Lori's Reviews > Sundown in San Ojuela

The death of her aunt causes Liz and her younger sister Mary to return to the house they were raised in. The ancestral mansion appears to have been severely neglected even though there's a groundskeeper still employed on property, and when Liz runs into her childhood neighbor and friend Julian, she quickly begins to realize something dark and evil has taken root there.

The book is steeped in Mexican and Indigenous culture and folklore, leaning heavily into the ancient gods, ghosts, and cryptids like El Coco, Chupacabra, La Muerte, and Xolotl who are tied to that unforgiving desert landscape, which was a cool space to world-build in. Who doesn't like dark, calamitous, and ruinous fiction, amirite??

That said, Sundown in San Ojuela is a fairly uneven debut which suffers from pacing issues. It's told from multiple characters' viewpoints, each written in a different POV - Liz and Mary's are told in third person; Julian is in second person; the Sheriff is in first. While initially off putting, it ended up working out for the best because once each character's chapter is first introduced, Olivas doesn't really bother to let us know whose chapter it is anymore. And in most instances, the plot is driven forward by revisiting the past in the form of flashbacks.

A few things to note: Liz developed the skill of clairvoyance as the result of a traumatic car accident when she was younger which plays heavily into the storyline and I'd recommend you play close attention to the prologue, which acts more as an opening chapter, since the events that take place in it are happening nearly simultaneously to the rest of the storyline and is not, as I had originally thought, something that has happened in the distant past...

I think I was left more confused with the way the story was told than with the actual story itself, although towards the end it feels like things just became overly and unnecessarily complicated with its many moving parts.