Loved the idea for 'Fear Clinic', which for recent modest to low budget film viewings was one that was really quite creative. Executed right, 'Fear Clinic' had potential to be quite decent. The cover/poster/advertising was attention grabbing and does make one want to see the film. Robert Englund too is always watchable, despite being in a lot of bad projects.
'Fear Clinic' could have done so much more with such a great concept and is not necessarily a great film, or even particularly good. There are a fair few problematic elements here, including deciding early on whether to continue watching. That said, it is watchable enough, just about worth sticking with and the potential is not completely wasted. There are plus points, and fortunately in 'Fear Clinic's' case those plus points are quite big.
The best thing about 'Fear Clinic' is the acting which is really quite good, particularly from an against type but refreshingly sympathetic Englund and Fiona Dourif, providing a female lead that in lesser hands would have been completely bland and passive but given some steel with Dourif. There is some assured directing in the latter stages.
Surprisingly the effects are pretty cool and are nowhere near as amateurish as one would fear. The final third does intrigue and does have tension and suspense and the photography has slickness.
Unfortunately, it does take a while to get there. There are moments of promise in the first two thirds certainly, but 'Fear Clinic' does take far too long to get going and the draggy pacing is apparent frequently. Tension, suspense and creepiness are not consistent for such a freaky concept.
Some of 'Fear Clinic' is very predictable and the clarity not always there, parts are confused and disjointed. Despite the final third being where the film picks up significantly, the climax is on the bizarre side. Not all the production values are good, with far too much of an over-reliance of neon green lighting, which does make one feel there's something wrong with their eyes, a cheap-looking setting and editing that lacks fluidity.
In summary, watchable but not much special. 5/10 Bethany Cox
