IMDb-BEWERTUNG
7,4/10
72.824
IHRE BEWERTUNG
Nachdem Carlos - ein Zwölfjähriger, dessen Vater im spanischen Bürgerkrieg gestorben ist - in einem ominösen Jungenwaisenhaus ankommt, entdeckt er, dass die Schule verflucht ist und viele du... Alles lesenNachdem Carlos - ein Zwölfjähriger, dessen Vater im spanischen Bürgerkrieg gestorben ist - in einem ominösen Jungenwaisenhaus ankommt, entdeckt er, dass die Schule verflucht ist und viele dunkle Geheimnisse hat, die er aufdecken muss.Nachdem Carlos - ein Zwölfjähriger, dessen Vater im spanischen Bürgerkrieg gestorben ist - in einem ominösen Jungenwaisenhaus ankommt, entdeckt er, dass die Schule verflucht ist und viele dunkle Geheimnisse hat, die er aufdecken muss.
- Auszeichnungen
- 6 Gewinne & 11 Nominierungen insgesamt
Francisco Maestre
- El Puerco
- (as Paco Maestre)
Javier Bódalo
- Búho
- (as Javier González Madrigal)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDescribed by Guillermo del Toro as being a sibling film to Pans Labyrinth (2006) (this being the masculine "brother" film, and Pan's as the feminine "sister" film).
- PatzerThe amount of gold Jacinto puts in his pockets and ties to his belt would probably pull his pants off and definitely make it impossible for him to stand and walk the way he does.
- Crazy CreditsDuring the opening credits sequence, the letters of the film's title can be seen floating around the preserved fetuses. Eventually, the letters come together to form the title.
- VerbindungenFeatured in The 100 Scariest Movie Moments: Part II: 75-51 (2004)
- SoundtracksUna lágrima
Written by Eugenio Cardenas (as E. Cardenas) and Nicolás Verona (as N. Verona)
Performed by Carlos Gardel
Courtesy Blue Moon Producciones Discograficas
Ausgewählte Rezension
I like most of the plot structure of The Devil's Backbone. It is a powerful film that does a good job of showing the struggle of these orphans during the Spanish Civil War, and the struggles of those who are running the orphanage. There are a number of endearing characters, and their frustrations felt quite genuine. It was easy to sympathize with them, and I found myself forgiving some of their misdeeds because of the awful situation that trapped them in this place. I could even see where the villain was coming from, and how he came to be this man (even if he was a bit over-the-top at times.) The kids were mostly strong actors, and Fernando Tielve in particular gave an emotional performance that I enjoyed as the new boy to the orphanage. Likewise, it's easy to like Federico Luppi as the loving caretaker and doctor in the orphanage. There are also some solid visual effects and makeup work that made the ghost look creepy.
There's just one thing that stood out to me as a negative when watching The Devil's Backbone. I cannot understand why this is a ghost story. There is an intriguing drama going on with perfectly normal characters, and then there's a ghost. It is tacked on in the weirdest way, and never once feels like a natural part of the story. It made me think Guillermo del Toro was just testing the waters for what he would later do much more effectively in Pan's Labyrinth. That film blended the magical world into the story seamlessly, but The Devil's Backbone struggled to weave it together in a cohesive fashion. I've never been all that fond of ghost stories in the first place, so to see one grafted on like this lessened my enjoyment. I didn't even feel the scares were all that effective. I'm not sure if they were intending to make the film have a horror feel, but I could tell that there was nothing to fear from the ghost from the beginning. I still think The Devil's Backbone is an interesting film, and I appreciated most of the plot, I only wish it stuck to that main story and left the supernatural out.
There's just one thing that stood out to me as a negative when watching The Devil's Backbone. I cannot understand why this is a ghost story. There is an intriguing drama going on with perfectly normal characters, and then there's a ghost. It is tacked on in the weirdest way, and never once feels like a natural part of the story. It made me think Guillermo del Toro was just testing the waters for what he would later do much more effectively in Pan's Labyrinth. That film blended the magical world into the story seamlessly, but The Devil's Backbone struggled to weave it together in a cohesive fashion. I've never been all that fond of ghost stories in the first place, so to see one grafted on like this lessened my enjoyment. I didn't even feel the scares were all that effective. I'm not sure if they were intending to make the film have a horror feel, but I could tell that there was nothing to fear from the ghost from the beginning. I still think The Devil's Backbone is an interesting film, and I appreciated most of the plot, I only wish it stuck to that main story and left the supernatural out.
- blott2319-1
- 21. Juli 2020
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Das Rückgrat des Teufels
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 755.249 $
- Eröffnungswochenende in den USA und in Kanada
- 34.963 $
- 25. Nov. 2001
- Weltweiter Bruttoertrag
- 6.582.065 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was The Devil's Backbone (2001) officially released in India in English?
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