Ein afroamerikanischer Polizeibeamter wird gebeten, einen Mord in einer rassistisch feindlichen südlichen Stadt zu untersuchen.Ein afroamerikanischer Polizeibeamter wird gebeten, einen Mord in einer rassistisch feindlichen südlichen Stadt zu untersuchen.Ein afroamerikanischer Polizeibeamter wird gebeten, einen Mord in einer rassistisch feindlichen südlichen Stadt zu untersuchen.
- 5 Oscars gewonnen
- 23 Gewinne & 16 Nominierungen insgesamt
William Watson
- McNeil
- (as William C. Watson)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Handlung
WUSSTEST DU SCHON:
- WissenswertesSidney Poitier insisted that the movie be filmed in the North because of an incident in which he and Harry Belafonte were almost killed by Ku Klux Klansmen during a visit to Mississippi. That's why Sparta, IL, was chosen for location filming. Nevertheless, the filmmakers and actors did venture briefly into Tennessee for the outdoor scenes at the cotton plantation, because there was no similar cotton plantation in Illinois that could be used. Poitier slept with a gun under his pillow during production in Tennessee. He did receive threats from local racist thugs, so the shoot was cut short and production returned to Illinois.
- PatzerThe police chase Harvey Oberst through the yellow leaves of an autumn forest, clearly indicating that it is not the middle of summer, as claimed in the movie.
- Zitate
Gillespie: Virgil? That's a funny name for a nigger boy that comes from Philadelphia. What do they call you up there?
Virgil Tibbs: They call me MISTER TIBBS!
- Crazy CreditsNo uppercase ("capital") letters are used in the opening and closing credits, including the film's title, cast and characters, crew and job titles, and company credits.
- Alternative VersionenThe 2001 MGM and 2002 United Artists opening fanfares and closing 2001 MGM logo originally appeared in the 2008 DVD and Blu-ray prints. But in the Criterion Blu-ray and Kino Lorber 4K release, the MGM logos were plastered with the 2012 variants.
- VerbindungenFeatured in Film Review: Film Review (1967)
- SoundtracksIn the Heat of the Night
Music by Quincy Jones (uncredited)
Lyrics by Alan Bergman (uncredited) and Marilyn Bergman (uncredited)
Sung by Ray Charles
Ausgewählte Rezension
A well-done film of the raucous Civil Rights era, and should be standard viewing in classrooms.
Here's my breakdown:
STORY: Up front, it's only lightly dramatic, fueled by the socially-supported bigotry of that era.
What's very clever about this film is the way the story reveals itself in stages.
It's one of the best stories in that regard; it actually just gets better as the film progressives.
If you're not interested in the race struggles of that era then this film may not interest you.
ACTING: Even with a swath of "dumb redneck" characters, the whole cast are believable and hold their characters well.
Of course, Poitier and Steiger are simply awesome on their own and fireworks together. Really superb blend.
TEMPO: An excellent pace with nothing hyper or dull. With Steiger there's a lot of yelling (as was his custom).
CINEMATOGRAPHY: Love old films, and settings all by themselves. If you want to step back into time and literally see what the "Old South" was like, watch this.
DIRECTING / WRITING: Excellent directing and writing ... so much attention to detail and the handling of the subject. My only critique is the screenplay was written by a man who did so primarily for TV, and it occasionally shows.
Is it a very good film? Yes.
Should you watch this once? A must.
Rating: 8.1.
Here's my breakdown:
STORY: Up front, it's only lightly dramatic, fueled by the socially-supported bigotry of that era.
What's very clever about this film is the way the story reveals itself in stages.
It's one of the best stories in that regard; it actually just gets better as the film progressives.
If you're not interested in the race struggles of that era then this film may not interest you.
ACTING: Even with a swath of "dumb redneck" characters, the whole cast are believable and hold their characters well.
Of course, Poitier and Steiger are simply awesome on their own and fireworks together. Really superb blend.
TEMPO: An excellent pace with nothing hyper or dull. With Steiger there's a lot of yelling (as was his custom).
CINEMATOGRAPHY: Love old films, and settings all by themselves. If you want to step back into time and literally see what the "Old South" was like, watch this.
DIRECTING / WRITING: Excellent directing and writing ... so much attention to detail and the handling of the subject. My only critique is the screenplay was written by a man who did so primarily for TV, and it occasionally shows.
Is it a very good film? Yes.
Should you watch this once? A must.
Rating: 8.1.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- In the Heat of the Night
- Drehorte
- Sparta, Illinois, USA(Sparta, Mississippi)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 27.669 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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