City Quotes

“I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.
Sometimes I just survive.
But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
That's when the stories show up in me.
They find me all the time.
They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.
The only trouble is, I don't know which of those stories comes first.
Maybe they all just merge into one.
We'll see, I guess.
I'll let you know when I decide.”
― Markus Zusak, Getting the Girl

“There have been times I have thought some dreams should never be dreamt, but I would hate a world where that was true.”
― Daniel Amory, Minor Snobs

“One of the the things she most liked about the city -apart from all its obvious attractions, the theatre, the galleries, the exhilarating walks by the river- was that so few people ever asked you personal questions.”
― Julia Gregson, East of the Sun

“That weekend the city blushed with a great heat wave but on Monday it rained, cooling the ache in the street’s burn.”
― Daniel Amory, Minor Snobs

“Ant swarming City
City full of dreams
Where in broad day the specter tugs your sleeve
”
― Charles Baudelaire

“Os sentimentos mais genuinamente humanos logo se desumanizam na cidade.”
― José Maria Eça de Queirós

“Look, girls know when they’re cute,” he said. “You don’t have to tell them. All they need to do is look in the mirror. I have one friend out in New York, an attorney. She moved out there after the school year to take the bar. She doesn’t have a job. I was like, ‘How are you going to get a job there in this market?’ And she’s like, ‘I’ll wink and I’ll smile.’ She’s a pretty girl. Whether that works despite her poor grades is yet to be seen.”
― Daniel Amory, Minor Snobs

“To generate exuberant diversity in a city's streets and districts four conditions are indispensable:

1. The district, and indeed as many of its internal parts as possible, must serve more than one primary function; preferably more than two...

2. Most blocks must be short; that is, streets and opportunities to turn corners must be frequent.

3. The district must mingle buildings that vary in age and condition, including a good proportion of old ones so that they vary in the economic yield they must produce. This mingling must be fairly close-grained.

4. There must be a sufficiently dense concentration of people, for whatever purposes they may be there...”
― Jane Jacobs, The Death and Life of Great American Cities

“This new world was a vicious, sleek world made of street lights and tight jeans, sharp smiles and fast cars. This was a city, edited. A city, pared down to its bare minimums, beautiful and abusive.”
― Maggie Stiefvater

“Slowly the truth is loading
I'm weighted down with love
Snow lying deep and even
Strung out and dreaming of

Night falling on the city
Quite something to behold
Don't it just look so pretty
This disappearing world

We're threading hope like fire
Down through the desperate blood
Down through the trailing wire
Into the leafless wood

Night falling on the city
Quite something to behold
Don't it just look so pretty
This disappearing world
This disappearing world

I'll be sticking right there with it
I'll be by your side
Sailing like a silver bullet
Hit 'em 'tween the eyes
Through the smoke and rising water
Cross the great divide
Baby till it all feels right

Night falling on the city
Sparkling red and gold
Don't it just look so pretty
This disappearing world"~David Gray”
― David Gray

“To country people Cows are mild,
And flee from any stick they throw;
But I’m a timid town bred child,
And all the cattle seem to know.”
― T. S. Eliot

“I had an overwhelming sense of the lonliness of this city - a trillion souls in their bedrooms, high in the cliffs of windows. I thought of what was underneath it all - I thought of the electricty cables, steam, water, fire, subway trains and lava in the city's guts, the subterranean rumbling of trains and earthquakes. I thought of the dead souls from the war, concreted over.”
― Mo Hayder, The Devil of Nanking

“The architect, like other workers in our endeavor, is facing the inevitability of a change of profession: he [sic] will no longer be a builder of forms alone, but a builder of complete ambiances.”
― Tom McDonough, The Situationists and the City: A Reader

“The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.”
― Michel de Certeau, The Practice of Everyday Life

“The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all...There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything.”
― Michel de Certeau, The Practice of Everyday Life

“One of the professors told me last week that he feels bad teaching with the way the economy is now. ‘What’s the point?’ he said. ‘Kids aren’t getting jobs.’ You never hear faculty talk that way. He did.”
― Daniel Amory, Minor Snobs

“I have been dwelling upon downtowns. This is not because mixtures of primary uses are unneeded elsewhere in cities. On the contrary they are needed, and the success of mixtures downtown (on in the most intensive portions of cities, whatever they are called) is related to the mixture possible in other part of cities.”
― Jane Jacobs, The Death and Life of Great American Cities

“what does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of the French countryside,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins (Heidegger)? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying practices (to tell oneself legends) as practices that invent spaces.”
― Michel de Certeau, The Practice of Everyday Life

“The city was different back then--poor and crumbling--kept alive only by the gritty determination and steely cynicism of its occupants. But underneath the dirt was the apple-cheeked optimism of possibility, and while she worked, the whole city seemed to throb along with her.”
― Candace Bushnell, Lipstick Jungle

“I’ve officially turned into a loser,” she whispered cynically. “I’m looking forward to going home and having cereal for dinner and walking Mitchell and studying a little and then going to sleep. I’ve had my ‘going out and having fun’ quota for the year, I guess, and it’s June.”
― Daniel Amory, Minor Snobs

“It happened every single day in Brooklyn: awaken to fresh glory, fall asleep to blight and ruin.”
― Kate Christensen, The Astral

“The whole city was richer because he was in it, and every street, and turn of a road held the possibility of his appearance.”
― Attia Hosain, Sunlight on a Broken Column

“From the top of the bus she could see the vast bowl of London spreading out to the horizon: splendid shops with mannequins in the window, interesting people and already a much bigger world.”
― Julia Gregson

“The trail of lime trees outside our building is still a public loo. …where else are they supposed to go to the toilet in a city where public toilets are about as common as UFO sightings?” (pp.281-82)”
― Sarah Turnbull, Almost French: Love and a New Life in Paris

“Monfleury est en vente, je perds cinquante mille francs, s'il le faut, mais je suis tout joyeux, je quitte cet enfer d'hypocrisie et de tracasseries. Je vais chercher la solitude et la paix champêtre au seul lieu où elles existent en France, dans un quatrième étage donnant sur les Champs-Élysées.”
― Stendhal, The Red and the Black

“On both sides of the highway I could see the rows of little frame houses, all alike, as if there were only one architect in the city and he had a magnificent obsession.”
― Ross Macdonald

“The alarming lack of ideas that is recognizable in all acts of culture, politics, organization of life, and the rest is explained by this, and the weakness of the modernist constructers of functionalist cities is only a particularly visible example of it. Intelligent specialists only ever have the intelligence to play the game of specialists: hence the fearful conformity and fundamental lack of imagination that make them admit that this or that product is useful, good, necessary. In fact, the root of the reigning lack of imagination cannot be understood if one does not have access to the imagination of lack--that is to conceiving what is absent, forbidden, and hidden, and yet possible, in modern life.”
― Tom McDonough, The Situationists and the City: A Reader

“When you looked out my window you could see the whole city crouched under a blanket of car smog.”
― Markus Zusak, Underdog

“We could already try to lend a hand, to intervene if only by simply moving objects around. This would be better, on the whole, than waiting for the thick wall encircling life to brutally make the first move. (As happens during wartime.)”
― Tom McDonough, The Situationists and the City: A Reader

“Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity.”
― Michel de Certeau, The Practice of Everyday Life