Writing Process Quotes

Quotes tagged as "writing-process" Showing 31-60 of 1,495
William Faulkner
“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.

[Press conference, University of Virginia, May 20, 1957]”
William Faulkner

Erin Bow
“No writing is wasted. Did you know that sourdough from San Francisco is leavened partly by a bacteria called lactobacillus sanfrancisensis? It is native to the soil there, and does not do well elsewhere. But any kitchen can become an ecosystem. If you bake a lot, your kitchen will become a happy home to wild yeasts, and all your bread will taste better. Even a failed loaf is not wasted. Likewise, cheese makers wash the dairy floor with whey. Tomato gardeners compost with rotten tomatoes. No writing is wasted: the words you can't put in your book can wash the floor, live in the soil, lurk around in the air. They will make the next words better.”
Erin Bow

Katherine Mansfield
“The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.”
Katherine Mansfield, Katherine Mansfield Notebooks: Complete Edition

Mickey Spillane
“Nobody reads a book to get to the middle.”
Mickey Spillane

Julia Cameron
“Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.”
Julia Cameron, The Right to Write: An Invitation and Initiation Into the Writing Life

Delphine de Vigan
“People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.”
Delphine de Vigan, No and Me

Ron Dakron
“1. Write like you’ll live forever — fear is a bad editor.
2. Write like you’ll croak today — death is the best editor.
3. Fooling others is fun. Fooling yourself is a lethal mistake.
4. Pick one — fame or delight.
5. The archer knows the target. The poet knows the wastebasket.
6. Cunning and excess are your friends.
7. TV and liquor are your enemies.
8. Everything eternal happens in a spare room at 3 a.m.
9. You’re done when the crows sing.”
Ron Dakron

Julia Cameron
“Just as a good rain clears the air, a good writing day clears the psyche.”
Julia Cameron, The Right to Write: An Invitation and Initiation Into the Writing Life

Madeleine L'Engle
“In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'

I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.”
Madeleine L'Engle, A Circle of Quiet

Lauren Oliver
“Don't worry about what you're writing or whether it's good or even whether it makes sense.”
Lauren Oliver

Stephen J. Cannell
“I never waited for my Irish Cream coffee to be the right temperature, with a storm happening outside and my fireplace crackling ... I wrote every day, at home, in the office, whether I felt like it or not, I just did it.”
Stephen J. Cannell

Koren Zailckas
“I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.”
Koren Zailckas, Fury: A Memoir

Olga Tokarczuk
“Anyone who has ever tried to write a novel knows what an arduous task it is, undoubtedly one of the worst ways of occupying oneself. You have to remain within yourself all the time, in solitary confinement. It's a controlled psychosis, an obsessive paranoia manacled to work completely lacking in the feather pens and bustles and Venetian masks we would ordinarily associate with it, clothed instead in a butcher's apron and rubber boots, eviscerating knife in hand. You can only barely see from that writerly cellar the feet of passers-by, hear the rapping of their heels. Every so often someone stops and bends down and glances in through the window, and then you get a glimpse of a human face, maybe even exchange a few words. But ultimately the mind is so occupied with its own act, a play staged by the self ofr the self in a hasty, makeshift cabinet of curiosities peopled by author and character, narrator and reader, the person describing and the person described, that feet, shoes, heels, and faces become, sooner or later, mere components of that act.”
Olga Tokarczuk, Flights

Shatrujeet Nath
“The difference between wanting to write and having written is one year of hard, relentless labour. It's a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage.”
Shatrujeet Nath

“If writing didn't require thinking then we'd all be doing it.”
Jeremiah Laabs

Warren Adler
“The first thing you have to learn when you go into the arts is to learn to cope with rejection. If you can’t, you’re dead”
Warren Adler

Gore Vidal
“Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.”
Gore Vidal

Russell T. Davies
“Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.”
Russell T. Davies, Doctor Who: The Writer's Tale

David Shields
“Copies have been dethroned; the economic model built on them is collapsing. In a regime of superabundant free copies, copies are no longer the basis of wealth. Now relationships, links, connections, and sharing are. Value has shifted away from a copy toward the many ways to recall, annotate, personalize, edit, authenticate, display, mark, transfer, and engage a work. Art is a conversation, not a patent office. The citation of sources belongs to the realms of journalism and scholarship, not art. Reality can’t be copyrighted.”
David Shields, Reality Hunger: A Manifesto

“Working on it.”
Paul Aertker

Alan Bradley
“I had found by experience that putting things down on paper helped to clear the mind in precisely the same way, as Mrs. Mullet had taught me, that an eggshell clarifies the consommé or the coffee, which, of course, is a simple matter of chemistry. The albumin contained in the eggshell has the property of collecting and binding the rubbish that floats in the dark liquid, which can then be removed and discarded in a single reeking clot: a perfect description of the writing process.”
Alan Bradley, Speaking from Among the Bones

“There is a ruthlessness to the creative act. It often involves a betrayal of the status quo.”
Alan Watt, The 90-Day Novel: Unlock the story within

Edward Gorey
“Mr. Earbrass has rashly been skimming through the early chapters, which he had not looked at for months, and now sees TUH for what it is. Dreadful, dreadful, DREADFUL. He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel. Mad. Why did n't he become a spy? How does one become one? He will burn the MS. Why is there no fire? Why are n't there the makings of one? How did he get in the unused room on the third floor?”
Edward Gorey, The Unstrung Harp

“Urusan pembaca adalah mengekalkan ingatan pada apa yang mereka sukai. Sebaliknya, urusan penulis adalah menghapus ingatan dari apa-apa yang sudah ia bikin. Ia hanya memusatkan perhatian pada bagaimana melahirkan karya sebaik-baiknya saat ini.”
Laksana A.S.

Tracy Kidder
“When writers stop believing in their own stories, readers tend to sense it.”
Tracy Kidder, Good Prose: The Art of Nonfiction

“For most of the process, nothing but faith, fueled by your own stubbornness, will be pulling you along. The work that you've done on the book so far won't be much comfort, because so much of it will be insufferable crap, until the very last moment, when you figure out how to fix it and everything comes together.”
Kristin Cashore

Gore Vidal
“I’ve always said, ‘I have nothing to say, only to add.’ And it’s with each addition that the writing gets done. The first draft of anything is really just a track.”
Gore Vidal

Gemma Amor
“I had always felt things deeply, that was my nature. It was why I was a writer. Sometimes, the feelings were so huge, they needed a place to go.”
Gemma Amor, White Pines

Muriel Spark
“People who want to write books do so because they feel it to be the easiest thing they can do. They can read and write, they can afford any of the instruments of book writing such as pens, paper, computers, tape recorders, and generally by the time they have reached this decision, they have had a simple education.”
Muriel Spark, Aiding and Abetting