Füge eine Handlung in deiner Sprache hinzuRetrospective on the career of enigmatic screen diva Marlene Dietrich.Retrospective on the career of enigmatic screen diva Marlene Dietrich.Retrospective on the career of enigmatic screen diva Marlene Dietrich.
- Für 1 Oscar nominiert
- 5 Gewinne & 2 Nominierungen insgesamt
Marlene Dietrich
- Self - Narrator
- (Synchronisation)
Bernhard Hall
- Self
- (as Bernard Hall)
David Hemmings
- Self
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector Maximilian Schell got Marlene Dietrich to agree to appear in this documentary only on the stipulation that she not be photographed as she looked at the time. Instead, we only hear her in interviews.
- PatzerThe documentary states that "Dietrich" was the maiden name of Marlene's mother. This is completely untrue. Wilhelmina Dietrich was born Wilhelmina Felsing. Dietrich was the name of Marlene's biological father, Louis Dietrich, after whose death Wilhelmina married Eduard von Losch, who thereby became Marlene's stepfather.
- Zitate
[Last line, to director Maximilian Shell about this film]
Marlene Dietrich: You never sell that in America.
Ausgewählte Rezension
Yet, HERE! Perhaps the most intimate documentary ever filmed.
An 82-year old legend who refuses to be photographed, yet whose voice alone raises hackles, cackles and longing over a brilliant assemblage of stock and custom footage.
As much as anything, "Marlene" is a film about trying to film somebody: trying to know somebody.
"Nein, nein, nein," it begins. "No, no no," Marlene instantly dismisses us and this documentary.
Its last word, from Dietrich's own lips, finally resigned, crying softly, is, "Maybe." One of the most haunting, heartbreaking films ever made.
Never has there been as deep a glance into any other screen Goddess' life as this.
Ironic. The most private, iconic of early screen actresses, extends her career for nearly sixty years -- including live performances around the world (unlike, say, Greta Garbo) and culminates in one of the more enigmatic yet fulfilling performances of the century with her voice alone in "Marlene." Thanks solely to Maximillian Schell, whose genius as a film maker rose to Dietrich's genius as a tart risen to lady and finally to goddess.
"Maybe." Indeed.
An 82-year old legend who refuses to be photographed, yet whose voice alone raises hackles, cackles and longing over a brilliant assemblage of stock and custom footage.
As much as anything, "Marlene" is a film about trying to film somebody: trying to know somebody.
"Nein, nein, nein," it begins. "No, no no," Marlene instantly dismisses us and this documentary.
Its last word, from Dietrich's own lips, finally resigned, crying softly, is, "Maybe." One of the most haunting, heartbreaking films ever made.
Never has there been as deep a glance into any other screen Goddess' life as this.
Ironic. The most private, iconic of early screen actresses, extends her career for nearly sixty years -- including live performances around the world (unlike, say, Greta Garbo) and culminates in one of the more enigmatic yet fulfilling performances of the century with her voice alone in "Marlene." Thanks solely to Maximillian Schell, whose genius as a film maker rose to Dietrich's genius as a tart risen to lady and finally to goddess.
"Maybe." Indeed.
- Holdjerhorses
- 7. Aug. 2005
- Permalink
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 852.676 $
- Eröffnungswochenende in den USA und in Kanada
- 14.490 $
- 9. Nov. 1986
- Weltweiter Bruttoertrag
- 852.676 $
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