War es wirklich Mord?

Bette Davis (in thick eyebrows and speaking very precisely and condescendingly) plays a prim English governess who may or may not be responsible for the drowning death of a child left in her care. Oddly muffled, but absorbing, creepy and generally well-acted suspense-melodrama from Britain's Hammer Films. Crack screenwriter Jimmy Sangster, adapting Evelyn Piper's novel, includes a terrific role for precocious William Dix as the nanny's young nemesis, but the tools are not quite present in Piper's original material for Davis to let loose and make a grand show of it (she's "in character" throughout: tense, fake-polite and rather glum). Audiences in 1965 were probably hoping for a macabre camp-thriller, another entry in the "Baby Jane" subgenre of older actresses cast in psychological creep-outs, but the shocks are rather subdued. This restrained approach, however, works to the picture's advantage, as the scenario plays more effectively as a dark character portrait rather than as a screamer. Davis is backed by a solid supporting cast, including Pamela Franklin as an amusingly typical teenage girl who lives in the apartment upstairs, and many film-historians have now hailed the picture as one of the best Hammer productions from this era. *** from ****