Un erudito solitario, en un viaje a Estambul, descubre a un Djinn que le ofrece tres deseos a cambio de su libertad.Un erudito solitario, en un viaje a Estambul, descubre a un Djinn que le ofrece tres deseos a cambio de su libertad.Un erudito solitario, en un viaje a Estambul, descubre a un Djinn que le ofrece tres deseos a cambio de su libertad.
- Premios
- 4 premios y 19 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesCinematographer John Seale came out of retirement for the second time to shoot this movie. He'd previously done so in 2012 to shoot George Miller's previous film Mad Max: Furia en la carretera (2015).
- PifiasThe Djinn says that his third story begins in 1620, after 100 years of wandering invisibly following the death of Gulten and Mustafa. But Mustafa died in 1553, only 67 years before 1620.
- Citas
Alithea Binnie: Love is a gift. It's a gift of oneself given freely. It's not something one can ever ask for.
- Créditos adicionalesIdris Alba and Tilda Swinton were double-billed in the opening credits.
- Banda sonoraCautionary Tale
Music written by Tom Holkenborg (as Tom Holkenborg)
Lyrics by Augusta Gore, George Miller
Performed by Matteo Bocelli, Tom Holkenborg (as Tom Holkenborg)
Produced by Tom Holkenborg (as Tom Holkenborg)
Matteo Bocelli appears courtesy of Capitol Records
Reseña destacada
If you, like I was, are expecting a fast-paced, light-spirited, fun romp of visual extravaganza and witty dialogue along the journey that is Three Thousand Years of Longing ... you WILL be disappointed. Now, that is not meant to dissuade you from watching or enjoying it. On the contrary. It is simply meant to temper your expectations.
There is certainly much beauty in many of this film's scenes; from curious beauty in the mundane, to fabulous beauty in the fantastical. (There is also a musical scene that will spirit you away to decadent places). Sadly however, for some unknown reason, this film chooses to stay more in the realm of the mundane than the wondrous. The wasted shame in this is almost palpable.
The film also feels somewhat choppy or disconnected at times. This is especially true quite early, when it begins to touch upon and wander into the mythical almost immediately, but with no real explanation as to why or how those particular scenes tie in with the rest of the film.
Lastly, and most grievously, while all the right words existed for this story to be told ... it seemed to lack a bit of passion or fervor from the storytellers.
All this is NOT to imply that Three Thousand Years of Longing is without its merits.
For one, Swinton and Elba together (although IMO neither delivering their best performances), is still a treat. They are beautiful separately, and together, they are art. Neither however, could elevate the tone of the film because, intentionally or not, the MAIN TONE of several parts of the film, is more cacophony than cadence. It is my friends, also, far darker and sadder in parts, than what may be expected.
Think of it as a bedtime story for adults where the story is entertaining enough, and the pictures are beautiful, but the Happily Ever After may be a tad bland, bittersweet and hard to swallow.
There is certainly much beauty in many of this film's scenes; from curious beauty in the mundane, to fabulous beauty in the fantastical. (There is also a musical scene that will spirit you away to decadent places). Sadly however, for some unknown reason, this film chooses to stay more in the realm of the mundane than the wondrous. The wasted shame in this is almost palpable.
The film also feels somewhat choppy or disconnected at times. This is especially true quite early, when it begins to touch upon and wander into the mythical almost immediately, but with no real explanation as to why or how those particular scenes tie in with the rest of the film.
Lastly, and most grievously, while all the right words existed for this story to be told ... it seemed to lack a bit of passion or fervor from the storytellers.
All this is NOT to imply that Three Thousand Years of Longing is without its merits.
For one, Swinton and Elba together (although IMO neither delivering their best performances), is still a treat. They are beautiful separately, and together, they are art. Neither however, could elevate the tone of the film because, intentionally or not, the MAIN TONE of several parts of the film, is more cacophony than cadence. It is my friends, also, far darker and sadder in parts, than what may be expected.
Think of it as a bedtime story for adults where the story is entertaining enough, and the pictures are beautiful, but the Happily Ever After may be a tad bland, bittersweet and hard to swallow.
- Her-Excellency
- 28 ago 2022
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- How long is Three Thousand Years of Longing?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Three Thousand Years of Longing
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 8.286.741 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.919.717 US$
- 28 ago 2022
- Recaudación en todo el mundo
- 20.282.422 US$
- Duración1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to Tres mil años esperándote (2022) in Italy?
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