PUNTUACIÓN EN IMDb
7,2/10
8,6 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.A fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.A fun-loving couple, finding that they died and are now ghosts, decide to shake up the stuffy lifestyle of a friend of theirs.
- Nominado para 2 premios Óscar
- 2 nominaciones en total
J. Farrell MacDonald
- Policeman
- (as J. Farrell McDonald)
Harry Adams
- Nightclub Patron
- (sin acreditar)
Ernie Alexander
- Reporter
- (sin acreditar)
Irving Bacon
- Hotel Clerk
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe easiest part of the shoot for Cary Grant and Constance Bennett was the many special effects scenes, which only required them to record their lines while special effects artists made the various items they moved, from fountain pens to a pair of frilly lace panties, appear to move on their own.
- PifiasIn the Sea Breeze Hotel Lobby, Topper has a chair follow behind him, forcing him to sit whenever he stops walking. The second time it happens, Roland Young (aka, Topper) anticipates it a good second before the chair contacts the back of his legs. This implies that Young was sitting without certainty the stalking chair was behind him.
- Citas
Cosmo Topper: My wife objects to drinking.
George Kerby: Then she shouldn't drink.
Cosmo Topper: She doesn't.
George Kerby: What's her objection?
- ConexionesEdited into La pareja invisible se divierte (1938)
- Banda sonoraOld Man Moon
(1937)
Music & Lyrics by Hoagy Carmichael
Sung by Hoagy Carmichael (uncredited), Constance Bennett (uncredited) and Cary Grant (uncredited)
Played as dance music by nightclub orchestra and
Sung by Three Hits and a Miss (uncredited)
Reseña destacada
George & Marion Kerby like to live life to the max, they party hard and pursue the good time with carefree abandon. During one devil may care drive home fuelled with excess, they crash into a tree and are instantly killed, yet strangely their spirits are still on earth, and it would seem they need to achieve something of value before they can hit the big house in the sky. Enter regimental prig Cosmo Topper, a friend and colleague of the Kerby's, and someone who is about to become their pet make over project!
Based on Thorne Smith's novel, "The Jovial Ghosts", this is a truly delightful picture, it steams along at a fair old clip, and clocking in at just one and half hours in length, it never outstays its welcome. It would have been very sad if this had become a one joke movie, I mean just how many ghost gags can you pull off before it gets tiresome? Thankfully the makers of this breezy romp have pulled it all together to consistently tickle the ribs. The spooky effects for 1937 certainly hold up well, for sure they are far from perfect, but with the tone of this particular piece being one of mirth and cheekiness, one finds that the effects carry a decidedly uplifting charm.
The film boasts a wonderful turn from Roland Young as Cosmo Topper, as he lurches from one incredulous situation to another, he carries the film with consummate ease. As the Kerby's we get the bright Constance Bennett and the irrepressible comic talent of Cary Grant, with Bennett only bagging the role of Marion when the already cast Jean Harlow sadly passed away a month before the shoot. Grant stepped into the role of George after W.C. Fields vacated it, and we can only guess what sort of picture we would have got with the original cast choices. Yet I simply can't envisage the film being improved upon because Grant & Bennett literally do bounce of each other with cracking results.
From one spooky set up to the next, Topper is a cure for the blues, be it fisticuffs with cops, or turning a hotel inside out, it is quite simply a delicious piece of 30s comedy pie. 8/10
Based on Thorne Smith's novel, "The Jovial Ghosts", this is a truly delightful picture, it steams along at a fair old clip, and clocking in at just one and half hours in length, it never outstays its welcome. It would have been very sad if this had become a one joke movie, I mean just how many ghost gags can you pull off before it gets tiresome? Thankfully the makers of this breezy romp have pulled it all together to consistently tickle the ribs. The spooky effects for 1937 certainly hold up well, for sure they are far from perfect, but with the tone of this particular piece being one of mirth and cheekiness, one finds that the effects carry a decidedly uplifting charm.
The film boasts a wonderful turn from Roland Young as Cosmo Topper, as he lurches from one incredulous situation to another, he carries the film with consummate ease. As the Kerby's we get the bright Constance Bennett and the irrepressible comic talent of Cary Grant, with Bennett only bagging the role of Marion when the already cast Jean Harlow sadly passed away a month before the shoot. Grant stepped into the role of George after W.C. Fields vacated it, and we can only guess what sort of picture we would have got with the original cast choices. Yet I simply can't envisage the film being improved upon because Grant & Bennett literally do bounce of each other with cracking results.
From one spooky set up to the next, Topper is a cure for the blues, be it fisticuffs with cops, or turning a hotel inside out, it is quite simply a delicious piece of 30s comedy pie. 8/10
- hitchcockthelegend
- 21 mar 2008
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- How long is Topper?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 500.000 US$ (estimación)
- Duración1 hora 37 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Una pareja invisible (1937) officially released in India in English?
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