Paul Atreides schließt sich mit Chani und den Fremen zusammen, um sich an den Verschwörern zu rächen, die seine Familie zerstört haben.Paul Atreides schließt sich mit Chani und den Fremen zusammen, um sich an den Verschwörern zu rächen, die seine Familie zerstört haben.Paul Atreides schließt sich mit Chani und den Fremen zusammen, um sich an den Verschwörern zu rächen, die seine Familie zerstört haben.
- Auszeichnungen
- 24 Gewinne & 143 Nominierungen insgesamt
Women in Science Fiction
Women in Science Fiction
Whether they are exploring the stars, escaping dystopias, or making the world a better place, these women are what science fiction is all about.
Handlung
WUSSTEST DU SCHON:
- WissenswertesStellan Skarsgård's body makeup took 8 hours to apply and 2 hours to remove for every day of shooting. He didn't drink anything and took Imodium pills in order to avoid having to go to the bathroom during shooting days.
- PatzerDuring action scenes, the goggles Paul and the Fremen wear will go from being on during wider shots, to being nowhere to be seen in close-ups. One might think the visors on the goggles are retractable, but there are several shots in which Paul will have his goggles pulled down around his neck.
- Zitate
Paul Atreides: I am Paul Muad'Dib Atreides, Duke of Arrakis. The Hand of God be my witness, I am the Voice from the Outer World! I will lead you to PARADISE!
- Crazy CreditsAt the start of the film, a Sardaukar priest chants "Power over spice is power over all" as a prologue as it is subtitled onscreen.
- VerbindungenFeatured in The 7PM Project: Folge vom 26. Februar 2024 (2024)
- SoundtracksHouse Atreides
Written by Hans Zimmer
Ausgewählte Rezension
Denis Villeneuve's DUNE: PART TWO is a review-proof film. Either you watched - and loved - the first part, in which case you have already gone out and seen it. Or...you didn't like the first part (or didn't watch it), in which case you are not going to the Cineplex to check out the sequel.
If you ARE going to see this film, the BankofMarquis strongly recommends you see it in theaters with the best sound and largest screen possible...for 2 reasons.
Reason 1: This film is visually and audibly stunning. It is a feast for the eyes and ears. Director Villeneuve (and all involved in the production, costume, sound and Fx design) have topped the very high bar they set for themselves with the first Dune and expect this film to rake in ALL of these types of awards come next Oscars' season. They visually (and audibly) credibly present new worlds in such a way that you are sure that the movie was filmed on location when (in fact) it is all pretty much green sky. An amazing technical achievement
Reason 2: It's a good thing that this film is visually and audibly stunning, because the storyline itself, is rather boring and somewhat complex. This is the fault of the source novel as Dune (and it's sequels) are just as interested in the politics and back room dealings of how you turn a hero into a Messiah (with a ton of backstory and plot development thought by the characters - never a good way to present a movie). So you will want to watch this in a theater so you can keep focused on the plot (as opposed to at home where you will be tempted to pick up your phone, pet the dog, go make a sandwich etc.) and not miss some of the intricacies.
Caught between Reason 1 and Reason 2 are a laundry list of performers and performances that are struggling to match the technical achievements of Dune: Part Two while acting against a green screen with some long, boring speeches and some very clunky dialogue.
Timothee Chalamet, Zendaya, Rebecca Ferguson and Charlotte Rampling all return from the first part and they are "just fine", not really elevating things, but not bringing them down either. They gamely bring their best to a rather difficult and thankless job.
Thank goodness Javier Bardem and Josh Brolin are back as their characters bring some life and energy to the proceedings while Florence Pugh, Dave Bautista, Lea Seydoux, Stellan Skarsgard and (especially) Christopher Walken (!) are wasted in their roles, really being more of a piece of furniture to move around rather than anything that represents an interesting character.
Only Austin Butler's Feyd-Rautha brings new excitement to the 2nd half of this 2 hour and 40 minute epic and, by that point in this film, it is much needed.
Come to DUNE: PART TWO for the visual and sound achievements and stay for...the visual and sound achievements - and the setup to the inevitable sequel.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
If you ARE going to see this film, the BankofMarquis strongly recommends you see it in theaters with the best sound and largest screen possible...for 2 reasons.
Reason 1: This film is visually and audibly stunning. It is a feast for the eyes and ears. Director Villeneuve (and all involved in the production, costume, sound and Fx design) have topped the very high bar they set for themselves with the first Dune and expect this film to rake in ALL of these types of awards come next Oscars' season. They visually (and audibly) credibly present new worlds in such a way that you are sure that the movie was filmed on location when (in fact) it is all pretty much green sky. An amazing technical achievement
Reason 2: It's a good thing that this film is visually and audibly stunning, because the storyline itself, is rather boring and somewhat complex. This is the fault of the source novel as Dune (and it's sequels) are just as interested in the politics and back room dealings of how you turn a hero into a Messiah (with a ton of backstory and plot development thought by the characters - never a good way to present a movie). So you will want to watch this in a theater so you can keep focused on the plot (as opposed to at home where you will be tempted to pick up your phone, pet the dog, go make a sandwich etc.) and not miss some of the intricacies.
Caught between Reason 1 and Reason 2 are a laundry list of performers and performances that are struggling to match the technical achievements of Dune: Part Two while acting against a green screen with some long, boring speeches and some very clunky dialogue.
Timothee Chalamet, Zendaya, Rebecca Ferguson and Charlotte Rampling all return from the first part and they are "just fine", not really elevating things, but not bringing them down either. They gamely bring their best to a rather difficult and thankless job.
Thank goodness Javier Bardem and Josh Brolin are back as their characters bring some life and energy to the proceedings while Florence Pugh, Dave Bautista, Lea Seydoux, Stellan Skarsgard and (especially) Christopher Walken (!) are wasted in their roles, really being more of a piece of furniture to move around rather than anything that represents an interesting character.
Only Austin Butler's Feyd-Rautha brings new excitement to the 2nd half of this 2 hour and 40 minute epic and, by that point in this film, it is much needed.
Come to DUNE: PART TWO for the visual and sound achievements and stay for...the visual and sound achievements - and the setup to the inevitable sequel.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
- bankofmarquis
- 22. März 2024
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
The Year in Posters
The Year in Posters
From Alien: Romulus to Road House, take a look back at some of our favorite posters of 2024.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Duna: Parte Dos
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 190.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 282.144.358 $
- Eröffnungswochenende in den USA und in Kanada
- 82.505.391 $
- 3. März 2024
- Weltweiter Bruttoertrag
- 714.444.358 $
- Laufzeit2 Stunden 46 Minuten
- Farbe
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen