Ein Navigator der Marine wird über feindlichem Gebiet abgeschossen und von einem Geheimpolizeivollstrecker und den gegnerischen Truppen rücksichtslos verfolgt.Ein Navigator der Marine wird über feindlichem Gebiet abgeschossen und von einem Geheimpolizeivollstrecker und den gegnerischen Truppen rücksichtslos verfolgt.Ein Navigator der Marine wird über feindlichem Gebiet abgeschossen und von einem Geheimpolizeivollstrecker und den gegnerischen Truppen rücksichtslos verfolgt.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Joaquim de Almeida
- Piquet
- (as Joaquim De Almeida)
Shane Johnson
- Red Crown Operator #2
- (as Shane Mikael Johnson)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDirector John Moore was nearly killed while operating the camera for the shot where the tank busts through the wall. He was pulled out of the way by stuntman Jimmy N. Roberts just in time. This take was used in the movie, and Moore's being pulled back is why the shot suddenly shakes.
- PatzerNo missile in existence would be capable of chasing the F/A-18 as it is portrayed in the film. A missiles rocket motor only holds enough fuel for one pass at a target. The second missile fired in the film flies through a fireball, completes a loop, and continues to chase the F/A-18 the way a dog chases a cat. In reality, the missile would have either exploded the first time it got close to the fighter, or simply ran out of fuel.
- Zitate
Stackhouse: We're not supposed to fly that sector, Chris. The brass will have a shit-fit.
Chris Burnett: Hey, we're on recon so let's recon something.
- Alternative VersionenThe UK theatrical version had one dialogue substitution (removal of a single use of the word "fuck") to secure the "12" rating. For the DVD/video release, this substitution was waived by the BBFC.
- VerbindungenFeatured in Behind the Scenes: Behind Enemy Lines (2002)
- SoundtracksWelcome to Mindhead (Abort Sequence Edit)
Performed by Compufonic
Written and Produced by Michael Licata and Carlos Vasquez
Ausgewählte Rezension
Let's see. Take one standard action film involving Americans, add in a new baddie for them to triumph over, and have the baddies act atrociously and brutally, then let the good guys be victorious in the end.
That about sums up BEL. It has reasonable special effects, a plot that is simple and oh so seen before, and a square jawed handsome hero (although, looking at Wilson's nose, not that handsome).
People have already remarked on various inaccuracies and symbolism such as the angel in the midst of war etc. Instead of going over those I'd like to point out the overriding message this film taught me.
That it's OK to disobey orders. Disobey them in such a way as to get your best friend killed. But that's OK, because no matter what happens when you disobey orders, it all comes out good in the end. You feel better about yourself and you'll bring the bad guys to book. So don't worry about your best friend. He was only a plot device anyway.
One thing is certain, though. As long as there is conflict in the world, there will be a Hollywood movie to glorify it and vilify the enemy.
And just who were the enemy? The Bosnians? The Serbs? The Croats? The film didn't seem very certain itself and neither was I, even at the end.
Particularly laughable (and somewhat disturbing) in this no brainer action film was the dreadful end sequence, where we get to find out (via the wonder of the subtitled explanation) what happens to the main characters.
Now, call me old-fashioned, but such final scene "what they did next" stuff in my book is reserved for two types of film - comedy spoofs and documentaries. This film is certainly no comedy, so the appearance of these notes, to me, would seem to imply that the movie was in part based in reality. I find this disturbing simply because there are any number of extremely dumb people out there that would see such final comments and assume the film was, after all, based on true events. And it's this kind of "it happened like this" cinema (which most often involves Americans saving the world) that concerns me most. U571 is another, now notorious, example of this. Apparently its true that history is written by the victors......
As for the movie, the opening scenes are the most rewarding. Once the movie passes into its middle it becomes a bit dull and the ending, as others have observed, is more like a Rambo film and gets quite farcical.
The movie is best watched whilst a few drinks shy of inebriation. You'll enjoy it more and not notice the foolishness (hopefully).
That about sums up BEL. It has reasonable special effects, a plot that is simple and oh so seen before, and a square jawed handsome hero (although, looking at Wilson's nose, not that handsome).
People have already remarked on various inaccuracies and symbolism such as the angel in the midst of war etc. Instead of going over those I'd like to point out the overriding message this film taught me.
That it's OK to disobey orders. Disobey them in such a way as to get your best friend killed. But that's OK, because no matter what happens when you disobey orders, it all comes out good in the end. You feel better about yourself and you'll bring the bad guys to book. So don't worry about your best friend. He was only a plot device anyway.
One thing is certain, though. As long as there is conflict in the world, there will be a Hollywood movie to glorify it and vilify the enemy.
And just who were the enemy? The Bosnians? The Serbs? The Croats? The film didn't seem very certain itself and neither was I, even at the end.
Particularly laughable (and somewhat disturbing) in this no brainer action film was the dreadful end sequence, where we get to find out (via the wonder of the subtitled explanation) what happens to the main characters.
Now, call me old-fashioned, but such final scene "what they did next" stuff in my book is reserved for two types of film - comedy spoofs and documentaries. This film is certainly no comedy, so the appearance of these notes, to me, would seem to imply that the movie was in part based in reality. I find this disturbing simply because there are any number of extremely dumb people out there that would see such final comments and assume the film was, after all, based on true events. And it's this kind of "it happened like this" cinema (which most often involves Americans saving the world) that concerns me most. U571 is another, now notorious, example of this. Apparently its true that history is written by the victors......
As for the movie, the opening scenes are the most rewarding. Once the movie passes into its middle it becomes a bit dull and the ending, as others have observed, is more like a Rambo film and gets quite farcical.
The movie is best watched whilst a few drinks shy of inebriation. You'll enjoy it more and not notice the foolishness (hopefully).
- Rob_Taylor
- 25. Dez. 2004
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Tras las Lineas Enemigas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 58.856.790 $
- Eröffnungswochenende in den USA und in Kanada
- 18.736.133 $
- 2. Dez. 2001
- Weltweiter Bruttoertrag
- 91.753.202 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
What was the official certification given to Im Fadenkreuz - Allein gegen alle (2001) in Japan?
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