Los internos de un campo de prisioneros de guerra alemán de la Segunda Guerra Mundial realizan una campaña de espionaje y sabotaje justo debajo de las narices de sus guardianes.Los internos de un campo de prisioneros de guerra alemán de la Segunda Guerra Mundial realizan una campaña de espionaje y sabotaje justo debajo de las narices de sus guardianes.Los internos de un campo de prisioneros de guerra alemán de la Segunda Guerra Mundial realizan una campaña de espionaje y sabotaje justo debajo de las narices de sus guardianes.
- Ganó 2 premios Primetime Emmy
- 3 premios y 11 nominaciones en total
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Argumento
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- CuriosidadesRobert Clary was a survivor of the Holocaust.
- PifiasThe Gestapo did not wear black uniforms as seen in Hogan's Heroes. While it was certainly a nice touch of artistic license to differentiate the more sinister Gestapo like Major Hochstetter from the relatively benign Luftwaffe guards, this type of black uniform was a ceremonial uniform seen mostly on the guards at important buildings or at state functions. The appearances by the Gestapo in plain clothes and a Nazi party tie pin are closer to the truth (as seen on En busca del arca perdida (1981), for example).
- Versiones alternativasA cropped, high-definition version of the series, with a 1.78 : 1 aspect ratio, is currently showing on the Universal HD cable channel. (All programs are shown in a widescreen format on Universal HD.) At the time "Hogan's Heroes" was originally shown, there was no such thing as widescreen TV, and all television shows were presented in a 1.33:1 "Academy ratio" format. "Hogan's Heroes" was filmed in this aspect ratio, not in the current HD 16:9 television ratio so popular today.
- ConexionesFeatured in It'll Be Alright on the Night (1977)
Reseña destacada
This TV show is set in World War II, and that in itself was a very bold move to base a sitcom in a such a dark period of human history. This show excels for having, for the most part a good and generally non-realised talented cast. The stories are entertaining and have a decent amount of tension yet it most definitely doesn't take itself too seriously.
As a previous comment pointed out this show was one of the first to portray an African-American as an equal to white people which was very bold and positive move for a 1960's show. Star Trek had at the same time given black people and women a status of equality to men when they cast Nichelle Nichols as an African American woman as a main character. So I am very pleased at the fact that the producers took a chance and made this character righfully as an equal.
The theme music is catchy, ok may be slightly annoying but Jerry Fielding did a competent job. I a m not sure who scores the rest of the episodes, it seems they reuse and make music for certain episodes and recycle whenever they can probably due to budget but its edited nicely. You may be able to know that film editor Michael Kahn started his editing career on this show and has edited many of Steven Spielbergs films to the present. This brings up the issue of production quality. Not bad for 1960's standards for a less than 30 minute job, editing is pretty good, music, cinematography is alright. Not fantastic but this the 1960s.
The aforementioned cast are filled with talent. Most notably is the principle cast, Schultz (John Banner), Klink (Werner Klemperer) and Hogan (Bob Crane). This show has had nothing but top notch actors and guest actors. Bob Crane may have dabbled in some undesirable off-camera infamous affairs but he is nevertheless a great actor.
Watch this show if you haven't, some episodes are forgettable, some are great, some are just fantastic.
One of the all time best comedies? I would say most probably so :).
As a previous comment pointed out this show was one of the first to portray an African-American as an equal to white people which was very bold and positive move for a 1960's show. Star Trek had at the same time given black people and women a status of equality to men when they cast Nichelle Nichols as an African American woman as a main character. So I am very pleased at the fact that the producers took a chance and made this character righfully as an equal.
The theme music is catchy, ok may be slightly annoying but Jerry Fielding did a competent job. I a m not sure who scores the rest of the episodes, it seems they reuse and make music for certain episodes and recycle whenever they can probably due to budget but its edited nicely. You may be able to know that film editor Michael Kahn started his editing career on this show and has edited many of Steven Spielbergs films to the present. This brings up the issue of production quality. Not bad for 1960's standards for a less than 30 minute job, editing is pretty good, music, cinematography is alright. Not fantastic but this the 1960s.
The aforementioned cast are filled with talent. Most notably is the principle cast, Schultz (John Banner), Klink (Werner Klemperer) and Hogan (Bob Crane). This show has had nothing but top notch actors and guest actors. Bob Crane may have dabbled in some undesirable off-camera infamous affairs but he is nevertheless a great actor.
Watch this show if you haven't, some episodes are forgettable, some are great, some are just fantastic.
One of the all time best comedies? I would say most probably so :).
- homie_g
- 13 mar 2003
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By what name was Los héroes de Hogan (1965) officially released in India in English?
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