Una adolescente en el Berlín de los 70 se vuelve adicta a la heroína. Todo en su vida comienza a distorsionarse y desaparecer lentamente a medida que se hace amiga de un pequeño grupo de adi... Leer todoUna adolescente en el Berlín de los 70 se vuelve adicta a la heroína. Todo en su vida comienza a distorsionarse y desaparecer lentamente a medida que se hace amiga de un pequeño grupo de adictos y se enamora de un prostituto drogadicto.Una adolescente en el Berlín de los 70 se vuelve adicta a la heroína. Todo en su vida comienza a distorsionarse y desaparecer lentamente a medida que se hace amiga de un pequeño grupo de adictos y se enamora de un prostituto drogadicto.
- Premios
- 2 premios y 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesMany extras and background artists appearing in the Sound Club and Railway Station scenes were real life youth, drug addicts, and prostitutes who were found by the production for the sequences involving crowds.
- PifiasChristiane F. plays the David Bowie album, "ChangesOneBowie," in her room. But the song that is heard - the German version of "Heroes" ("Helden") - is not on that particular record.
- Citas
Christiane: I felt so much, that I started to feel nothing.
- Créditos adicionalesDedicated to: Andreas W. "Atze" (1960 - 77), Axel W. (1960 - 77), Babette D. "Babsi" (1963 - 77) and all others who didn't have the luck and strength to survive.
- Versiones alternativasFor its UK theatrical release the film was cut by 12 secs by the BBFC, though video versions were much heavier cut by over 5 minutes with all of the edits made to scenes showing the preparation and injection of heroin. The cuts were fully waived in 2000 for all video and DVD releases.
Reseña destacada
I've seen many films portraying drug addiction but none with such terrifying authenitcity as this film. It's funny. I haven't really thought about this film in years and what made me suddenly think of it now was I was thinking about movies on my DVD wish list. CHRISTIANE F was on that list. So for s***s and giggles I ran a routine search in the Internet Movie Database (this site is GOD!!!) and low and behold, it was out!!! Naturally, I placed my order for it. As much as I wished it was the subtitled version (which is only available in PAL), I have the German version as well as the dubbed so that's not that bad. To those who have seen REQUIEM FOR A DREAM and thought that it was the most disturbing film they've seen about drug addiction, I have news for ya: you haven't seen anything yet! CHRISTIANE F., makes REQUIEM look like a Disney film in comparison. Although the English dubbing is really cheesy and bad, still it doesn't detract from Ulrich Edel's images of the dark, seedy, and depressing world of heroin addicts.
Subtitled, "Image of a Generation", CHRISTIANE F is the true story of a lonely, bored teenager in the '70's who gets into the drug scene at 12, hooked on heroin at 13 and becomes a prostitute at 14 to support her habit. There are a couple of things about this that struck me. First, was that Edel used all unknowns for the main parts, especially the kids. They acted so naturally, that even Edel makes the comment that "it's a wonder they haven't been actors or junkies their whole lives." Also the kids who played the main characters, were as close to the age as the real people they were portraying. Nadja Brunckhorst, who plays Christiane, was fourteen at the time and does a remarkable job. In fact, this movie pretty much made her a star in Germany and to this day has had a prolific acting career, mainly on German TV as well as some film work. The second was the use of David Bowie's music in the soundtrack. Now, I'm biased. I'm a huge fan of Bowie but even if I wasn't, his music was used to staggering effect. Truly memorable was the scene toward the end of the film as Bowie's song 'Sense of Doubt' is played in the background as Edel's camera pans across the sad, ghostly faces of people at the subway platform. The music captures the despair of the scene very well, almost too well for comfort. The music serves, as any great film music should, as another character in the film, helping to portray the despair, loneliness, bravado, confusion of adolescence. I feel I can identify with Christiane and her life when I was her age. I was lonely, alienated, and sad. Where as she escaped her pain with drugs, I escaped mine through my writing. I can sympathize completely. You want to fit in with a group so badly that you'll do things that you know you shouldn't just to "be cool". Well, I really wish more teenagers would be shown this film. Would it change a life? Maybe. I do know one thing for me: after reading her book, from which this film is based, I've found a kindred soul. From what I know, she is clean and has been since the film's original release. I hope she continues to have the strength to remain so. Because once a junkie, always a junkie. "We can be heroes, just for one day."-David Bowie, 'Heroes' This song becomes a very understated theme for this film, a song about hope in a film where there's very little hope to be found.
Subtitled, "Image of a Generation", CHRISTIANE F is the true story of a lonely, bored teenager in the '70's who gets into the drug scene at 12, hooked on heroin at 13 and becomes a prostitute at 14 to support her habit. There are a couple of things about this that struck me. First, was that Edel used all unknowns for the main parts, especially the kids. They acted so naturally, that even Edel makes the comment that "it's a wonder they haven't been actors or junkies their whole lives." Also the kids who played the main characters, were as close to the age as the real people they were portraying. Nadja Brunckhorst, who plays Christiane, was fourteen at the time and does a remarkable job. In fact, this movie pretty much made her a star in Germany and to this day has had a prolific acting career, mainly on German TV as well as some film work. The second was the use of David Bowie's music in the soundtrack. Now, I'm biased. I'm a huge fan of Bowie but even if I wasn't, his music was used to staggering effect. Truly memorable was the scene toward the end of the film as Bowie's song 'Sense of Doubt' is played in the background as Edel's camera pans across the sad, ghostly faces of people at the subway platform. The music captures the despair of the scene very well, almost too well for comfort. The music serves, as any great film music should, as another character in the film, helping to portray the despair, loneliness, bravado, confusion of adolescence. I feel I can identify with Christiane and her life when I was her age. I was lonely, alienated, and sad. Where as she escaped her pain with drugs, I escaped mine through my writing. I can sympathize completely. You want to fit in with a group so badly that you'll do things that you know you shouldn't just to "be cool". Well, I really wish more teenagers would be shown this film. Would it change a life? Maybe. I do know one thing for me: after reading her book, from which this film is based, I've found a kindred soul. From what I know, she is clean and has been since the film's original release. I hope she continues to have the strength to remain so. Because once a junkie, always a junkie. "We can be heroes, just for one day."-David Bowie, 'Heroes' This song becomes a very understated theme for this film, a song about hope in a film where there's very little hope to be found.
- goblingoddess
- 28 jul 2001
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Christiane F.
- Localizaciones del rodaje
- Europa-Center, Charlottenburg, Berlín, Alemania(highrise rooftop)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.000.000 DEM (estimación)
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By what name was Yo, Cristina F (1981) officially released in Canada in French?
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