IMDb-BEWERTUNG
7,7/10
3152
IHRE BEWERTUNG
Ein vierjähriger Junge, Pricò, ist den ständigen Gefühlsschwankungen seiner Eltern und den Nachlässigkeiten seiner Verwandten ausgesetzt.Ein vierjähriger Junge, Pricò, ist den ständigen Gefühlsschwankungen seiner Eltern und den Nachlässigkeiten seiner Verwandten ausgesetzt.Ein vierjähriger Junge, Pricò, ist den ständigen Gefühlsschwankungen seiner Eltern und den Nachlässigkeiten seiner Verwandten ausgesetzt.
Jone Frigerio
- La nonna
- (as Ione Frigerio)
Handlung
WUSSTEST DU SCHON:
- WissenswertesLuciano De Ambrosis was chosen to play Prico because his mother died shortly before filming - which helped him to cry on command.
- Zitate
La padrone della pensione: Let's confront this problem with the elevator once and for all. Let's say no more trips going down and be done with it.
[tenants rumble]
La padrone della pensione: Silence, please! Let's vote on it. One floor at a time. A majority carries it. First floor?
La signora Resta: I say it should go both up and down.
- VerbindungenFeatured in Fejezetek a film történetéböl: A neorealizmus (1990)
- SoundtracksMaramao perché sei morto?
Written by Mario Consiglio and Mario Panzeri
Performed by Maria Jottini & Trio Lescano
Ausgewählte Rezension
This Italian melodrama concerns the effects on 4-year-old Prico (Luciano De Ambrosis) of his parents' dissolving marriage. His mother (Isa Pola) is having an affair, and is planning on abandoning the family, while Prico's father (Emilio Cigoli) seems powerless to fix the situation. Even when the mother's guilt from leaving her son becomes too much and a reconciliation is attempted, old passions rise up, all before the watchful eyes of young Prico.
On paper this sounds like something I'd detest, an overheated melodrama with a kid as the central focus. However, this is not the product of the American production code in which a little kid is just thrown into the proceedings to appease the censors. Instead, director De Sica manages to handle the story with finesse and style, and it ended up being one of the best movies that I've seen in a while. Young De Ambrosis is very good as the wide-eyed little boy, imbuing the proper sadness when needed. The supporting performances are all good, and much of their inner lives and motivations are left up to the viewer to figure out, as things are seen from the child's point of view.
The camerawork is also noteworthy, with a few striking scenes, such as the camera moving lithely through a crowded hotel dining room, or a series of dramatic close-ups late in the film. The powerful ending is moving and memorable.
On paper this sounds like something I'd detest, an overheated melodrama with a kid as the central focus. However, this is not the product of the American production code in which a little kid is just thrown into the proceedings to appease the censors. Instead, director De Sica manages to handle the story with finesse and style, and it ended up being one of the best movies that I've seen in a while. Young De Ambrosis is very good as the wide-eyed little boy, imbuing the proper sadness when needed. The supporting performances are all good, and much of their inner lives and motivations are left up to the viewer to figure out, as things are seen from the child's point of view.
The camerawork is also noteworthy, with a few striking scenes, such as the camera moving lithely through a crowded hotel dining room, or a series of dramatic close-ups late in the film. The powerful ending is moving and memorable.
Top-Auswahl
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Details
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Kinder sehen uns an (1943) officially released in India in English?
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