PUNTUACIÓN EN IMDb
6,6/10
4,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaTwo playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.
Elvia Allman
- Homely Girl
- (sin acreditar)
Johnny Arthur
- Timothy Willow
- (sin acreditar)
Bobby Barber
- Man Hit with Soap Suds
- (sin acreditar)
Monte Blue
- High Priest
- (sin acreditar)
Harry C. Bradley
- Secretary
- (sin acreditar)
Don Brodie
- Fred
- (sin acreditar)
Arthur Q. Bryan
- Bartender
- (sin acreditar)
James Conaty
- Yacht Party Guest
- (sin acreditar)
Carmen D'Antonio
- Native Girl
- (sin acreditar)
Paula DeCardo
- Native Dancing Girl
- (sin acreditar)
Jimmy Dime
- Sailor in Saloon
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAfter Fred MacMurray and George Burns turned down the chance to make this film, producer Harlan Thompson offered it to Bob Hope and Bing Crosby. Thompson had seen the pair clowning on the Paramount lot, and it seemed to him that they got along well.
- PifiasIn one of the opening shots of the ship coming into port, the smoke from factories along the shore is moving backwards into the smokestacks.
- Citas
Joshua 'Josh' Mallon V: If the world was run right, only women'd get married.
Ace Lannigan: Yeah. Hey, could they do that?
- ConexionesFeatured in Bing Crosby and Fred Astaire: A Couple of Song and Dance Men (1975)
- Banda sonoraFaithful Forever
(1939) (uncredited)
Music by [Ralph Rainger] and [Leo Robin]
Played in the score during Josh's engagement party
Reseña destacada
Fleeing misadventures with girls once again, two playboys escape from women (in particular an arranged marriage for Josh Mallon by his shipping magnate father). However when they arrive in Singapore they meet Mima. A first the two use her for free labour, then they want their freedom from a woman but then they realise that they both want some time with her and compete for her affections.
The first of the successful Road movies is the foundation on which the others were build, basically meaning that this is straight to formula without the shine and added touches that we got with the middle movies (before they just got silly towards the end). The plot is stronger as a result but it does feel a little ordinary in comparison to some of their later hi-jinx. However the film is weakened by far too many musical numbers, I don't mind about 2 or even 3 but here it was pushing up to about 5+ in a 80 minute run time. While these do give the film a more general entertainment value I prefer the out and out comedy of Hope and Crosby and the songs took away from that.
This is not to say it isn't funny, but just that the duo seem to be finding their feet still. The jokes are good and the banter is sharp without being too knowing. Crosby plays the playboy very well and Hope is more controlled than usual he is actually operating within the bounds of the film and not doing any knowing gags. This is a bit of a surprise for me as I'm used to hope being bigger than the film and interacting with the audience, but I still enjoyed it, he even worked better in the serious parts. Lamour is more understated than later films but it is strange to see a woman so clearly white portraying a woman supposed to be of ethnic origin but I guess that's the period.
Overall this is an enjoyable film but not the Road series at it's best. Instead this is the birth of the series and the formula is in place with a solid plot and songs, personally I preferred the middle movies where they let rip with the comedy a bit more but not to the point of silliness.
The first of the successful Road movies is the foundation on which the others were build, basically meaning that this is straight to formula without the shine and added touches that we got with the middle movies (before they just got silly towards the end). The plot is stronger as a result but it does feel a little ordinary in comparison to some of their later hi-jinx. However the film is weakened by far too many musical numbers, I don't mind about 2 or even 3 but here it was pushing up to about 5+ in a 80 minute run time. While these do give the film a more general entertainment value I prefer the out and out comedy of Hope and Crosby and the songs took away from that.
This is not to say it isn't funny, but just that the duo seem to be finding their feet still. The jokes are good and the banter is sharp without being too knowing. Crosby plays the playboy very well and Hope is more controlled than usual he is actually operating within the bounds of the film and not doing any knowing gags. This is a bit of a surprise for me as I'm used to hope being bigger than the film and interacting with the audience, but I still enjoyed it, he even worked better in the serious parts. Lamour is more understated than later films but it is strange to see a woman so clearly white portraying a woman supposed to be of ethnic origin but I guess that's the period.
Overall this is an enjoyable film but not the Road series at it's best. Instead this is the birth of the series and the formula is in place with a solid plot and songs, personally I preferred the middle movies where they let rip with the comedy a bit more but not to the point of silliness.
- bob the moo
- 5 jun 2003
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- How long is Road to Singapore?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Road to Singapore
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Ruta de Singapur (1940) officially released in India in English?
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