IMDb-BEWERTUNG
6,4/10
2226
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Hollywood screenwriter takes in a runaway girl who's more woman than he can handle.A Hollywood screenwriter takes in a runaway girl who's more woman than he can handle.A Hollywood screenwriter takes in a runaway girl who's more woman than he can handle.
- Für 2 Oscars nominiert
- 3 Nominierungen insgesamt
Lela Bliss
- Woman in Elevator
- (Nicht genannt)
Daws Butler
- Actor on TV
- (Synchronisation)
- (Nicht genannt)
Ken Carpenter
- Oscar Narrator
- (Nicht genannt)
Ellen Corby
- Coffee Shop Waitress
- (Nicht genannt)
June Foray
- Actress on TV
- (Synchronisation)
- (Nicht genannt)
Rudy Germane
- Nightclub Patron
- (Nicht genannt)
Art Gilmore
- The Oscar
- (Synchronisation)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDebbie Reynolds liked the film, later stating "that little comedy made $5,500,000, pulled RKO out of the red and then Howard Hughes sold the studio".
- PatzerWhen Isabella confronts new bride Susan in her bedroom, a part of the camera setup and a crew member's arm are visible in the mirror.
- Zitate
Mark Christopher: You know, I've forgotten what 17-year-old emotional kids are like. I've been going out with middle-aged women--20, 21...
- VerbindungenReferenced in Mystery Science Theater 3000: The Violent Years (1994)
Ausgewählte Rezension
This is a weird one. It's an older man/very young woman kind of story but it's not played that way until the very end. When they finally get around to it it's handled well but only too briefly. During the whole film you can't but notice the really obvious age difference. Dick Powell was 50 and Debbie Reynolds 22. He was old enough to be her father. He was old enough to be Anne Francis' father who was 26 at the time. The story is actually pretty good. The downside is that it's really just a comedy but occasionally it takes itself too seriously.
The cast was excellent. It was great to see Glenda Farrell in a more mature part. I love her brassy style. Dick Powell was pretty good too in, as someone else noted, his last film. Red Skelton was a surprise. He pops up for the blink of an eye and then disappears. Anne Francis was a knockout, as always. She dominated every scene and some of her lines had real zing. Thanks to TCM for running her out of circulation movies. The difference with Debbie Reynolds couldn't be more pronounced at all levels but I guess that was the point.
Then there's the dream sequence, one of the coolest fantasy segments I've seen in a long time. Francis appears as a spider woman, spinning her web around Powell while the child-woman, Reynolds, attempts to keep that from happening. Again, the difference between them couldn't be more pronounced. The tall, curvaceous Francis was like a cool drink on a hot summer day. Reynolds was no match. She couldn't hope to compete but gave it a good try anyway. Too spunky for my taste.
Bottom line, it's worth watching for the actors more than anything else. You shouldn't take the story too seriously and the lines sometimes get in the way when they're just plain silly. But hey, Anne Francis is in it, that alone is worth a look.
The cast was excellent. It was great to see Glenda Farrell in a more mature part. I love her brassy style. Dick Powell was pretty good too in, as someone else noted, his last film. Red Skelton was a surprise. He pops up for the blink of an eye and then disappears. Anne Francis was a knockout, as always. She dominated every scene and some of her lines had real zing. Thanks to TCM for running her out of circulation movies. The difference with Debbie Reynolds couldn't be more pronounced at all levels but I guess that was the point.
Then there's the dream sequence, one of the coolest fantasy segments I've seen in a long time. Francis appears as a spider woman, spinning her web around Powell while the child-woman, Reynolds, attempts to keep that from happening. Again, the difference between them couldn't be more pronounced. The tall, curvaceous Francis was like a cool drink on a hot summer day. Reynolds was no match. She couldn't hope to compete but gave it a good try anyway. Too spunky for my taste.
Bottom line, it's worth watching for the actors more than anything else. You shouldn't take the story too seriously and the lines sometimes get in the way when they're just plain silly. But hey, Anne Francis is in it, that alone is worth a look.
- samhill5215
- 23. Sept. 2011
- Permalink
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By what name was Eine Nacht mit Susanne (1954) officially released in India in English?
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