Zwei Zimmergenossinnen aus NYC haben einen Pakt, von der Brooklyn Bridge zu springen, wenn sie nicht vor ihrem 30. Lebensjahr einen Lebenspartner gefunden haben. Das ist weniger als einen Mo... Alles lesenZwei Zimmergenossinnen aus NYC haben einen Pakt, von der Brooklyn Bridge zu springen, wenn sie nicht vor ihrem 30. Lebensjahr einen Lebenspartner gefunden haben. Das ist weniger als einen Monat entfernt.Zwei Zimmergenossinnen aus NYC haben einen Pakt, von der Brooklyn Bridge zu springen, wenn sie nicht vor ihrem 30. Lebensjahr einen Lebenspartner gefunden haben. Das ist weniger als einen Monat entfernt.
Handlung
WUSSTEST DU SCHON:
- WissenswertesEmily Hart's film debut.
- PatzerWhen Joe is out jogging, he is being approached by two joggers coming the opposite direction. The first man has purple shorts and the second has purple jogging pants. However, after Joe is shown and camera returns to what Joe sees, the man in the jogging pants has completely disappeared.
- Zitate
Al: I'm proud of you Joe.
Joe MacGonaughgill: Why?
Al: You finally figured out the girl in your heart isn't the girl in your dreams. Some people don't figure it out all their lives.
First of all, I found the titular character to be pretty unlikeable. She's quick to point out everyone's shortcomings in a cold, clinical sort of way yet can't even look her father in the face when she talks about things that are important to her. She knocks her roommate for being afraid to talk to Jane when *she can't even talk to her own father*! She carries on this passion-less relationship with Dick, not even thinking that it might hurt him less to just cut it off.
I liked Joe, esp. his diatribes (still love that job in Central Park scene) but he too was hard to relate to. He hasn't had sex in five years because he's obsessed with Jane, the woman next door? OK, so I know this is Hollywood and things are exaggerated for comic effect, but what are we supposed to think of "Bwick?" The guy doesn't speak in complete sentences at first and seems near illiterate (or, I guess he's so enmeshed on the artistic plane that he can't be bothered with the concrete). I could have cried for Ben Stiller when again I saw the scene of him "painting" (i.e. yelling and hurling paint-coated body parts at canvas) - totally ridiculous. I know, that was the point... hook Lucy up with a nutter so that she'll realize what's under her nose.
When I first saw this movie, I think I was 28, and the idea of 30 still loomed ahead. Now, at 33, the idea of two single people taking their lives because they haven't found reasonable relationship material is not only beyond crazy, but it's insulting. (Well geez, maybe these guys would have found love if one hadn't wasted years obsessing over an unattainable woman and the other had extricated herself from a dead-end relationship!) It feeds into this ridiculous notion everyone under 30's got that somehow, single life goes downhill after one hits 30. (I can tell you it only gets better!) Still, "every pot finds its cover," and these two half-wits "find" each other by the end of the movie, so all's well that ends well.
- archer1267
- 6. Jan. 2001
- Permalink
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Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.420.162 $
- Eröffnungswochenende in den USA und in Kanada
- 1.308.088 $
- 10. März 1996
- Weltweiter Bruttoertrag
- 2.420.162 $
- Laufzeit1 Stunde 32 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1