Lorraine und Ed Warren reisen in den Londoner Norden, um einer alleinerziehenden Mutter mit vier Kindern zu helfen, die in einem Haus voller Geister und Dämonen leben.Lorraine und Ed Warren reisen in den Londoner Norden, um einer alleinerziehenden Mutter mit vier Kindern zu helfen, die in einem Haus voller Geister und Dämonen leben.Lorraine und Ed Warren reisen in den Londoner Norden, um einer alleinerziehenden Mutter mit vier Kindern zu helfen, die in einem Haus voller Geister und Dämonen leben.
- Auszeichnungen
- 4 Gewinne & 13 Nominierungen insgesamt
Robin Atkin Downes
- Demon Voice
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhile promoting the film in June 2016, star Vera Farmiga was still suffering from a swollen lymph node she received during filming, due to the intense screaming she had to perform. Due to technical challenges, she would sometimes do 50 takes in a row, all featuring her screaming.
- Patzer(at around 1h 26 mins) While Ed performs "Can't Help Falling In Love", a crew member can be seen in the reflection of the glass cabinet.
- Zitate
Janet Hodgson: [referring to the demon] It said it wants to hurt you.
Lorraine Warren: When did it say that?
Janet Hodgson: Right now.
- Crazy CreditsDuring the credits, actual images of The Warrens and The Hodgsons are shown.
- VerbindungenFeatured in Hollywood Express: #676 (2016)
- SoundtracksLondon Calling
Written by Joe Strummer (as Strummer) and Mick Jones (as Jones)
Performed by The Clash
Courtesy of Sony Music Entertainment (UK) Ltd
By arrangement with Sony Music Licensing
Ausgewählte Rezension
The Conjuring was a shocking horror film. It combined every creepy trope you can think of (ghosts, dolls, music boxes, mirrors, you name it), and it actually worked thanks to a genre-savvy director behind the curtains. James Wan has proved himself a capable producer on projects such as Saw and Insidious, and with The Conjuring, he cemented himself as a master of the genre. It had the perfect amalgam of horror tropes crafted in such a way that felt as fresh and spine-tingling as classic haunted house movies did in the '80s. The Conjuring 2 is another "based on true events" tale that has us follow expert paranormal investigators, the Warrens, this time solving the mystery of the Enfield Haunting.
Similar to the Amityville Haunting, the Enfield Haunting sees an English family plagued with a poltergeist that doesn't seem to enjoy the presence of anyone in the house. What The Conjuring 2 succeeds at is giving us both character development and another great story, which is exactly what a good sequel should do. The acting is uniformly great, but the true star of the film is James Wan. His shots are designed in a way to imbue dread and stir it around our heads for a while before hitting us with the scare. That's what true horror lacks these days, patience. The longer the anticipation is built and the more atmosphere is created, the more unsettling the situation becomes until it's like a ticking time bomb that you anxiously wait to go off. It uses familiar tropes, such as self-starting children's toys, slamming doors, and smashing furniture, but they're used as tools to mask the truly frightening fact that this family is up against something utterly beyond their control - they're hopeless, and we can feel it.
Mind you, The Conjuring 2 isn't without its faults. The runtime is a blatant offender. Pushing the 2-hour mark is never a good idea for a horror film, and some fat definitely could have been trimmed. There are a handful of cheap scares, audio scares to be precise - when the music gets extremely loud all of a sudden and you find yourself more annoyed than scared, quickly reaching for the remote to turn the volume down at the risk of enduring another ear drum shattering noise. It also doesn't feel as unique as its predecessor, understandably due to the very nature of sequels, but there are moments that drag on long enough to remind you that the first Conjuring didn't have these plodding plot points. For example, it takes about an hour for the Warrens to even get to England. Also, while in the haunted house, they're able to sleep through some horrifying sounds that would snap a bear right out of hibernation. But these dull spots and plot inconsistencies are few and far between.
The Conjuring 2 is how a horror sequel should be done. It's slick, stylish, fun, and at times, quite terrifying. When a horror movie makes me want to turn on the lights as I go roaming around the house at night, I consider that a job well done. The Conjuring 2, well done.
Similar to the Amityville Haunting, the Enfield Haunting sees an English family plagued with a poltergeist that doesn't seem to enjoy the presence of anyone in the house. What The Conjuring 2 succeeds at is giving us both character development and another great story, which is exactly what a good sequel should do. The acting is uniformly great, but the true star of the film is James Wan. His shots are designed in a way to imbue dread and stir it around our heads for a while before hitting us with the scare. That's what true horror lacks these days, patience. The longer the anticipation is built and the more atmosphere is created, the more unsettling the situation becomes until it's like a ticking time bomb that you anxiously wait to go off. It uses familiar tropes, such as self-starting children's toys, slamming doors, and smashing furniture, but they're used as tools to mask the truly frightening fact that this family is up against something utterly beyond their control - they're hopeless, and we can feel it.
Mind you, The Conjuring 2 isn't without its faults. The runtime is a blatant offender. Pushing the 2-hour mark is never a good idea for a horror film, and some fat definitely could have been trimmed. There are a handful of cheap scares, audio scares to be precise - when the music gets extremely loud all of a sudden and you find yourself more annoyed than scared, quickly reaching for the remote to turn the volume down at the risk of enduring another ear drum shattering noise. It also doesn't feel as unique as its predecessor, understandably due to the very nature of sequels, but there are moments that drag on long enough to remind you that the first Conjuring didn't have these plodding plot points. For example, it takes about an hour for the Warrens to even get to England. Also, while in the haunted house, they're able to sleep through some horrifying sounds that would snap a bear right out of hibernation. But these dull spots and plot inconsistencies are few and far between.
The Conjuring 2 is how a horror sequel should be done. It's slick, stylish, fun, and at times, quite terrifying. When a horror movie makes me want to turn on the lights as I go roaming around the house at night, I consider that a job well done. The Conjuring 2, well done.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Everything New on Max in January
Everything New on Max in January
Looking for something different to add to your Watchlist? Take a peek at what movies and TV shows are coming to streaming this month.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El conjuro 2
- Drehorte
- Graeme Road, Enfield, Greater London, England, Vereinigtes Königreich(exterior shots of Hodgson & Nottingham households)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 102.516.140 $
- Eröffnungswochenende in den USA und in Kanada
- 40.406.314 $
- 12. Juni 2016
- Weltweiter Bruttoertrag
- 322.811.702 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen