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TU PUNTUACIÓN
Añade un argumento en tu idiomaAn investigative reporter romances a suspected smuggler's daughter.An investigative reporter romances a suspected smuggler's daughter.An investigative reporter romances a suspected smuggler's daughter.
Claudia Coleman
- Mother Morgan
- (sin acreditar)
Lillian Harmer
- Gossip with Telescope
- (sin acreditar)
George Humbert
- Tony Silva
- (sin acreditar)
Rosita Marstini
- Mrs. Silva
- (sin acreditar)
Lee Phelps
- Reporter
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe composition "I Cover the Waterfront" became a popular jazz standard, in both vocal and instrumental versions, and was performed and recorded by many bands and vocalists from the 1930s on. Originally, the book the movie was based on inspired the tune; it was not written for the movie. However, the movie was re-scored just before its release to include the tune as an instrumental. Written by Johnny Green and Edward Heyman, the song went on to become a jazz standard recorded by many artists, including Billie Holiday, Louis Armstrong, Frank Sinatra, The Ink Spots, and Ella Fitzgerald, among others.
- PifiasThe news items about a woman giving birth in a water taxi, and the Empress of Britain docking that Joe reports over the telephone to the reporter at the news desk, had already appeared in print under his byline in the newspaper shown in the preceding sequence.
- Citas
Julie Kirk: I'm afraid of tomorrow, without you.
- Créditos adicionalesThe opening credits are shown as if displayed on a front page of a newspaper with headlines and photos.
- Versiones alternativasCut to 58 minutes in some DVD releases.
- ConexionesReferenced in Miss London Ltd. (1943)
- Banda sonoraI COVER THE WATERFRONT
(uncredited)
Music by Johnny Green
Played during main title and quoted in the score
Reseña destacada
On the San Diego coast, hard-nosed reporter Ben Lyon (H. Joseph "Joe" Miller) suspects nasty seafaring Captain Ernest Torrence (as Eli Kirk) is part of a smuggling racket. Indeed, Mr. Torrence is cleverly shipping illegal Chinese immigrants to California. But, neither Mr. Lyon nor the local Coast Guard can catch him in the act. And, Lyon's editor wants him to cover stories like the report of a nude woman swimming in the ocean. Wearing only a bathing cap, but conveniently posed behind a large rock, the naked woman turns out to be beautiful Claudette Colbert (as Julie). When Lyon learns Ms. Colbert is Torrence's daughter, he decides a quick romance with the attractive Colbert might net him the proof he needs to bag the crook.
This story, while flawed in a couple of important ways, is full of clever touches. The opening credits are noticeably well-done, in a "newspaper" style, they explain "I Cover the Waterfront" will be about, "The unique and personal experiences of a newspaper reporter covering a Pacific waterfront." Lyons and Torrence contribute fine, dependable characterizations. Colbert isn't entirely believable as Torrence's salty daughter; but, this could have been fixed with some slight script revisions. For example, Colbert could have been reconnecting with her father, after a long absence. Still, Colbert looks great from any angle.
Director James Cruze handles his players marvelously, with the most delightful scene occurring when Lyon takes Colbert on a date to the torture chamber of the "Prison Ship Santa Madre" and engages in her some bondage. "I can take it!" says a satisfied Colbert. Not so successful is the moment when Lyon slits a shark open to reveal an immigrant inside, which defies credulity. Sly innuendo is provided by "One Punch" Hobart Cavanaugh (as McCoy), Lyon's drunken companion. When Lyon pokes him in bed, Mr. Cavanaugh sheepishly catchphrases, "Not tonight, Josephine!" (remember, Lyon's character is named "Joseph"). "Women are all alike," he says later, "When you need them most, they are conspicuous by their absence." Credit writers Max Miller, Wells Root, and Jack Jevne.
******* I Cover the Waterfront (5/19/33) James Cruze ~ Ben Lyon, Claudette Colbert, Ernest Torrence, Hobart Cavanaugh
This story, while flawed in a couple of important ways, is full of clever touches. The opening credits are noticeably well-done, in a "newspaper" style, they explain "I Cover the Waterfront" will be about, "The unique and personal experiences of a newspaper reporter covering a Pacific waterfront." Lyons and Torrence contribute fine, dependable characterizations. Colbert isn't entirely believable as Torrence's salty daughter; but, this could have been fixed with some slight script revisions. For example, Colbert could have been reconnecting with her father, after a long absence. Still, Colbert looks great from any angle.
Director James Cruze handles his players marvelously, with the most delightful scene occurring when Lyon takes Colbert on a date to the torture chamber of the "Prison Ship Santa Madre" and engages in her some bondage. "I can take it!" says a satisfied Colbert. Not so successful is the moment when Lyon slits a shark open to reveal an immigrant inside, which defies credulity. Sly innuendo is provided by "One Punch" Hobart Cavanaugh (as McCoy), Lyon's drunken companion. When Lyon pokes him in bed, Mr. Cavanaugh sheepishly catchphrases, "Not tonight, Josephine!" (remember, Lyon's character is named "Joseph"). "Women are all alike," he says later, "When you need them most, they are conspicuous by their absence." Credit writers Max Miller, Wells Root, and Jack Jevne.
******* I Cover the Waterfront (5/19/33) James Cruze ~ Ben Lyon, Claudette Colbert, Ernest Torrence, Hobart Cavanaugh
- wes-connors
- 10 abr 2010
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Noticias del muelle (1998)
- Localizaciones del rodaje
- San Pedro, California, Estados Unidos(harbor and waterfront scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 12 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was A la sombra de los muelles (1933) officially released in Canada in English?
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