Un policía racista recibe un trasplante de corazón de un abogado negro al que odia, que regresa como un fantasma para pedir al policía que le ayude a acabar con los hombres que le asesinaron... Leer todoUn policía racista recibe un trasplante de corazón de un abogado negro al que odia, que regresa como un fantasma para pedir al policía que le ayude a acabar con los hombres que le asesinaron.Un policía racista recibe un trasplante de corazón de un abogado negro al que odia, que regresa como un fantasma para pedir al policía que le ayude a acabar con los hombres que le asesinaron.
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- CuriosidadesIt was long rumored that Denzel Washington was allegedly talked into making this film by his agent. He also allegedly fired him shortly afterwards because of how terrible the reception for it was. However, in 2017 Washington's publicist was asked about this "fact" in a story on the movie at 'The Ringer' and stated for the record that the rumor was not and never had been true.
- PifiasWhen Mooney and Stone's mother are standing at the foot of the bed and Mooney opens his shirt, you can see Stone's mother's hand on his chest, but in the next shot, she is just now reaching for his chest.
- Citas
[Stone, now in spirit form, sneezes]
Jack Moony: How can you be sick? You're dead!
Napoleon Stone: It's psychological.
[Moony laughs]
Napoleon Stone: What's so funny?
Jack Moony: A hypochondriac spook.
- Banda sonoraUzube Nami Baba
Performed by Ladysmith Black Mambazo
Published by Shissa International
Courtesy of Gallo GRC Records
This film is weird though, for sure. It tries to be a little bit of everything: A buddy cop movie, a comedy, a romantic drama, and an action movie. It actually succeeds, at least somewhat, even if it's not perfect. I totally get the hate for this movie, I understand why it was savaged, and maybe it's just my love of Denzel that makes me soft to this, but I didn't mind it.
This film occurred during Denzel's strange string of films during his rise to success in the 80s and 90s. Denzel was obviously being nudged in the action star direction by his agent, which makes sense looking at his early career. It seems like for every successful, important film he did, he did another less successful, more exploitative action/thriller film; Mo' Better Blues/Heart Condition (1990), Mississippi Masala/Ricochet (1991), Much Ado About Nothing/The Pelican Brief (1993), Devil in a Blue Dress/Crimson Tide/Virtuosity (1995), He Got Game/The Siege (1998), The Hurricane/The Bone Collector (1999). Notice the pattern? Basically Denzel made a lot of great underrated films on his rise to success.
Bob Hoskins and Denzel Washington are both great in their roles, and Denzel is definitely likable even if his character is supposed to be sleazy and despicable. Hoskins isn't exactly likable, at least until halfway through the movie, but he does grow on you, and both actors definitely elevate the material above a dumb made-for-TV piece of crap.
This is described as an action comedy, but it's definitely more of a comedy with action in it. There're two action scenes, the car and foot chase in the beginning, and the final shootout. In between it's basically comedic dialogue and romantic drama. The film's drawn-out climax definitely feels like it belongs in another movie, and Hoskins isn't the first actor I'd've picked to see in a shootout (then again, I wouldn't've picked Denzel to play an obnoxious but funny ghost).
The movie's main problem is its tonal shifts. Any genre-hybrid movies will often have this problem, and this film does too. A light fantasy comedy sometimes, a heavy drama at others, and the violent climax all don't fit incredibly well-together, but it's fun so who cares? It just gave itself too many things to juggle at once, and a film shouldn't have to work too hard to achieve its purpose.
You have to go into this movie with low expectations, like me, and you'll probably be surprised, or you just have to be in a good mood.
- monkeysgalore
- 7 feb 2020
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Heart Condition
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.134.992 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.149.786 US$
- 4 feb 1990
- Recaudación en todo el mundo
- 4.134.992 US$
- Duración1 hora 40 minutos
- Color
- Relación de aspecto
- 1.85 : 1