Eine sterbende Millionärin lässt ihre Seele in eine jüngere, willige Frau übertragen. Doch etwas geht schief, und sie findet sich im Körper ihres Anwalts wieder - zusammen mit dem Anwalt.Eine sterbende Millionärin lässt ihre Seele in eine jüngere, willige Frau übertragen. Doch etwas geht schief, und sie findet sich im Körper ihres Anwalts wieder - zusammen mit dem Anwalt.Eine sterbende Millionärin lässt ihre Seele in eine jüngere, willige Frau übertragen. Doch etwas geht schief, und sie findet sich im Körper ihres Anwalts wieder - zusammen mit dem Anwalt.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
- Peggy Schuyler
- (as Madolyn Smith)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTeddy Edwards: The tenor saxophonist legend in the funeral scene as a band leader on bass drum leading the Dixieland Band.
- PatzerAfter Edwina enters Roger's body and they use the bathroom for the first time, there are stalls behind Edwina. Behind Roger there is a wall. The same thing should be seen since he's looking into a mirror.
- Zitate
Edwina Cutwater: What is so important about sex?
Roger Cobb: What's so important about sex? That's like "What's important about laughing?" Or," "Duke Ellington" or the "World Series"? It's one of those things that makes you feel like you're really - living, Iike you're glad to be alive!
Edwina Cutwater: I am already glad to be alive. I don't need to play 'tonsil hockey' with some English tart to feel good. I already feel good. I feel wonderful In fact, I feel - quite tingly!
Roger Cobb: Yeah, that's right. Those are my tingles you're feeling.
Edwina Cutwater: What do you mean?
Roger Cobb: It's called "sexual - excitement".
Edwina Cutwater: It is?
Roger Cobb: Yes. If you think this feels good, wait'll you feel what hot, passionate boffing feels like.
Edwina Cutwater: And what happens? Bigger tingles?
Roger Cobb: Oh! Major tingles.
Edwina Cutwater: But, will she still respect us tomorrow?
Roger Cobb: She doesn't respect us now!
Edwina Cutwater: Let's boff.
- Alternative VersionenABC edited 3 minutes from this film for its 1987 network television premiere.
- SoundtracksAll of Me
Written by Seymour Simons and Gerald Marks
Performed by Joe Williams
Arranged by Billy May
Courtesy of Bourne Company
Played in closing credits
To watch Martin twist, writhe and convulse as he has to house Tomlin's spirit in his body is hilarious enough but to see one start a sentence and another finish it or verbally spar against each other is a pure delight.
Though Tomlin has little to do, she is more of a verbal comedienne while Martin was always more physical and spastic. Their pairing is genius, as this movie proves time and again.
Funny as it is, you'll get caught up in the story, too. Everyone is treated as an individual and gets to contribute thoughts, personalities and at least one good line and/or scene. Libertini is especially funny as a Hindu mystic ("BIG DOPE!").
Catch "All of Me" as soon as possible. You'll love all of it.
Ten stars.
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Box Office
- Bruttoertrag in den USA und Kanada
- 36.403.064 $
- Eröffnungswochenende in den USA und in Kanada
- 5.803.848 $
- 23. Sept. 1984
- Weltweiter Bruttoertrag
- 36.403.064 $