IMDb-BEWERTUNG
7,2/10
8607
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.A fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.A fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.
- Für 2 Oscars nominiert
- 2 Nominierungen insgesamt
J. Farrell MacDonald
- Policeman
- (as J. Farrell McDonald)
Harry Adams
- Nightclub Patron
- (Nicht genannt)
Ernie Alexander
- Reporter
- (Nicht genannt)
Irving Bacon
- Hotel Clerk
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe easiest part of the shoot for Cary Grant and Constance Bennett was the many special effects scenes, which only required them to record their lines while special effects artists made the various items they moved, from fountain pens to a pair of frilly lace panties, appear to move on their own.
- PatzerIn the Sea Breeze Hotel Lobby, Topper has a chair follow behind him, forcing him to sit whenever he stops walking. The second time it happens, Roland Young (aka, Topper) anticipates it a good second before the chair contacts the back of his legs. This implies that Young was sitting without certainty the stalking chair was behind him.
- Zitate
Cosmo Topper: My wife objects to drinking.
George Kerby: Then she shouldn't drink.
Cosmo Topper: She doesn't.
George Kerby: What's her objection?
- VerbindungenEdited into Topper geht auf Reisen (1938)
- SoundtracksOld Man Moon
(1937)
Music & Lyrics by Hoagy Carmichael
Sung by Hoagy Carmichael (uncredited), Constance Bennett (uncredited) and Cary Grant (uncredited)
Played as dance music by nightclub orchestra and
Sung by Three Hits and a Miss (uncredited)
Ausgewählte Rezension
A dead couple is determined to loosen up their friend in "Topper," a 1937 comedy starring Constance Bennett, Cary Grant, Roland Young, and Billie Burke. Cosmo Topper (Young) is a bank president whose wife (Burke) has him on a strict schedule and, though unhappy, Cosmo complies.
When bank stockholders George and Marion Kirby are killed when their car crashes into a tree, the two become worried about what St. Peter will have to say to them. They were, after all, two fun-loving, hard-drinking, partying kooks. They decide they must do a good deed before approaching the pearly gates so they make loosening up Topper their project.
This is a wonderful film that inspired the Leo G. Carroll TV series with real-life marrieds Anne Jeffreys and Robert Sterling as Marion and George. The special effects in the 1937 film are groundbreaking and ingenious. Mores have changed over the years - driving drunk is no longer acceptable. I'm afraid George and Marion would be heartily disapproved of today. Nevertheless, they're a gorgeous, glamorous couple and the real stuff of fantasy. Bennett only has a couple of years of big stardom left and, with his second billing, Cary Grant is still on the ascent. They're both hilariously madcap, Grant blasting into a stockholders' meeting and trying to take notes, and Bennett flirting with poor Topper in her silky voice.
Roland Young is the perfect Topper - henpecked, confused, and a nervous wreck. He's a man dying to break free of his shackles, and he's always envied George and Marion's lifestyle, even though it killed them. His frustration and unhappiness make him sympathetic, and the audience is with him all the way.
Very enjoyable, with some effects that were eye-popping in 1937. Don't miss "Topper." It's a classic.
When bank stockholders George and Marion Kirby are killed when their car crashes into a tree, the two become worried about what St. Peter will have to say to them. They were, after all, two fun-loving, hard-drinking, partying kooks. They decide they must do a good deed before approaching the pearly gates so they make loosening up Topper their project.
This is a wonderful film that inspired the Leo G. Carroll TV series with real-life marrieds Anne Jeffreys and Robert Sterling as Marion and George. The special effects in the 1937 film are groundbreaking and ingenious. Mores have changed over the years - driving drunk is no longer acceptable. I'm afraid George and Marion would be heartily disapproved of today. Nevertheless, they're a gorgeous, glamorous couple and the real stuff of fantasy. Bennett only has a couple of years of big stardom left and, with his second billing, Cary Grant is still on the ascent. They're both hilariously madcap, Grant blasting into a stockholders' meeting and trying to take notes, and Bennett flirting with poor Topper in her silky voice.
Roland Young is the perfect Topper - henpecked, confused, and a nervous wreck. He's a man dying to break free of his shackles, and he's always envied George and Marion's lifestyle, even though it killed them. His frustration and unhappiness make him sympathetic, and the audience is with him all the way.
Very enjoyable, with some effects that were eye-popping in 1937. Don't miss "Topper." It's a classic.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Topper - Das blonde Gespenst
- Drehorte
- Bullocks Wilshire, 3050 Wilshire Blvd Los Angeles, Kalifornien, USA(Seabreeze Hotel entrance)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Das blonde Gespenst (1937) officially released in India in English?
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