PUNTUACIÓN EN IMDb
5,7/10
9,2 mil
TU PUNTUACIÓN
Un joven escritor desilusionado recurre a las drogas y la bebida para bloquear los recuerdos de su madre muerta y su esposa separada.Un joven escritor desilusionado recurre a las drogas y la bebida para bloquear los recuerdos de su madre muerta y su esposa separada.Un joven escritor desilusionado recurre a las drogas y la bebida para bloquear los recuerdos de su madre muerta y su esposa separada.
- Premios
- 2 nominaciones en total
Bernard Zette
- Stevie
- (as Zette)
Argumento
¿Sabías que...?
- CuriosidadesIn a 2011 interview with "The A. V. Club," David Hyde Pierce said that it cost him more to join the Screen Actors Guild (so that he could appear in this movie) than he was paid for his role, so he had to borrow the dues money from his agent. His character's name was "Bartender at Fashion Show", and his one line was, "Sorry, the bar is closed."
- PifiasDuring Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking.
- Citas
Ferret Man: Wanna buy a ferret?
Jamie Conway: No. No, thanks.
Ferret Man: Loose joints. Genuine Hawaiian sens. His name is Fred...
- Versiones alternativasThe Indian television premiere was heavily edited by 12 minutes to reduce language, and heavy drug usage for a 'U' (unrestricted) certificate.
- Banda sonoraLove Attack
Performed by Konk
Courtesy of Dog Brothers Records
Produced by Shannon Dawson & G. "Love" Jay
1986 Single
Words & Music by Shannon Dawson & G. "Love" Jay
Reseña destacada
I remember the ads for this film on TV when it came out, and it seemed appealing to me then, even though I did not see it until recently on video. I must say this is not a bad film by any means, and has quite a bit to say about the struggles of young adults trying to "find their place" in the world. It seems to me to be sort of the father of "Trainspotting" in several ways (drugs, youth struggling with identity in society, narration, etc.), although not nearly as elaborately produced, there are some pretty decent elements of style incorporated some of which work well, some not so well.
Frankly I was surprised this was a Hollywood picture. The subject matter is not something that one would think people would flock to see, but maybe the producers thought it might be a new kind of "Breakfast Club" type film. Who knows, but it was an interesting risk that didn't pan out, as I do not recall this being a very successful film at the box office, but I admire the attempt at bringing it to a wide audience.
Some of the scenes seem a bit awkward, like the opening of the film at the former, great, NYC club, The Paladium, and the ferrit scene towards the end, and the confrontations with Pheobe Kates. However one has to wonder if this was intentional, because of the film makers' apparent desire to show that in "reality" things are not always so comfortable.
Overall a film worth one's time, if you keep your mind open a little bit. This is not Hollywood fluff, but it isn't a Lions Gate release either. I think Michael J Fox also deserves a lot of credit for doing "Bright Lights, Bit City" because this was the height of his career and to take on such a risk and a challenging as an actor should be commended. The movie is a pretty good attempt at handling a subject that is a reality for many youth. I think this audience is the one who would have most use out of such a film so if you fit in that category, it's worth your time.
Frankly I was surprised this was a Hollywood picture. The subject matter is not something that one would think people would flock to see, but maybe the producers thought it might be a new kind of "Breakfast Club" type film. Who knows, but it was an interesting risk that didn't pan out, as I do not recall this being a very successful film at the box office, but I admire the attempt at bringing it to a wide audience.
Some of the scenes seem a bit awkward, like the opening of the film at the former, great, NYC club, The Paladium, and the ferrit scene towards the end, and the confrontations with Pheobe Kates. However one has to wonder if this was intentional, because of the film makers' apparent desire to show that in "reality" things are not always so comfortable.
Overall a film worth one's time, if you keep your mind open a little bit. This is not Hollywood fluff, but it isn't a Lions Gate release either. I think Michael J Fox also deserves a lot of credit for doing "Bright Lights, Bit City" because this was the height of his career and to take on such a risk and a challenging as an actor should be commended. The movie is a pretty good attempt at handling a subject that is a reality for many youth. I think this audience is the one who would have most use out of such a film so if you fit in that category, it's worth your time.
- prezike
- 15 jul 2002
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- How long is Bright Lights, Big City?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Llums de neó
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 16.118.077 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.126.791 US$
- 3 abr 1988
- Recaudación en todo el mundo
- 16.118.077 US$
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Noches de neón (1988) officially released in India in English?
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