Un vagabundo sin nombre se pone un uniforme de cartero, coge una bolsa de correo y comienza una búsqueda para inspirar esperanza a los supervivientes que viven en la América postapocalíptica... Leer todoUn vagabundo sin nombre se pone un uniforme de cartero, coge una bolsa de correo y comienza una búsqueda para inspirar esperanza a los supervivientes que viven en la América postapocalíptica.Un vagabundo sin nombre se pone un uniforme de cartero, coge una bolsa de correo y comienza una búsqueda para inspirar esperanza a los supervivientes que viven en la América postapocalíptica.
- Premios
- 7 premios y 7 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesTom Petty mentioned back in 1982 while filming the video for his song "You Got Lucky" (a post-apocalyptic themed story) he wanted to do a small part in a futuristic movie. He said he wanted to portray a post war character, which he finally did in this movie.
- PifiasAs The Postman and General Bethlehem are starting their parley in the climactic scene, a cameraman and camera are visible on the rock face behind the General.
- Citas
The Postman: Wouldn't it be great if wars could be fought just by the assholes who started them?
- ConexionesEdited from Soldado universal (1992)
- Banda sonoraYou Didn't Have To Be So Nice
Written by John Sebastian and Steve Boone
Produced by Ted Templeman and Ben Schnee
Performed by Amy Grant and Kevin Costner
Amy Grant Appears Courtesy of A&M Records, Inc. A PolyGram Company
Reseña destacada
I truly do NOT understand why The Postman was attacked as viscously as it was by the film media (there films much more worthy of the Golden Raspberry Awards in 1997). I loved this film and was very impressed with the loving amount of dedication that it demonstrates on the part of the actors, writers and director. This was a GOOD movie: it had a strong and intelligent story; excellent and interesting characters; and real feel for the post-Apocalypse genre. I felt that Kevin Costner's everyman act worked beautifully in this film and created a sense of reality for the character and of his situation.
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).
- A-Ron-2
- 18 feb 2000
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- El missatger del futur
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 80.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 17.626.234 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.260.324 US$
- 28 dic 1997
- Recaudación en todo el mundo
- 17.626.234 US$
- Duración2 horas 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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Principal laguna de datos
What is the Japanese language plot outline for Mensajero del futuro (1997)?
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