A tan solo 180 metros de la orilla, la surfista Nancy es atacada por un gran tiburón blanco, y su corto viaje a la seguridad se convierte en la última competición de voluntades.A tan solo 180 metros de la orilla, la surfista Nancy es atacada por un gran tiburón blanco, y su corto viaje a la seguridad se convierte en la última competición de voluntades.A tan solo 180 metros de la orilla, la surfista Nancy es atacada por un gran tiburón blanco, y su corto viaje a la seguridad se convierte en la última competición de voluntades.
- Premios
- 1 premio y 15 nominaciones en total
Joseph Salas
- Surfer
- (as Jose Manuel Trujillo Salas)
Sully Seagull
- Sully 'Steven' Seagull
- (as Sully 'Steven' Seagall)
Argumento
¿Sabías que...?
- CuriosidadesSteven Seagull's name in real life is Sully. He lives (to this day) in a seagull sanctuary in Australia. Two extra seagulls were used to portray Steven Seagull. According to producer Matti Leshem, she added "They were all good but not nearly as good as him. Peggy was the vocal one, the very squawky bird. Gaviota (which means seagull in Spanish), I think he's almost 30 [as Steven is estimated to be about 15 or 20 years old]. The most challenging thing about Sully as an actor is that seagulls are remarkably clean. They self clean a lot, so the blood on Sully, obviously fake blood, he kept wanting to clean it off, so we had to deal with that."
- PifiasAs all experienced surfers (as Nancy clearly is) would know, a whale carcass is almost guaranteed to attract sharks. Coming across one, a surfer would have hightailed it back to shore as fast as possible to avoid becoming part of a buffet. They would not move in for a closer look and hang about ogling it.
- Créditos adicionalesAs himself, Steven "Sully" Seagull.
- Banda sonoraEl Lado Más Bestia de la Vida (Walk On The Wild Side)
Written by Lou Reed
Performed by Albert Pla
Courtesy of Sony Music Entertainment España, S.L.
By arrangement with Sony Music Licensing
Nancy and Carlos are driving to the beach.
Reseña destacada
The Shallows knows exactly what it is, and that's the best praise I can give it. It's barely 90 minutes long, has a small cast, and only one location. Its only purpose is to give you a thrill-ride during that time; an adrenaline rush based on an ubiquitous fear among humans: being stranded in the ocean with a shark. However as the title suggests, this doesn't take place in the middle of the ocean. This woman is stranded only a couple hundred yards from the shore, close enough to potentially shout for help. What The Shallows does so well is establish this sense of isolation and hopelessness for our main character, and her situation of being so close yet so far from safety.
Blake Lively is great in this role. It's mostly a reactionary role - not much dialogue aside from some early establishing conversations to develop her character. For the majority of the film Lively is terrified and fighting for survival against a deadly shark. This thing is huge, like the Jaws' shark's father huge. And it's interesting to see how she follows its patterns and observes its behavior, allowing her to act accordingly without being trapped. There are some far-fetched scenes, sure, but Jaws had them as well and it's hailed as a classic. Now I'm not saying The Shallows is as good a movie as Jaws, because it certainly isn't. But again, the movie knows what it is, and as a short shark thriller appealing solely to our primal fear, it gets the job done and then some.
Now, it has its faults. The electronic music during the surfing scenes was immediately off-putting, and there are some slo-mo shots that definitely did not deserve to be in slo-mo. But the directing as a whole is well done - gorgeous sweeping shots of the open ocean, the slow build up before the initial attack, showing the shark only when it's most effective. The writing is clever and practical, relatable to the point that you feel for this character's predicament, and the acting as I said is top notch. The Shallows doesn't break any new ground, but it does exactly what it sets out to do - give the audience yet another reason to avoid the beach.
Blake Lively is great in this role. It's mostly a reactionary role - not much dialogue aside from some early establishing conversations to develop her character. For the majority of the film Lively is terrified and fighting for survival against a deadly shark. This thing is huge, like the Jaws' shark's father huge. And it's interesting to see how she follows its patterns and observes its behavior, allowing her to act accordingly without being trapped. There are some far-fetched scenes, sure, but Jaws had them as well and it's hailed as a classic. Now I'm not saying The Shallows is as good a movie as Jaws, because it certainly isn't. But again, the movie knows what it is, and as a short shark thriller appealing solely to our primal fear, it gets the job done and then some.
Now, it has its faults. The electronic music during the surfing scenes was immediately off-putting, and there are some slo-mo shots that definitely did not deserve to be in slo-mo. But the directing as a whole is well done - gorgeous sweeping shots of the open ocean, the slow build up before the initial attack, showing the shark only when it's most effective. The writing is clever and practical, relatable to the point that you feel for this character's predicament, and the acting as I said is top notch. The Shallows doesn't break any new ground, but it does exactly what it sets out to do - give the audience yet another reason to avoid the beach.
- lnvicta
- 3 jul 2016
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- How long is The Shallows?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Infern blau
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 17.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 55.124.043 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 16.800.868 US$
- 26 jun 2016
- Recaudación en todo el mundo
- 119.100.758 US$
- Duración1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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