwards. It starts way earlier and travels thru eons, covering known and lesser known storylines, like those of Bhrigu and Kavyamata, Nara-Narayan, Chandra and Tara, and even we get to visit Kurukshetra. All these with a beautiful version of its own-of the famous churning of ocean. Very well articulated scenario which actually make us believe the importance of such huge exercise the sons of Diti and Aditi did carry out. Anuja keeps us engaged with her beautiful wordplay and creating scenarios which makes you remind of stories you have grown up reading - but with all the fresh outlook here. Mohini-is omnipresent, ofcourse, even now. How else would the world go on with the monotonus life? She is here forever to stay. Watching the dance of destiny with her own eyes wihle Bhumi Devi will soon be needing another churning of ocean, as we keep on looting her resourcing as shamelessly as it happened eons back.
The book is definitely recommended for mytho-fiction lovers (do I actually need to write so? This is her 11th book and it is very obvious). This is way better than just plain retelling of great epics. Absolutely imaginative and wonderfully executed.
Oh, and did I say how gorgeous the cover is? A fab design by Mugdha and Onkar Fondekar. Loved the sea green theme.
Anuja Chandramouli's latest, Mohini: The Enchantress travels to this era beautifully with her prowess over mytho-fiction as always. As she says at one place 'Unlike stories, dreams have neither the beginning nor an ending'; same way the tale of Mohini neither starts with churning of the ocean nor it ends afterwards. It starts way earlier and travels thru eons, covering known and lesser known storylines, like those of Bhrigu and Kavyamata, Nara-Narayan, Chandra and Tara, and even we get to visit Kurukshetra. All these with a beautiful version of its own-of the famous churning of ocean. Very well articulated scenario which actually make us believe the importance of such huge exercise the sons of Diti and Aditi did carry out. Anuja keeps us engaged with her beautiful wordplay and creating scenarios which makes you remind of stories you have grown up reading - but with all the fresh outlook here. Mohini-is omnipresent, ofcourse, even now. How else would the world go on with the monotonus life? She is here forever to stay. Watching the dance of destiny with her own eyes wihle Bhumi Devi will soon be needing another churning of ocean, as we keep on looting her resourcing as shamelessly as it happened eons back.
The book is definitely recommended for mytho-fiction lovers (do I actually need to write so? This is her 11th book and it is very obvious). This is way better than just plain retelling of great epics. Absolutely imaginative and wonderfully executed.
Oh, and did I say how gorgeous the cover is? A fab design by Mugdha and Onkar Fondekar. Loved the sea green theme.
September 4, 2020
I must start by saying that reading this was an entire different experience, having read decent number books on Indian mythology to my surprise I knew so less about the character Mohini, the book introduced me with the characters I hadn't heard about before, also would never have known if I haven't read this one.
.
🌸I appreciate how the tales of lesser known characters were brought to light, the book is an absolute delight for the ones who loves mythology and are always in quest to find something new about mythology, like me!
.
🌸Mohini, the enchantress by Anuja Chandramouli tells the tales of bewitchingly beautiful Mohini, a seductress, distilled from the essence of Vishnu to play a vital role. I absolutely loved the portrayal of her character!
.
🌸The tales are not only of Mohini's, from Mohini's point of view we get to know the stories of other characters as well who also were pawns of the hostile relationship shared between the half-brother Devas and Asuras over The Amrita, Nectar of Immortality.
.
🌸Initially I'd difficulty to understand, as the language is too heavy but after sometime I got okay with it.
The way the narration has been done is so unique. I was awestruck!
.
🌸Overall, I would say it's a must read book.
.
🌸I appreciate how the tales of lesser known characters were brought to light, the book is an absolute delight for the ones who loves mythology and are always in quest to find something new about mythology, like me!
.
🌸Mohini, the enchantress by Anuja Chandramouli tells the tales of bewitchingly beautiful Mohini, a seductress, distilled from the essence of Vishnu to play a vital role. I absolutely loved the portrayal of her character!
.
🌸The tales are not only of Mohini's, from Mohini's point of view we get to know the stories of other characters as well who also were pawns of the hostile relationship shared between the half-brother Devas and Asuras over The Amrita, Nectar of Immortality.
.
🌸Initially I'd difficulty to understand, as the language is too heavy but after sometime I got okay with it.
The way the narration has been done is so unique. I was awestruck!
.
🌸Overall, I would say it's a must read book.
Displaying 1 - 29 of 91 reviews