Masterpiece Quotes
Quotes tagged as "masterpiece"
Showing 121-143 of 143
“Like creating a masterpiece, quitting is an art: you have to decide what to keep within the frame and what to keep out.”
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“Si monumentum requiris circumspice
(If you seek his monument, look around.)
[Epitaph on Wren's tomb in St. Paul's Cathedral]”
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(If you seek his monument, look around.)
[Epitaph on Wren's tomb in St. Paul's Cathedral]”
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“You can't be creative without criticism. If your life is without critics then maybe you are painting your life's masterpiece with only a broken brown crayon.”
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“Don't give-up on your greatest masterpiece — you.”
― Simple Reminders: Inspiration for Living Your Best Life
― Simple Reminders: Inspiration for Living Your Best Life
“Fine art refers to an accomplished or advanced skill being used to testify and reveal the knowledge, ability, and wisdom of the creator.
There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth.
With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.”
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There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth.
With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.”
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“Your mind is the canvas upon which you are the artist. What will you paint on your canvas today? Will you draw a stick figure or create a masterpiece...?”
― The Waves of Life Quotes and Daily Meditations
― The Waves of Life Quotes and Daily Meditations
“Her life is lived through the masterpiece of art, that she cannot draw.”
― Once a Girl, Now a Woman
― Once a Girl, Now a Woman
“Perhaps I occasionally sought to give, or inadvertently gave, to the student a sense of battle on the intellectual battlefield. If all you do is to give them a faultless and complete and uninhabited architectural masterpiece, then you do not help them to become builders of their own.”
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“Could I but acquaint the world with Robert G. Ingersoll's humanity, with his ideas and his sentiments of love, patience and understanding, a renascence would automatically take place that would give life and living on this little earth of ours some semblance of what we call paradise.
And this great and wonderful man had to die!
I do not know the purpose of life, nor do I understand why death should come to all that is; but this I do know -- that when Robert G. Ingersoll died, on July 21, 1899, then you and I, and the whole world, suffered a mortal blow.
When the mighty heart, of his mighty body, that supplied the blood to his mighty brain, burst, never again was there to fall from his eloquent lips the pearls of thought that had been so wondrously formed in his brain.
The mightiest voice in all the world was silenced, forever. No wonder the people wept when they heard that Ingersoll was dead.
He was the greatest of the Great -- the Mightiest of the Mighty. He was 'as constant as the Northern Star whose true fixed and resting quality there is no fellow in the firmament.' He was the indistinguishable star whose brilliance never dimmed.
When Robert G. Ingersoll died, his death was 'the ruins of the noblest man that ever lived in the tide of time ... When shall we ever see another?'
When Robert G. Ingersoll died, the sky should have been rent asunder, and Nature should have gone into mourning.
When this man died, Nature's masterpiece was destroyed, and hot tears of grief should have fallen from the heavens.
Robert G. Ingersoll no longer belongs to his family;
He no longer belongs to his friends;
He no longer belongs to his country;
Robert G. Ingersoll now belongs to all the world -- the whole universe --
He is immortal and eternal.
Among the galaxies of Nature's masterpieces, none shine with a greater brilliance than the babe who was born in this house 121 years ago today, and named Robert Green Ingersoll.”
― Ingersoll the Magnificent
And this great and wonderful man had to die!
I do not know the purpose of life, nor do I understand why death should come to all that is; but this I do know -- that when Robert G. Ingersoll died, on July 21, 1899, then you and I, and the whole world, suffered a mortal blow.
When the mighty heart, of his mighty body, that supplied the blood to his mighty brain, burst, never again was there to fall from his eloquent lips the pearls of thought that had been so wondrously formed in his brain.
The mightiest voice in all the world was silenced, forever. No wonder the people wept when they heard that Ingersoll was dead.
He was the greatest of the Great -- the Mightiest of the Mighty. He was 'as constant as the Northern Star whose true fixed and resting quality there is no fellow in the firmament.' He was the indistinguishable star whose brilliance never dimmed.
When Robert G. Ingersoll died, his death was 'the ruins of the noblest man that ever lived in the tide of time ... When shall we ever see another?'
When Robert G. Ingersoll died, the sky should have been rent asunder, and Nature should have gone into mourning.
When this man died, Nature's masterpiece was destroyed, and hot tears of grief should have fallen from the heavens.
Robert G. Ingersoll no longer belongs to his family;
He no longer belongs to his friends;
He no longer belongs to his country;
Robert G. Ingersoll now belongs to all the world -- the whole universe --
He is immortal and eternal.
Among the galaxies of Nature's masterpieces, none shine with a greater brilliance than the babe who was born in this house 121 years ago today, and named Robert Green Ingersoll.”
― Ingersoll the Magnificent
“One thing I’ve learned about art is that, it’s not perfect. It doesn’t have to be a flawless masterpiece. I’m not perfect, we’re not perfect… but right here, right now… is perfect. It’s a masterpiece.”
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“Your thought is so important because it has the ability to make or mar you. Your thought will either move you forward or set you backwards.”
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“The positioning of the mind is what makes the difference between the failures and the successes.”
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“Think on blessings and not curses, beauty not ugliness, health not sickness. Meditate on wealth not poverty, success not failure, grace not disgrace!”
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“As I stated earlier, I do not believe there is anything inherently wrong with even the most overused elements of epic fantasy. Magic swords, dragons, destined heroes -- even dark lords and ultimate evils can legitimately be used in literature of serious intent, not just mocked in satirical meta-fiction. To claim that they cannot would be much the same as claiming that nothing good can ever again be done with fiction involving detectives, or young lovers, or unhappy families. The value of a fictive element is not an inherent quality, but a contextual one, determined by its relationship to the other elements of the story it is embedded in.
In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.”
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In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.”
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“We are advised to meditate on things that are true, lovely, noble, gracious and bring good report. These should form the basis of our thought pattern.”
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“Use the powerful tool of thought and develop your mindset to believing and knowing you can change anything to your favour; yes, you have God`s Word so fashion your thought according to God`s Word.”
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