PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
La azarosa vida de un pequeño coche azul.La azarosa vida de un pequeño coche azul.La azarosa vida de un pequeño coche azul.
Imágenes
Stan Freberg
- Junk Dealer
- (sin acreditar)
- …
Bob Jackman
- Car
- (sin acreditar)
Clark Lagerstrom
- Maniac Martin
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThis film, one of the favorite cartoons of John Lasseter, provided inspiration for the animators of Cars (2006). In particular, both films place the car characters' eyes in the windshield (making them more expressive), instead of the headlights like most other animated cars.
- ConexionesEdited into Get It Right: Following Directions with Goofy (1982)
Reseña destacada
A Walt Disney Cartoon.
Sweet & stylish, SUSIE THE LITTLE BLUE COUPE lives a happy life with her owner until wear & tear makes him trade her in for a younger model.
This is a very agreeable little film, with plenty of good humor & fine animation and once again illustrates Disney's adeptness at giving sympathetic life to an inanimate object. Susie's story was written by Disney animator Bill Peet and is very similar to those he would later author as a celebrated children's author. As always, Sterling Holloway makes the perfect narrator.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
Sweet & stylish, SUSIE THE LITTLE BLUE COUPE lives a happy life with her owner until wear & tear makes him trade her in for a younger model.
This is a very agreeable little film, with plenty of good humor & fine animation and once again illustrates Disney's adeptness at giving sympathetic life to an inanimate object. Susie's story was written by Disney animator Bill Peet and is very similar to those he would later author as a celebrated children's author. As always, Sterling Holloway makes the perfect narrator.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
- Ron Oliver
- 27 may 2003
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Detalles
- Duración8 minutos
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Susie, el pequeño cupé azul (1952) officially released in Canada in English?
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