Blind Woman's Curse - Die verfluchte Schwertkämpferin mit dem Drachentattoo

Originaltitel: Kaidan nobori ryû

1970
16
1 Std. 25 Min.

IMDb-BEWERTUNG

6,5/10

1690

IHRE BEWERTUNG

Meiko Kaji in Blind Woman's Curse - Die verfluchte Schwertkämpferin mit dem Drachentattoo (1970)

Action Crime Horror

Füge eine Handlung in deiner Sprache hinzuThe head of a yakuza gang is being trailed by a mysterious, vengeful blind woman.The head of a yakuza gang is being trailed by a mysterious, vengeful blind woman.The head of a yakuza gang is being trailed by a mysterious, vengeful blind woman.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,5/10

1690

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Wissenswertes
NOBORI RYU series. #3 and final in series.

Patzer
When the woman is pulled up the well, the man who holds the rope suddenly runs away and lets go of the rope. The woman should instantly fall back down to the bottom of the well but she does not. Another man grabs the rope a couple seconds later to prevent a fall that did not happen.

Zitate
Akemi Tachibana: Tatsu, You're too filthy even for the Yakuza.
Senba-tatsu: Thanks and you're too pretty. Go home and scrub the floor.

Verbindungen
Featured in Kain's Lists: Top 5 Badass Women BEFORE Princess Leia (2017)

Benutzerrezensionen12

Rezension

Ausgewählte Rezension

7/10

So many genres all rolled into one

The way this film juggles being a samurai/yakuza, crime, and horror film all at once is quite impressive, and keeps things from feeling predictable. It's worth watching to see all those genres in play at once.

I think it may have become a little less satisfying in the second half, with maybe more characters than it needed, and Meiko Kaji (who's great here) unfortunately gets a little less focus in that back half.

It comes together well enough by the end at least, and the action's pretty good, the samurai/yakuza stuff is fun, and the horror elements work well, leading to a couple of creepy sequences. It's an odd and pretty good movie overall.