La rage au poing

Name: La rage au poing
Genre: Drama
Released: 1975-02-12
Duration: 1 h 30 min
Rating: 5.9
Cast: Gilles Chevallier, Françoise Dorner, Tony Gatlif

1975
1h 30min

PUNTUACIÓN EN IMDb

5,9/10

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Drama

Añade un argumento en tu idiomaTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of th... Leer todoTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemploy... Leer todoTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemployed and penniless, they all dream of consumption and possession. Until the day a fight turn... Leer todo

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PUNTUACIÓN EN IMDb

5,9/10

TU PUNTUACIÓN

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Curiosidades
Italian censorship visa # 70005 delivered on 1 April 1977.

Banda sonora
Les Larmes aux Yeux
Music by Éric Demarsan
Lyrics by Serge Koolen
Performed by Il était une Fois

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Reseña destacada

6/10

Rage in the streets

An unknown and totally lost and forgotten film from the mid seventies which was not a crime movie but a crime drama instead, social story emphasizing of the young punks. Acting not so good as it will be twenty or thirty years later, here the players overplay in such a manner that it is not as realistic as in LA HAINE for instance or COMME UN AIMANT. Lousy directing too, hesitating between tragedy and lighter moments. It was written by a young Tony Gatlif, the gypsy director. Some harsh sequences obliged the censors to postpone its released not before 1975, the film being shot in 1973, and for under 18 audiences. One of the earliest on this subject, though there were some in the fifties and sixties too, but not in the same manner, with such intensity.