Im Frankreich des 17. Jahrhunderts versucht Pater Urbain Grandier, die Stadt Loudun vor der korrupten Gründung von Kardinal Richelieu zu schützen. Hysterie tritt in der Stadt auf, wenn er vo... Alles lesenIm Frankreich des 17. Jahrhunderts versucht Pater Urbain Grandier, die Stadt Loudun vor der korrupten Gründung von Kardinal Richelieu zu schützen. Hysterie tritt in der Stadt auf, wenn er von einer sexuell unterdrückten Nonne der Hexerei beschuldigt wird.Im Frankreich des 17. Jahrhunderts versucht Pater Urbain Grandier, die Stadt Loudun vor der korrupten Gründung von Kardinal Richelieu zu schützen. Hysterie tritt in der Stadt auf, wenn er von einer sexuell unterdrückten Nonne der Hexerei beschuldigt wird.
- Auszeichnungen
- 4 wins total
Izabella Telezynska
- Sister Iza
- (as Iza Teller)
Tony Allen
- Spectator
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDerek Jarman's sets are modeled on the sets of Fritz Lang's Metropolis (1927). Ken Russell wanted to avoid the clichéd look of period films and insisted on anachronistic, even futuristic, design. Russell's guidance to Jarman was that it should echo the 'rape in a public toilet' line from the Huxley novel that inspired the film.
- PatzerEarly in the movie when Urbain Grandier (Oliver Reed) is seen grooming his hair. It is a close-up of him supposedly looking at a mirror in the upper left hand corner of the screen, behind the viewer. Obviously there is no mirror as he consistently misses combing the more egregiously messed up parts of his hair and instead repeatedly combs the portions that are already groomed. In fact when he is done, his hair is still messed up.
- Crazy CreditsAt the start of the film: "This film is based upon historical fact. The principal characters lived and the major events in the film actually took place."
- Alternative VersionenIn 2012 the BFI persuaded Warners to allow them to release the film on video in the UK. Warners refused to allow the director's cut at all and would only allow the BFI to release the original 'X' certificate version on DVD. Warners refused permission to allow a hi rez release. The BFI produced a superb DVD transfer for the first time in its proper 2.35:1 ratio. The Channel 4 documentary 'Hell on Earth' was included but the 'Rape of Christ' sequence was removed. They also cut a line of dialogue when one of the actors refers to Warners as a bunch of 'c**ts'. Before this in the USA the 'unrated' version appeared as an upcoming release complete with sleeve art. 24 hours later Warners stopped the release!
- VerbindungenFeatured in Omnibus: Russell's Progress (1971)
- SoundtracksBourrée d'Avignon
from Secretum musarum (1615)
Music by Nicolas Vallet.
Played as the king's dance in the opening.
Ausgewählte Rezension
Ken Russell is one of those filmmakers whose work you can immediately identify. Whether your first was "Altered States" or (like me) "The Devils," you learn early on that if Mr. Russell's name is listed as director and/or writer, you can expect to be at least a little disturbed.
"The Devils" is, in my humble opinion, one of the best films ever made. I wish I hadnt been born so late because I can imagine how truly intense an experience it must've been to view "The Devils" in theater.
This film is the only film I've ever seen, regardless of genre, to take the viewer into the pit of hell and to hold her/him there unrelenting, uncompromising, and to make the viewer feel as s/he has actually experienced hell. I can only imagine how much difficulty Mr. Russell must have had when MPAA members saw this film. It's bleak, horrifying, shocking, disgusting and thoroughly delicious. Aldous Huxley (the author of the book on which this film was based) would have been proud to see that his true story of a Satanic Catholic church translated very well to film.
One last thing: I have never really been able to sit through the entire film since the first time I saw it. That is, odd as it sounds, extreme praise. What kind of hell would it be if I could sit comfortably?
Thank you, Ken Russell!
"The Devils" is, in my humble opinion, one of the best films ever made. I wish I hadnt been born so late because I can imagine how truly intense an experience it must've been to view "The Devils" in theater.
This film is the only film I've ever seen, regardless of genre, to take the viewer into the pit of hell and to hold her/him there unrelenting, uncompromising, and to make the viewer feel as s/he has actually experienced hell. I can only imagine how much difficulty Mr. Russell must have had when MPAA members saw this film. It's bleak, horrifying, shocking, disgusting and thoroughly delicious. Aldous Huxley (the author of the book on which this film was based) would have been proud to see that his true story of a Satanic Catholic church translated very well to film.
One last thing: I have never really been able to sit through the entire film since the first time I saw it. That is, odd as it sounds, extreme praise. What kind of hell would it be if I could sit comfortably?
Thank you, Ken Russell!
- bdpennington
- 20. Dez. 2000
- Permalink
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- Weltweiter Bruttoertrag
- 2.293 $
- Laufzeit1 Stunde 51 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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