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TU PUNTUACIÓN
Dos hermanos tratan de ganarse la vida precariamente como camioneros; uno de ellos resulta herido, el otro es acusado del asesinato de su amigo.Dos hermanos tratan de ganarse la vida precariamente como camioneros; uno de ellos resulta herido, el otro es acusado del asesinato de su amigo.Dos hermanos tratan de ganarse la vida precariamente como camioneros; uno de ellos resulta herido, el otro es acusado del asesinato de su amigo.
Eddie Acuff
- Driver in Café
- (sin acreditar)
William Bendix
- Truck Driver Watching Pinball Game
- (sin acreditar)
Marie Blake
- Waitress
- (sin acreditar)
Chet Brandenburg
- Man Griping at Farnsworth
- (sin acreditar)
Eddy Chandler
- Driver
- (sin acreditar)
Richard Clayton
- Young Man
- (sin acreditar)
Joyce Compton
- Sue Carter
- (sin acreditar)
Alan Davis
- Driver
- (sin acreditar)
Joe Devlin
- Fatso
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe wife of producer Mark Hellinger, Gladys Glad, a former showgirl for Broadway producer Florenz Ziegfeld Jr., was responsible for getting this film made. Hellinger had brought home a large stack of scripts that he was to read for filming consideration. He had leafed through the script and read the summary, but felt that "nobody would pay money to see a bunch of truck drivers." His wife read this script, liked it, and pressured Hellinger to read it. Reluctantly, he did, the film eventually got made, and it became the sleeper hit of the year for Warners. It was made for an estimated $400,000 and grossed more than $4 million. (Source: Book "The Mark Hellinger Story" by Jim Bishop, New York: Appleton-Century-Crofts, 1952)
- PifiasWhen Joe and Paul's truck crashes, a motorist in a 1933 Cadillac with California license number 2N 214 stops to give assistance. Later, at Ed and Lana Carlson's anniversary party the same car (and same license number) is shown as one of Ed's cars as he demonstrates his garage door opener.
- Citas
Ed Carlsen: Early to rise and early to bed, makes a man healthy, but socially dead!
- ConexionesFeatured in Hollywood: The Great Stars (1963)
- Banda sonoraWhen the Swallows Come Back to Capistrano
(1940) (uncredited)
Music by Leon René
Played at Mandel's Cafe
Reseña destacada
Truck-driving brothers GEORGE RAFT and HUMPHREY BOGART not only have to put up with the hazards of wildcat driving but the manipulations of the scheming wife of boss ALAN HALE, played with intense conviction by IDA LUPINO.
But it's a plodding tale that takes awhile to work up any steam while director Raoul Walsh concentrates on the rough-housing camaraderie of the blue collar set before getting to the heart of the story involving two very different women--the good one, ANN SHERIDAN, and the femme fatale played with relish by IDA LUPINO. It is the romantic trio that ends in tragedy that gives the film its potent interest.
Lupino's mad scene on the stand is worth waiting for--although not entirely convincing. Nevertheless, she creates a vixen you won't soon forget.
George Raft ambles pleasantly through a rather dull role while Humphrey Bogart, as his brother, attracts more attention in a sideline role. Ann Sheridan is a sheer delight, adding her usual warmth and zest to a typical Sheridan role. The script crackles with tart remarks.
Not exactly great filmmaking--and too long in getting started--but worth the wait for some good performances. Only drawback seemed to be ALAN HALE as an oafish boss who becomes even more obnoxious when he's drunk. Hale overplays the role to such a degree that, in a way, it comes as a relief to see Ida knock him off with those car doors. "The doors made me do it!" is her scream from the witness stand.
Summing up: the kind of melodrama Warner was famous for in the '40s with the right cast doing it justice.
But it's a plodding tale that takes awhile to work up any steam while director Raoul Walsh concentrates on the rough-housing camaraderie of the blue collar set before getting to the heart of the story involving two very different women--the good one, ANN SHERIDAN, and the femme fatale played with relish by IDA LUPINO. It is the romantic trio that ends in tragedy that gives the film its potent interest.
Lupino's mad scene on the stand is worth waiting for--although not entirely convincing. Nevertheless, she creates a vixen you won't soon forget.
George Raft ambles pleasantly through a rather dull role while Humphrey Bogart, as his brother, attracts more attention in a sideline role. Ann Sheridan is a sheer delight, adding her usual warmth and zest to a typical Sheridan role. The script crackles with tart remarks.
Not exactly great filmmaking--and too long in getting started--but worth the wait for some good performances. Only drawback seemed to be ALAN HALE as an oafish boss who becomes even more obnoxious when he's drunk. Hale overplays the role to such a degree that, in a way, it comes as a relief to see Ida knock him off with those car doors. "The doors made me do it!" is her scream from the witness stand.
Summing up: the kind of melodrama Warner was famous for in the '40s with the right cast doing it justice.
- Doylenf
- 15 ago 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- They Drive by Night
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 400.000 US$ (estimación)
- Duración1 hora 35 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was La pasión ciega (1940) officially released in India in English?
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