Flores de Shanghai

At the end of the 19th century, Chinese officials used to spend their leisure time in lush brothels in the British concession of Shanghai. Hou Hsiao-Hsien's 'Hai Shang Hua' depicts the intricate social network sustained in those premises by the customers, the girls (called flowers) and the Madams. The personal relations in those brothels were ruled by pleasure, money, love and social status in a perfect parallel to the 'outside' society, which, in turn, is perceived throughout the film almost as unreal. Hou is a master creating ambiences: the film transmits an extraordinarily subtle feeling of warmth and suffocation fostered by a miraculous music. With neither a beginning nor an end, this superb film is not apt for those looking for adventures and easy-to-tell stories.